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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2C349 it is the complementary color #4D3CB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2C349. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2C349 shade: #B7C344, #C8D557, #D9E76A, #EAF97D and #FBFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2C349. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2C349 shade: #B2C349, #A1B136, #909F23, #7F8D10 and #6E7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2C349 shade: #B2C34B, #C3B34B, #C3934B, #C3734B and #C3524B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2C349 shade: #B2C34B, #92C34B, #72C34B, #51C34B and #4BC365

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2C349 shade matches the following richer shades: #B2C34B, #C0D638, #CEEA24 and #DCFD11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2C349 shade: #B2C34B, #A4B05F, #969C72, #888985 and #7A7699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2C349 shade: #C3934B, #C3B34B, #B3C34B, #93C34B and #73C34B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2C349 shade: #808D2F, #9CAC39, #B2C34B, #C0CD6A and #CDD889

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2C349 shade: #B2C349, #4BC373 and #A34BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2C349 shade: #B2C349, #4BB3C3 and #C34BB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2C349 shade: #B2C349, #4BC373, #5B4BC3 and #C34B9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2C349 shade: #B2C349, #4BC397, #5B4BC3 and #C34B77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 63 / 24

HEX #B2C349

RGB 178 195 73

HSL 68.36, 0.5%, 0.53%

LAB 75.44, -22.33, 57.44

 

Complementary color

CMYK 58 / 67 / 0 / 29

HEX #4D3CB6

RGB 77 60 182

HSL 248.36, 0.5%, 0.47%

LAB 34.37, 41.3, -62.29

 

CMYK 6 / 0 / 65 / 24

HEX #B7C344

RGB 183 195 68

HSL 65.67, 0.51%, 0.52%

LAB 75.77, -20.6, 59.96

 

CMYK 6 / 0 / 59 / 16

HEX #C8D557

RGB 200 213 87

HSL 66.19, 0.6%, 0.59%

LAB 82.14, -21.19, 59.23

 

CMYK 6 / 0 / 54 / 9

HEX #D9E76A

RGB 217 231 106

HSL 66.72, 0.72%, 0.66%

LAB 88.42, -21.67, 58.28

 

CMYK 6 / 0 / 50 / 2

HEX #EAF97D

RGB 234 249 125

HSL 67.26, 0.91%, 0.73%

LAB 94.62, -22.06, 57.24

 

CMYK 2 / 0 / 44 / 0

HEX #FBFF90

RGB 251 255 144

HSL 62.16, 1%, 0.78%

LAB 97.65, -16.65, 52.36

 

CMYK 9 / 0 / 63 / 24

HEX #B2C349

RGB 178 195 73

HSL 68.36, 0.5%, 0.53%

LAB 75.44, -22.33, 57.44

 

CMYK 9 / 0 / 69 / 31

HEX #A1B136

RGB 161 177 54

HSL 67.8, 0.53%, 0.45%

LAB 68.96, -21.71, 57.98

 

CMYK 9 / 0 / 78 / 38

HEX #909F23

RGB 144 159 35

HSL 67.26, 0.64%, 0.38%

LAB 62.38, -20.92, 57.91

 

CMYK 10 / 0 / 89 / 45

HEX #7F8D10

RGB 127 141 16

HSL 66.72, 0.8%, 0.31%

LAB 55.68, -19.89, 56.68

 

CMYK 11 / 0 / 100 / 52

HEX #6E7B00

RGB 110 123 0

HSL 66.34, 1%, 0.24%

LAB 48.86, -18.61, 53.78

 

CMYK 9 / 0 / 62 / 24

HEX #B2C34B

RGB 178 195 75

HSL 68.5, 0.5%, 0.53%

LAB 75.45, -22.19, 56.61

 

CMYK 0 / 8 / 62 / 24

HEX #C3B34B

RGB 195 179 75

HSL 52, 0.5%, 0.53%

LAB 72.46, -6.93, 53.75

 

CMYK 0 / 25 / 62 / 24

HEX #C3934B

RGB 195 147 75

HSL 36, 0.5%, 0.53%

LAB 64.14, 10.22, 44.42

 

CMYK 0 / 41 / 62 / 24

HEX #C3734B

RGB 195 115 75

HSL 20, 0.5%, 0.53%

LAB 56.46, 27.76, 35.34

 

CMYK 0 / 58 / 62 / 24

HEX #C3524B

RGB 195 82 75

HSL 3.5, 0.5%, 0.53%

LAB 49.67, 44.78, 26.93

 

CMYK 9 / 0 / 62 / 24

HEX #B2C34B

RGB 178 195 75

HSL 68.5, 0.5%, 0.53%

LAB 75.45, -22.19, 56.61

 

CMYK 25 / 0 / 62 / 24

HEX #92C34B

RGB 146 195 75

HSL 84.5, 0.5%, 0.53%

LAB 73.32, -34.85, 53.66

 

CMYK 42 / 0 / 62 / 24

HEX #72C34B

RGB 114 195 75

HSL 100.5, 0.5%, 0.53%

LAB 71.63, -46.13, 51.32

 

CMYK 58 / 0 / 62 / 24

HEX #51C34B

RGB 81 195 75

HSL 117, 0.5%, 0.53%

LAB 70.38, -55.5, 49.56

 

CMYK 62 / 0 / 48 / 24

HEX #4BC365

RGB 75 195 101

HSL 133, 0.5%, 0.53%

LAB 70.5, -53.49, 37.36

 

CMYK 9 / 0 / 62 / 24

HEX #B2C34B

RGB 178 195 75

HSL 68.5, 0.5%, 0.53%

LAB 75.45, -22.19, 56.61

 

CMYK 10 / 0 / 74 / 16

HEX #C0D638

RGB 192 214 56

HSL 68.35, 0.66%, 0.53%

LAB 81.61, -26.77, 70.34

 

CMYK 12 / 0 / 85 / 8

HEX #CEEA24

RGB 206 234 36

HSL 68.48, 0.83%, 0.53%

LAB 88.01, -31.19, 81.68

 

CMYK 13 / 0 / 93 / 1

HEX #DCFD11

RGB 220 253 17

HSL 68.39, 0.98%, 0.53%

LAB 94.1, -34.64, 89.8

 

CMYK 9 / 0 / 62 / 24

HEX #B2C34B

RGB 178 195 75

HSL 68.5, 0.5%, 0.53%

LAB 75.45, -22.19, 56.61

 

CMYK 7 / 0 / 46 / 31

HEX #A4B05F

RGB 164 176 95

HSL 68.89, 0.34%, 0.53%

LAB 69.3, -16.62, 39.87

 

CMYK 4 / 0 / 27 / 39

HEX #969C72

RGB 150 156 114

HSL 68.57, 0.18%, 0.53%

LAB 62.91, -9.4, 21.33

 

CMYK 1 / 0 / 3 / 46

HEX #888985

RGB 136 137 133

HSL 75, 0.02%, 0.53%

LAB 56.9, -1.15, 2

 

CMYK 20 / 23 / 0 / 40

HEX #7A7699

RGB 122 118 153

HSL 246.86, 0.15%, 0.53%

LAB 51.15, 9.23, -18.32

 

CMYK 0 / 25 / 62 / 24

HEX #C3934B

RGB 195 147 75

HSL 36, 0.5%, 0.53%

LAB 64.14, 10.22, 44.42

 

CMYK 0 / 8 / 62 / 24

HEX #C3B34B

RGB 195 179 75

HSL 52, 0.5%, 0.53%

LAB 72.46, -6.93, 53.75

 

CMYK 8 / 0 / 62 / 24

HEX #B3C34B

RGB 179 195 75

HSL 68, 0.5%, 0.53%

LAB 75.53, -21.78, 56.71

 

CMYK 25 / 0 / 62 / 24

HEX #93C34B

RGB 147 195 75

HSL 84, 0.5%, 0.53%

LAB 73.38, -34.47, 53.74

 

CMYK 41 / 0 / 62 / 24

HEX #73C34B

RGB 115 195 75

HSL 100, 0.5%, 0.53%

LAB 71.68, -45.81, 51.38

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 9 / 0 / 67 / 33

HEX #9CAC39

RGB 156 172 57

HSL 68.35, 0.5%, 0.45%

LAB 67.18, -21.14, 54.87

 

CMYK 9 / 0 / 62 / 24

HEX #B2C34B

RGB 178 195 75

HSL 68.5, 0.5%, 0.53%

LAB 75.45, -22.19, 56.61

 

CMYK 6 / 0 / 48 / 20

HEX #C0CD6A

RGB 192 205 106

HSL 67.88, 0.5%, 0.61%

LAB 79.56, -18.86, 47.41

 

CMYK 5 / 0 / 37 / 15

HEX #CDD889

RGB 205 216 137

HSL 68.35, 0.5%, 0.69%

LAB 83.91, -15.91, 37.73

 

CMYK 9 / 0 / 63 / 24

HEX #B2C349

RGB 178 195 73

HSL 68.36, 0.5%, 0.53%

LAB 75.44, -22.33, 57.44

 

CMYK 62 / 0 / 41 / 24

HEX #4BC373

RGB 75 195 115

HSL 140, 0.5%, 0.53%

LAB 70.71, -51.21, 30.5

 

CMYK 16 / 62 / 0 / 24

HEX #A34BC3

RGB 163 75 195

HSL 284, 0.5%, 0.53%

LAB 47.95, 54.92, -47.47

 

CMYK 9 / 0 / 63 / 24

HEX #B2C349

RGB 178 195 73

HSL 68.36, 0.5%, 0.53%

LAB 75.44, -22.33, 57.44

 

CMYK 62 / 8 / 0 / 24

HEX #4BB3C3

RGB 75 179 195

HSL 188, 0.5%, 0.53%

LAB 67.78, -25.01, -17.1

 

CMYK 0 / 62 / 8 / 24

HEX #C34BB3

RGB 195 75 179

HSL 308, 0.5%, 0.53%

LAB 51.71, 60.12, -31.94

 

CMYK 9 / 0 / 63 / 24

HEX #B2C349

RGB 178 195 73

HSL 68.36, 0.5%, 0.53%

LAB 75.44, -22.33, 57.44

 

CMYK 62 / 0 / 41 / 24

HEX #4BC373

RGB 75 195 115

HSL 140, 0.5%, 0.53%

LAB 70.71, -51.21, 30.5

 

CMYK 53 / 62 / 0 / 24

HEX #5B4BC3

RGB 91 75 195

HSL 248, 0.5%, 0.53%

LAB 39.91, 38.95, -60.84

 

CMYK 0 / 62 / 21 / 24

HEX #C34B9B

RGB 195 75 155

HSL 320, 0.5%, 0.53%

LAB 50.69, 56.5, -19.43

 

CMYK 9 / 0 / 63 / 24

HEX #B2C349

RGB 178 195 73

HSL 68.36, 0.5%, 0.53%

LAB 75.44, -22.33, 57.44

 

CMYK 62 / 0 / 23 / 24

HEX #4BC397

RGB 75 195 151

HSL 158, 0.5%, 0.53%

LAB 71.39, -43.99, 12.31

 

CMYK 53 / 62 / 0 / 24

HEX #5B4BC3

RGB 91 75 195

HSL 248, 0.5%, 0.53%

LAB 39.91, 38.95, -60.84

 

CMYK 0 / 62 / 39 / 24

HEX #C34B77

RGB 195 75 119

HSL 338, 0.5%, 0.53%

LAB 49.46, 51.95, 0.26

 

Description

Color code: HEX #B2C349 | qconv.com Color code: HEX #B2C349 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 195 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 195 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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