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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2BCFE it is the complementary color #4D4301. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2BCFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2BCFE shade: #B7BCF9, #C8CEFF, #D9E0FF, #EAF2FF and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2BCFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2BCFE shade: #B2BCFE, #A1AAEB, #9098D8, #7F86C5 and #6E74B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2BCFE shade: #B4BDFE, #BEB4FE, #D2B4FE, #E6B4FE and #FAB4FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2BCFE shade: #B4BDFE and #B4B4FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2BCFE shade matches the following richer shades: #B4BDFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2BCFE shade: #B4BDFE, #BAC2F8, #C0C7F1, #C6CBEB and #CCD0E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2BCFE shade: #B4E5FE, #B4D1FE, #B4BEFE, #BEB4FE and #D1B4FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2BCFE shade: #6277FD, #8B9AFD, #B4BDFE, #DCE1FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2BCFE shade: #B2BCFE, #FEB4F9 and #DBFEB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2BCFE shade: #B2BCFE, #FEB4BE and #BEFEB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2BCFE shade: #B2BCFE, #FEB4F9, #FEF4B4 and #B4FEB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2BCFE shade: #B2BCFE, #FEB4E3, #FEF4B4 and #B4FECF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 26 / 0 / 0

HEX #B2BCFE

RGB 178 188 254

HSL 232.11, 0.97%, 0.85%

LAB 77.63, 11.13, -33.66

 

Complementary color

CMYK 0 / 13 / 99 / 70

HEX #4D4301

RGB 77 67 1

HSL 52.11, 0.97%, 0.15%

LAB 28.36, -2.97, 36.87

 

CMYK 27 / 24 / 0 / 2

HEX #B7BCF9

RGB 183 188 249

HSL 235.45, 0.85%, 0.85%

LAB 77.8, 11.36, -30.68

 

CMYK 22 / 19 / 0 / 0

HEX #C8CEFF

RGB 200 206 255

HSL 233.45, 1%, 0.89%

LAB 83.78, 8.03, -24.63

 

CMYK 15 / 12 / 0 / 0

HEX #D9E0FF

RGB 217 224 255

HSL 228.95, 1%, 0.93%

LAB 89.53, 3.71, -15.83

 

CMYK 8 / 5 / 0 / 0

HEX #EAF2FF

RGB 234 242 255

HSL 217.14, 1%, 0.96%

LAB 95.25, -0.22, -7.16

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 30 / 26 / 0 / 0

HEX #B2BCFE

RGB 178 188 254

HSL 232.11, 0.97%, 0.85%

LAB 77.63, 11.13, -33.66

 

CMYK 31 / 28 / 0 / 8

HEX #A1AAEB

RGB 161 170 235

HSL 232.7, 0.65%, 0.78%

LAB 71.09, 11.58, -33.59

 

CMYK 33 / 30 / 0 / 15

HEX #9098D8

RGB 144 152 216

HSL 233.33, 0.48%, 0.71%

LAB 64.44, 12.09, -33.56

 

CMYK 36 / 32 / 0 / 23

HEX #7F86C5

RGB 127 134 197

HSL 234, 0.38%, 0.64%

LAB 57.65, 12.67, -33.57

 

CMYK 38 / 35 / 0 / 30

HEX #6E74B2

RGB 110 116 178

HSL 234.71, 0.31%, 0.56%

LAB 50.71, 13.34, -33.62

 

CMYK 29 / 26 / 0 / 0

HEX #B4BDFE

RGB 180 189 254

HSL 232.7, 0.97%, 0.85%

LAB 78.02, 11.15, -33.04

 

CMYK 25 / 29 / 0 / 0

HEX #BEB4FE

RGB 190 180 254

HSL 248.11, 0.97%, 0.85%

LAB 76.52, 18.97, -35.29

 

CMYK 17 / 29 / 0 / 0

HEX #D2B4FE

RGB 210 180 254

HSL 264.32, 0.97%, 0.85%

LAB 78.17, 24.89, -32.62

 

CMYK 9 / 29 / 0 / 0

HEX #E6B4FE

RGB 230 180 254

HSL 280.54, 0.97%, 0.85%

LAB 79.97, 31, -29.7

 

CMYK 2 / 29 / 0 / 0

HEX #FAB4FE

RGB 250 180 254

HSL 296.76, 0.97%, 0.85%

LAB 81.9, 37.22, -26.57

 

CMYK 29 / 26 / 0 / 0

HEX #B4BDFE

RGB 180 189 254

HSL 232.7, 0.97%, 0.85%

LAB 78.02, 11.15, -33.04

 

CMYK 29 / 29 / 0 / 0

HEX #B4B4FE

RGB 180 180 254

HSL 240, 0.97%, 0.85%

LAB 75.76, 16.1, -36.54

 

CMYK 29 / 26 / 0 / 0

HEX #B4BDFE

RGB 180 189 254

HSL 232.7, 0.97%, 0.85%

LAB 78.02, 11.15, -33.04

 

CMYK 29 / 26 / 0 / 0

HEX #B4BDFE

RGB 180 189 254

HSL 232.7, 0.97%, 0.85%

LAB 78.02, 11.15, -33.04

 

CMYK 25 / 22 / 0 / 3

HEX #BAC2F8

RGB 186 194 248

HSL 232.26, 0.82%, 0.85%

LAB 79.5, 8.74, -27.52

 

CMYK 20 / 17 / 0 / 5

HEX #C0C7F1

RGB 192 199 241

HSL 231.43, 0.64%, 0.85%

LAB 80.96, 6.25, -21.51

 

CMYK 16 / 14 / 0 / 8

HEX #C6CBEB

RGB 198 203 235

HSL 231.89, 0.48%, 0.85%

LAB 82.23, 4.67, -16.36

 

CMYK 11 / 9 / 0 / 10

HEX #CCD0E5

RGB 204 208 229

HSL 230.4, 0.32%, 0.85%

LAB 83.76, 2.7, -10.82

 

CMYK 29 / 10 / 0 / 0

HEX #B4E5FE

RGB 180 229 254

HSL 200.27, 0.97%, 0.85%

LAB 88.4, -10.09, -17.23

 

CMYK 29 / 18 / 0 / 0

HEX #B4D1FE

RGB 180 209 254

HSL 216.49, 0.97%, 0.85%

LAB 83.16, 0.35, -25.17

 

CMYK 29 / 25 / 0 / 0

HEX #B4BEFE

RGB 180 190 254

HSL 231.89, 0.97%, 0.85%

LAB 78.28, 10.6, -32.65

 

CMYK 25 / 29 / 0 / 0

HEX #BEB4FE

RGB 190 180 254

HSL 248.11, 0.97%, 0.85%

LAB 76.52, 18.97, -35.29

 

CMYK 18 / 29 / 0 / 0

HEX #D1B4FE

RGB 209 180 254

HSL 263.51, 0.97%, 0.85%

LAB 78.08, 24.59, -32.76

 

CMYK 61 / 53 / 0 / 1

HEX #6277FD

RGB 98 119 253

HSL 231.87, 0.97%, 0.69%

LAB 54.95, 32.19, -69.31

 

CMYK 45 / 39 / 0 / 1

HEX #8B9AFD

RGB 139 154 253

HSL 232.11, 0.97%, 0.77%

LAB 66.28, 19.81, -51.04

 

CMYK 29 / 26 / 0 / 0

HEX #B4BDFE

RGB 180 189 254

HSL 232.7, 0.97%, 0.85%

LAB 78.02, 11.15, -33.04

 

CMYK 13 / 11 / 0 / 0

HEX #DCE1FE

RGB 220 225 254

HSL 231.18, 0.94%, 0.93%

LAB 89.96, 3.92, -14.62

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 30 / 26 / 0 / 0

HEX #B2BCFE

RGB 178 188 254

HSL 232.11, 0.97%, 0.85%

LAB 77.63, 11.13, -33.66

 

CMYK 0 / 29 / 2 / 0

HEX #FEB4F9

RGB 254 180 249

HSL 304.05, 0.97%, 0.85%

LAB 82.14, 37.57, -23.5

 

CMYK 14 / 0 / 29 / 0

HEX #DBFEB4

RGB 219 254 180

HSL 88.38, 0.97%, 0.85%

LAB 95.68, -23.71, 31.78

 

CMYK 30 / 26 / 0 / 0

HEX #B2BCFE

RGB 178 188 254

HSL 232.11, 0.97%, 0.85%

LAB 77.63, 11.13, -33.66

 

CMYK 0 / 29 / 25 / 0

HEX #FEB4BE

RGB 254 180 190

HSL 351.89, 0.97%, 0.85%

LAB 80.42, 28.24, 5.72

 

CMYK 25 / 0 / 29 / 0

HEX #BEFEB4

RGB 190 254 180

HSL 111.89, 0.97%, 0.85%

LAB 93.94, -33.54, 29.13

 

CMYK 30 / 26 / 0 / 0

HEX #B2BCFE

RGB 178 188 254

HSL 232.11, 0.97%, 0.85%

LAB 77.63, 11.13, -33.66

 

CMYK 0 / 29 / 2 / 0

HEX #FEB4F9

RGB 254 180 249

HSL 304.05, 0.97%, 0.85%

LAB 82.14, 37.57, -23.5

 

CMYK 0 / 4 / 29 / 0

HEX #FEF4B4

RGB 254 244 180

HSL 51.89, 0.97%, 0.85%

LAB 95.61, -6.13, 32.11

 

CMYK 29 / 0 / 27 / 0

HEX #B4FEB9

RGB 180 254 185

HSL 124.05, 0.97%, 0.85%

LAB 93.49, -35.94, 25.9

 

CMYK 30 / 26 / 0 / 0

HEX #B2BCFE

RGB 178 188 254

HSL 232.11, 0.97%, 0.85%

LAB 77.63, 11.13, -33.66

 

CMYK 0 / 29 / 11 / 0

HEX #FEB4E3

RGB 254 180 227

HSL 321.89, 0.97%, 0.85%

LAB 81.43, 33.83, -12.76

 

CMYK 0 / 4 / 29 / 0

HEX #FEF4B4

RGB 254 244 180

HSL 51.89, 0.97%, 0.85%

LAB 95.61, -6.13, 32.11

 

CMYK 29 / 0 / 19 / 0

HEX #B4FECF

RGB 180 254 207

HSL 141.89, 0.97%, 0.85%

LAB 93.92, -32.1, 15.28

 

Description

Color code: HEX #B2BCFE | qconv.com Color code: HEX #B2BCFE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 188 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 188 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 26 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 26% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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