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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2BA17 it is the complementary color #4D45E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2BA17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2BA17 shade: #B7BA12, #C8CC25, #D9DE38, #EAF04B and #FBFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2BA17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2BA17 shade: #B2BA17, #A1A804, #909600, #7F8400 and #6E7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2BA17 shade: #B2BA17, #BA9617, #BA6A17, #BA3E17 and #BA1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2BA17 shade: #B2BA17, #86BA17, #5ABA17, #2EBA17 and #17BA2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2BA17 shade matches the following richer shades: #B2BA17 and #C1CB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2BA17 shade: #B2BA17, #A3A928, #949839, #84874A and #75765B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2BA17 shade: #BA6917, #BA9417, #B5BA17, #89BA17 and #5EBA17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2BA17 shade: #6C710E, #8F9512, #B2BA17, #D5DF1C and #DFE73D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2BA17 shade: #B2BA17, #17BA3D and #7E17BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2BA17 shade: #B2BA17, #17B5BA and #BA17B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2BA17 shade: #B2BA17, #17BA3D, #1C17BA and #BA1794

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2BA17 shade: #B2BA17, #17BA6E, #1C17BA and #BA1763

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

Complementary color

CMYK 67 / 70 / 0 / 9

HEX #4D45E8

RGB 77 69 232

HSL 242.94, 0.78%, 0.59%

LAB 40.67, 51.9, -80.9

 

CMYK 2 / 0 / 90 / 27

HEX #B7BA12

RGB 183 186 18

HSL 61.07, 0.82%, 0.4%

LAB 73.04, -18.08, 72.12

 

CMYK 2 / 0 / 82 / 20

HEX #C8CC25

RGB 200 204 37

HSL 61.44, 0.69%, 0.47%

LAB 79.38, -19.3, 74.01

 

CMYK 2 / 0 / 75 / 13

HEX #D9DE38

RGB 217 222 56

HSL 61.81, 0.72%, 0.55%

LAB 85.65, -20.33, 74.78

 

CMYK 3 / 0 / 69 / 6

HEX #EAF04B

RGB 234 240 75

HSL 62.18, 0.85%, 0.62%

LAB 91.83, -21.21, 74.82

 

CMYK 2 / 0 / 63 / 0

HEX #FBFF5E

RGB 251 255 94

HSL 61.49, 1%, 0.68%

LAB 97.16, -20.52, 73.59

 

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 4 / 0 / 98 / 34

HEX #A1A804

RGB 161 168 4

HSL 62.56, 0.95%, 0.34%

LAB 66.21, -18.81, 67.93

 

CMYK 4 / 0 / 100 / 41

HEX #909600

RGB 144 150 0

HSL 62.4, 1%, 0.29%

LAB 59.65, -17.22, 63

 

CMYK 4 / 0 / 100 / 48

HEX #7F8400

RGB 127 132 0

HSL 62.27, 1%, 0.26%

LAB 52.97, -15.53, 57.44

HEX #7F8400

CMYK 4 / 0 / 100 / 55

HEX #6E7200

RGB 110 114 0

HSL 62.11, 1%, 0.22%

LAB 46.11, -13.8, 51.74

HEX #6E7200

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 0 / 19 / 88 / 27

HEX #BA9617

RGB 186 150 23

HSL 46.75, 0.78%, 0.41%

LAB 63.6, 2.21, 63.77

 

CMYK 0 / 43 / 88 / 27

HEX #BA6A17

RGB 186 106 23

HSL 30.55, 0.78%, 0.41%

LAB 52.74, 26.43, 55.05

 

CMYK 0 / 67 / 88 / 27

HEX #BA3E17

RGB 186 62 23

HSL 14.36, 0.78%, 0.41%

LAB 44.16, 48.29, 48.14

 

CMYK 0 / 88 / 88 / 27

HEX #BA1717

RGB 186 23 23

HSL 0, 0.78%, 0.41%

LAB 39.77, 60.48, 44.61

 

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 28 / 0 / 88 / 27

HEX #86BA17

RGB 134 186 23

HSL 79.14, 0.78%, 0.41%

LAB 69.65, -38.28, 67.06

 

CMYK 52 / 0 / 88 / 27

HEX #5ABA17

RGB 90 186 23

HSL 95.34, 0.78%, 0.41%

LAB 67.54, -53.42, 64.44

 

CMYK 75 / 0 / 88 / 27

HEX #2EBA17

RGB 46 186 23

HSL 111.53, 0.78%, 0.41%

LAB 66.34, -63.37, 62.92

 

CMYK 88 / 0 / 76 / 27

HEX #17BA2C

RGB 23 186 44

HSL 127.73, 0.78%, 0.41%

LAB 66.12, -64.9, 56.91

 

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 5 / 0 / 97 / 20

HEX #C1CB06

RGB 193 203 6

HSL 63.05, 0.94%, 0.41%

LAB 78.5, -22.35, 78.06

 

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 4 / 0 / 76 / 34

HEX #A3A928

RGB 163 169 40

HSL 62.79, 0.62%, 0.41%

LAB 66.76, -17.53, 60.88

 

CMYK 3 / 0 / 63 / 40

HEX #949839

RGB 148 152 57

HSL 62.53, 0.45%, 0.41%

LAB 60.82, -14.32, 47.98

 

CMYK 2 / 0 / 45 / 47

HEX #84874A

RGB 132 135 74

HSL 62.95, 0.29%, 0.41%

LAB 54.79, -10.66, 32.3

 

CMYK 1 / 0 / 23 / 54

HEX #75765B

RGB 117 118 91

HSL 62.22, 0.13%, 0.41%

LAB 48.88, -5.28, 14.79

 

CMYK 0 / 44 / 88 / 27

HEX #BA6917

RGB 186 105 23

HSL 30.18, 0.78%, 0.41%

LAB 52.51, 26.98, 54.86

 

CMYK 0 / 20 / 88 / 27

HEX #BA9417

RGB 186 148 23

HSL 46.01, 0.78%, 0.41%

LAB 63.08, 3.3, 63.35

 

CMYK 3 / 0 / 88 / 27

HEX #B5BA17

RGB 181 186 23

HSL 61.84, 0.78%, 0.41%

LAB 72.89, -18.84, 71.07

 

CMYK 26 / 0 / 88 / 27

HEX #89BA17

RGB 137 186 23

HSL 78.04, 0.78%, 0.41%

LAB 69.82, -37.11, 67.28

 

CMYK 49 / 0 / 88 / 27

HEX #5EBA17

RGB 94 186 23

HSL 93.87, 0.78%, 0.41%

LAB 67.69, -52.23, 64.63

 

CMYK 4 / 0 / 88 / 56

HEX #6C710E

RGB 108 113 14

HSL 63.03, 0.78%, 0.25%

LAB 45.68, -13.84, 48.19

 

CMYK 4 / 0 / 88 / 42

HEX #8F9512

RGB 143 149 18

HSL 62.75, 0.78%, 0.33%

LAB 59.32, -16.82, 59.77

 

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 4 / 0 / 87 / 13

HEX #D5DF1C

RGB 213 223 28

HSL 63.08, 0.78%, 0.49%

LAB 85.51, -23.32, 81.35

 

CMYK 3 / 0 / 74 / 9

HEX #DFE73D

RGB 223 231 61

HSL 62.82, 0.78%, 0.57%

LAB 88.53, -22.01, 76.06

 

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 88 / 0 / 67 / 27

HEX #17BA3D

RGB 23 186 61

HSL 133.99, 0.78%, 0.41%

LAB 66.24, -63.4, 50.65

 

CMYK 32 / 88 / 0 / 27

HEX #7E17BA

RGB 126 23 186

HSL 277.91, 0.78%, 0.41%

LAB 35.19, 65.28, -63.08

 

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 88 / 3 / 0 / 27

HEX #17B5BA

RGB 23 181 186

HSL 181.84, 0.78%, 0.41%

LAB 67.11, -34.73, -13.24

 

CMYK 0 / 88 / 3 / 27

HEX #BA17B5

RGB 186 23 181

HSL 301.84, 0.78%, 0.41%

LAB 44.78, 74.2, -44.14

 

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 88 / 0 / 67 / 27

HEX #17BA3D

RGB 23 186 61

HSL 133.99, 0.78%, 0.41%

LAB 66.24, -63.4, 50.65

 

CMYK 85 / 88 / 0 / 27

HEX #1C17BA

RGB 28 23 186

HSL 241.84, 0.78%, 0.41%

LAB 24.97, 56.66, -80.3

 

CMYK 0 / 88 / 20 / 27

HEX #BA1794

RGB 186 23 148

HSL 313.99, 0.78%, 0.41%

LAB 43.05, 69.65, -27.16

 

CMYK 4 / 0 / 88 / 27

HEX #B2BA17

RGB 178 186 23

HSL 62.94, 0.78%, 0.41%

LAB 72.66, -20.13, 70.78

 

CMYK 88 / 0 / 41 / 27

HEX #17BA6E

RGB 23 186 110

HSL 152.02, 0.78%, 0.41%

LAB 66.84, -56.13, 27.85

 

CMYK 85 / 88 / 0 / 27

HEX #1C17BA

RGB 28 23 186

HSL 241.84, 0.78%, 0.41%

LAB 24.97, 56.66, -80.3

 

CMYK 0 / 88 / 47 / 27

HEX #BA1763

RGB 186 23 99

HSL 332.02, 0.78%, 0.41%

LAB 41.14, 64.41, 0.27

 

Description

Color code: HEX #B2BA17 | qconv.com Color code: HEX #B2BA17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 186 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 186 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 88 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 88% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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