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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2B5DF it is the complementary color #4D4A20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2B5DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2B5DF shade: #B7B5DA, #C8C7ED, #D9D9FF, #EAEBFF and #FBFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2B5DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2B5DF shade: #B2B5DF, #A1A3CC, #9091B9, #7F7FA6 and #6E6D93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2B5DF shade: #B3B6DF, #BCB3DF, #C8B3DF, #D4B3DF and #DFB3DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2B5DF shade: #B3B6DF and #B3B3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2B5DF shade matches the following richer shades: #B3B6DF, #AAAEE8, #A2A7F0 and #999FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2B5DF shade: #B3B6DF, #BCBDD6, #C4C5CE, #CDCCC5 and #D6D4BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2B5DF shade: #B3CDDF, #B3C2DF, #B3B6DF, #BCB3DF and #C7B3DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2B5DF shade: #797EC7, #969AD3, #B3B6DF, #D0D2EB and #EDEEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2B5DF shade: #B2B5DF, #DFB3D9 and #C7DFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2B5DF shade: #B2B5DF, #DFB3B6 and #B6DFB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2B5DF shade: #B2B5DF, #DFB3D9, #DFDCB3 and #B3DFB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2B5DF shade: #B2B5DF, #DFB3CC, #DFDCB3 and #B3DFC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 19 / 0 / 13

HEX #B2B5DF

RGB 178 181 223

HSL 236, 0.41%, 0.79%

LAB 74.72, 7.68, -21.38

 

Complementary color

CMYK 0 / 4 / 58 / 70

HEX #4D4A20

RGB 77 74 32

HSL 56, 0.41%, 0.21%

LAB 30.83, -5.34, 25.2

 

CMYK 16 / 17 / 0 / 15

HEX #B7B5DA

RGB 183 181 218

HSL 243.24, 0.33%, 0.78%

LAB 74.94, 8.15, -18.31

 

CMYK 16 / 16 / 0 / 7

HEX #C8C7ED

RGB 200 199 237

HSL 241.58, 0.51%, 0.85%

LAB 81.42, 7.86, -18.62

 

CMYK 15 / 15 / 0 / 0

HEX #D9D9FF

RGB 217 217 255

HSL 240, 1%, 0.93%

LAB 87.77, 7.39, -18.46

 

CMYK 8 / 8 / 0 / 0

HEX #EAEBFF

RGB 234 235 255

HSL 237.14, 1%, 0.96%

LAB 93.51, 3.38, -9.75

 

CMYK 2 / 1 / 0 / 0

HEX #FBFDFF

RGB 251 253 255

HSL 210, 1%, 0.99%

LAB 99.21, -0.3, -1.19

 

CMYK 20 / 19 / 0 / 13

HEX #B2B5DF

RGB 178 181 223

HSL 236, 0.41%, 0.79%

LAB 74.72, 7.68, -21.38

 

CMYK 21 / 20 / 0 / 20

HEX #A1A3CC

RGB 161 163 204

HSL 237.21, 0.3%, 0.72%

LAB 68.12, 8, -21.14

 

CMYK 22 / 22 / 0 / 27

HEX #9091B9

RGB 144 145 185

HSL 238.54, 0.23%, 0.65%

LAB 61.38, 8.35, -20.91

 

CMYK 23 / 23 / 0 / 35

HEX #7F7FA6

RGB 127 127 166

HSL 240, 0.18%, 0.57%

LAB 54.49, 8.73, -20.72

 

CMYK 25 / 26 / 0 / 42

HEX #6E6D93

RGB 110 109 147

HSL 241.58, 0.15%, 0.5%

LAB 47.44, 9.17, -20.55

 

CMYK 20 / 18 / 0 / 13

HEX #B3B6DF

RGB 179 182 223

HSL 235.91, 0.41%, 0.79%

LAB 75.06, 7.44, -20.87

 

CMYK 16 / 20 / 0 / 13

HEX #BCB3DF

RGB 188 179 223

HSL 252.27, 0.41%, 0.79%

LAB 74.99, 11.92, -20.91

 

CMYK 10 / 20 / 0 / 13

HEX #C8B3DF

RGB 200 179 223

HSL 268.64, 0.41%, 0.79%

LAB 75.98, 15.77, -19.32

 

CMYK 5 / 20 / 0 / 13

HEX #D4B3DF

RGB 212 179 223

HSL 285, 0.41%, 0.79%

LAB 77.02, 19.69, -17.64

 

CMYK 0 / 20 / 0 / 13

HEX #DFB3DE

RGB 223 179 222

HSL 301.36, 0.41%, 0.79%

LAB 77.99, 23.14, -15.53

 

CMYK 20 / 18 / 0 / 13

HEX #B3B6DF

RGB 179 182 223

HSL 235.91, 0.41%, 0.79%

LAB 75.06, 7.44, -20.87

 

CMYK 20 / 20 / 0 / 13

HEX #B3B3DF

RGB 179 179 223

HSL 240, 0.41%, 0.79%

LAB 74.29, 9.09, -22.04

 

CMYK 20 / 18 / 0 / 13

HEX #B3B6DF

RGB 179 182 223

HSL 235.91, 0.41%, 0.79%

LAB 75.06, 7.44, -20.87

 

CMYK 27 / 25 / 0 / 9

HEX #AAAEE8

RGB 170 174 232

HSL 236.13, 0.57%, 0.79%

LAB 72.66, 11.21, -29.49

 

CMYK 33 / 30 / 0 / 6

HEX #A2A7F0

RGB 162 167 240

HSL 236.15, 0.72%, 0.79%

LAB 70.6, 14.81, -37.07

 

CMYK 39 / 36 / 0 / 2

HEX #999FF9

RGB 153 159 249

HSL 236.25, 0.89%, 0.79%

LAB 68.32, 19.29, -45.59

 

CMYK 20 / 18 / 0 / 13

HEX #B3B6DF

RGB 179 182 223

HSL 235.91, 0.41%, 0.79%

LAB 75.06, 7.44, -20.87

 

CMYK 12 / 12 / 0 / 16

HEX #BCBDD6

RGB 188 189 214

HSL 237.69, 0.24%, 0.79%

LAB 77.25, 4.58, -12.62

 

CMYK 5 / 4 / 0 / 19

HEX #C4C5CE

RGB 196 197 206

HSL 234, 0.09%, 0.79%

LAB 79.68, 1.35, -4.62

 

CMYK 0 / 0 / 4 / 20

HEX #CDCCC5

RGB 205 204 197

HSL 52.5, 0.07%, 0.79%

LAB 81.94, -0.9, 3.59

 

CMYK 0 / 1 / 12 / 16

HEX #D6D4BC

RGB 214 212 188

HSL 55.38, 0.24%, 0.79%

LAB 84.49, -3.4, 12.12

 

CMYK 20 / 8 / 0 / 13

HEX #B3CDDF

RGB 179 205 223

HSL 204.55, 0.41%, 0.79%

LAB 81.06, -4.9, -11.83

 

CMYK 20 / 13 / 0 / 13

HEX #B3C2DF

RGB 179 194 223

HSL 219.55, 0.41%, 0.79%

LAB 78.17, 0.95, -16.17

 

CMYK 20 / 18 / 0 / 13

HEX #B3B6DF

RGB 179 182 223

HSL 235.91, 0.41%, 0.79%

LAB 75.06, 7.44, -20.87

 

CMYK 16 / 20 / 0 / 13

HEX #BCB3DF

RGB 188 179 223

HSL 252.27, 0.41%, 0.79%

LAB 74.99, 11.92, -20.91

 

CMYK 11 / 20 / 0 / 13

HEX #C7B3DF

RGB 199 179 223

HSL 267.27, 0.41%, 0.79%

LAB 75.89, 15.44, -19.46

 

CMYK 39 / 37 / 0 / 22

HEX #797EC7

RGB 121 126 199

HSL 236.15, 0.41%, 0.63%

LAB 55.19, 16.3, -38.59

 

CMYK 29 / 27 / 0 / 17

HEX #969AD3

RGB 150 154 211

HSL 236.07, 0.41%, 0.71%

LAB 65.2, 11.4, -29.57

 

CMYK 20 / 18 / 0 / 13

HEX #B3B6DF

RGB 179 182 223

HSL 235.91, 0.41%, 0.79%

LAB 75.06, 7.44, -20.87

 

CMYK 11 / 11 / 0 / 8

HEX #D0D2EB

RGB 208 210 235

HSL 235.56, 0.4%, 0.87%

LAB 84.74, 4.14, -12.51

 

CMYK 4 / 4 / 0 / 3

HEX #EDEEF7

RGB 237 238 247

HSL 234, 0.38%, 0.95%

LAB 94.26, 1.3, -4.46

 

CMYK 20 / 19 / 0 / 13

HEX #B2B5DF

RGB 178 181 223

HSL 236, 0.41%, 0.79%

LAB 74.72, 7.68, -21.38

 

CMYK 0 / 20 / 3 / 13

HEX #DFB3D9

RGB 223 179 217

HSL 308.18, 0.41%, 0.79%

LAB 77.84, 22.23, -13.06

 

CMYK 11 / 0 / 20 / 13

HEX #C7DFB3

RGB 199 223 179

HSL 92.73, 0.41%, 0.79%

LAB 86.09, -15.77, 18.95

 

CMYK 20 / 19 / 0 / 13

HEX #B2B5DF

RGB 178 181 223

HSL 236, 0.41%, 0.79%

LAB 74.72, 7.68, -21.38

 

CMYK 0 / 20 / 18 / 13

HEX #DFB3B6

RGB 223 179 182

HSL 355.91, 0.41%, 0.79%

LAB 76.86, 16.37, 4.52

 

CMYK 18 / 0 / 20 / 13

HEX #B6DFB3

RGB 182 223 179

HSL 115.91, 0.41%, 0.79%

LAB 84.98, -21.63, 17.23

 

CMYK 20 / 19 / 0 / 13

HEX #B2B5DF

RGB 178 181 223

HSL 236, 0.41%, 0.79%

LAB 74.72, 7.68, -21.38

 

CMYK 0 / 20 / 3 / 13

HEX #DFB3D9

RGB 223 179 217

HSL 308.18, 0.41%, 0.79%

LAB 77.84, 22.23, -13.06

 

CMYK 0 / 1 / 20 / 13

HEX #DFDCB3

RGB 223 220 179

HSL 55.91, 0.41%, 0.79%

LAB 87.06, -5.61, 20.56

 

CMYK 20 / 0 / 17 / 13

HEX #B3DFB9

RGB 179 223 185

HSL 128.18, 0.41%, 0.79%

LAB 84.93, -21.59, 13.98

 

CMYK 20 / 19 / 0 / 13

HEX #B2B5DF

RGB 178 181 223

HSL 236, 0.41%, 0.79%

LAB 74.72, 7.68, -21.38

 

CMYK 0 / 20 / 9 / 13

HEX #DFB3CC

RGB 223 179 204

HSL 325.91, 0.41%, 0.79%

LAB 77.45, 19.94, -6.58

 

CMYK 0 / 1 / 20 / 13

HEX #DFDCB3

RGB 223 220 179

HSL 55.91, 0.41%, 0.79%

LAB 87.06, -5.61, 20.56

 

CMYK 20 / 0 / 11 / 13

HEX #B3DFC6

RGB 179 223 198

HSL 145.91, 0.41%, 0.79%

LAB 85.22, -19.2, 7.56

 

Description

Color code: HEX #B2B5DF | qconv.com Color code: HEX #B2B5DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 181 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 181 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 19 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 19% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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