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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2AFD7 it is the complementary color #4D5028. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2AFD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2AFD7 shade: #B7AFD2, #C8C1E5, #D9D3F8, #EAE5FF and #FBF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2AFD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2AFD7 shade: #B2AFD7, #A19DC4, #908BB1, #7F799E and #6E678B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2AFD7 shade: #B1AED6, #BCAED6, #C6AED6, #D1AED6 and #D6AED0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2AFD7 shade: #B1AED6 and #AEAED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2AFD7 shade matches the following richer shades: #B1AED6, #A8A4E0, #A09AEA, #9790F4 and #8F86FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2AFD7 shade: #B1AED6, #B9B8CC, #C1C1C2, #CACBB8 and #D2D5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2AFD7 shade: #AEC0D6, #AEB6D6, #B0AED6, #BBAED6 and #C6AED6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2AFD7 shade: #7C77BA, #9692C8, #B1AED6, #CBC9E4 and #E5E4F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2AFD7 shade: #B2AFD7, #D6AECB and #BBD6AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2AFD7 shade: #B2AFD7, #D6B0AE and #AED6B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2AFD7 shade: #B2AFD7, #D6AECB, #D3D6AE and #AED6B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2AFD7 shade: #B2AFD7, #D6AEBF, #D3D6AE and #AED6C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 19 / 0 / 16

HEX #B2AFD7

RGB 178 175 215

HSL 244.5, 0.33%, 0.76%

LAB 72.91, 9.19, -19.78

 

Complementary color

CMYK 4 / 0 / 50 / 69

HEX #4D5028

RGB 77 80 40

HSL 64.5, 0.33%, 0.24%

LAB 32.85, -8.08, 23.05

 

CMYK 13 / 17 / 0 / 18

HEX #B7AFD2

RGB 183 175 210

HSL 253.71, 0.28%, 0.75%

LAB 73.14, 9.72, -16.66

 

CMYK 13 / 16 / 0 / 10

HEX #C8C1E5

RGB 200 193 229

HSL 251.67, 0.41%, 0.83%

LAB 79.66, 9.41, -17

 

CMYK 13 / 15 / 0 / 3

HEX #D9D3F8

RGB 217 211 248

HSL 249.73, 0.73%, 0.9%

LAB 86.07, 9.12, -17.34

 

CMYK 8 / 10 / 0 / 0

HEX #EAE5FF

RGB 234 229 255

HSL 251.54, 1%, 0.95%

LAB 92.02, 6.48, -11.96

 

CMYK 2 / 3 / 0 / 0

HEX #FBF7FF

RGB 251 247 255

HSL 270, 1%, 0.98%

LAB 97.73, 2.74, -3.37

 

CMYK 17 / 19 / 0 / 16

HEX #B2AFD7

RGB 178 175 215

HSL 244.5, 0.33%, 0.76%

LAB 72.91, 9.19, -19.78

 

CMYK 18 / 20 / 0 / 23

HEX #A19DC4

RGB 161 157 196

HSL 246.15, 0.25%, 0.69%

LAB 66.27, 9.53, -19.51

 

CMYK 19 / 21 / 0 / 31

HEX #908BB1

RGB 144 139 177

HSL 247.89, 0.2%, 0.62%

LAB 59.5, 9.91, -19.25

 

CMYK 20 / 23 / 0 / 38

HEX #7F799E

RGB 127 121 158

HSL 249.73, 0.16%, 0.55%

LAB 52.57, 10.32, -19.02

 

CMYK 21 / 26 / 0 / 45

HEX #6E678B

RGB 110 103 139

HSL 251.67, 0.15%, 0.47%

LAB 45.47, 10.78, -18.82

 

CMYK 17 / 19 / 0 / 16

HEX #B1AED6

RGB 177 174 214

HSL 244.5, 0.33%, 0.76%

LAB 72.54, 9.21, -19.79

 

CMYK 12 / 19 / 0 / 16

HEX #BCAED6

RGB 188 174 214

HSL 261, 0.33%, 0.76%

LAB 73.43, 12.74, -18.37

 

CMYK 7 / 19 / 0 / 16

HEX #C6AED6

RGB 198 174 214

HSL 276, 0.33%, 0.76%

LAB 74.27, 16.02, -17.01

 

CMYK 2 / 19 / 0 / 16

HEX #D1AED6

RGB 209 174 214

HSL 292.5, 0.33%, 0.76%

LAB 75.25, 19.68, -15.44

 

CMYK 0 / 19 / 3 / 16

HEX #D6AED0

RGB 214 174 208

HSL 309, 0.33%, 0.76%

LAB 75.53, 20.25, -11.71

 

CMYK 17 / 19 / 0 / 16

HEX #B1AED6

RGB 177 174 214

HSL 244.5, 0.33%, 0.76%

LAB 72.54, 9.21, -19.79

 

CMYK 19 / 19 / 0 / 16

HEX #AEAED6

RGB 174 174 214

HSL 240, 0.33%, 0.76%

LAB 72.31, 8.26, -20.17

 

CMYK 17 / 19 / 0 / 16

HEX #B1AED6

RGB 177 174 214

HSL 244.5, 0.33%, 0.76%

LAB 72.54, 9.21, -19.79

 

CMYK 25 / 27 / 0 / 12

HEX #A8A4E0

RGB 168 164 224

HSL 244, 0.49%, 0.76%

LAB 69.65, 14.28, -29.76

 

CMYK 32 / 34 / 0 / 8

HEX #A09AEA

RGB 160 154 234

HSL 244.5, 0.66%, 0.76%

LAB 66.92, 20.09, -39.54

 

CMYK 38 / 41 / 0 / 4

HEX #9790F4

RGB 151 144 244

HSL 244.2, 0.82%, 0.76%

LAB 64.21, 26.03, -49.35

 

CMYK 44 / 47 / 0 / 0

HEX #8F86FE

RGB 143 134 254

HSL 244.5, 0.98%, 0.76%

LAB 61.69, 32.62, -58.87

 

CMYK 17 / 19 / 0 / 16

HEX #B1AED6

RGB 177 174 214

HSL 244.5, 0.33%, 0.76%

LAB 72.54, 9.21, -19.79

 

CMYK 9 / 10 / 0 / 20

HEX #B9B8CC

RGB 185 184 204

HSL 243, 0.16%, 0.76%

LAB 75.42, 4.24, -9.95

 

CMYK 1 / 1 / 0 / 24

HEX #C1C1C2

RGB 193 193 194

HSL 240, 0.01%, 0.76%

LAB 78.09, 0.19, -0.51

 

CMYK 0 / 0 / 9 / 20

HEX #CACBB8

RGB 202 203 184

HSL 63.16, 0.15%, 0.76%

LAB 81.14, -3.67, 9.36

 

CMYK 1 / 0 / 18 / 16

HEX #D2D5AE

RGB 210 213 174

HSL 64.62, 0.32%, 0.76%

LAB 84.15, -7.53, 18.98

 

CMYK 19 / 10 / 0 / 16

HEX #AEC0D6

RGB 174 192 214

HSL 213, 0.33%, 0.76%

LAB 77.01, -1.52, -13.08

 

CMYK 19 / 15 / 0 / 16

HEX #AEB6D6

RGB 174 182 214

HSL 228, 0.33%, 0.76%

LAB 74.39, 3.87, -17.03

 

CMYK 18 / 19 / 0 / 16

HEX #B0AED6

RGB 176 174 214

HSL 243, 0.33%, 0.76%

LAB 72.47, 8.89, -19.92

 

CMYK 13 / 19 / 0 / 16

HEX #BBAED6

RGB 187 174 214

HSL 259.5, 0.33%, 0.76%

LAB 73.35, 12.42, -18.5

 

CMYK 7 / 19 / 0 / 16

HEX #C6AED6

RGB 198 174 214

HSL 276, 0.33%, 0.76%

LAB 74.27, 16.02, -17.01

 

CMYK 33 / 36 / 0 / 27

HEX #7C77BA

RGB 124 119 186

HSL 244.48, 0.33%, 0.6%

LAB 52.98, 17.72, -34.61

 

CMYK 25 / 27 / 0 / 22

HEX #9692C8

RGB 150 146 200

HSL 244.44, 0.33%, 0.68%

LAB 62.69, 13.26, -27.31

 

CMYK 17 / 19 / 0 / 16

HEX #B1AED6

RGB 177 174 214

HSL 244.5, 0.33%, 0.76%

LAB 72.54, 9.21, -19.79

 

CMYK 11 / 12 / 0 / 11

HEX #CBC9E4

RGB 203 201 228

HSL 244.44, 0.33%, 0.84%

LAB 81.88, 5.89, -13.1

 

CMYK 5 / 6 / 0 / 5

HEX #E5E4F2

RGB 229 228 242

HSL 244.29, 0.35%, 0.92%

LAB 91.03, 2.9, -6.68

 

CMYK 17 / 19 / 0 / 16

HEX #B2AFD7

RGB 178 175 215

HSL 244.5, 0.33%, 0.76%

LAB 72.91, 9.19, -19.78

 

CMYK 0 / 19 / 5 / 16

HEX #D6AECB

RGB 214 174 203

HSL 316.5, 0.33%, 0.76%

LAB 75.38, 19.35, -9.21

 

CMYK 13 / 0 / 19 / 16

HEX #BBD6AE

RGB 187 214 174

HSL 100.5, 0.33%, 0.76%

LAB 82.76, -16.28, 16.8

 

CMYK 17 / 19 / 0 / 16

HEX #B2AFD7

RGB 178 175 215

HSL 244.5, 0.33%, 0.76%

LAB 72.91, 9.19, -19.78

 

CMYK 0 / 18 / 19 / 16

HEX #D6B0AE

RGB 214 176 174

HSL 3, 0.33%, 0.76%

LAB 75.08, 13.45, 6.2

 

CMYK 19 / 0 / 18 / 16

HEX #AED6B0

RGB 174 214 176

HSL 123, 0.33%, 0.76%

LAB 81.96, -20.41, 14.5

 

CMYK 17 / 19 / 0 / 16

HEX #B2AFD7

RGB 178 175 215

HSL 244.5, 0.33%, 0.76%

LAB 72.91, 9.19, -19.78

 

CMYK 0 / 19 / 5 / 16

HEX #D6AECB

RGB 214 174 203

HSL 316.5, 0.33%, 0.76%

LAB 75.38, 19.35, -9.21

 

CMYK 1 / 0 / 19 / 16

HEX #D3D6AE

RGB 211 214 174

HSL 64.5, 0.33%, 0.76%

LAB 84.48, -7.68, 19.46

 

CMYK 19 / 0 / 14 / 16

HEX #AED6B8

RGB 174 214 184

HSL 135, 0.33%, 0.76%

LAB 82.14, -18.97, 10.51

 

CMYK 17 / 19 / 0 / 16

HEX #B2AFD7

RGB 178 175 215

HSL 244.5, 0.33%, 0.76%

LAB 72.91, 9.19, -19.78

 

CMYK 0 / 19 / 11 / 16

HEX #D6AEBF

RGB 214 174 191

HSL 334.5, 0.33%, 0.76%

LAB 75.03, 17.27, -3.16

 

CMYK 1 / 0 / 19 / 16

HEX #D3D6AE

RGB 211 214 174

HSL 64.5, 0.33%, 0.76%

LAB 84.48, -7.68, 19.46

 

CMYK 19 / 0 / 8 / 16

HEX #AED6C4

RGB 174 214 196

HSL 153, 0.33%, 0.76%

LAB 82.42, -16.69, 4.54

 

Description

Color code: HEX #B2AFD7 | qconv.com Color code: HEX #B2AFD7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 175 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 175 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 19 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 19% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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