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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2ABD53F it is the complementary color #4D542A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2ABD53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2ABD53F shade: #B7ABD03F, #C8BDE33F, #D9CFF63F, #EAE1FF3F and #FBF3FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2ABD53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2ABD53F shade: #B2ABD53F, #A199C23F, #9087AF3F, #7F759C3F and #6E63893F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2ABD53F shade: #B1AAD4, #BDAAD4, #C8AAD4, #D3AAD4 and #D4AACA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2ABD53F shade: #B1AAD4 and #AAAAD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2ABD53F shade matches the following richer shades: #B1AAD4, #AAA0DF, #A396E9, #9D8BF3 and #9681FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2ABD53F shade: #B1AAD4, #B8B5CA, #BFBFC0, #C6C9B5 and #CDD3AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2ABD53F shade: #AABAD4, #AAAED4, #B1AAD4, #BCAAD4 and #C8AAD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2ABD53F shade: #7F73B9, #988FC6, #B1AAD4, #CAC6E2 and #E4E1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2ABD53F shade: #B2ABD5, #D4AAC5 and #B4D4AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2ABD53F shade: #B2ABD5, #D4B1AA and #AAD4B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2ABD53F shade: #B2ABD5, #D4AAC5, #CDD4AA and #AAD4BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2ABD53F shade: #B2ABD5, #D4AAB8, #CDD4AA and #AAD4C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 5 / 0 / 4

HEX #B2ABD53F

RGBA 178 171 213 0.25

HSLA 250, 0.33%, 0.75%, 0.25

LABA 71.82, 10.96, -20.34, 0.25

 

Complementary color

CMYK 2 / 0 / 13 / 17

HEX #4D542A3F

RGBA 77 84 42 0.25

HSLA 70, 0.33%, 0.25%, 0.25

LABA 34.16, -10.19, 23.5, 0.25

 

CMYK 3 / 4 / 0 / 5

HEX #B7ABD03F

RGBA 183 171 208 0.25

HSLA 259.46, 0.28%, 0.74%, 0.25

LABA 72.06, 11.5, -17.2, 0.25

 

CMYK 3 / 4 / 0 / 3

HEX #C8BDE33F

RGBA 200 189 227 0.25

HSLA 257.37, 0.4%, 0.82%, 0.25

LABA 78.59, 11.16, -17.53, 0.25

 

CMYK 3 / 4 / 0 / 1

HEX #D9CFF63F

RGBA 217 207 246 0.25

HSLA 255.38, 0.68%, 0.89%, 0.25

LABA 85.01, 10.83, -17.87, 0.25

 

CMYK 2 / 3 / 0 / 0

HEX #EAE1FF3F

RGBA 234 225 255 0.25

HSLA 258, 1%, 0.94%, 0.25

LABA 91.04, 8.56, -13.43, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FBF3FF3F

RGBA 251 243 255 0.25

HSLA 280, 1%, 0.98%, 0.25

LABA 96.75, 4.78, -4.81, 0.25

 

CMYK 4 / 5 / 0 / 4

HEX #B2ABD53F

RGBA 178 171 213 0.25

HSLA 250, 0.33%, 0.75%, 0.25

LABA 71.82, 10.96, -20.34, 0.25

 

CMYK 4 / 5 / 0 / 6

HEX #A199C23F

RGBA 161 153 194 0.25

HSLA 251.71, 0.25%, 0.68%, 0.25

LABA 65.16, 11.34, -20.08, 0.25

 

CMYK 4 / 6 / 0 / 8

HEX #9087AF3F

RGBA 144 135 175 0.25

HSLA 253.5, 0.2%, 0.61%, 0.25

LABA 58.37, 11.75, -19.83, 0.25

 

CMYK 5 / 6 / 0 / 10

HEX #7F759C3F

RGBA 127 117 156 0.25

HSLA 255.38, 0.16%, 0.54%, 0.25

LABA 51.42, 12.21, -19.61, 0.25

 

CMYK 5 / 7 / 0 / 12

HEX #6E63893F

RGBA 110 99 137 0.25

HSLA 257.37, 0.16%, 0.46%, 0.25

LABA 44.3, 12.73, -19.42, 0.25

 

CMYK 17 / 20 / 0 / 17

HEX #B1AAD4

RGB 177 170 212

HSL 250, 0.33%, 0.75%

LAB 71.45, 10.98, -20.36

 

CMYK 11 / 20 / 0 / 17

HEX #BDAAD4

RGB 189 170 212

HSL 267.14, 0.33%, 0.75%

LAB 72.44, 14.85, -18.76

 

CMYK 6 / 20 / 0 / 17

HEX #C8AAD4

RGB 200 170 212

HSL 282.86, 0.33%, 0.75%

LAB 73.4, 18.47, -17.21

 

CMYK 0 / 20 / 0 / 17

HEX #D3AAD4

RGB 211 170 212

HSL 298.57, 0.33%, 0.75%

LAB 74.41, 22.14, -15.59

 

CMYK 0 / 20 / 5 / 17

HEX #D4AACA

RGB 212 170 202

HSL 314.29, 0.33%, 0.75%

LAB 74.2, 20.65, -10.44

 

CMYK 17 / 20 / 0 / 17

HEX #B1AAD4

RGB 177 170 212

HSL 250, 0.33%, 0.75%

LAB 71.45, 10.98, -20.36

 

CMYK 20 / 20 / 0 / 17

HEX #AAAAD4

RGB 170 170 212

HSL 240, 0.33%, 0.75%

LAB 70.9, 8.76, -21.24

 

CMYK 17 / 20 / 0 / 17

HEX #B1AAD4

RGB 177 170 212

HSL 250, 0.33%, 0.75%

LAB 71.45, 10.98, -20.36

 

CMYK 24 / 28 / 0 / 13

HEX #AAA0DF

RGB 170 160 223

HSL 249.52, 0.5%, 0.75%

LAB 68.76, 16.89, -30.57

 

CMYK 30 / 36 / 0 / 9

HEX #A396E9

RGB 163 150 233

HSL 249.4, 0.65%, 0.75%

LAB 66.12, 22.95, -40.22

 

CMYK 35 / 43 / 0 / 5

HEX #9D8BF3

RGB 157 139 243

HSL 250.38, 0.81%, 0.75%

LAB 63.43, 30.18, -50

 

CMYK 41 / 49 / 0 / 0

HEX #9681FE

RGB 150 129 254

HSL 250.08, 0.98%, 0.75%

LAB 61.08, 37.12, -59.81

 

CMYK 17 / 20 / 0 / 17

HEX #B1AAD4

RGB 177 170 212

HSL 250, 0.33%, 0.75%

LAB 71.45, 10.98, -20.36

 

CMYK 9 / 10 / 0 / 21

HEX #B8B5CA

RGB 184 181 202

HSL 248.57, 0.17%, 0.75%

LAB 74.51, 5.12, -10.23

 

CMYK 1 / 1 / 0 / 25

HEX #BFBFC0

RGB 191 191 192

HSL 240, 0.01%, 0.75%

LAB 77.37, 0.19, -0.51

 

CMYK 1 / 0 / 10 / 21

HEX #C6C9B5

RGB 198 201 181

HSL 69, 0.16%, 0.75%

LAB 80.24, -4.56, 9.64

 

CMYK 3 / 0 / 19 / 17

HEX #CDD3AB

RGB 205 211 171

HSL 69, 0.31%, 0.75%

LAB 83.18, -8.79, 19.16

 

CMYK 20 / 12 / 0 / 17

HEX #AABAD4

RGB 170 186 212

HSL 217.14, 0.33%, 0.75%

LAB 75.09, 0, -14.91

 

CMYK 20 / 18 / 0 / 17

HEX #AAAED4

RGB 170 174 212

HSL 234.29, 0.33%, 0.75%

LAB 71.94, 6.55, -19.67

 

CMYK 17 / 20 / 0 / 17

HEX #B1AAD4

RGB 177 170 212

HSL 250, 0.33%, 0.75%

LAB 71.45, 10.98, -20.36

 

CMYK 11 / 20 / 0 / 17

HEX #BCAAD4

RGB 188 170 212

HSL 265.71, 0.33%, 0.75%

LAB 72.36, 14.53, -18.9

 

CMYK 6 / 20 / 0 / 17

HEX #C8AAD4

RGB 200 170 212

HSL 282.86, 0.33%, 0.75%

LAB 73.4, 18.47, -17.21

 

CMYK 31 / 38 / 0 / 27

HEX #7F73B9

RGB 127 115 185

HSL 250.29, 0.33%, 0.59%

LAB 52.15, 20.7, -35.31

 

CMYK 23 / 28 / 0 / 22

HEX #988FC6

RGB 152 143 198

HSL 249.82, 0.33%, 0.67%

LAB 62, 15.11, -27.24

 

CMYK 17 / 20 / 0 / 17

HEX #B1AAD4

RGB 177 170 212

HSL 250, 0.33%, 0.75%

LAB 71.45, 10.98, -20.36

 

CMYK 11 / 12 / 0 / 11

HEX #CAC6E2

RGB 202 198 226

HSL 248.57, 0.33%, 0.83%

LAB 80.98, 6.76, -13.38

 

CMYK 5 / 6 / 0 / 6

HEX #E4E1F0

RGB 228 225 240

HSL 252, 0.33%, 0.91%

LAB 90.15, 3.76, -6.94

 

CMYK 16 / 20 / 0 / 16

HEX #B2ABD5

RGB 178 171 213

HSL 250, 0.33%, 0.75%

LAB 71.82, 10.96, -20.34

 

CMYK 0 / 20 / 7 / 17

HEX #D4AAC5

RGB 212 170 197

HSL 321.43, 0.33%, 0.75%

LAB 74.05, 19.76, -7.92

 

CMYK 15 / 0 / 20 / 17

HEX #B4D4AA

RGB 180 212 170

HSL 105.71, 0.33%, 0.75%

LAB 81.67, -18.39, 17.32

 

CMYK 16 / 20 / 0 / 16

HEX #B2ABD5

RGB 178 171 213

HSL 250, 0.33%, 0.75%

LAB 71.82, 10.96, -20.34

 

CMYK 0 / 17 / 20 / 17

HEX #D4B1AA

RGB 212 177 170

HSL 10, 0.33%, 0.75%

LAB 75.04, 11.56, 8.3

 

CMYK 20 / 0 / 17 / 17

HEX #AAD4B1

RGB 170 212 177

HSL 130, 0.33%, 0.75%

LAB 81.19, -20.57, 12.84

 

CMYK 16 / 20 / 0 / 16

HEX #B2ABD5

RGB 178 171 213

HSL 250, 0.33%, 0.75%

LAB 71.82, 10.96, -20.34

 

CMYK 0 / 20 / 7 / 17

HEX #D4AAC5

RGB 212 170 197

HSL 321.43, 0.33%, 0.75%

LAB 74.05, 19.76, -7.92

 

CMYK 3 / 0 / 20 / 17

HEX #CDD4AA

RGB 205 212 170

HSL 70, 0.33%, 0.75%

LAB 83.43, -9.45, 20.02

 

CMYK 20 / 0 / 12 / 17

HEX #AAD4BA

RGB 170 212 186

HSL 142.86, 0.33%, 0.75%

LAB 81.39, -18.91, 8.35

 

CMYK 16 / 20 / 0 / 16

HEX #B2ABD5

RGB 178 171 213

HSL 250, 0.33%, 0.75%

LAB 71.82, 10.96, -20.34

 

CMYK 0 / 20 / 13 / 17

HEX #D4AAB8

RGB 212 170 184

HSL 340, 0.33%, 0.75%

LAB 73.68, 17.55, -1.33

 

CMYK 3 / 0 / 20 / 17

HEX #CDD4AA

RGB 205 212 170

HSL 70, 0.33%, 0.75%

LAB 83.43, -9.45, 20.02

 

CMYK 20 / 0 / 7 / 17

HEX #AAD4C6

RGB 170 212 198

HSL 160, 0.33%, 0.75%

LAB 81.68, -16.57, 2.38

 

Description

Color code: HEX #B2ABD53F | qconv.com Color code: HEX #B2ABD53F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 171 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 171 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 5 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 5% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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