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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B29D28 it is the complementary color #4D62D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B29D28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B29D28 shade: #B79D23, #C8AF36, #D9C149, #EAD35C and #FBE56F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B29D28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B29D28 shade: #B29D28, #A18B15, #907902, #7F6700 and #6E5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B29D28 shade: #B39E29, #B37829, #B35329, #B32E29 and #B32929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B29D28 shade: #B39E29, #A2B329, #7DB329, #58B329 and #33B329

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B29D28 shade matches the following richer shades: #B39E29, #C4AA17 and #D6B605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B29D28 shade: #B39E29, #A1913A, #8F854C, #7E795E and #6C6C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B29D28 shade: #B35229, #B37729, #B39C29, #A5B329 and #80B329

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B29D28 shade: #6F6219, #918021, #B39E29, #D1B934 and #D8C555

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B29D28 shade: #B29D28, #29B32D and #6429B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B29D28 shade: #B29D28, #29B39C and #9C29B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B29D28 shade: #B29D28, #29B32D, #2940B3 and #B329AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B29D28 shade: #B29D28, #29B357, #2940B3 and #B32985

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 78 / 30

HEX #B29D28

RGB 178 157 40

HSL 50.87, 0.63%, 0.43%

LAB 64.75, -4.63, 59.51

 

Complementary color

CMYK 64 / 54 / 0 / 16

HEX #4D62D7

RGB 77 98 215

HSL 230.87, 0.63%, 0.57%

LAB 45.93, 28.92, -62.64

 

CMYK 0 / 14 / 81 / 28

HEX #B79D23

RGB 183 157 35

HSL 49.46, 0.68%, 0.43%

LAB 65.2, -2.58, 61.72

 

CMYK 0 / 13 / 73 / 22

HEX #C8AF36

RGB 200 175 54

HSL 49.73, 0.57%, 0.5%

LAB 71.69, -3.88, 61.78

 

CMYK 0 / 11 / 66 / 15

HEX #D9C149

RGB 217 193 73

HSL 50, 0.65%, 0.57%

LAB 78.09, -4.97, 61.22

 

CMYK 0 / 10 / 61 / 8

HEX #EAD35C

RGB 234 211 92

HSL 50.28, 0.77%, 0.64%

LAB 84.41, -5.89, 60.34

 

CMYK 0 / 9 / 56 / 2

HEX #FBE56F

RGB 251 229 111

HSL 50.57, 0.95%, 0.71%

LAB 90.64, -6.68, 59.29

 

CMYK 0 / 12 / 78 / 30

HEX #B29D28

RGB 178 157 40

HSL 50.87, 0.63%, 0.43%

LAB 64.75, -4.63, 59.51

 

CMYK 0 / 14 / 87 / 37

HEX #A18B15

RGB 161 139 21

HSL 50.57, 0.77%, 0.36%

LAB 58.13, -3.2, 58.77

 

CMYK 0 / 16 / 99 / 44

HEX #907902

RGB 144 121 2

HSL 50.28, 0.97%, 0.29%

LAB 51.39, -1.5, 56.64

 

CMYK 0 / 19 / 100 / 50

HEX #7F6700

RGB 127 103 0

HSL 48.66, 1%, 0.25%

LAB 44.54, 0.6, 51.37

 

CMYK 0 / 23 / 100 / 57

HEX #6E5500

RGB 110 85 0

HSL 46.36, 1%, 0.22%

LAB 37.5, 2.87, 45.57

 

CMYK 0 / 12 / 77 / 30

HEX #B39E29

RGB 179 158 41

HSL 50.87, 0.63%, 0.43%

LAB 65.12, -4.67, 59.54

 

CMYK 0 / 33 / 77 / 30

HEX #B37829

RGB 179 120 41

HSL 34.35, 0.63%, 0.43%

LAB 55.25, 16.22, 50.21

 

CMYK 0 / 54 / 77 / 30

HEX #B35329

RGB 179 83 41

HSL 18.26, 0.63%, 0.43%

LAB 46.88, 36.34, 41.88

 

CMYK 0 / 74 / 77 / 30

HEX #B32E29

RGB 179 46 41

HSL 2.17, 0.63%, 0.43%

LAB 40.73, 52.7, 35.44

 

CMYK 0 / 77 / 77 / 30

HEX #B32929

RGB 179 41 41

HSL 0, 0.63%, 0.43%

LAB 40.13, 54.38, 34.79

 

CMYK 0 / 12 / 77 / 30

HEX #B39E29

RGB 179 158 41

HSL 50.87, 0.63%, 0.43%

LAB 65.12, -4.67, 59.54

 

CMYK 9 / 0 / 77 / 30

HEX #A2B329

RGB 162 179 41

HSL 67.39, 0.63%, 0.43%

LAB 69.53, -22.93, 63.08

 

CMYK 30 / 0 / 77 / 30

HEX #7DB329

RGB 125 179 41

HSL 83.48, 0.63%, 0.43%

LAB 67.1, -37.91, 59.94

 

CMYK 51 / 0 / 77 / 30

HEX #58B329

RGB 88 179 41

HSL 99.57, 0.63%, 0.43%

LAB 65.34, -50.52, 57.64

 

CMYK 72 / 0 / 77 / 30

HEX #33B329

RGB 51 179 41

HSL 115.65, 0.63%, 0.43%

LAB 64.25, -59.36, 56.21

 

CMYK 0 / 12 / 77 / 30

HEX #B39E29

RGB 179 158 41

HSL 50.87, 0.63%, 0.43%

LAB 65.12, -4.67, 59.54

 

CMYK 0 / 13 / 88 / 23

HEX #C4AA17

RGB 196 170 23

HSL 50.98, 0.79%, 0.43%

LAB 69.86, -4.03, 69.18

 

CMYK 0 / 15 / 98 / 16

HEX #D6B605

RGB 214 182 5

HSL 50.81, 0.95%, 0.43%

LAB 74.68, -2.63, 76.15

 

CMYK 0 / 12 / 77 / 30

HEX #B39E29

RGB 179 158 41

HSL 50.87, 0.63%, 0.43%

LAB 65.12, -4.67, 59.54

 

CMYK 0 / 10 / 64 / 37

HEX #A1913A

RGB 161 145 58

HSL 50.68, 0.47%, 0.43%

LAB 60.01, -4.78, 46.99

 

CMYK 0 / 7 / 47 / 44

HEX #8F854C

RGB 143 133 76

HSL 51.04, 0.31%, 0.43%

LAB 55.21, -4.59, 31.96

 

CMYK 0 / 4 / 25 / 51

HEX #7E795E

RGB 126 121 94

HSL 50.63, 0.15%, 0.43%

LAB 50.59, -2.79, 15.53

 

CMYK 4 / 4 / 0 / 56

HEX #6C6C70

RGB 108 108 112

HSL 240, 0.02%, 0.43%

LAB 45.75, 0.84, -2.23

 

CMYK 0 / 54 / 77 / 30

HEX #B35229

RGB 179 82 41

HSL 17.83, 0.63%, 0.43%

LAB 46.68, 36.85, 41.68

 

CMYK 0 / 34 / 77 / 30

HEX #B37729

RGB 179 119 41

HSL 33.91, 0.63%, 0.43%

LAB 55.01, 16.78, 49.97

 

CMYK 0 / 13 / 77 / 30

HEX #B39C29

RGB 179 156 41

HSL 50, 0.63%, 0.43%

LAB 64.58, -3.6, 59.04

 

CMYK 8 / 0 / 77 / 30

HEX #A5B329

RGB 165 179 41

HSL 66.09, 0.63%, 0.43%

LAB 69.75, -21.66, 63.37

 

CMYK 28 / 0 / 77 / 30

HEX #80B329

RGB 128 179 41

HSL 82.17, 0.63%, 0.43%

LAB 67.27, -36.77, 60.16

 

CMYK 0 / 12 / 77 / 56

HEX #6F6219

RGB 111 98 25

HSL 50.93, 0.63%, 0.27%

LAB 41.51, -3.49, 40.93

 

CMYK 0 / 12 / 77 / 43

HEX #918021

RGB 145 128 33

HSL 50.89, 0.63%, 0.35%

LAB 53.57, -4.1, 50.46

 

CMYK 0 / 12 / 77 / 30

HEX #B39E29

RGB 179 158 41

HSL 50.87, 0.63%, 0.43%

LAB 65.12, -4.67, 59.54

 

CMYK 0 / 11 / 75 / 18

HEX #D1B934

RGB 209 185 52

HSL 50.83, 0.63%, 0.51%

LAB 75.14, -5.29, 66.08

 

CMYK 0 / 9 / 61 / 15

HEX #D8C555

RGB 216 197 85

HSL 51.3, 0.63%, 0.59%

LAB 79.15, -6.7, 57.17

 

CMYK 0 / 12 / 78 / 30

HEX #B29D28

RGB 178 157 40

HSL 50.87, 0.63%, 0.43%

LAB 64.75, -4.63, 59.51

 

CMYK 77 / 0 / 75 / 30

HEX #29B32D

RGB 41 179 45

HSL 121.74, 0.63%, 0.43%

LAB 64.08, -60.68, 54.62

 

CMYK 44 / 77 / 0 / 30

HEX #6429B3

RGB 100 41 179

HSL 265.65, 0.63%, 0.43%

LAB 33.03, 53.89, -62.61

 

CMYK 0 / 12 / 78 / 30

HEX #B29D28

RGB 178 157 40

HSL 50.87, 0.63%, 0.43%

LAB 64.75, -4.63, 59.51

 

CMYK 77 / 0 / 13 / 30

HEX #29B39C

RGB 41 179 156

HSL 170, 0.63%, 0.43%

LAB 65.84, -41, 1.51

 

CMYK 13 / 77 / 0 / 30

HEX #9C29B3

RGB 156 41 179

HSL 290, 0.63%, 0.43%

LAB 41.07, 63.95, -49.19

 

CMYK 0 / 12 / 78 / 30

HEX #B29D28

RGB 178 157 40

HSL 50.87, 0.63%, 0.43%

LAB 64.75, -4.63, 59.51

 

CMYK 77 / 0 / 75 / 30

HEX #29B32D

RGB 41 179 45

HSL 121.74, 0.63%, 0.43%

LAB 64.08, -60.68, 54.62

 

CMYK 77 / 64 / 0 / 30

HEX #2940B3

RGB 41 64 179

HSL 230, 0.63%, 0.43%

LAB 32.69, 32.96, -63.36

 

CMYK 0 / 77 / 3 / 30

HEX #B329AE

RGB 179 41 174

HSL 302.17, 0.63%, 0.43%

LAB 44.55, 67.77, -40.45

 

CMYK 0 / 12 / 78 / 30

HEX #B29D28

RGB 178 157 40

HSL 50.87, 0.63%, 0.43%

LAB 64.75, -4.63, 59.51

 

CMYK 77 / 0 / 51 / 30

HEX #29B357

RGB 41 179 87

HSL 140, 0.63%, 0.43%

LAB 64.48, -55.82, 36.69

 

CMYK 77 / 64 / 0 / 30

HEX #2940B3

RGB 41 64 179

HSL 230, 0.63%, 0.43%

LAB 32.69, 32.96, -63.36

 

CMYK 0 / 77 / 26 / 30

HEX #B32985

RGB 179 41 133

HSL 320, 0.63%, 0.43%

LAB 42.56, 61.94, -18.89

 

Description

Color code: HEX #B29D28 | qconv.com Color code: HEX #B29D28 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 157 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 157 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 78 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 78% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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