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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B296AC it is the complementary color #4D6953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B296AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B296AC shade: #B796A7, #C8A8BA, #D9BACD, #EACCE0 and #FBDEF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B296AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B296AC shade: #B296AC, #A18499, #907286, #7F6073 and #6E4E60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B296AC shade: #B195AB, #B195A4, #B1959C and #B19595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B296AC shade: #B195AB, #AF95B1, #A895B1, #A195B1 and #9995B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B296AC shade matches the following richer shades: #B195AB, #C087B4, #CF78BC, #DE69C5 and #EC5ACD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B296AC shade: #B195AB, #A2A4A3, #93B39A, #84C292 and #76D189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B296AC shade: #A895B1, #AF95B1, #B195AB, #B195A4 and #B1959D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B296AC shade: #8C6884, #9F7E98, #B195AB, #C3ADBE and #D4C5D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B296AC shade: #B296AC, #B1A095 and #95B1AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B296AC shade: #B296AC, #ABB195 and #95ABB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B296AC shade: #B296AC, #B1A095, #95B19B and #95A6B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B296AC shade: #B296AC, #B1A995, #95B19B and #959EB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 3 / 30

HEX #B296AC

RGB 178 150 172

HSL 312.86, 0.15%, 0.64%

LAB 65.17, 14.28, -7.59

 

Complementary color

CMYK 27 / 0 / 21 / 59

HEX #4D6953

RGB 77 105 83

HSL 132.86, 0.15%, 0.36%

LAB 41.7, -15.25, 9.1

 

CMYK 0 / 18 / 9 / 28

HEX #B796A7

RGB 183 150 167

HSL 329.09, 0.19%, 0.65%

LAB 65.49, 15.17, -4.25

 

CMYK 0 / 16 / 7 / 22

HEX #C8A8BA

RGB 200 168 186

HSL 326.25, 0.23%, 0.72%

LAB 72.11, 14.7, -4.86

 

CMYK 0 / 14 / 6 / 15

HEX #D9BACD

RGB 217 186 205

HSL 323.23, 0.29%, 0.79%

LAB 78.62, 14.27, -5.45

 

CMYK 0 / 13 / 4 / 8

HEX #EACCE0

RGB 234 204 224

HSL 320, 0.42%, 0.86%

LAB 85.03, 13.87, -6.01

 

CMYK 0 / 12 / 3 / 2

HEX #FBDEF3

RGB 251 222 243

HSL 316.55, 0.78%, 0.93%

LAB 91.34, 13.5, -6.56

 

CMYK 0 / 16 / 3 / 30

HEX #B296AC

RGB 178 150 172

HSL 312.86, 0.15%, 0.64%

LAB 65.17, 14.28, -7.59

 

CMYK 0 / 18 / 5 / 37

HEX #A18499

RGB 161 132 153

HSL 316.55, 0.13%, 0.57%

LAB 58.4, 14.77, -7.04

 

CMYK 0 / 21 / 7 / 44

HEX #907286

RGB 144 114 134

HSL 320, 0.12%, 0.51%

LAB 51.48, 15.31, -6.46

 

CMYK 0 / 24 / 9 / 50

HEX #7F6073

RGB 127 96 115

HSL 323.23, 0.14%, 0.44%

LAB 44.4, 15.91, -5.83

 

CMYK 0 / 29 / 13 / 57

HEX #6E4E60

RGB 110 78 96

HSL 326.25, 0.17%, 0.37%

LAB 37.13, 16.6, -5.15

 

CMYK 0 / 16 / 3 / 31

HEX #B195AB

RGB 177 149 171

HSL 312.86, 0.15%, 0.64%

LAB 64.79, 14.3, -7.6

 

CMYK 0 / 16 / 7 / 31

HEX #B195A4

RGB 177 149 164

HSL 327.86, 0.15%, 0.64%

LAB 64.58, 13.02, -3.97

 

CMYK 0 / 16 / 12 / 31

HEX #B1959C

RGB 177 149 156

HSL 345, 0.15%, 0.64%

LAB 64.36, 11.61, 0.21

 

CMYK 0 / 16 / 16 / 31

HEX #B19595

RGB 177 149 149

HSL 0, 0.15%, 0.64%

LAB 64.17, 10.43, 3.89

 

CMYK 0 / 16 / 3 / 31

HEX #B195AB

RGB 177 149 171

HSL 312.86, 0.15%, 0.64%

LAB 64.79, 14.3, -7.6

 

CMYK 1 / 16 / 0 / 31

HEX #AF95B1

RGB 175 149 177

HSL 295.71, 0.15%, 0.64%

LAB 64.79, 14.74, -10.99

 

CMYK 5 / 16 / 0 / 31

HEX #A895B1

RGB 168 149 177

HSL 280.71, 0.15%, 0.64%

LAB 64.16, 12.31, -12.01

 

CMYK 9 / 16 / 0 / 31

HEX #A195B1

RGB 161 149 177

HSL 265.71, 0.15%, 0.64%

LAB 63.55, 9.9, -12.99

 

CMYK 14 / 16 / 0 / 31

HEX #9995B1

RGB 153 149 177

HSL 248.57, 0.15%, 0.64%

LAB 62.88, 7.19, -14.06

 

CMYK 0 / 16 / 3 / 31

HEX #B195AB

RGB 177 149 171

HSL 312.86, 0.15%, 0.64%

LAB 64.79, 14.3, -7.6

 

CMYK 0 / 30 / 6 / 25

HEX #C087B4

RGB 192 135 180

HSL 312.63, 0.31%, 0.64%

LAB 63.2, 29.01, -14.9

 

CMYK 0 / 42 / 9 / 19

HEX #CF78BC

RGB 207 120 188

HSL 313.1, 0.48%, 0.64%

LAB 61.94, 43.46, -21.19

 

CMYK 0 / 53 / 11 / 13

HEX #DE69C5

RGB 222 105 197

HSL 312.82, 0.64%, 0.64%

LAB 61.36, 56.97, -27.01

 

CMYK 0 / 62 / 13 / 7

HEX #EC5ACD

RGB 236 90 205

HSL 312.74, 0.79%, 0.64%

LAB 61.27, 68.6, -31.53

 

CMYK 0 / 16 / 3 / 31

HEX #B195AB

RGB 177 149 171

HSL 312.86, 0.15%, 0.64%

LAB 64.79, 14.3, -7.6

 

CMYK 1 / 0 / 1 / 36

HEX #A2A4A3

RGB 162 164 163

HSL 150, 0.01%, 0.64%

LAB 67.18, -0.9, 0.26

 

CMYK 18 / 0 / 14 / 30

HEX #93B39A

RGB 147 179 154

HSL 133.13, 0.17%, 0.64%

LAB 70.02, -15.89, 9.18

 

CMYK 32 / 0 / 25 / 24

HEX #84C292

RGB 132 194 146

HSL 133.55, 0.34%, 0.64%

LAB 73.26, -29.83, 17.95

 

CMYK 44 / 0 / 34 / 18

HEX #76D189

RGB 118 209 137

HSL 132.53, 0.5%, 0.64%

LAB 76.84, -42.5, 27.47

 

CMYK 5 / 16 / 0 / 31

HEX #A895B1

RGB 168 149 177

HSL 280.71, 0.15%, 0.64%

LAB 64.16, 12.31, -12.01

 

CMYK 1 / 16 / 0 / 31

HEX #AF95B1

RGB 175 149 177

HSL 295.71, 0.15%, 0.64%

LAB 64.79, 14.74, -10.99

 

CMYK 0 / 16 / 3 / 31

HEX #B195AB

RGB 177 149 171

HSL 312.86, 0.15%, 0.64%

LAB 64.79, 14.3, -7.6

 

CMYK 0 / 16 / 7 / 31

HEX #B195A4

RGB 177 149 164

HSL 327.86, 0.15%, 0.64%

LAB 64.58, 13.02, -3.97

 

CMYK 0 / 16 / 11 / 31

HEX #B1959D

RGB 177 149 157

HSL 342.86, 0.15%, 0.64%

LAB 64.38, 11.78, -0.31

 

CMYK 0 / 26 / 6 / 45

HEX #8C6884

RGB 140 104 132

HSL 313.33, 0.15%, 0.48%

LAB 48.44, 19.3, -9.86

 

CMYK 0 / 21 / 4 / 38

HEX #9F7E98

RGB 159 126 152

HSL 312.73, 0.15%, 0.56%

LAB 56.64, 17.29, -9.1

 

CMYK 0 / 16 / 3 / 31

HEX #B195AB

RGB 177 149 171

HSL 312.86, 0.15%, 0.64%

LAB 64.79, 14.3, -7.6

 

CMYK 0 / 11 / 3 / 24

HEX #C3ADBE

RGB 195 173 190

HSL 313.64, 0.15%, 0.72%

LAB 73.03, 10.93, -5.76

 

CMYK 0 / 7 / 1 / 17

HEX #D4C5D1

RGB 212 197 209

HSL 312, 0.15%, 0.8%

LAB 81.03, 7.37, -4.1

 

CMYK 0 / 16 / 3 / 30

HEX #B296AC

RGB 178 150 172

HSL 312.86, 0.15%, 0.64%

LAB 65.17, 14.28, -7.59

 

CMYK 0 / 10 / 16 / 31

HEX #B1A095

RGB 177 160 149

HSL 23.57, 0.15%, 0.64%

LAB 67.02, 4.34, 7.98

 

CMYK 16 / 0 / 3 / 31

HEX #95B1AB

RGB 149 177 171

HSL 167.14, 0.15%, 0.64%

LAB 70.02, -10.79, -0.15

 

CMYK 0 / 16 / 3 / 30

HEX #B296AC

RGB 178 150 172

HSL 312.86, 0.15%, 0.64%

LAB 65.17, 14.28, -7.59

 

CMYK 3 / 0 / 16 / 31

HEX #ABB195

RGB 171 177 149

HSL 72.86, 0.15%, 0.64%

LAB 71.06, -7.1, 13.63

 

CMYK 16 / 3 / 0 / 31

HEX #95ABB1

RGB 149 171 177

HSL 192.86, 0.15%, 0.64%

LAB 68.53, -6.32, -5.66

 

CMYK 0 / 16 / 3 / 30

HEX #B296AC

RGB 178 150 172

HSL 312.86, 0.15%, 0.64%

LAB 65.17, 14.28, -7.59

 

CMYK 0 / 10 / 16 / 31

HEX #B1A095

RGB 177 160 149

HSL 23.57, 0.15%, 0.64%

LAB 67.02, 4.34, 7.98

 

CMYK 16 / 0 / 12 / 31

HEX #95B19B

RGB 149 177 155

HSL 132.86, 0.15%, 0.64%

LAB 69.61, -13.97, 8.07

 

CMYK 16 / 6 / 0 / 31

HEX #95A6B1

RGB 149 166 177

HSL 203.57, 0.15%, 0.64%

LAB 67.15, -3.6, -7.69

 

CMYK 0 / 16 / 3 / 30

HEX #B296AC

RGB 178 150 172

HSL 312.86, 0.15%, 0.64%

LAB 65.17, 14.28, -7.59

 

CMYK 0 / 5 / 16 / 31

HEX #B1A995

RGB 177 169 149

HSL 42.86, 0.15%, 0.64%

LAB 69.39, -0.56, 11.35

 

CMYK 16 / 0 / 12 / 31

HEX #95B19B

RGB 149 177 155

HSL 132.86, 0.15%, 0.64%

LAB 69.61, -13.97, 8.07

 

CMYK 16 / 11 / 0 / 31

HEX #959EB1

RGB 149 158 177

HSL 220.71, 0.15%, 0.64%

LAB 64.98, 0.81, -10.94

 

Description

Color code: HEX #B296AC | qconv.com Color code: HEX #B296AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 150 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 150 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 3 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 3% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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