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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B295E1 it is the complementary color #4D6A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B295E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B295E1 shade: #B795DC, #C8A7EF, #D9B9FF, #EACBFF and #FBDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B295E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B295E1 shade: #B295E1, #A183CE, #9071BB, #7F5FA8 and #6E4D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B295E1 shade: #B194E1, #C694E1, #DB94E1, #E194D2 and #E194BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B295E1 shade: #B194E1, #9C94E1 and #9494E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B295E1 shade matches the following richer shades: #B194E1, #AE88EC and #AC7DF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B295E1 shade: #B194E1, #B49FD6, #B6AACA, #B9B5BF and #BCC0B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B295E1 shade: #94A0E1, #9B94E1, #B094E1, #C494E1 and #D994E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B295E1 shade: #8253CF, #9A73D8, #B194E1, #C8B4EA and #E0D4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B295E1 shade: #B295E1, #E194B5 and #96E194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B295E1 shade: #B295E1, #E1B094 and #94E1B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B295E1 shade: #B295E1, #E194B5, #C4E194 and #94E1BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B295E1 shade: #B295E1, #E1949E, #C4E194 and #94E1D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 34 / 0 / 12

HEX #B295E1

RGB 178 149 225

HSL 262.89, 0.56%, 0.73%

LAB 66.82, 25.95, -34.62

 

Complementary color

CMYK 27 / 0 / 72 / 58

HEX #4D6A1E

RGB 77 106 30

HSL 82.89, 0.56%, 0.27%

LAB 41.18, -23.33, 37.55

 

CMYK 17 / 32 / 0 / 14

HEX #B795DC

RGB 183 149 220

HSL 268.73, 0.5%, 0.72%

LAB 67.07, 26.34, -31.43

 

CMYK 16 / 30 / 0 / 6

HEX #C8A7EF

RGB 200 167 239

HSL 267.5, 0.69%, 0.8%

LAB 73.64, 25.72, -31.57

 

CMYK 15 / 27 / 0 / 0

HEX #D9B9FF

RGB 217 185 255

HSL 267.43, 1%, 0.86%

LAB 79.99, 24.51, -30.3

 

CMYK 8 / 20 / 0 / 0

HEX #EACBFF

RGB 234 203 255

HSL 275.77, 1%, 0.9%

LAB 85.72, 20.16, -21.44

 

CMYK 2 / 13 / 0 / 0

HEX #FBDDFF

RGB 251 221 255

HSL 292.94, 1%, 0.93%

LAB 91.43, 16.16, -12.7

 

CMYK 21 / 34 / 0 / 12

HEX #B295E1

RGB 178 149 225

HSL 262.89, 0.56%, 0.73%

LAB 66.82, 25.95, -34.62

 

CMYK 22 / 36 / 0 / 19

HEX #A183CE

RGB 161 131 206

HSL 264, 0.43%, 0.66%

LAB 60.13, 26.64, -34.57

 

CMYK 23 / 40 / 0 / 27

HEX #9071BB

RGB 144 113 187

HSL 265.14, 0.35%, 0.59%

LAB 53.31, 27.4, -34.54

 

CMYK 24 / 43 / 0 / 34

HEX #7F5FA8

RGB 127 95 168

HSL 266.3, 0.3%, 0.52%

LAB 46.34, 28.24, -34.54

 

CMYK 26 / 48 / 0 / 42

HEX #6E4D95

RGB 110 77 149

HSL 267.5, 0.32%, 0.44%

LAB 39.23, 29.16, -34.56

 

CMYK 21 / 34 / 0 / 12

HEX #B194E1

RGB 177 148 225

HSL 262.6, 0.56%, 0.73%

LAB 66.49, 26.21, -35.14

 

CMYK 12 / 34 / 0 / 12

HEX #C694E1

RGB 198 148 225

HSL 278.96, 0.56%, 0.73%

LAB 68.48, 32.58, -31.91

 

CMYK 3 / 34 / 0 / 12

HEX #DB94E1

RGB 219 148 225

HSL 295.32, 0.56%, 0.73%

LAB 70.65, 39.08, -28.38

 

CMYK 0 / 34 / 7 / 12

HEX #E194D2

RGB 225 148 210

HSL 311.69, 0.56%, 0.73%

LAB 70.76, 38.28, -19.88

 

CMYK 0 / 34 / 16 / 12

HEX #E194BD

RGB 225 148 189

HSL 328.05, 0.56%, 0.73%

LAB 70.08, 34.81, -9.26

 

CMYK 21 / 34 / 0 / 12

HEX #B194E1

RGB 177 148 225

HSL 262.6, 0.56%, 0.73%

LAB 66.49, 26.21, -35.14

 

CMYK 31 / 34 / 0 / 12

HEX #9C94E1

RGB 156 148 225

HSL 246.23, 0.56%, 0.73%

LAB 64.71, 20.1, -38.05

 

CMYK 34 / 34 / 0 / 12

HEX #9494E1

RGB 148 148 225

HSL 240, 0.56%, 0.73%

LAB 64.09, 17.86, -39.07

 

CMYK 21 / 34 / 0 / 12

HEX #B194E1

RGB 177 148 225

HSL 262.6, 0.56%, 0.73%

LAB 66.49, 26.21, -35.14

 

CMYK 26 / 42 / 0 / 7

HEX #AE88EC

RGB 174 136 236

HSL 262.8, 0.72%, 0.73%

LAB 63.89, 34.67, -45.31

 

CMYK 30 / 49 / 0 / 3

HEX #AC7DF7

RGB 172 125 247

HSL 263.11, 0.88%, 0.73%

LAB 61.79, 42.92, -54.72

 

CMYK 21 / 34 / 0 / 12

HEX #B194E1

RGB 177 148 225

HSL 262.6, 0.56%, 0.73%

LAB 66.49, 26.21, -35.14

 

CMYK 16 / 26 / 0 / 16

HEX #B49FD6

RGB 180 159 214

HSL 262.91, 0.4%, 0.73%

LAB 69.01, 18.49, -25.16

 

CMYK 10 / 16 / 0 / 21

HEX #B6AACA

RGB 182 170 202

HSL 262.5, 0.23%, 0.73%

LAB 71.53, 10.47, -14.71

 

CMYK 3 / 5 / 0 / 25

HEX #B9B5BF

RGB 185 181 191

HSL 264, 0.07%, 0.73%

LAB 74.27, 3.29, -4.57

 

CMYK 2 / 0 / 6 / 25

HEX #BCC0B4

RGB 188 192 180

HSL 80, 0.09%, 0.73%

LAB 77.09, -3.57, 5.55

 

CMYK 34 / 29 / 0 / 12

HEX #94A0E1

RGB 148 160 225

HSL 230.65, 0.56%, 0.73%

LAB 67.18, 11, -34.25

 

CMYK 31 / 34 / 0 / 12

HEX #9B94E1

RGB 155 148 225

HSL 245.45, 0.56%, 0.73%

LAB 64.63, 19.81, -38.18

 

CMYK 22 / 34 / 0 / 12

HEX #B094E1

RGB 176 148 225

HSL 261.82, 0.56%, 0.73%

LAB 66.4, 25.91, -35.29

 

CMYK 13 / 34 / 0 / 12

HEX #C494E1

RGB 196 148 225

HSL 277.4, 0.56%, 0.73%

LAB 68.28, 31.96, -32.23

 

CMYK 4 / 34 / 0 / 12

HEX #D994E1

RGB 217 148 225

HSL 293.77, 0.56%, 0.73%

LAB 70.43, 38.46, -28.73

 

CMYK 37 / 60 / 0 / 19

HEX #8253CF

RGB 130 83 207

HSL 262.74, 0.56%, 0.57%

LAB 46.23, 45.87, -57.38

 

CMYK 29 / 47 / 0 / 15

HEX #9A73D8

RGB 154 115 216

HSL 263.17, 0.56%, 0.65%

LAB 56.18, 36.19, -46.46

 

CMYK 21 / 34 / 0 / 12

HEX #B194E1

RGB 177 148 225

HSL 262.6, 0.56%, 0.73%

LAB 66.49, 26.21, -35.14

 

CMYK 15 / 23 / 0 / 8

HEX #C8B4EA

RGB 200 180 234

HSL 262.22, 0.56%, 0.81%

LAB 76.6, 17.52, -24.33

 

CMYK 8 / 13 / 0 / 5

HEX #E0D4F3

RGB 224 212 243

HSL 263.23, 0.56%, 0.89%

LAB 86.7, 9.83, -13.68

 

CMYK 21 / 34 / 0 / 12

HEX #B295E1

RGB 178 149 225

HSL 262.89, 0.56%, 0.73%

LAB 66.82, 25.95, -34.62

 

CMYK 0 / 34 / 20 / 12

HEX #E194B5

RGB 225 148 181

HSL 334.29, 0.56%, 0.73%

LAB 69.84, 33.57, -5.16

 

CMYK 33 / 0 / 34 / 12

HEX #96E194

RGB 150 225 148

HSL 118.44, 0.56%, 0.73%

LAB 83.16, -38.17, 30.52

 

CMYK 21 / 34 / 0 / 12

HEX #B295E1

RGB 178 149 225

HSL 262.89, 0.56%, 0.73%

LAB 66.82, 25.95, -34.62

 

CMYK 0 / 22 / 34 / 12

HEX #E1B094

RGB 225 176 148

HSL 21.82, 0.56%, 0.73%

LAB 75.57, 14.02, 21.17

 

CMYK 34 / 0 / 22 / 12

HEX #94E1B0

RGB 148 225 176

HSL 141.82, 0.56%, 0.73%

LAB 83.59, -33.95, 16.57

 

CMYK 21 / 34 / 0 / 12

HEX #B295E1

RGB 178 149 225

HSL 262.89, 0.56%, 0.73%

LAB 66.82, 25.95, -34.62

 

CMYK 0 / 34 / 20 / 12

HEX #E194B5

RGB 225 148 181

HSL 334.29, 0.56%, 0.73%

LAB 69.84, 33.57, -5.16

 

CMYK 13 / 0 / 34 / 12

HEX #C4E194

RGB 196 225 148

HSL 82.6, 0.56%, 0.73%

LAB 85.87, -22.34, 34.59

 

CMYK 34 / 0 / 15 / 12

HEX #94E1BF

RGB 148 225 191

HSL 153.51, 0.56%, 0.73%

LAB 83.92, -31.02, 9.16

 

CMYK 21 / 34 / 0 / 12

HEX #B295E1

RGB 178 149 225

HSL 262.89, 0.56%, 0.73%

LAB 66.82, 25.95, -34.62

 

CMYK 0 / 34 / 30 / 12

HEX #E1949E

RGB 225 148 158

HSL 352.21, 0.56%, 0.73%

LAB 69.22, 30.31, 6.77

 

CMYK 13 / 0 / 34 / 12

HEX #C4E194

RGB 196 225 148

HSL 82.6, 0.56%, 0.73%

LAB 85.87, -22.34, 34.59

 

CMYK 34 / 0 / 5 / 12

HEX #94E1D6

RGB 148 225 214

HSL 171.43, 0.56%, 0.73%

LAB 84.48, -26.09, -2.17

 

Description

Color code: HEX #B295E1 | qconv.com Color code: HEX #B295E1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 149 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 149 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 34 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 34% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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