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Color name
HEX #B29532

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B29532 it is the complementary color #4D6ACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B29532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B29532 shade: #B7952D, #C8A740, #D9B953, #EACB66 and #FBDD79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B29532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B29532 shade: #B29532, #A1831F, #90710C, #7F5F00 and #6E4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B29532 shade: #B39632, #B37332, #B35132 and #B33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B29532 shade: #B39632, #ADB332, #8BB332, #68B332 and #45B332

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B29532 shade matches the following richer shades: #B39632, #C6A020 and #D8AA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B29532 shade: #B39632, #A08C45, #8E8258, #7B776A and #696D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B29532 shade: #B35032, #B37332, #B39532, #AFB332 and #8CB332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B29532 shade: #736020, #937B29, #B39632, #CAAC44 and #D3BA65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B29532 shade: #B29532, #37B332 and #6232B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B29532 shade: #B29532, #32B395 and #9532B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B29532 shade: #B29532, #37B332, #3250B3 and #AF32B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B29532 shade: #B29532, #32B355, #3250B3 and #B33291

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 72 / 30

HEX #B29532

RGB 178 149 50

HSL 46.41, 0.56%, 0.45%

LAB 62.67, 0.14, 53.75

 

Complementary color

CMYK 62 / 48 / 0 / 20

HEX #4D6ACD

RGB 77 106 205

HSL 226.41, 0.56%, 0.55%

LAB 47.36, 20.46, -54.63

 

CMYK 0 / 19 / 75 / 28

HEX #B7952D

RGB 183 149 45

HSL 45.22, 0.61%, 0.45%

LAB 63.14, 2.14, 56.36

 

CMYK 0 / 17 / 68 / 22

HEX #C8A740

RGB 200 167 64

HSL 45.44, 0.55%, 0.52%

LAB 69.67, 0.87, 55.72

 

CMYK 0 / 15 / 62 / 15

HEX #D9B953

RGB 217 185 83

HSL 45.67, 0.64%, 0.59%

LAB 76.11, -0.19, 54.74

 

CMYK 0 / 13 / 56 / 8

HEX #EACB66

RGB 234 203 102

HSL 45.91, 0.76%, 0.66%

LAB 82.47, -1.09, 53.6

 

CMYK 0 / 12 / 52 / 2

HEX #FBDD79

RGB 251 221 121

HSL 46.15, 0.94%, 0.73%

LAB 88.73, -1.87, 52.41

 

CMYK 0 / 16 / 72 / 30

HEX #B29532

RGB 178 149 50

HSL 46.41, 0.56%, 0.45%

LAB 62.67, 0.14, 53.75

 

CMYK 0 / 19 / 81 / 37

HEX #A1831F

RGB 161 131 31

HSL 46.15, 0.68%, 0.38%

LAB 56, 1.53, 54

 

CMYK 0 / 22 / 92 / 44

HEX #90710C

RGB 144 113 12

HSL 45.91, 0.85%, 0.31%

LAB 49.21, 3.22, 53.01

 

CMYK 0 / 25 / 100 / 50

HEX #7F5F00

RGB 127 95 0

HSL 44.88, 1%, 0.25%

LAB 42.3, 5.28, 49.82

 

CMYK 0 / 30 / 100 / 57

HEX #6E4D00

RGB 110 77 0

HSL 42, 1%, 0.22%

LAB 35.25, 7.71, 44.03

 

CMYK 0 / 16 / 72 / 30

HEX #B39632

RGB 179 150 50

HSL 46.51, 0.56%, 0.45%

LAB 63.03, 0.05, 54.14

 

CMYK 0 / 36 / 72 / 30

HEX #B37332

RGB 179 115 50

HSL 30.23, 0.56%, 0.45%

LAB 54.11, 19.44, 45

 

CMYK 0 / 55 / 72 / 30

HEX #B35132

RGB 179 81 50

HSL 14.42, 0.56%, 0.45%

LAB 46.58, 37.77, 36.84

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 0 / 16 / 72 / 30

HEX #B39632

RGB 179 150 50

HSL 46.51, 0.56%, 0.45%

LAB 63.03, 0.05, 54.14

 

CMYK 3 / 0 / 72 / 30

HEX #ADB332

RGB 173 179 50

HSL 62.79, 0.56%, 0.45%

LAB 70.42, -17.83, 61.21

 

CMYK 22 / 0 / 72 / 30

HEX #8BB332

RGB 139 179 50

HSL 78.6, 0.56%, 0.45%

LAB 67.99, -31.96, 58

 

CMYK 42 / 0 / 72 / 30

HEX #68B332

RGB 104 179 50

HSL 94.88, 0.56%, 0.45%

LAB 66.07, -44.88, 55.45

 

CMYK 61 / 0 / 72 / 30

HEX #45B332

RGB 69 179 50

HSL 111.16, 0.56%, 0.45%

LAB 64.75, -54.95, 53.68

 

CMYK 0 / 16 / 72 / 30

HEX #B39632

RGB 179 150 50

HSL 46.51, 0.56%, 0.45%

LAB 63.03, 0.05, 54.14

 

CMYK 0 / 19 / 84 / 22

HEX #C6A020

RGB 198 160 32

HSL 46.27, 0.72%, 0.45%

LAB 67.47, 2.4, 65.13

 

CMYK 0 / 21 / 94 / 15

HEX #D8AA0D

RGB 216 170 13

HSL 46.4, 0.89%, 0.45%

LAB 71.81, 4.65, 73.23

 

CMYK 0 / 16 / 72 / 30

HEX #B39632

RGB 179 150 50

HSL 46.51, 0.56%, 0.45%

LAB 63.03, 0.05, 54.14

 

CMYK 0 / 13 / 57 / 37

HEX #A08C45

RGB 160 140 69

HSL 46.81, 0.4%, 0.45%

LAB 58.66, -1.66, 40.14

 

CMYK 0 / 8 / 38 / 44

HEX #8E8258

RGB 142 130 88

HSL 46.67, 0.23%, 0.45%

LAB 54.47, -1.96, 24.41

 

CMYK 0 / 3 / 14 / 52

HEX #7B776A

RGB 123 119 106

HSL 45.88, 0.07%, 0.45%

LAB 50.03, -0.9, 7.69

 

CMYK 16 / 13 / 0 / 51

HEX #696D7D

RGB 105 109 125

HSL 228, 0.09%, 0.45%

LAB 46.21, 2.05, -9.37

 

CMYK 0 / 55 / 72 / 30

HEX #B35032

RGB 179 80 50

HSL 13.95, 0.56%, 0.45%

LAB 46.38, 38.28, 36.62

 

CMYK 0 / 36 / 72 / 30

HEX #B37332

RGB 179 115 50

HSL 30.23, 0.56%, 0.45%

LAB 54.11, 19.44, 45

 

CMYK 0 / 17 / 72 / 30

HEX #B39532

RGB 179 149 50

HSL 46.05, 0.56%, 0.45%

LAB 62.77, 0.59, 53.88

 

CMYK 2 / 0 / 72 / 30

HEX #AFB332

RGB 175 179 50

HSL 61.86, 0.56%, 0.45%

LAB 70.58, -16.97, 61.42

 

CMYK 22 / 0 / 72 / 30

HEX #8CB332

RGB 140 179 50

HSL 78.14, 0.56%, 0.45%

LAB 68.05, -31.56, 58.09

 

CMYK 0 / 17 / 72 / 55

HEX #736020

RGB 115 96 32

HSL 46.27, 0.56%, 0.29%

LAB 41.4, -0.01, 37.9

 

CMYK 0 / 16 / 72 / 42

HEX #937B29

RGB 147 123 41

HSL 46.42, 0.56%, 0.37%

LAB 52.43, 0.02, 46.21

 

CMYK 0 / 16 / 72 / 30

HEX #B39632

RGB 179 150 50

HSL 46.51, 0.56%, 0.45%

LAB 63.03, 0.05, 54.14

 

CMYK 0 / 15 / 66 / 21

HEX #CAAC44

RGB 202 172 68

HSL 46.57, 0.56%, 0.53%

LAB 71.2, -0.69, 55.66

 

CMYK 0 / 12 / 52 / 17

HEX #D3BA65

RGB 211 186 101

HSL 46.36, 0.56%, 0.61%

LAB 76.01, -1.86, 45.95

 

CMYK 0 / 16 / 72 / 30

HEX #B29532

RGB 178 149 50

HSL 46.41, 0.56%, 0.45%

LAB 62.67, 0.14, 53.75

 

CMYK 69 / 0 / 72 / 30

HEX #37B332

RGB 55 179 50

HSL 117.67, 0.56%, 0.45%

LAB 64.39, -57.94, 53.2

 

CMYK 45 / 72 / 0 / 30

HEX #6232B3

RGB 98 50 179

HSL 262.33, 0.56%, 0.45%

LAB 34.26, 49.39, -60.61

 

CMYK 0 / 16 / 72 / 30

HEX #B29532

RGB 178 149 50

HSL 46.41, 0.56%, 0.45%

LAB 62.67, 0.14, 53.75

 

CMYK 72 / 0 / 17 / 30

HEX #32B395

RGB 50 179 149

HSL 166.05, 0.56%, 0.45%

LAB 65.82, -41.72, 5.38

 

CMYK 17 / 72 / 0 / 30

HEX #9532B3

RGB 149 50 179

HSL 286.05, 0.56%, 0.45%

LAB 41.1, 59.35, -49.2

 

CMYK 0 / 16 / 72 / 30

HEX #B29532

RGB 178 149 50

HSL 46.41, 0.56%, 0.45%

LAB 62.67, 0.14, 53.75

 

CMYK 69 / 0 / 72 / 30

HEX #37B332

RGB 55 179 50

HSL 117.67, 0.56%, 0.45%

LAB 64.39, -57.94, 53.2

 

CMYK 72 / 55 / 0 / 30

HEX #3250B3

RGB 50 80 179

HSL 226.05, 0.56%, 0.45%

LAB 37.24, 23.55, -55.91

 

CMYK 2 / 72 / 0 / 30

HEX #AF32B3

RGB 175 50 179

HSL 298.14, 0.56%, 0.45%

LAB 45.15, 64.93, -42.49

 

CMYK 0 / 16 / 72 / 30

HEX #B29532

RGB 178 149 50

HSL 46.41, 0.56%, 0.45%

LAB 62.67, 0.14, 53.75

 

CMYK 72 / 0 / 53 / 30

HEX #32B355

RGB 50 179 85

HSL 136.28, 0.56%, 0.45%

LAB 64.62, -54.77, 37.89

 

CMYK 72 / 55 / 0 / 30

HEX #3250B3

RGB 50 80 179

HSL 226.05, 0.56%, 0.45%

LAB 37.24, 23.55, -55.91

 

CMYK 0 / 72 / 19 / 30

HEX #B33291

RGB 179 50 145

HSL 315.81, 0.56%, 0.45%

LAB 44.1, 60.62, -23.81

 

Description

Color code: HEX #B29532 | qconv.com Color code: HEX #B29532 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 149 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 149 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 72 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 72% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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