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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B28FCE it is the complementary color #4D7031. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B28FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B28FCE shade: #B78FC9, #C8A1DC, #D9B3EF, #EAC5FF and #FBD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B28FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B28FCE shade: #B28FCE, #A17DBB, #906BA8, #7F5995 and #6E4782

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B28FCE shade: #B18ECD, #C28ECD, #CD8EC7, #CD8EB6 and #CD8EA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B28FCE shade: #B18ECD, #A08ECD, #8F8ECD and #8E8ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B28FCE shade matches the following richer shades: #B18ECD, #B280DA, #B473E8 and #B566F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B28FCE shade: #B18ECD, #AF9BC0, #AEA8B3, #ADB5A6 and #ABC298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B28FCE shade: #8F8ECD, #A08ECD, #B18ECD, #C28ECD and #CD8EC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B28FCE shade: #8954B4, #9D71C1, #B18ECD, #C5AADA and #D8C7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B28FCE shade: #B28FCE, #CD8E9D and #8ECD97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B28FCE shade: #B28FCE, #CDB18E and #8ECDB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B28FCE shade: #B28FCE, #CD8E9D, #AACD8E and #8ECDBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B28FCE shade: #B28FCE, #CD918E, #AACD8E and #8ECACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 31 / 0 / 19

HEX #B28FCE

RGB 178 143 206

HSL 273.33, 0.39%, 0.68%

LAB 64.62, 25.08, -27.49

 

Complementary color

CMYK 31 / 0 / 56 / 56

HEX #4D7031

RGB 77 112 49

HSL 93.33, 0.39%, 0.32%

LAB 43.34, -24.49, 30.72

 

CMYK 9 / 29 / 0 / 21

HEX #B78FC9

RGB 183 143 201

HSL 281.38, 0.35%, 0.67%

LAB 64.91, 25.63, -24.21

 

CMYK 9 / 27 / 0 / 14

HEX #C8A1DC

RGB 200 161 220

HSL 279.66, 0.46%, 0.75%

LAB 71.51, 25.02, -24.47

 

CMYK 9 / 25 / 0 / 6

HEX #D9B3EF

RGB 217 179 239

HSL 278, 0.65%, 0.82%

LAB 78.01, 24.47, -24.75

 

CMYK 8 / 23 / 0 / 0

HEX #EAC5FF

RGB 234 197 255

HSL 278.28, 1%, 0.89%

LAB 84.3, 23.35, -23.59

 

CMYK 2 / 16 / 0 / 0

HEX #FBD7FF

RGB 251 215 255

HSL 294, 1%, 0.92%

LAB 90.01, 19.3, -14.82

 

CMYK 14 / 31 / 0 / 19

HEX #B28FCE

RGB 178 143 206

HSL 273.33, 0.39%, 0.68%

LAB 64.62, 25.08, -27.49

 

CMYK 14 / 33 / 0 / 27

HEX #A17DBB

RGB 161 125 187

HSL 274.84, 0.31%, 0.61%

LAB 57.88, 25.74, -27.3

 

CMYK 14 / 36 / 0 / 34

HEX #906BA8

RGB 144 107 168

HSL 276.39, 0.26%, 0.54%

LAB 51, 26.46, -27.13

 

CMYK 15 / 40 / 0 / 42

HEX #7F5995

RGB 127 89 149

HSL 278, 0.25%, 0.47%

LAB 43.98, 27.25, -26.96

 

CMYK 15 / 45 / 0 / 49

HEX #6E4782

RGB 110 71 130

HSL 279.66, 0.29%, 0.39%

LAB 36.81, 28.1, -26.79

 

CMYK 14 / 31 / 0 / 20

HEX #B18ECD

RGB 177 142 205

HSL 273.33, 0.39%, 0.68%

LAB 64.24, 25.11, -27.51

 

CMYK 5 / 31 / 0 / 20

HEX #C28ECD

RGB 194 142 205

HSL 289.52, 0.39%, 0.68%

LAB 65.92, 30.55, -24.79

 

CMYK 0 / 31 / 3 / 20

HEX #CD8EC7

RGB 205 142 199

HSL 305.71, 0.39%, 0.68%

LAB 66.86, 32.99, -19.9

 

CMYK 0 / 31 / 11 / 20

HEX #CD8EB6

RGB 205 142 182

HSL 321.9, 0.39%, 0.68%

LAB 66.29, 30, -11.24

 

CMYK 0 / 31 / 20 / 20

HEX #CD8EA5

RGB 205 142 165

HSL 338.1, 0.39%, 0.68%

LAB 65.78, 27.25, -2.44

 

CMYK 14 / 31 / 0 / 20

HEX #B18ECD

RGB 177 142 205

HSL 273.33, 0.39%, 0.68%

LAB 64.24, 25.11, -27.51

 

CMYK 22 / 31 / 0 / 20

HEX #A08ECD

RGB 160 142 205

HSL 257.14, 0.39%, 0.68%

LAB 62.7, 19.81, -30.02

 

CMYK 30 / 31 / 0 / 20

HEX #8F8ECD

RGB 143 142 205

HSL 240.95, 0.39%, 0.68%

LAB 61.3, 14.71, -32.3

 

CMYK 31 / 31 / 0 / 20

HEX #8E8ECD

RGB 142 142 205

HSL 240, 0.39%, 0.68%

LAB 61.22, 14.42, -32.42

 

CMYK 14 / 31 / 0 / 20

HEX #B18ECD

RGB 177 142 205

HSL 273.33, 0.39%, 0.68%

LAB 64.24, 25.11, -27.51

 

CMYK 18 / 41 / 0 / 15

HEX #B280DA

RGB 178 128 218

HSL 273.33, 0.55%, 0.68%

LAB 61.62, 36.11, -38.84

 

CMYK 22 / 50 / 0 / 9

HEX #B473E8

RGB 180 115 232

HSL 273.33, 0.72%, 0.68%

LAB 59.7, 46.89, -49.67

 

CMYK 26 / 58 / 0 / 4

HEX #B566F5

RGB 181 102 245

HSL 273.15, 0.88%, 0.68%

LAB 57.96, 56.8, -59.67

 

CMYK 14 / 31 / 0 / 20

HEX #B18ECD

RGB 177 142 205

HSL 273.33, 0.39%, 0.68%

LAB 64.24, 25.11, -27.51

 

CMYK 9 / 19 / 0 / 25

HEX #AF9BC0

RGB 175 155 192

HSL 272.43, 0.23%, 0.68%

LAB 66.8, 14.4, -16.37

 

CMYK 3 / 6 / 0 / 30

HEX #AEA8B3

RGB 174 168 179

HSL 272.73, 0.07%, 0.68%

LAB 69.65, 4.23, -4.89

 

CMYK 4 / 0 / 8 / 29

HEX #ADB5A6

RGB 173 181 166

HSL 92, 0.09%, 0.68%

LAB 72.68, -5.58, 6.67

 

CMYK 12 / 0 / 22 / 24

HEX #ABC298

RGB 171 194 152

HSL 92.86, 0.26%, 0.68%

LAB 75.77, -15.45, 18.58

 

CMYK 30 / 31 / 0 / 20

HEX #8F8ECD

RGB 143 142 205

HSL 240.95, 0.39%, 0.68%

LAB 61.3, 14.71, -32.3

 

CMYK 22 / 31 / 0 / 20

HEX #A08ECD

RGB 160 142 205

HSL 257.14, 0.39%, 0.68%

LAB 62.7, 19.81, -30.02

 

CMYK 14 / 31 / 0 / 20

HEX #B18ECD

RGB 177 142 205

HSL 273.33, 0.39%, 0.68%

LAB 64.24, 25.11, -27.51

 

CMYK 5 / 31 / 0 / 20

HEX #C28ECD

RGB 194 142 205

HSL 289.52, 0.39%, 0.68%

LAB 65.92, 30.55, -24.79

 

CMYK 0 / 31 / 2 / 20

HEX #CD8EC8

RGB 205 142 200

HSL 304.76, 0.39%, 0.68%

LAB 66.9, 33.18, -20.4

 

CMYK 24 / 53 / 0 / 29

HEX #8954B4

RGB 137 84 180

HSL 273.13, 0.39%, 0.52%

LAB 45.57, 40.32, -42.73

 

CMYK 19 / 41 / 0 / 24

HEX #9D71C1

RGB 157 113 193

HSL 273, 0.39%, 0.6%

LAB 54.9, 32.7, -35.4

 

CMYK 14 / 31 / 0 / 20

HEX #B18ECD

RGB 177 142 205

HSL 273.33, 0.39%, 0.68%

LAB 64.24, 25.11, -27.51

 

CMYK 10 / 22 / 0 / 15

HEX #C5AADA

RGB 197 170 218

HSL 273.75, 0.39%, 0.76%

LAB 73.34, 18.7, -20.62

 

CMYK 6 / 13 / 0 / 10

HEX #D8C7E6

RGB 216 199 230

HSL 272.9, 0.38%, 0.84%

LAB 82.46, 11.59, -13.19

 

CMYK 14 / 31 / 0 / 19

HEX #B28FCE

RGB 178 143 206

HSL 273.33, 0.39%, 0.68%

LAB 64.62, 25.08, -27.49

 

CMYK 0 / 31 / 23 / 20

HEX #CD8E9D

RGB 205 142 157

HSL 345.71, 0.39%, 0.68%

LAB 65.56, 26.04, 1.75

 

CMYK 31 / 0 / 26 / 20

HEX #8ECD97

RGB 142 205 151

HSL 128.57, 0.39%, 0.68%

LAB 77.07, -30.98, 20.63

 

CMYK 14 / 31 / 0 / 19

HEX #B28FCE

RGB 178 143 206

HSL 273.33, 0.39%, 0.68%

LAB 64.62, 25.08, -27.49

 

CMYK 0 / 14 / 31 / 20

HEX #CDB18E

RGB 205 177 142

HSL 33.33, 0.39%, 0.68%

LAB 73.79, 4.92, 21.66

 

CMYK 31 / 0 / 14 / 20

HEX #8ECDB1

RGB 142 205 177

HSL 153.33, 0.39%, 0.68%

LAB 77.63, -26.03, 7.56

 

CMYK 14 / 31 / 0 / 19

HEX #B28FCE

RGB 178 143 206

HSL 273.33, 0.39%, 0.68%

LAB 64.62, 25.08, -27.49

 

CMYK 0 / 31 / 23 / 20

HEX #CD8E9D

RGB 205 142 157

HSL 345.71, 0.39%, 0.68%

LAB 65.56, 26.04, 1.75

 

CMYK 17 / 0 / 31 / 20

HEX #AACD8E

RGB 170 205 142

HSL 93.33, 0.39%, 0.68%

LAB 78.56, -22.87, 27.66

 

CMYK 31 / 0 / 8 / 20

HEX #8ECDBD

RGB 142 205 189

HSL 164.76, 0.39%, 0.68%

LAB 77.93, -23.5, 1.54

 

CMYK 14 / 31 / 0 / 19

HEX #B28FCE

RGB 178 143 206

HSL 273.33, 0.39%, 0.68%

LAB 64.62, 25.08, -27.49

 

CMYK 0 / 29 / 31 / 20

HEX #CD918E

RGB 205 145 142

HSL 2.86, 0.39%, 0.68%

LAB 65.89, 22.29, 10.67

 

CMYK 17 / 0 / 31 / 20

HEX #AACD8E

RGB 170 205 142

HSL 93.33, 0.39%, 0.68%

LAB 78.56, -22.87, 27.66

 

CMYK 31 / 1 / 0 / 20

HEX #8ECACD

RGB 142 202 205

HSL 182.86, 0.39%, 0.68%

LAB 77.52, -18.39, -7.67

 

Description

Color code: HEX #B28FCE | qconv.com Color code: HEX #B28FCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 143 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 143 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 31 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 31% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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