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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B28ECB it is the complementary color #4D7134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B28ECB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B28ECB shade: #B78EC6, #C8A0D9, #D9B2EC, #EAC4FF and #FBD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B28ECB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B28ECB shade: #B28ECB, #A17CB8, #906AA5, #7F5892 and #6E467F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B28ECB shade: #B38FCC, #C38FCC, #CC8FC4, #CC8FB3 and #CC8FA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B28ECB shade: #B38FCC, #A38FCC, #928FCC and #8F8FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B28ECB shade matches the following richer shades: #B38FCC, #B582D9, #B875E6 and #BA68F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B28ECB shade: #B38FCC, #B09CBE, #AEAAB1, #ACB7A4 and #A9C497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B28ECB shade: #928FCC, #A28FCC, #B28FCC, #C38FCC and #CC8FC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B28ECB shade: #8C57B2, #A073BF, #B38FCC, #C6ABD9 and #D9C8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B28ECB shade: #B28ECB, #CC8F9C and #8FCC9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B28ECB shade: #B28ECB, #CCB28F and #8FCCB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B28ECB shade: #B28ECB, #CC8F9C, #A8CC8F and #8FCCBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B28ECB shade: #B28ECB, #CC948F, #A8CC8F and #8FC7CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 30 / 0 / 20

HEX #B28ECB

RGB 178 142 203

HSL 275.41, 0.37%, 0.68%

LAB 64.26, 25, -26.36

 

Complementary color

CMYK 32 / 0 / 54 / 56

HEX #4D7134

RGB 77 113 52

HSL 95.41, 0.37%, 0.32%

LAB 43.71, -24.62, 29.57

 

CMYK 8 / 28 / 0 / 22

HEX #B78EC6

RGB 183 142 198

HSL 283.93, 0.33%, 0.67%

LAB 64.56, 25.57, -23.06

 

CMYK 8 / 26 / 0 / 15

HEX #C8A0D9

RGB 200 160 217

HSL 282.11, 0.43%, 0.74%

LAB 71.17, 24.97, -23.35

 

CMYK 8 / 25 / 0 / 7

HEX #D9B2EC

RGB 217 178 236

HSL 280.34, 0.6%, 0.81%

LAB 77.67, 24.41, -23.65

 

CMYK 8 / 23 / 0 / 0

HEX #EAC4FF

RGB 234 196 255

HSL 278.64, 1%, 0.88%

LAB 84.07, 23.89, -23.94

 

CMYK 2 / 16 / 0 / 0

HEX #FBD6FF

RGB 251 214 255

HSL 294.15, 1%, 0.92%

LAB 89.78, 19.82, -15.17

 

CMYK 12 / 30 / 0 / 20

HEX #B28ECB

RGB 178 142 203

HSL 275.41, 0.37%, 0.68%

LAB 64.26, 25, -26.36

 

CMYK 13 / 33 / 0 / 28

HEX #A17CB8

RGB 161 124 184

HSL 277, 0.3%, 0.6%

LAB 57.51, 25.66, -26.15

 

CMYK 13 / 36 / 0 / 35

HEX #906AA5

RGB 144 106 165

HSL 278.64, 0.25%, 0.53%

LAB 50.63, 26.37, -25.95

 

CMYK 13 / 40 / 0 / 43

HEX #7F5892

RGB 127 88 146

HSL 280.34, 0.25%, 0.46%

LAB 43.61, 27.15, -25.76

 

CMYK 13 / 45 / 0 / 50

HEX #6E467F

RGB 110 70 127

HSL 282.11, 0.29%, 0.39%

LAB 36.42, 28, -25.55

 

CMYK 12 / 30 / 0 / 20

HEX #B38FCC

RGB 179 143 204

HSL 275.41, 0.37%, 0.68%

LAB 64.63, 24.97, -26.33

 

CMYK 4 / 30 / 0 / 20

HEX #C38FCC

RGB 195 143 204

HSL 291.15, 0.37%, 0.68%

LAB 66.22, 30.12, -23.77

 

CMYK 0 / 30 / 4 / 20

HEX #CC8FC4

RGB 204 143 196

HSL 307.87, 0.37%, 0.68%

LAB 66.88, 31.57, -18.21

 

CMYK 0 / 30 / 12 / 20

HEX #CC8FB3

RGB 204 143 179

HSL 324.59, 0.37%, 0.68%

LAB 66.32, 28.6, -9.53

 

CMYK 0 / 30 / 20 / 20

HEX #CC8FA3

RGB 204 143 163

HSL 340.33, 0.37%, 0.68%

LAB 65.85, 26.03, -1.23

 

CMYK 12 / 30 / 0 / 20

HEX #B38FCC

RGB 179 143 204

HSL 275.41, 0.37%, 0.68%

LAB 64.63, 24.97, -26.33

 

CMYK 20 / 30 / 0 / 20

HEX #A38FCC

RGB 163 143 204

HSL 259.67, 0.37%, 0.68%

LAB 63.17, 19.93, -28.71

 

CMYK 28 / 30 / 0 / 20

HEX #928FCC

RGB 146 143 204

HSL 242.95, 0.37%, 0.68%

LAB 61.75, 14.76, -31.02

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCC

RGB 143 143 204

HSL 240, 0.37%, 0.68%

LAB 61.52, 13.88, -31.4

 

CMYK 12 / 30 / 0 / 20

HEX #B38FCC

RGB 179 143 204

HSL 275.41, 0.37%, 0.68%

LAB 64.63, 24.97, -26.33

 

CMYK 17 / 40 / 0 / 15

HEX #B582D9

RGB 181 130 217

HSL 275.17, 0.53%, 0.68%

LAB 62.34, 35.66, -37.14

 

CMYK 20 / 49 / 0 / 10

HEX #B875E6

RGB 184 117 230

HSL 275.58, 0.69%, 0.68%

LAB 60.45, 46.45, -47.34

 

CMYK 23 / 57 / 0 / 5

HEX #BA68F3

RGB 186 104 243

HSL 275.4, 0.85%, 0.68%

LAB 58.8, 56.54, -57.18

 

CMYK 12 / 30 / 0 / 20

HEX #B38FCC

RGB 179 143 204

HSL 275.41, 0.37%, 0.68%

LAB 64.63, 24.97, -26.33

 

CMYK 7 / 18 / 0 / 25

HEX #B09CBE

RGB 176 156 190

HSL 275.29, 0.21%, 0.68%

LAB 67.07, 13.76, -14.83

 

CMYK 2 / 4 / 0 / 31

HEX #AEAAB1

RGB 174 170 177

HSL 274.29, 0.04%, 0.68%

LAB 70.12, 2.75, -3.09

 

CMYK 6 / 0 / 10 / 28

HEX #ACB7A4

RGB 172 183 164

HSL 94.74, 0.12%, 0.68%

LAB 73.1, -7.35, 8.35

 

CMYK 14 / 0 / 23 / 23

HEX #A9C497

RGB 169 196 151

HSL 96, 0.28%, 0.68%

LAB 76.16, -17.35, 19.63

 

CMYK 28 / 30 / 0 / 20

HEX #928FCC

RGB 146 143 204

HSL 242.95, 0.37%, 0.68%

LAB 61.75, 14.76, -31.02

 

CMYK 21 / 30 / 0 / 20

HEX #A28FCC

RGB 162 143 204

HSL 258.69, 0.37%, 0.68%

LAB 63.08, 19.62, -28.85

 

CMYK 13 / 30 / 0 / 20

HEX #B28FCC

RGB 178 143 204

HSL 274.43, 0.37%, 0.68%

LAB 64.54, 24.65, -26.49

 

CMYK 4 / 30 / 0 / 20

HEX #C38FCC

RGB 195 143 204

HSL 291.15, 0.37%, 0.68%

LAB 66.22, 30.12, -23.77

 

CMYK 0 / 30 / 3 / 20

HEX #CC8FC5

RGB 204 143 197

HSL 306.89, 0.37%, 0.68%

LAB 66.91, 31.75, -18.72

 

CMYK 21 / 51 / 0 / 30

HEX #8C57B2

RGB 140 87 178

HSL 274.95, 0.37%, 0.52%

LAB 46.45, 39, -40.14

 

CMYK 16 / 40 / 0 / 25

HEX #A073BF

RGB 160 115 191

HSL 275.53, 0.37%, 0.6%

LAB 55.58, 32.02, -33.16

 

CMYK 12 / 30 / 0 / 20

HEX #B38FCC

RGB 179 143 204

HSL 275.41, 0.37%, 0.68%

LAB 64.63, 24.97, -26.33

 

CMYK 9 / 21 / 0 / 15

HEX #C6ABD9

RGB 198 171 217

HSL 275.22, 0.38%, 0.76%

LAB 73.64, 18.27, -19.61

 

CMYK 6 / 13 / 0 / 10

HEX #D9C8E6

RGB 217 200 230

HSL 274, 0.38%, 0.84%

LAB 82.79, 11.39, -12.69

 

CMYK 12 / 30 / 0 / 20

HEX #B28ECB

RGB 178 142 203

HSL 275.41, 0.37%, 0.68%

LAB 64.26, 25, -26.36

 

CMYK 0 / 30 / 24 / 20

HEX #CC8F9C

RGB 204 143 156

HSL 347.21, 0.37%, 0.68%

LAB 65.66, 24.97, 2.44

 

CMYK 30 / 0 / 25 / 20

HEX #8FCC9A

RGB 143 204 154

HSL 130.82, 0.37%, 0.68%

LAB 76.9, -29.65, 18.81

 

CMYK 12 / 30 / 0 / 20

HEX #B28ECB

RGB 178 142 203

HSL 275.41, 0.37%, 0.68%

LAB 64.26, 25, -26.36

 

CMYK 0 / 13 / 30 / 20

HEX #CCB28F

RGB 204 178 143

HSL 34.43, 0.37%, 0.68%

LAB 73.97, 4.12, 21.35

 

CMYK 30 / 0 / 13 / 20

HEX #8FCCB2

RGB 143 204 178

HSL 154.43, 0.37%, 0.68%

LAB 77.42, -25.03, 6.73

 

CMYK 12 / 30 / 0 / 20

HEX #B28ECB

RGB 178 142 203

HSL 275.41, 0.37%, 0.68%

LAB 64.26, 25, -26.36

 

CMYK 0 / 30 / 24 / 20

HEX #CC8F9C

RGB 204 143 156

HSL 347.21, 0.37%, 0.68%

LAB 65.66, 24.97, 2.44

 

CMYK 18 / 0 / 30 / 20

HEX #A8CC8F

RGB 168 204 143

HSL 95.41, 0.37%, 0.68%

LAB 78.17, -22.95, 26.59

 

CMYK 30 / 0 / 6 / 20

HEX #8FCCBF

RGB 143 204 191

HSL 167.21, 0.37%, 0.68%

LAB 77.75, -22.27, 0.21

 

CMYK 12 / 30 / 0 / 20

HEX #B28ECB

RGB 178 142 203

HSL 275.41, 0.37%, 0.68%

LAB 64.26, 25, -26.36

 

CMYK 0 / 27 / 30 / 20

HEX #CC948F

RGB 204 148 143

HSL 4.92, 0.37%, 0.68%

LAB 66.52, 20.4, 10.98

 

CMYK 18 / 0 / 30 / 20

HEX #A8CC8F

RGB 168 204 143

HSL 95.41, 0.37%, 0.68%

LAB 78.17, -22.95, 26.59

 

CMYK 30 / 2 / 0 / 20

HEX #8FC7CC

RGB 143 199 204

HSL 184.92, 0.37%, 0.68%

LAB 76.71, -16.81, -8.33

 

Description

Color code: HEX #B28ECB | qconv.com Color code: HEX #B28ECB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 142 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 142 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 30 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 30% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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