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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B28CFB it is the complementary color #4D7304. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B28CFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B28CFB shade: #B78CF6, #C89EFF, #D9B0FF, #EAC2FF and #FBD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B28CFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B28CFB shade: #B28CFB, #A17AE8, #9068D5, #7F56C2 and #6E44AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B28CFB shade: #B38EFB, #D18EFB, #EE8EFB, #FB8EEA and #FB8ECD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B28CFB shade: #B38EFB, #968EFB and #8E8EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B28CFB shade matches the following richer shades: #B38EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B28CFB shade: #B38EFB, #B697F1, #B9A1E8, #BCAADE and #BFB4D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B28CFB shade: #8EA4FB, #958EFB, #B28EFB, #CF8EFB and #EC8EFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B28CFB shade: #7E3EF8, #9866F9, #B38EFB, #CEB6FC and #E9DDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B28CFB shade: #B28CFB, #FB8EC1 and #95FB8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B28CFB shade: #B28CFB, #FBB28E and #8EFBB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B28CFB shade: #B28CFB, #FB8EC1, #D7FB8E and #8EFBC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B28CFB shade: #B28CFB, #FB8EA0, #D7FB8E and #8EFBE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 44 / 0 / 2

HEX #B28CFB

RGB 178 140 251

HSL 260.54, 0.93%, 0.77%

LAB 65.89, 37.14, -50.37

 

Complementary color

CMYK 33 / 0 / 97 / 55

HEX #4D7304

RGB 77 115 4

HSL 80.54, 0.93%, 0.23%

LAB 44.01, -29, 48.17

 

CMYK 26 / 43 / 0 / 4

HEX #B78CF6

RGB 183 140 246

HSL 264.34, 0.85%, 0.76%

LAB 66.12, 37.29, -47.24

 

CMYK 22 / 38 / 0 / 0

HEX #C89EFF

RGB 200 158 255

HSL 265.98, 1%, 0.81%

LAB 72.2, 34.2, -42.5

 

CMYK 15 / 31 / 0 / 0

HEX #D9B0FF

RGB 217 176 255

HSL 271.14, 1%, 0.85%

LAB 77.89, 29.39, -33.54

 

CMYK 8 / 24 / 0 / 0

HEX #EAC2FF

RGB 234 194 255

HSL 279.34, 1%, 0.88%

LAB 83.6, 24.95, -24.65

 

CMYK 2 / 17 / 0 / 0

HEX #FBD4FF

RGB 251 212 255

HSL 294.42, 1%, 0.92%

LAB 89.31, 20.87, -15.88

 

CMYK 29 / 44 / 0 / 2

HEX #B28CFB

RGB 178 140 251

HSL 260.54, 0.93%, 0.77%

LAB 65.89, 37.14, -50.37

 

CMYK 31 / 47 / 0 / 9

HEX #A17AE8

RGB 161 122 232

HSL 261.27, 0.71%, 0.69%

LAB 59.27, 38.06, -50.47

 

CMYK 32 / 51 / 0 / 16

HEX #9068D5

RGB 144 104 213

HSL 262.02, 0.56%, 0.62%

LAB 52.55, 39.05, -50.59

 

CMYK 35 / 56 / 0 / 24

HEX #7F56C2

RGB 127 86 194

HSL 262.78, 0.47%, 0.55%

LAB 45.72, 40.11, -50.71

 

CMYK 37 / 61 / 0 / 31

HEX #6E44AF

RGB 110 68 175

HSL 263.55, 0.44%, 0.48%

LAB 38.8, 41.21, -50.8

 

CMYK 29 / 43 / 0 / 2

HEX #B38EFB

RGB 179 142 251

HSL 260.37, 0.93%, 0.77%

LAB 66.44, 36.3, -49.5

 

CMYK 17 / 43 / 0 / 2

HEX #D18EFB

RGB 209 142 251

HSL 276.88, 0.93%, 0.77%

LAB 69.37, 44.53, -44.68

 

CMYK 5 / 43 / 0 / 2

HEX #EE8EFB

RGB 238 142 251

HSL 292.84, 0.93%, 0.77%

LAB 72.55, 52.74, -39.48

 

CMYK 0 / 43 / 7 / 2

HEX #FB8EEA

RGB 251 142 234

HSL 309.36, 0.93%, 0.77%

LAB 73.41, 53.55, -28.75

 

CMYK 0 / 43 / 18 / 2

HEX #FB8ECD

RGB 251 142 205

HSL 325.32, 0.93%, 0.77%

LAB 72.4, 49, -14.34

 

CMYK 29 / 43 / 0 / 2

HEX #B38EFB

RGB 179 142 251

HSL 260.37, 0.93%, 0.77%

LAB 66.44, 36.3, -49.5

 

CMYK 40 / 43 / 0 / 2

HEX #968EFB

RGB 150 142 251

HSL 244.4, 0.93%, 0.77%

LAB 63.99, 28.84, -53.53

 

CMYK 43 / 43 / 0 / 2

HEX #8E8EFB

RGB 142 142 251

HSL 240, 0.93%, 0.77%

LAB 63.39, 26.9, -54.52

 

CMYK 29 / 43 / 0 / 2

HEX #B38EFB

RGB 179 142 251

HSL 260.37, 0.93%, 0.77%

LAB 66.44, 36.3, -49.5

 

CMYK 29 / 43 / 0 / 2

HEX #B38EFB

RGB 179 142 251

HSL 260.37, 0.93%, 0.77%

LAB 66.44, 36.3, -49.5

 

CMYK 24 / 37 / 0 / 5

HEX #B697F1

RGB 182 151 241

HSL 260.67, 0.76%, 0.77%

LAB 68.34, 29.72, -41.03

 

CMYK 20 / 31 / 0 / 9

HEX #B9A1E8

RGB 185 161 232

HSL 260.28, 0.61%, 0.77%

LAB 70.62, 22.94, -32.54

 

CMYK 15 / 23 / 0 / 13

HEX #BCAADE

RGB 188 170 222

HSL 260.77, 0.44%, 0.77%

LAB 72.7, 16.65, -23.84

 

CMYK 10 / 15 / 0 / 16

HEX #BFB4D5

RGB 191 180 213

HSL 260, 0.28%, 0.77%

LAB 75.15, 10.23, -15.2

 

CMYK 43 / 35 / 0 / 2

HEX #8EA4FB

RGB 142 164 251

HSL 227.89, 0.93%, 0.77%

LAB 68.94, 14.23, -45.75

 

CMYK 41 / 43 / 0 / 2

HEX #958EFB

RGB 149 142 251

HSL 243.85, 0.93%, 0.77%

LAB 63.92, 28.59, -53.65

 

CMYK 29 / 43 / 0 / 2

HEX #B28EFB

RGB 178 142 251

HSL 259.82, 0.93%, 0.77%

LAB 66.35, 36.03, -49.65

 

CMYK 18 / 43 / 0 / 2

HEX #CF8EFB

RGB 207 142 251

HSL 275.78, 0.93%, 0.77%

LAB 69.17, 43.97, -45.02

 

CMYK 6 / 43 / 0 / 2

HEX #EC8EFB

RGB 236 142 251

HSL 291.74, 0.93%, 0.77%

LAB 72.32, 52.17, -39.85

 

CMYK 49 / 75 / 0 / 3

HEX #7E3EF8

RGB 126 62 248

HSL 260.65, 0.93%, 0.61%

LAB 45.16, 66.15, -82.38

 

CMYK 39 / 59 / 0 / 2

HEX #9866F9

RGB 152 102 249

HSL 260.41, 0.92%, 0.69%

LAB 55.09, 51.27, -66.67

 

CMYK 29 / 43 / 0 / 2

HEX #B38EFB

RGB 179 142 251

HSL 260.37, 0.93%, 0.77%

LAB 66.44, 36.3, -49.5

 

CMYK 18 / 28 / 0 / 1

HEX #CEB6FC

RGB 206 182 252

HSL 260.57, 0.92%, 0.85%

LAB 78.23, 22.16, -31.48

 

CMYK 8 / 13 / 0 / 0

HEX #E9DDFE

RGB 233 221 254

HSL 261.82, 0.94%, 0.93%

LAB 89.95, 10.14, -14.54

 

CMYK 29 / 44 / 0 / 2

HEX #B28CFB

RGB 178 140 251

HSL 260.54, 0.93%, 0.77%

LAB 65.89, 37.14, -50.37

 

CMYK 0 / 43 / 23 / 2

HEX #FB8EC1

RGB 251 142 193

HSL 331.93, 0.93%, 0.77%

LAB 72.03, 47.28, -8.25

 

CMYK 41 / 0 / 43 / 2

HEX #95FB8E

RGB 149 251 142

HSL 116.15, 0.93%, 0.77%

LAB 90.48, -50.6, 43.03

 

CMYK 29 / 44 / 0 / 2

HEX #B28CFB

RGB 178 140 251

HSL 260.54, 0.93%, 0.77%

LAB 65.89, 37.14, -50.37

 

CMYK 0 / 29 / 43 / 2

HEX #FBB28E

RGB 251 178 142

HSL 19.82, 0.93%, 0.77%

LAB 78.64, 22.39, 28.99

 

CMYK 43 / 0 / 29 / 2

HEX #8EFBB2

RGB 142 251 178

HSL 139.82, 0.93%, 0.77%

LAB 90.76, -46.86, 25.43

 

CMYK 29 / 44 / 0 / 2

HEX #B28CFB

RGB 178 140 251

HSL 260.54, 0.93%, 0.77%

LAB 65.89, 37.14, -50.37

 

CMYK 0 / 43 / 23 / 2

HEX #FB8EC1

RGB 251 142 193

HSL 331.93, 0.93%, 0.77%

LAB 72.03, 47.28, -8.25

 

CMYK 14 / 0 / 43 / 2

HEX #D7FB8E

RGB 215 251 142

HSL 79.82, 0.93%, 0.77%

LAB 94.05, -28.48, 48.29

 

CMYK 43 / 0 / 20 / 2

HEX #8EFBC8

RGB 142 251 200

HSL 151.93, 0.93%, 0.77%

LAB 91.2, -42.69, 14.78

 

CMYK 29 / 44 / 0 / 2

HEX #B28CFB

RGB 178 140 251

HSL 260.54, 0.93%, 0.77%

LAB 65.89, 37.14, -50.37

 

CMYK 0 / 43 / 36 / 2

HEX #FB8EA0

RGB 251 142 160

HSL 350.09, 0.93%, 0.77%

LAB 71.14, 43.06, 8.82

 

CMYK 14 / 0 / 43 / 2

HEX #D7FB8E

RGB 215 251 142

HSL 79.82, 0.93%, 0.77%

LAB 94.05, -28.48, 48.29

 

CMYK 43 / 0 / 7 / 2

HEX #8EFBE9

RGB 142 251 233

HSL 170.09, 0.93%, 0.77%

LAB 91.97, -35.6, -1.18

 

Description

Color code: HEX #B28CFB | qconv.com Color code: HEX #B28CFB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 140 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 140 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 44 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 44% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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