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Color name
HEX #B28B32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B28B32 it is the complementary color #4D74CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B28B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B28B32 shade: #B78B2D, #C89D40, #D9AF53, #EAC166 and #FBD379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B28B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B28B32 shade: #B28B32, #A1791F, #90670C, #7F5500 and #6E4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B28B32 shade: #B38C32, #B36932, #B34732 and #B33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B28B32 shade: #B38C32, #B3AF32, #95B332, #72B332 and #50B332

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B28B32 shade matches the following richer shades: #B38C32, #C69320 and #D89A0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B28B32 shade: #B38C32, #A08545, #8E7D58, #7B766A and #696F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B28B32 shade: #B34632, #B36832, #B38A32, #B3AD32 and #97B332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B28B32 shade: #735A20, #937329, #B38C32, #CAA244 and #D3B265

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B28B32 shade: #B28B32, #41B332 and #5732B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B28B32 shade: #B28B32, #32B38A and #8A32B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B28B32 shade: #B28B32, #41B332, #325BB3 and #A432B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B28B32 shade: #B28B32, #32B34A, #325BB3 and #B3329B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 72 / 30

HEX #B28B32

RGB 178 139 50

HSL 41.72, 0.56%, 0.45%

LAB 60.03, 5.63, 51.09

 

Complementary color

CMYK 62 / 43 / 0 / 20

HEX #4D74CD

RGB 77 116 205

HSL 221.72, 0.56%, 0.55%

LAB 50.07, 14.22, -50.29

 

CMYK 0 / 24 / 75 / 28

HEX #B78B2D

RGB 183 139 45

HSL 40.87, 0.61%, 0.45%

LAB 60.54, 7.62, 53.85

 

CMYK 0 / 22 / 68 / 22

HEX #C89D40

RGB 200 157 64

HSL 41.03, 0.55%, 0.52%

LAB 67.1, 6.24, 53.02

 

CMYK 0 / 19 / 62 / 15

HEX #D9AF53

RGB 217 175 83

HSL 41.19, 0.64%, 0.59%

LAB 73.57, 5.08, 51.9

 

CMYK 0 / 18 / 56 / 8

HEX #EAC166

RGB 234 193 102

HSL 41.36, 0.76%, 0.66%

LAB 79.95, 4.09, 50.66

 

CMYK 0 / 16 / 52 / 2

HEX #FBD379

RGB 251 211 121

HSL 41.54, 0.94%, 0.73%

LAB 86.25, 3.23, 49.4

 

CMYK 0 / 22 / 72 / 30

HEX #B28B32

RGB 178 139 50

HSL 41.72, 0.56%, 0.45%

LAB 60.03, 5.63, 51.09

 

CMYK 0 / 25 / 81 / 37

HEX #A1791F

RGB 161 121 31

HSL 41.54, 0.68%, 0.38%

LAB 53.33, 7.14, 51.59

 

CMYK 0 / 28 / 92 / 44

HEX #90670C

RGB 144 103 12

HSL 41.36, 0.85%, 0.31%

LAB 46.52, 8.98, 50.92

 

CMYK 0 / 33 / 100 / 50

HEX #7F5500

RGB 127 85 0

HSL 40.16, 1%, 0.25%

LAB 39.6, 11.2, 47.99

 

CMYK 0 / 39 / 100 / 57

HEX #6E4300

RGB 110 67 0

HSL 36.55, 1%, 0.22%

LAB 32.55, 13.8, 42.24

 

CMYK 0 / 22 / 72 / 30

HEX #B38C32

RGB 179 140 50

HSL 41.86, 0.56%, 0.45%

LAB 60.4, 5.52, 51.5

 

CMYK 0 / 41 / 72 / 30

HEX #B36932

RGB 179 105 50

HSL 25.58, 0.56%, 0.45%

LAB 51.74, 24.98, 42.49

 

CMYK 0 / 60 / 72 / 30

HEX #B34732

RGB 179 71 50

HSL 9.77, 0.56%, 0.45%

LAB 44.69, 42.68, 34.71

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 0 / 22 / 72 / 30

HEX #B38C32

RGB 179 140 50

HSL 41.86, 0.56%, 0.45%

LAB 60.4, 5.52, 51.5

 

CMYK 0 / 2 / 72 / 30

HEX #B3AF32

RGB 179 175 50

HSL 58.14, 0.56%, 0.45%

LAB 69.81, -13.2, 60.78

 

CMYK 17 / 0 / 72 / 30

HEX #95B332

RGB 149 179 50

HSL 73.95, 0.56%, 0.45%

LAB 68.65, -27.91, 58.87

 

CMYK 36 / 0 / 72 / 30

HEX #72B332

RGB 114 179 50

HSL 90.23, 0.56%, 0.45%

LAB 66.56, -41.43, 56.1

 

CMYK 55 / 0 / 72 / 30

HEX #50B332

RGB 80 179 50

HSL 106.05, 0.56%, 0.45%

LAB 65.1, -52.16, 54.15

 

CMYK 0 / 22 / 72 / 30

HEX #B38C32

RGB 179 140 50

HSL 41.86, 0.56%, 0.45%

LAB 60.4, 5.52, 51.5

 

CMYK 0 / 26 / 84 / 22

HEX #C69320

RGB 198 147 32

HSL 41.57, 0.72%, 0.45%

LAB 64.14, 9.43, 62.32

 

CMYK 0 / 29 / 94 / 15

HEX #D89A0D

RGB 216 154 13

HSL 41.67, 0.89%, 0.45%

LAB 67.83, 13.2, 70.33

 

CMYK 0 / 22 / 72 / 30

HEX #B38C32

RGB 179 140 50

HSL 41.86, 0.56%, 0.45%

LAB 60.4, 5.52, 51.5

 

CMYK 0 / 17 / 57 / 37

HEX #A08545

RGB 160 133 69

HSL 42.2, 0.4%, 0.45%

LAB 56.76, 2.23, 37.91

 

CMYK 0 / 12 / 38 / 44

HEX #8E7D58

RGB 142 125 88

HSL 41.11, 0.23%, 0.45%

LAB 53.08, 0.86, 22.58

 

CMYK 0 / 4 / 14 / 52

HEX #7B766A

RGB 123 118 106

HSL 42.35, 0.07%, 0.45%

LAB 49.75, -0.32, 7.29

 

CMYK 16 / 11 / 0 / 51

HEX #696F7D

RGB 105 111 125

HSL 222, 0.09%, 0.45%

LAB 46.78, 0.86, -8.51

 

CMYK 0 / 61 / 72 / 30

HEX #B34632

RGB 179 70 50

HSL 9.3, 0.56%, 0.45%

LAB 44.51, 43.15, 34.51

 

CMYK 0 / 42 / 72 / 30

HEX #B36832

RGB 179 104 50

HSL 25.12, 0.56%, 0.45%

LAB 51.51, 25.54, 42.24

 

CMYK 0 / 23 / 72 / 30

HEX #B38A32

RGB 179 138 50

HSL 40.93, 0.56%, 0.45%

LAB 59.88, 6.63, 50.97

 

CMYK 0 / 3 / 72 / 30

HEX #B3AD32

RGB 179 173 50

HSL 57.21, 0.56%, 0.45%

LAB 69.26, -12.17, 60.25

 

CMYK 16 / 0 / 72 / 30

HEX #97B332

RGB 151 179 50

HSL 73.02, 0.56%, 0.45%

LAB 68.79, -27.09, 59.06

 

CMYK 0 / 22 / 72 / 55

HEX #735A20

RGB 115 90 32

HSL 41.93, 0.56%, 0.29%

LAB 39.68, 3.55, 36.12

 

CMYK 0 / 22 / 72 / 42

HEX #937329

RGB 147 115 41

HSL 41.89, 0.56%, 0.37%

LAB 50.25, 4.56, 43.99

 

CMYK 0 / 22 / 72 / 30

HEX #B38C32

RGB 179 140 50

HSL 41.86, 0.56%, 0.45%

LAB 60.4, 5.52, 51.5

 

CMYK 0 / 20 / 66 / 21

HEX #CAA244

RGB 202 162 68

HSL 42.09, 0.56%, 0.53%

LAB 68.62, 4.65, 52.91

 

CMYK 0 / 16 / 52 / 17

HEX #D3B265

RGB 211 178 101

HSL 42, 0.56%, 0.61%

LAB 73.95, 2.36, 43.46

 

CMYK 0 / 22 / 72 / 30

HEX #B28B32

RGB 178 139 50

HSL 41.72, 0.56%, 0.45%

LAB 60.03, 5.63, 51.09

 

CMYK 64 / 0 / 72 / 30

HEX #41B332

RGB 65 179 50

HSL 113.02, 0.56%, 0.45%

LAB 64.64, -55.87, 53.53

 

CMYK 51 / 72 / 0 / 30

HEX #5732B3

RGB 87 50 179

HSL 257.21, 0.56%, 0.45%

LAB 33.05, 47.54, -62.63

 

CMYK 0 / 22 / 72 / 30

HEX #B28B32

RGB 178 139 50

HSL 41.72, 0.56%, 0.45%

LAB 60.03, 5.63, 51.09

 

CMYK 72 / 0 / 23 / 30

HEX #32B38A

RGB 50 179 138

HSL 160.93, 0.56%, 0.45%

LAB 65.56, -44.43, 11.06

 

CMYK 23 / 72 / 0 / 30

HEX #8A32B3

RGB 138 50 179

HSL 280.93, 0.56%, 0.45%

LAB 39.48, 57.06, -51.9

 

CMYK 0 / 22 / 72 / 30

HEX #B28B32

RGB 178 139 50

HSL 41.72, 0.56%, 0.45%

LAB 60.03, 5.63, 51.09

 

CMYK 64 / 0 / 72 / 30

HEX #41B332

RGB 65 179 50

HSL 113.02, 0.56%, 0.45%

LAB 64.64, -55.87, 53.53

 

CMYK 72 / 49 / 0 / 30

HEX #325BB3

RGB 50 91 179

HSL 220.93, 0.56%, 0.45%

LAB 40.27, 16.34, -51.02

 

CMYK 8 / 72 / 0 / 30

HEX #A432B3

RGB 164 50 179

HSL 293.02, 0.56%, 0.45%

LAB 43.4, 62.54, -45.38

 

CMYK 0 / 22 / 72 / 30

HEX #B28B32

RGB 178 139 50

HSL 41.72, 0.56%, 0.45%

LAB 60.03, 5.63, 51.09

 

CMYK 72 / 0 / 59 / 30

HEX #32B34A

RGB 50 179 74

HSL 131.16, 0.56%, 0.45%

LAB 64.49, -56.3, 43.04

 

CMYK 72 / 49 / 0 / 30

HEX #325BB3

RGB 50 91 179

HSL 220.93, 0.56%, 0.45%

LAB 40.27, 16.34, -51.02

 

CMYK 0 / 72 / 13 / 30

HEX #B3329B

RGB 179 50 155

HSL 311.16, 0.56%, 0.45%

LAB 44.56, 62.05, -29.11

 

Description

Color code: HEX #B28B32 | qconv.com Color code: HEX #B28B32 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 139 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 139 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 72 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 72% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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