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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B28AD5 it is the complementary color #4D752A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B28AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B28AD5 shade: #B78AD0, #C89CE3, #D9AEF6, #EAC0FF and #FBD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B28AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B28AD5 shade: #B28AD5, #A178C2, #9066AF, #7F549C and #6E4289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B28AD5 shade: #B28BD5, #C68BD5, #D58BD0, #D58BBC and #D58BA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B28AD5 shade: #B28BD5, #9E8BD5 and #8B8BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B28AD5 shade matches the following richer shades: #B28BD5, #B37EE2, #B471EF and #B564FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B28AD5 shade: #B28BD5, #B298C8, #B1A4BC, #B0B1AF and #AFBEA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B28AD5 shade: #8B8BD5, #9F8BD5, #B28BD5, #C68BD5 and #D58BD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B28AD5 shade: #8A4EBF, #9E6CCA, #B28BD5, #C6A9E0 and #DAC7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B28AD5 shade: #B28AD5, #D58B9F and #8BD595

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B28AD5 shade: #B28AD5, #D5B28B and #8BD5B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B28AD5 shade: #B28AD5, #D58B9F, #ADD58B and #8BD5C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B28AD5 shade: #B28AD5, #D58D8B, #ADD58B and #8BD3D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 35 / 0 / 16

HEX #B28AD5

RGB 178 138 213

HSL 272, 0.47%, 0.69%

LAB 63.71, 29.42, -32.79

 

Complementary color

CMYK 34 / 0 / 64 / 54

HEX #4D752A

RGB 77 117 42

HSL 92, 0.47%, 0.31%

LAB 44.9, -27.71, 36.03

 

CMYK 12 / 34 / 0 / 18

HEX #B78AD0

RGB 183 138 208

HSL 278.57, 0.43%, 0.68%

LAB 64, 29.89, -29.52

 

CMYK 12 / 31 / 0 / 11

HEX #C89CE3

RGB 200 156 227

HSL 277.18, 0.56%, 0.75%

LAB 70.6, 29.22, -29.72

 

CMYK 12 / 29 / 0 / 4

HEX #D9AEF6

RGB 217 174 246

HSL 275.83, 0.8%, 0.82%

LAB 77.09, 28.6, -29.93

 

CMYK 8 / 25 / 0 / 0

HEX #EAC0FF

RGB 234 192 255

HSL 280, 1%, 0.88%

LAB 83.13, 26.02, -25.36

 

CMYK 2 / 18 / 0 / 0

HEX #FBD2FF

RGB 251 210 255

HSL 294.67, 1%, 0.91%

LAB 88.84, 21.92, -16.58

 

CMYK 16 / 35 / 0 / 16

HEX #B28AD5

RGB 178 138 213

HSL 272, 0.47%, 0.69%

LAB 63.71, 29.42, -32.79

 

CMYK 17 / 38 / 0 / 24

HEX #A178C2

RGB 161 120 194

HSL 273.24, 0.38%, 0.62%

LAB 56.98, 30.15, -32.68

 

CMYK 18 / 42 / 0 / 31

HEX #9066AF

RGB 144 102 175

HSL 274.52, 0.31%, 0.54%

LAB 50.13, 30.95, -32.57

 

CMYK 19 / 46 / 0 / 39

HEX #7F549C

RGB 127 84 156

HSL 275.83, 0.3%, 0.47%

LAB 43.14, 31.8, -32.46

 

CMYK 20 / 52 / 0 / 46

HEX #6E4289

RGB 110 66 137

HSL 277.18, 0.35%, 0.4%

LAB 36.02, 32.7, -32.34

 

CMYK 16 / 35 / 0 / 16

HEX #B28BD5

RGB 178 139 213

HSL 271.62, 0.47%, 0.69%

LAB 63.95, 28.86, -32.43

 

CMYK 7 / 35 / 0 / 16

HEX #C68BD5

RGB 198 139 213

HSL 287.84, 0.47%, 0.69%

LAB 65.96, 35.06, -29.15

 

CMYK 0 / 35 / 2 / 16

HEX #D58BD0

RGB 213 139 208

HSL 304.05, 0.47%, 0.69%

LAB 67.4, 38.85, -24.01

 

CMYK 0 / 35 / 12 / 16

HEX #D58BBC

RGB 213 139 188

HSL 320.27, 0.47%, 0.69%

LAB 66.7, 35.37, -13.9

 

CMYK 0 / 35 / 21 / 16

HEX #D58BA8

RGB 213 139 168

HSL 336.49, 0.47%, 0.69%

LAB 66.09, 32.2, -3.57

 

CMYK 16 / 35 / 0 / 16

HEX #B28BD5

RGB 178 139 213

HSL 271.62, 0.47%, 0.69%

LAB 63.95, 28.86, -32.43

 

CMYK 26 / 35 / 0 / 16

HEX #9E8BD5

RGB 158 139 213

HSL 255.41, 0.47%, 0.69%

LAB 62.12, 22.84, -35.41

 

CMYK 35 / 35 / 0 / 16

HEX #8B8BD5

RGB 139 139 213

HSL 240, 0.47%, 0.69%

LAB 60.57, 17.4, -37.95

 

CMYK 16 / 35 / 0 / 16

HEX #B28BD5

RGB 178 139 213

HSL 271.62, 0.47%, 0.69%

LAB 63.95, 28.86, -32.43

 

CMYK 21 / 44 / 0 / 11

HEX #B37EE2

RGB 179 126 226

HSL 271.8, 0.63%, 0.69%

LAB 61.65, 39.3, -43.25

 

CMYK 25 / 53 / 0 / 6

HEX #B471EF

RGB 180 113 239

HSL 271.9, 0.8%, 0.69%

LAB 59.66, 49.54, -53.63

 

CMYK 28 / 60 / 0 / 2

HEX #B564FB

RGB 181 100 251

HSL 272.19, 0.95%, 0.69%

LAB 57.94, 59.14, -63.02

 

CMYK 16 / 35 / 0 / 16

HEX #B28BD5

RGB 178 139 213

HSL 271.62, 0.47%, 0.69%

LAB 63.95, 28.86, -32.43

 

CMYK 11 / 24 / 0 / 22

HEX #B298C8

RGB 178 152 200

HSL 272.5, 0.3%, 0.69%

LAB 66.59, 18.75, -21.12

 

CMYK 6 / 13 / 0 / 26

HEX #B1A4BC

RGB 177 164 188

HSL 272.5, 0.15%, 0.69%

LAB 69.13, 9.25, -10.62

 

CMYK 1 / 0 / 1 / 31

HEX #B0B1AF

RGB 176 177 175

HSL 90, 0.01%, 0.69%

LAB 72.07, -0.72, 0.89

 

CMYK 8 / 0 / 15 / 25

HEX #AFBEA2

RGB 175 190 162

HSL 92.14, 0.18%, 0.69%

LAB 75.17, -10.29, 12.41

 

CMYK 35 / 35 / 0 / 16

HEX #8B8BD5

RGB 139 139 213

HSL 240, 0.47%, 0.69%

LAB 60.57, 17.4, -37.95

 

CMYK 25 / 35 / 0 / 16

HEX #9F8BD5

RGB 159 139 213

HSL 256.22, 0.47%, 0.69%

LAB 62.2, 23.14, -35.27

 

CMYK 16 / 35 / 0 / 16

HEX #B28BD5

RGB 178 139 213

HSL 271.62, 0.47%, 0.69%

LAB 63.95, 28.86, -32.43

 

CMYK 7 / 35 / 0 / 16

HEX #C68BD5

RGB 198 139 213

HSL 287.84, 0.47%, 0.69%

LAB 65.96, 35.06, -29.15

 

CMYK 0 / 35 / 2 / 16

HEX #D58BD0

RGB 213 139 208

HSL 304.05, 0.47%, 0.69%

LAB 67.4, 38.85, -24.01

 

CMYK 28 / 59 / 0 / 25

HEX #8A4EBF

RGB 138 78 191

HSL 271.86, 0.47%, 0.53%

LAB 45.1, 46.44, -49.89

 

CMYK 22 / 47 / 0 / 21

HEX #9E6CCA

RGB 158 108 202

HSL 271.91, 0.47%, 0.61%

LAB 54.3, 37.88, -41.46

 

CMYK 16 / 35 / 0 / 16

HEX #B28BD5

RGB 178 139 213

HSL 271.62, 0.47%, 0.69%

LAB 63.95, 28.86, -32.43

 

CMYK 12 / 25 / 0 / 12

HEX #C6A9E0

RGB 198 169 224

HSL 271.64, 0.47%, 0.77%

LAB 73.39, 20.81, -23.81

 

CMYK 7 / 15 / 0 / 8

HEX #DAC7EB

RGB 218 199 235

HSL 271.67, 0.47%, 0.85%

LAB 82.78, 13.22, -15.37

 

CMYK 16 / 35 / 0 / 16

HEX #B28AD5

RGB 178 138 213

HSL 272, 0.47%, 0.69%

LAB 63.71, 29.42, -32.79

 

CMYK 0 / 35 / 25 / 16

HEX #D58B9F

RGB 213 139 159

HSL 343.78, 0.47%, 0.69%

LAB 65.84, 30.88, 1.14

 

CMYK 35 / 0 / 30 / 16

HEX #8BD595

RGB 139 213 149

HSL 128.11, 0.47%, 0.69%

LAB 79.18, -36, 24.55

 

CMYK 16 / 35 / 0 / 16

HEX #B28AD5

RGB 178 138 213

HSL 272, 0.47%, 0.69%

LAB 63.71, 29.42, -32.79

 

CMYK 0 / 16 / 35 / 16

HEX #D5B28B

RGB 213 178 139

HSL 31.62, 0.47%, 0.69%

LAB 74.73, 7.15, 24.67

 

CMYK 35 / 0 / 16 / 16

HEX #8BD5B2

RGB 139 213 178

HSL 151.62, 0.47%, 0.69%

LAB 79.78, -30.57, 10.07

 

CMYK 16 / 35 / 0 / 16

HEX #B28AD5

RGB 178 138 213

HSL 272, 0.47%, 0.69%

LAB 63.71, 29.42, -32.79

 

CMYK 0 / 35 / 25 / 16

HEX #D58B9F

RGB 213 139 159

HSL 343.78, 0.47%, 0.69%

LAB 65.84, 30.88, 1.14

 

CMYK 19 / 0 / 35 / 16

HEX #ADD58B

RGB 173 213 139

HSL 92.43, 0.47%, 0.69%

LAB 80.93, -26.11, 32.39

 

CMYK 35 / 0 / 9 / 16

HEX #8BD5C1

RGB 139 213 193

HSL 163.78, 0.47%, 0.69%

LAB 80.14, -27.41, 2.6

 

CMYK 16 / 35 / 0 / 16

HEX #B28AD5

RGB 178 138 213

HSL 272, 0.47%, 0.69%

LAB 63.71, 29.42, -32.79

 

CMYK 0 / 34 / 35 / 16

HEX #D58D8B

RGB 213 141 139

HSL 1.62, 0.47%, 0.69%

LAB 65.8, 27.14, 12.35

 

CMYK 19 / 0 / 35 / 16

HEX #ADD58B

RGB 173 213 139

HSL 92.43, 0.47%, 0.69%

LAB 80.93, -26.11, 32.39

 

CMYK 35 / 1 / 0 / 16

HEX #8BD3D5

RGB 139 211 213

HSL 181.62, 0.47%, 0.69%

LAB 80.11, -21.85, -8.13

 

Description

Color code: HEX #B28AD5 | qconv.com Color code: HEX #B28AD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 138 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 138 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 35 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 35% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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