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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B288B2 it is the complementary color #4D774D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B288B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B288B2 shade: #B788AD, #C89AC0, #D9ACD3, #EABEE6 and #FBD0F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B288B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B288B2 shade: #B288B2, #A1769F, #90648C, #7F5279 and #6E4066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B288B2 shade: #B28AB2, #B28AA7, #B28A9C, #B28A92 and #B28A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B288B2 shade: #B28AB2, #A78AB2, #9C8AB2, #928AB2 and #8A8AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B288B2 shade matches the following richer shades: #B28AB2, #C27AC2, #D26AD2, #E15BE1 and #F14BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B288B2 shade: #B28AB2, #A399A3, #93A993, #83B983 and #74C874

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B288B2 shade: #9D8AB2, #A88AB2, #B28AB2, #B28AA8 and #B28A9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B288B2 shade: #8D5C8D, #A271A2, #B28AB2, #C3A3C3 and #D3BCD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B288B2 shade: #B288B2, #B2928A and #8AB2A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B288B2 shade: #B288B2, #B2B28A and #8AB2B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B288B2 shade: #B288B2, #B2928A, #8AB28A and #8AAAB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B288B2 shade: #B288B2, #B29E8A, #8AB28A and #8A9EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 0 / 30

HEX #B288B2

RGB 178 136 178

HSL 300, 0.21%, 0.62%

LAB 61.9, 23.28, -15.88

 

Complementary color

CMYK 35 / 0 / 35 / 53

HEX #4D774D

RGB 77 119 77

HSL 120, 0.21%, 0.38%

LAB 46.05, -23.83, 18.61

 

CMYK 0 / 26 / 5 / 28

HEX #B788AD

RGB 183 136 173

HSL 312.77, 0.25%, 0.63%

LAB 62.25, 24.07, -12.47

 

CMYK 0 / 23 / 4 / 22

HEX #C89AC0

RGB 200 154 192

HSL 310.43, 0.29%, 0.69%

LAB 68.89, 23.46, -12.98

 

CMYK 0 / 21 / 3 / 15

HEX #D9ACD3

RGB 217 172 211

HSL 308, 0.37%, 0.76%

LAB 75.43, 22.89, -13.47

 

CMYK 0 / 19 / 2 / 8

HEX #EABEE6

RGB 234 190 230

HSL 305.45, 0.51%, 0.83%

LAB 81.86, 22.37, -13.94

 

CMYK 0 / 17 / 1 / 2

HEX #FBD0F9

RGB 251 208 249

HSL 302.79, 0.84%, 0.9%

LAB 88.19, 21.88, -14.39

 

CMYK 0 / 24 / 0 / 30

HEX #B288B2

RGB 178 136 178

HSL 300, 0.21%, 0.62%

LAB 61.9, 23.28, -15.88

 

CMYK 0 / 27 / 1 / 37

HEX #A1769F

RGB 161 118 159

HSL 302.79, 0.19%, 0.55%

LAB 55.11, 23.93, -15.44

 

CMYK 0 / 31 / 3 / 44

HEX #90648C

RGB 144 100 140

HSL 305.45, 0.18%, 0.48%

LAB 48.18, 24.63, -14.97

 

CMYK 0 / 35 / 5 / 50

HEX #7F5279

RGB 127 82 121

HSL 308, 0.22%, 0.41%

LAB 41.1, 25.4, -14.46

 

CMYK 0 / 42 / 7 / 57

HEX #6E4066

RGB 110 64 102

HSL 310.43, 0.26%, 0.34%

LAB 33.86, 26.23, -13.86

 

CMYK 0 / 22 / 0 / 30

HEX #B28AB2

RGB 178 138 178

HSL 300, 0.21%, 0.62%

LAB 62.39, 22.16, -15.14

 

CMYK 0 / 22 / 6 / 30

HEX #B28AA7

RGB 178 138 167

HSL 316.5, 0.21%, 0.62%

LAB 62.03, 20.09, -9.45

 

CMYK 0 / 22 / 12 / 30

HEX #B28A9C

RGB 178 138 156

HSL 333, 0.21%, 0.62%

LAB 61.69, 18.14, -3.69

 

CMYK 0 / 22 / 18 / 30

HEX #B28A92

RGB 178 138 146

HSL 348, 0.21%, 0.62%

LAB 61.41, 16.47, 1.6

 

CMYK 0 / 22 / 22 / 30

HEX #B28A8A

RGB 178 138 138

HSL 0, 0.21%, 0.62%

LAB 61.2, 15.21, 5.85

 

CMYK 0 / 22 / 0 / 30

HEX #B28AB2

RGB 178 138 178

HSL 300, 0.21%, 0.62%

LAB 62.39, 22.16, -15.14

 

CMYK 6 / 22 / 0 / 30

HEX #A78AB2

RGB 167 138 178

HSL 283.5, 0.21%, 0.62%

LAB 61.31, 18.39, -16.87

 

CMYK 12 / 22 / 0 / 30

HEX #9C8AB2

RGB 156 138 178

HSL 267, 0.21%, 0.62%

LAB 60.3, 14.68, -18.5

 

CMYK 18 / 22 / 0 / 30

HEX #928AB2

RGB 146 138 178

HSL 252, 0.21%, 0.62%

LAB 59.44, 11.37, -19.9

 

CMYK 22 / 22 / 0 / 30

HEX #8A8AB2

RGB 138 138 178

HSL 240, 0.21%, 0.62%

LAB 58.78, 8.78, -20.96

 

CMYK 0 / 22 / 0 / 30

HEX #B28AB2

RGB 178 138 178

HSL 300, 0.21%, 0.62%

LAB 62.39, 22.16, -15.14

 

CMYK 0 / 37 / 0 / 24

HEX #C27AC2

RGB 194 122 194

HSL 300, 0.37%, 0.62%

LAB 61.03, 39.34, -26.12

 

CMYK 0 / 50 / 0 / 18

HEX #D26AD2

RGB 210 106 210

HSL 300, 0.54%, 0.62%

LAB 60.48, 55.25, -35.86

 

CMYK 0 / 60 / 0 / 12

HEX #E15BE1

RGB 225 91 225

HSL 300, 0.69%, 0.62%

LAB 60.72, 68.56, -43.78

 

CMYK 0 / 69 / 0 / 5

HEX #F14BF1

RGB 241 75 241

HSL 300, 0.86%, 0.62%

LAB 61.73, 80.79, -50.97

 

CMYK 0 / 22 / 0 / 30

HEX #B28AB2

RGB 178 138 178

HSL 300, 0.21%, 0.62%

LAB 62.39, 22.16, -15.14

 

CMYK 0 / 6 / 0 / 36

HEX #A399A3

RGB 163 153 163

HSL 300, 0.05%, 0.62%

LAB 64.33, 5.53, -3.91

 

CMYK 13 / 0 / 13 / 34

HEX #93A993

RGB 147 169 147

HSL 120, 0.11%, 0.62%

LAB 67.04, -11.97, 8.8

 

CMYK 29 / 0 / 29 / 27

HEX #83B983

RGB 131 185 131

HSL 120, 0.28%, 0.62%

LAB 70.29, -28.48, 21.9

 

CMYK 42 / 0 / 42 / 22

HEX #74C874

RGB 116 200 116

HSL 120, 0.43%, 0.62%

LAB 73.73, -42.55, 34.19

 

CMYK 12 / 22 / 0 / 30

HEX #9D8AB2

RGB 157 138 178

HSL 268.5, 0.21%, 0.62%

LAB 60.39, 15.01, -18.36

 

CMYK 6 / 22 / 0 / 30

HEX #A88AB2

RGB 168 138 178

HSL 285, 0.21%, 0.62%

LAB 61.41, 18.73, -16.72

 

CMYK 0 / 22 / 0 / 30

HEX #B28AB2

RGB 178 138 178

HSL 300, 0.21%, 0.62%

LAB 62.39, 22.16, -15.14

 

CMYK 0 / 22 / 6 / 30

HEX #B28AA8

RGB 178 138 168

HSL 315, 0.21%, 0.62%

LAB 62.06, 20.27, -9.97

 

CMYK 0 / 22 / 12 / 30

HEX #B28A9D

RGB 178 138 157

HSL 331.5, 0.21%, 0.62%

LAB 61.72, 18.31, -4.21

 

CMYK 0 / 35 / 0 / 45

HEX #8D5C8D

RGB 141 92 141

HSL 300, 0.21%, 0.46%

LAB 45.96, 28.42, -18.99

 

CMYK 0 / 30 / 0 / 36

HEX #A271A2

RGB 162 113 162

HSL 300, 0.21%, 0.54%

LAB 54.13, 27.71, -18.66

 

CMYK 0 / 22 / 0 / 30

HEX #B28AB2

RGB 178 138 178

HSL 300, 0.21%, 0.62%

LAB 62.39, 22.16, -15.14

 

CMYK 0 / 16 / 0 / 24

HEX #C3A3C3

RGB 195 163 195

HSL 300, 0.21%, 0.7%

LAB 70.69, 17.34, -12

 

CMYK 0 / 11 / 0 / 17

HEX #D3BCD3

RGB 211 188 211

HSL 300, 0.21%, 0.78%

LAB 78.76, 12.21, -8.54

 

CMYK 0 / 24 / 0 / 30

HEX #B288B2

RGB 178 136 178

HSL 300, 0.21%, 0.62%

LAB 61.9, 23.28, -15.88

 

CMYK 0 / 18 / 22 / 30

HEX #B2928A

RGB 178 146 138

HSL 12, 0.21%, 0.62%

LAB 63.23, 10.74, 8.75

 

CMYK 22 / 0 / 9 / 30

HEX #8AB2A2

RGB 138 178 162

HSL 156, 0.21%, 0.62%

LAB 69.36, -16.8, 3.77

 

CMYK 0 / 24 / 0 / 30

HEX #B288B2

RGB 178 136 178

HSL 300, 0.21%, 0.62%

LAB 61.9, 23.28, -15.88

 

CMYK 0 / 0 / 22 / 30

HEX #B2B28A

RGB 178 178 138

HSL 60, 0.21%, 0.62%

LAB 71.65, -6.68, 20.51

 

CMYK 22 / 0 / 0 / 30

HEX #8AB2B2

RGB 138 178 178

HSL 180, 0.21%, 0.62%

LAB 69.79, -13.35, -4.41

 

CMYK 0 / 24 / 0 / 30

HEX #B288B2

RGB 178 136 178

HSL 300, 0.21%, 0.62%

LAB 61.9, 23.28, -15.88

 

CMYK 0 / 18 / 22 / 30

HEX #B2928A

RGB 178 146 138

HSL 12, 0.21%, 0.62%

LAB 63.23, 10.74, 8.75

 

CMYK 22 / 0 / 22 / 30

HEX #8AB28A

RGB 138 178 138

HSL 120, 0.21%, 0.62%

LAB 68.81, -21.42, 16.15

 

CMYK 22 / 4 / 0 / 30

HEX #8AAAB2

RGB 138 170 178

HSL 192, 0.21%, 0.62%

LAB 67.55, -9.1, -7.73

 

CMYK 0 / 24 / 0 / 30

HEX #B288B2

RGB 178 136 178

HSL 300, 0.21%, 0.62%

LAB 61.9, 23.28, -15.88

 

CMYK 0 / 11 / 22 / 30

HEX #B29E8A

RGB 178 158 138

HSL 30, 0.21%, 0.62%

LAB 66.33, 4.1, 13.14

 

CMYK 22 / 0 / 22 / 30

HEX #8AB28A

RGB 138 178 138

HSL 120, 0.21%, 0.62%

LAB 68.81, -21.42, 16.15

 

CMYK 22 / 11 / 0 / 30

HEX #8A9EB2

RGB 138 158 178

HSL 210, 0.21%, 0.62%

LAB 64.22, -2.55, -12.72

 

Description

Color code: HEX #B288B2 | qconv.com Color code: HEX #B288B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 136 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 136 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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