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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B28758 it is the complementary color #4D78A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B28758. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B28758 shade: #B78753, #C89966, #D9AB79, #EABD8C and #FBCF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B28758. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B28758 shade: #B28758, #A17545, #906332, #7F511F and #6E3F0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B28758 shade: #B28757, #B26E57 and #B25757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B28758 shade: #B28757, #B29F57, #ACB257, #94B257 and #7BB257

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B28758 shade matches the following richer shades: #B28757, #C68744, #D98830 and #ED891C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B28758 shade: #B28757, #9E866B, #8A857F, #768493 and #6383A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B28758 shade: #B25759, #B26E57, #B28657, #B29E57 and #ADB257

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B28758 shade: #7D5D3A, #997247, #B28757, #BF9B74 and #CCAF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B28758 shade: #B28758, #71B257 and #6257B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B28758 shade: #B28758, #57B286 and #8657B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B28758 shade: #B28758, #71B257, #5783B2 and #9857B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B28758 shade: #B28758, #57B259, #5783B2 and #B257B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 51 / 30

HEX #B28758

RGB 178 135 88

HSL 31.33, 0.37%, 0.52%

LAB 59.43, 10.64, 31.52

 

Complementary color

CMYK 54 / 28 / 0 / 35

HEX #4D78A7

RGB 77 120 167

HSL 211.33, 0.37%, 0.48%

LAB 49.25, -0.93, -29.67

 

CMYK 0 / 26 / 55 / 28

HEX #B78753

RGB 183 135 83

HSL 31.2, 0.41%, 0.52%

LAB 59.91, 12.31, 34.92

 

CMYK 0 / 24 / 49 / 22

HEX #C89966

RGB 200 153 102

HSL 31.22, 0.47%, 0.59%

LAB 66.54, 11.32, 33.48

 

CMYK 0 / 21 / 44 / 15

HEX #D9AB79

RGB 217 171 121

HSL 31.25, 0.56%, 0.66%

LAB 73.06, 10.46, 32.13

 

CMYK 0 / 19 / 40 / 8

HEX #EABD8C

RGB 234 189 140

HSL 31.28, 0.69%, 0.73%

LAB 79.49, 9.72, 30.86

 

CMYK 0 / 18 / 37 / 2

HEX #FBCF9F

RGB 251 207 159

HSL 31.3, 0.92%, 0.8%

LAB 85.83, 9.07, 29.68

 

CMYK 0 / 24 / 51 / 30

HEX #B28758

RGB 178 135 88

HSL 31.33, 0.37%, 0.52%

LAB 59.43, 10.64, 31.52

 

CMYK 0 / 27 / 57 / 37

HEX #A17545

RGB 161 117 69

HSL 31.3, 0.4%, 0.45%

LAB 52.65, 11.7, 33.01

 

CMYK 0 / 31 / 65 / 44

HEX #906332

RGB 144 99 50

HSL 31.28, 0.48%, 0.38%

LAB 45.75, 12.99, 34.57

 

CMYK 0 / 36 / 76 / 50

HEX #7F511F

RGB 127 81 31

HSL 31.25, 0.61%, 0.31%

LAB 38.72, 14.58, 36.07

 

CMYK 0 / 43 / 89 / 57

HEX #6E3F0C

RGB 110 63 12

HSL 31.22, 0.8%, 0.24%

LAB 31.57, 16.55, 36.99

 

CMYK 0 / 24 / 51 / 30

HEX #B28757

RGB 178 135 87

HSL 31.65, 0.37%, 0.52%

LAB 59.42, 10.54, 32.04

 

CMYK 0 / 38 / 51 / 30

HEX #B26E57

RGB 178 110 87

HSL 15.16, 0.37%, 0.52%

LAB 53.28, 24.51, 24.16

 

CMYK 0 / 51 / 51 / 30

HEX #B25757

RGB 178 87 87

HSL 0, 0.37%, 0.52%

LAB 48.22, 36.95, 17.43

 

CMYK 0 / 24 / 51 / 30

HEX #B28757

RGB 178 135 87

HSL 31.65, 0.37%, 0.52%

LAB 59.42, 10.54, 32.04

 

CMYK 0 / 11 / 51 / 30

HEX #B29F57

RGB 178 159 87

HSL 47.47, 0.37%, 0.52%

LAB 65.71, -2.63, 39.81

 

CMYK 3 / 0 / 51 / 30

HEX #ACB257

RGB 172 178 87

HSL 63.96, 0.37%, 0.52%

LAB 70.39, -15.15, 45.28

 

CMYK 17 / 0 / 51 / 30

HEX #94B257

RGB 148 178 87

HSL 79.78, 0.37%, 0.52%

LAB 68.62, -24.88, 42.75

 

CMYK 31 / 0 / 51 / 30

HEX #7BB257

RGB 123 178 87

HSL 96.26, 0.37%, 0.52%

LAB 67.08, -34.33, 40.53

 

CMYK 0 / 24 / 51 / 30

HEX #B28757

RGB 178 135 87

HSL 31.65, 0.37%, 0.52%

LAB 59.42, 10.54, 32.04

 

CMYK 0 / 32 / 66 / 22

HEX #C68744

RGB 198 135 68

HSL 30.92, 0.53%, 0.52%

LAB 61.44, 17.62, 44.9

 

CMYK 0 / 37 / 78 / 15

HEX #D98830

RGB 217 136 48

HSL 31.24, 0.69%, 0.52%

LAB 63.81, 24.16, 57.17

 

CMYK 0 / 42 / 88 / 7

HEX #ED891C

RGB 237 137 28

HSL 31.29, 0.85%, 0.52%

LAB 66.5, 31.4, 67.34

 

CMYK 0 / 24 / 51 / 30

HEX #B28757

RGB 178 135 87

HSL 31.65, 0.37%, 0.52%

LAB 59.42, 10.54, 32.04

 

CMYK 0 / 15 / 32 / 38

HEX #9E866B

RGB 158 134 107

HSL 31.76, 0.21%, 0.52%

LAB 57.44, 4.98, 17.94

 

CMYK 0 / 4 / 8 / 46

HEX #8A857F

RGB 138 133 127

HSL 32.73, 0.04%, 0.52%

LAB 55.8, 0.75, 3.89

 

CMYK 20 / 10 / 0 / 42

HEX #768493

RGB 118 132 147

HSL 211.03, 0.12%, 0.52%

LAB 54.51, -1.71, -9.76

 

CMYK 41 / 22 / 0 / 35

HEX #6383A7

RGB 99 131 167

HSL 211.76, 0.28%, 0.52%

LAB 53.68, -1.78, -22.71

 

CMYK 0 / 51 / 50 / 30

HEX #B25759

RGB 178 87 89

HSL 358.68, 0.37%, 0.52%

LAB 48.26, 37.14, 16.29

 

CMYK 0 / 38 / 51 / 30

HEX #B26E57

RGB 178 110 87

HSL 15.16, 0.37%, 0.52%

LAB 53.28, 24.51, 24.16

 

CMYK 0 / 25 / 51 / 30

HEX #B28657

RGB 178 134 87

HSL 30.99, 0.37%, 0.52%

LAB 59.16, 11.1, 31.72

 

CMYK 0 / 11 / 51 / 30

HEX #B29E57

RGB 178 158 87

HSL 46.81, 0.37%, 0.52%

LAB 65.44, -2.1, 39.49

 

CMYK 3 / 0 / 51 / 30

HEX #ADB257

RGB 173 178 87

HSL 63.3, 0.37%, 0.52%

LAB 70.46, -14.74, 45.39

 

CMYK 0 / 26 / 54 / 51

HEX #7D5D3A

RGB 125 93 58

HSL 31.34, 0.37%, 0.36%

LAB 41.99, 8.55, 25.07

 

CMYK 0 / 25 / 54 / 40

HEX #997247

RGB 153 114 71

HSL 31.46, 0.37%, 0.44%

LAB 50.99, 10.07, 29.66

 

CMYK 0 / 24 / 51 / 30

HEX #B28757

RGB 178 135 87

HSL 31.65, 0.37%, 0.52%

LAB 59.42, 10.54, 32.04

 

CMYK 0 / 19 / 39 / 25

HEX #BF9B74

RGB 191 155 116

HSL 31.2, 0.37%, 0.6%

LAB 66.35, 8, 25.5

 

CMYK 0 / 14 / 29 / 20

HEX #CCAF90

RGB 204 175 144

HSL 31, 0.37%, 0.68%

LAB 73.23, 5.86, 19.79

 

CMYK 0 / 24 / 51 / 30

HEX #B28758

RGB 178 135 88

HSL 31.33, 0.37%, 0.52%

LAB 59.43, 10.64, 31.52

 

CMYK 37 / 0 / 51 / 30

HEX #71B257

RGB 113 178 87

HSL 102.86, 0.37%, 0.52%

LAB 66.55, -37.82, 39.76

 

CMYK 45 / 51 / 0 / 30

HEX #6257B2

RGB 98 87 178

HSL 247.25, 0.37%, 0.52%

LAB 42.2, 27.97, -47.17

 

CMYK 0 / 24 / 51 / 30

HEX #B28758

RGB 178 135 88

HSL 31.33, 0.37%, 0.52%

LAB 59.43, 10.64, 31.52

 

CMYK 51 / 0 / 25 / 30

HEX #57B286

RGB 87 178 134

HSL 150.99, 0.37%, 0.52%

LAB 66.2, -37.62, 14.32

 

CMYK 25 / 51 / 0 / 30

HEX #8657B2

RGB 134 87 178

HSL 270.99, 0.37%, 0.52%

LAB 45.77, 37.34, -41.27

 

CMYK 0 / 24 / 51 / 30

HEX #B28758

RGB 178 135 88

HSL 31.33, 0.37%, 0.52%

LAB 59.43, 10.64, 31.52

 

CMYK 37 / 0 / 51 / 30

HEX #71B257

RGB 113 178 87

HSL 102.86, 0.37%, 0.52%

LAB 66.55, -37.82, 39.76

 

CMYK 51 / 26 / 0 / 30

HEX #5783B2

RGB 87 131 178

HSL 210.99, 0.37%, 0.52%

LAB 53.46, -1.61, -29.44

 

CMYK 15 / 51 / 0 / 30

HEX #9857B2

RGB 152 87 178

HSL 282.86, 0.37%, 0.52%

LAB 47.89, 42.37, -37.78

 

CMYK 0 / 24 / 51 / 30

HEX #B28758

RGB 178 135 88

HSL 31.33, 0.37%, 0.52%

LAB 59.43, 10.64, 31.52

 

CMYK 51 / 0 / 50 / 30

HEX #57B259

RGB 87 178 89

HSL 121.32, 0.37%, 0.52%

LAB 65.43, -45.6, 37.13

 

CMYK 51 / 26 / 0 / 30

HEX #5783B2

RGB 87 131 178

HSL 210.99, 0.37%, 0.52%

LAB 53.46, -1.61, -29.44

 

CMYK 0 / 51 / 1 / 30

HEX #B257B0

RGB 178 87 176

HSL 301.32, 0.37%, 0.52%

LAB 51.17, 49.4, -31.22

 

Description

Color code: HEX #B28758 | qconv.com Color code: HEX #B28758 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 135 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 135 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 51 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 51% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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