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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2811DCE it is the complementary color #4D7EE2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2811DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2811DCE shade: #B78118CE, #C8932BCE, #D9A53ECE, #EAB751CE and #FBC964CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2811DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2811DCE shade: #B2811DCE, #A16F0ACE, #905D00CE, #7F4B00CE and #6E3900CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2811DCE shade: #B4821D, #B45A1D, #B4311D and #B41D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2811DCE shade: #B4821D, #B4AB1D, #94B41D, #6CB41D and #43B41D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2811DCE shade matches the following richer shades: #B4821D and #C5880C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2811DCE shade: #B4821D, #A37D2E, #92773F, #817150 and #706B61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2811DCE shade: #B4311D, #B4591D, #B4821D, #B4AA1D and #96B41D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2811DCE shade: #6D4F12, #906917, #B4821D, #D79C23 and #E0AD43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2811DCE shade: #B2811D, #31B41D and #451DB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2811DCE shade: #B2811D, #1DB482 and #821DB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2811DCE shade: #B2811D, #31B41D, #1D4FB4 and #A01DB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2811DCE shade: #B2811D, #1DB436, #1D4FB4 and #B41D9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 68 / 24

HEX #B2811DCE

RGBA 178 129 29 0.81

HSLA 40.27, 0.72%, 0.41%, 0.81

LABA 57.32, 10.32, 56.54, 0.81

 

Complementary color

CMYK 53 / 36 / 0 / 9

HEX #4D7EE2CE

RGBA 77 126 226 0.81

HSLA 220.27, 0.72%, 0.59%, 0.81

LABA 54.02, 15.32, -55.85, 0.81

 

CMYK 0 / 24 / 70 / 23

HEX #B78118CE

RGBA 183 129 24 0.81

HSLA 39.62, 0.77%, 0.41%, 0.81

LABA 57.88, 12.43, 58.75, 0.81

 

CMYK 0 / 21 / 64 / 17

HEX #C8932BCE

RGBA 200 147 43 0.81

HSLA 39.75, 0.65%, 0.48%, 0.81

LABA 64.42, 10.68, 58.96, 0.81

 

CMYK 0 / 19 / 58 / 12

HEX #D9A53ECE

RGBA 217 165 62 0.81

HSLA 39.87, 0.67%, 0.55%, 0.81

LABA 70.88, 9.19, 58.36, 0.81

 

CMYK 0 / 18 / 53 / 7

HEX #EAB751CE

RGBA 234 183 81 0.81

HSLA 40, 0.78%, 0.62%, 0.81

LABA 77.25, 7.9, 57.36, 0.81

 

CMYK 0 / 16 / 49 / 1

HEX #FBC964CE

RGBA 251 201 100 0.81

HSLA 40.13, 0.95%, 0.69%, 0.81

LABA 83.55, 6.79, 56.2, 0.81

 

CMYK 0 / 22 / 68 / 24

HEX #B2811DCE

RGBA 178 129 29 0.81

HSLA 40.27, 0.72%, 0.41%, 0.81

LABA 57.32, 10.32, 56.54, 0.81

 

CMYK 0 / 25 / 76 / 30

HEX #A16F0ACE

RGBA 161 111 10 0.81

HSLA 40.13, 0.88%, 0.34%, 0.81

LABA 50.65, 12.26, 55.38, 0.81

 

CMYK 0 / 29 / 81 / 35

HEX #905D00CE

RGBA 144 93 0 0.81

HSLA 38.75, 1%, 0.28%, 0.81

LABA 43.88, 14.56, 51.9, 0.81

 

CMYK 0 / 33 / 81 / 41

HEX #7F4B00CE

RGBA 127 75 0 0.81

HSLA 35.43, 1%, 0.25%, 0.81

LABA 37.01, 17.13, 46.3, 0.81

 

CMYK 0 / 39 / 81 / 46

HEX #6E3900CE

RGBA 110 57 0 0.81

HSLA 31.09, 1%, 0.22%, 0.81

LABA 30.01, 19.81, 40.47, 0.81

 

CMYK 0 / 28 / 84 / 29

HEX #B4821D

RGB 180 130 29

HSL 40.13, 0.72%, 0.41%

LAB 57.81, 10.66, 57.05

 

CMYK 0 / 50 / 84 / 29

HEX #B45A1D

RGB 180 90 29

HSL 24.24, 0.72%, 0.41%

LAB 48.39, 32.67, 48.87

 

CMYK 0 / 73 / 84 / 29

HEX #B4311D

RGB 180 49 29

HSL 7.95, 0.72%, 0.41%

LAB 41.2, 51.56, 42.43

 

CMYK 0 / 84 / 84 / 29

HEX #B41D1D

RGB 180 29 29

HSL 0, 0.72%, 0.41%

LAB 39.02, 57.66, 40.43

 

CMYK 0 / 28 / 84 / 29

HEX #B4821D

RGB 180 130 29

HSL 40.13, 0.72%, 0.41%

LAB 57.81, 10.66, 57.05

 

CMYK 0 / 5 / 84 / 29

HEX #B4AB1D

RGB 180 171 29

HSL 56.42, 0.72%, 0.41%

LAB 68.69, -11.49, 66.27

 

CMYK 18 / 0 / 84 / 29

HEX #94B41D

RGB 148 180 29

HSL 72.72, 0.72%, 0.41%

LAB 68.77, -29.73, 65.36

 

CMYK 40 / 0 / 84 / 29

HEX #6CB41D

RGB 108 180 29

HSL 88.61, 0.72%, 0.41%

LAB 66.46, -45.08, 62.44

 

CMYK 63 / 0 / 84 / 29

HEX #43B41D

RGB 67 180 29

HSL 104.9, 0.72%, 0.41%

LAB 64.9, -57.1, 60.46

 

CMYK 0 / 28 / 84 / 29

HEX #B4821D

RGB 180 130 29

HSL 40.13, 0.72%, 0.41%

LAB 57.81, 10.66, 57.05

 

CMYK 0 / 31 / 94 / 23

HEX #C5880C

RGB 197 136 12

HSL 40.22, 0.89%, 0.41%

LAB 61.22, 14.59, 64.71

 

CMYK 0 / 28 / 84 / 29

HEX #B4821D

RGB 180 130 29

HSL 40.13, 0.72%, 0.41%

LAB 57.81, 10.66, 57.05

 

CMYK 0 / 23 / 72 / 36

HEX #A37D2E

RGB 163 125 46

HSL 40.51, 0.56%, 0.41%

LAB 54.71, 6.48, 46.89

 

CMYK 0 / 18 / 57 / 43

HEX #92773F

RGB 146 119 63

HSL 40.48, 0.4%, 0.41%

LAB 51.45, 3.38, 34.4

 

CMYK 0 / 12 / 38 / 49

HEX #817150

RGB 129 113 80

HSL 40.41, 0.23%, 0.41%

LAB 48.33, 1.11, 20.63

 

CMYK 0 / 4 / 13 / 56

HEX #706B61

RGB 112 107 97

HSL 40, 0.07%, 0.41%

LAB 45.39, 0.05, 6.3

 

CMYK 0 / 73 / 84 / 29

HEX #B4311D

RGB 180 49 29

HSL 7.95, 0.72%, 0.41%

LAB 41.2, 51.56, 42.43

 

CMYK 0 / 51 / 84 / 29

HEX #B4591D

RGB 180 89 29

HSL 23.84, 0.72%, 0.41%

LAB 48.18, 33.2, 48.68

 

CMYK 0 / 28 / 84 / 29

HEX #B4821D

RGB 180 130 29

HSL 40.13, 0.72%, 0.41%

LAB 57.81, 10.66, 57.05

 

CMYK 0 / 6 / 84 / 29

HEX #B4AA1D

RGB 180 170 29

HSL 56.03, 0.72%, 0.41%

LAB 68.42, -10.97, 66.04

 

CMYK 17 / 0 / 84 / 29

HEX #96B41D

RGB 150 180 29

HSL 71.92, 0.72%, 0.41%

LAB 68.91, -28.9, 65.53

 

CMYK 0 / 28 / 83 / 57

HEX #6D4F12

RGB 109 79 18

HSL 40.22, 0.72%, 0.25%

LAB 35.77, 6.54, 38.28

 

CMYK 0 / 27 / 84 / 44

HEX #906917

RGB 144 105 23

HSL 40.66, 0.72%, 0.33%

LAB 47.1, 8.12, 48.14

 

CMYK 0 / 28 / 84 / 29

HEX #B4821D

RGB 180 130 29

HSL 40.13, 0.72%, 0.41%

LAB 57.81, 10.66, 57.05

 

CMYK 0 / 27 / 84 / 16

HEX #D79C23

RGB 215 156 35

HSL 40.33, 0.72%, 0.49%

LAB 68.27, 12.12, 65.67

 

CMYK 0 / 23 / 70 / 12

HEX #E0AD43

RGB 224 173 67

HSL 40.51, 0.72%, 0.57%

LAB 73.64, 8.17, 59.31

 

CMYK 0 / 28 / 84 / 30

HEX #B2811D

RGB 178 129 29

HSL 40.27, 0.72%, 0.41%

LAB 57.32, 10.32, 56.54

 

CMYK 73 / 0 / 84 / 29

HEX #31B41D

RGB 49 180 29

HSL 112.05, 0.72%, 0.41%

LAB 64.47, -60.74, 59.91

 

CMYK 62 / 84 / 0 / 29

HEX #451DB4

RGB 69 29 180

HSL 255.89, 0.72%, 0.41%

LAB 27.95, 55.19, -71.68

 

CMYK 0 / 28 / 84 / 30

HEX #B2811D

RGB 178 129 29

HSL 40.27, 0.72%, 0.41%

LAB 57.32, 10.32, 56.54

 

CMYK 84 / 0 / 28 / 29

HEX #1DB482

RGB 29 180 130

HSL 160.13, 0.72%, 0.41%

LAB 65.37, -49.15, 15.14

 

CMYK 28 / 84 / 0 / 29

HEX #821DB4

RGB 130 29 180

HSL 280.13, 0.72%, 0.41%

LAB 35.83, 63.11, -58.46

 

CMYK 0 / 28 / 84 / 30

HEX #B2811D

RGB 178 129 29

HSL 40.27, 0.72%, 0.41%

LAB 57.32, 10.32, 56.54

 

CMYK 73 / 0 / 84 / 29

HEX #31B41D

RGB 49 180 29

HSL 112.05, 0.72%, 0.41%

LAB 64.47, -60.74, 59.91

 

CMYK 84 / 56 / 0 / 29

HEX #1D4FB4

RGB 29 79 180

HSL 220.13, 0.72%, 0.41%

LAB 36.27, 22.3, -58.12

 

CMYK 11 / 84 / 0 / 29

HEX #A01DB4

RGB 160 29 180

HSL 292.05, 0.72%, 0.41%

LAB 40.65, 68.18, -50.42

 

CMYK 0 / 28 / 84 / 30

HEX #B2811D

RGB 178 129 29

HSL 40.27, 0.72%, 0.41%

LAB 57.32, 10.32, 56.54

 

CMYK 84 / 0 / 70 / 29

HEX #1DB436

RGB 29 180 54

HSL 129.93, 0.72%, 0.41%

LAB 64.3, -61.7, 51.42

 

CMYK 84 / 56 / 0 / 29

HEX #1D4FB4

RGB 29 79 180

HSL 220.13, 0.72%, 0.41%

LAB 36.27, 22.3, -58.12

 

CMYK 0 / 84 / 14 / 29

HEX #B41D9B

RGB 180 29 155

HSL 309.93, 0.72%, 0.41%

LAB 42.69, 68.16, -32.04

 

Description

Color code: HEX #B2811DCE | qconv.com Color code: HEX #B2811DCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 129 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 129 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 68 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 68% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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