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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B27EEE3F it is the complementary color #4D81113F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B27EEE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B27EEE3F shade: #B77EE93F, #C890FC3F, #D9A2FF3F, #EAB4FF3F and #FBC6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B27EEE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B27EEE3F shade: #B27EEE3F, #A16CDB3F, #905AC83F, #7F48B53F and #6E36A23F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B27EEE3F shade: #B17CEE, #D07CEE, #EE7CEE, #EE7CCF and #EE7CB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B27EEE3F shade: #B17CEE, #927CEE and #7C7CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B27EEE3F shade matches the following richer shades: #B17CEE and #B070FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B27EEE3F shade: #B17CEE, #B288E2, #B394D6, #B4A0CA and #B4ACBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B27EEE3F shade: #7C86EE, #917CEE, #AF7CEE, #CE7CEE and #EC7CEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B27EEE3F shade: #8533E5, #9B58E9, #B17CEE, #C7A1F3 and #DDC5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B27EEE3F shade: #B27EEE, #EE7CA4 and #7CEE82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B27EEE3F shade: #B27EEE, #EEAF7C and #7CEEAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B27EEE3F shade: #B27EEE, #EE7CA4, #BBEE7C and #7CEEC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B27EEE3F shade: #B27EEE, #EE7C82, #BBEE7C and #7CEEE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 12 / 0 / 2

HEX #B27EEE3F

RGBA 178 126 238 0.25

HSLA 267.86, 0.77%, 0.71%, 0.25

LABA 62.13, 41.78, -49.16, 0.25

 

Complementary color

CMYK 10 / 0 / 22 / 12

HEX #4D81113F

RGBA 77 129 17 0.25

HSLA 87.86, 0.77%, 0.29%, 0.25

LABA 48.66, -34.95, 49.17, 0.25

 

CMYK 5 / 11 / 0 / 2

HEX #B77EE93F

RGBA 183 126 233 0.25

HSLA 271.96, 0.71%, 0.7%, 0.25

LABA 62.4, 41.99, -45.94, 0.25

 

CMYK 5 / 11 / 0 / 0

HEX #C890FC3F

RGBA 200 144 252 0.25

HSLA 271.11, 0.95%, 0.78%, 0.25

LABA 68.93, 41.16, -45.98, 0.25

 

CMYK 4 / 9 / 0 / 0

HEX #D9A2FF3F

RGBA 217 162 255 0.25

HSLA 275.48, 1%, 0.82%, 0.25

LABA 74.71, 36.95, -38.47, 0.25

 

CMYK 2 / 7 / 0 / 0

HEX #EAB4FF3F

RGBA 234 180 255 0.25

HSLA 283.2, 1%, 0.85%, 0.25

LABA 80.38, 32.43, -29.57, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FBC6FF3F

RGBA 251 198 255 0.25

HSLA 295.79, 1%, 0.89%, 0.25

LABA 86.07, 28.24, -20.76, 0.25

 

CMYK 6 / 12 / 0 / 2

HEX #B27EEE3F

RGBA 178 126 238 0.25

HSLA 267.86, 0.77%, 0.71%, 0.25

LABA 62.13, 41.78, -49.16, 0.25

 

CMYK 7 / 13 / 0 / 4

HEX #A16CDB3F

RGBA 161 108 219 0.25

HSLA 268.65, 0.61%, 0.64%, 0.25

LABA 55.5, 42.69, -49.18, 0.25

 

CMYK 7 / 14 / 0 / 5

HEX #905AC83F

RGBA 144 90 200 0.25

HSLA 269.45, 0.5%, 0.57%, 0.25

LABA 48.77, 43.63, -49.18, 0.25

 

CMYK 7 / 15 / 0 / 7

HEX #7F48B53F

RGBA 127 72 181 0.25

HSLA 270.28, 0.43%, 0.5%, 0.25

LABA 41.97, 44.56, -49.13, 0.25

 

CMYK 8 / 17 / 0 / 9

HEX #6E36A23F

RGBA 110 54 162 0.25

HSLA 271.11, 0.5%, 0.42%, 0.25

LABA 35.13, 45.38, -48.96, 0.25

 

CMYK 26 / 48 / 0 / 7

HEX #B17CEE

RGB 177 124 238

HSL 267.89, 0.77%, 0.71%

LAB 61.6, 42.61, -50.02

 

CMYK 13 / 48 / 0 / 7

HEX #D07CEE

RGB 208 124 238

HSL 284.21, 0.77%, 0.71%

LAB 64.96, 51, -44.48

 

CMYK 0 / 48 / 0 / 7

HEX #EE7CEE

RGB 238 124 238

HSL 300, 0.77%, 0.71%

LAB 68.58, 59.28, -38.56

 

CMYK 0 / 48 / 13 / 7

HEX #EE7CCF

RGB 238 124 207

HSL 316.32, 0.77%, 0.71%

LAB 67.35, 54.16, -23.27

 

CMYK 0 / 48 / 26 / 7

HEX #EE7CB0

RGB 238 124 176

HSL 332.63, 0.77%, 0.71%

LAB 66.31, 49.66, -7.41

 

CMYK 26 / 48 / 0 / 7

HEX #B17CEE

RGB 177 124 238

HSL 267.89, 0.77%, 0.71%

LAB 61.6, 42.61, -50.02

 

CMYK 39 / 48 / 0 / 7

HEX #927CEE

RGB 146 124 238

HSL 251.58, 0.77%, 0.71%

LAB 58.69, 34.69, -54.81

 

CMYK 48 / 48 / 0 / 7

HEX #7C7CEE

RGB 124 124 238

HSL 240, 0.77%, 0.71%

LAB 56.95, 29.55, -57.69

 

CMYK 26 / 48 / 0 / 7

HEX #B17CEE

RGB 177 124 238

HSL 267.89, 0.77%, 0.71%

LAB 61.6, 42.61, -50.02

 

CMYK 30 / 55 / 0 / 2

HEX #B070FA

RGB 176 112 250

HSL 267.83, 0.93%, 0.71%

LAB 59.64, 51.63, -59.78

 

CMYK 26 / 48 / 0 / 7

HEX #B17CEE

RGB 177 124 238

HSL 267.89, 0.77%, 0.71%

LAB 61.6, 42.61, -50.02

 

CMYK 21 / 40 / 0 / 11

HEX #B288E2

RGB 178 136 226

HSL 268, 0.61%, 0.71%

LAB 63.81, 33.46, -39.88

 

CMYK 16 / 31 / 0 / 16

HEX #B394D6

RGB 179 148 214

HSL 268.18, 0.45%, 0.71%

LAB 66.23, 24.34, -29.45

 

CMYK 11 / 21 / 0 / 21

HEX #B4A0CA

RGB 180 160 202

HSL 268.57, 0.28%, 0.71%

LAB 68.83, 15.35, -18.8

 

CMYK 5 / 9 / 0 / 25

HEX #B4ACBE

RGB 180 172 190

HSL 266.67, 0.12%, 0.71%

LAB 71.5, 6.27, -8.16

 

CMYK 48 / 44 / 0 / 7

HEX #7C86EE

RGB 124 134 238

HSL 234.74, 0.77%, 0.71%

LAB 59.44, 23.63, -53.72

 

CMYK 39 / 48 / 0 / 7

HEX #917CEE

RGB 145 124 238

HSL 251.05, 0.77%, 0.71%

LAB 58.61, 34.44, -54.95

 

CMYK 26 / 48 / 0 / 7

HEX #AF7CEE

RGB 175 124 238

HSL 266.84, 0.77%, 0.71%

LAB 61.4, 42.08, -50.35

 

CMYK 13 / 48 / 0 / 7

HEX #CE7CEE

RGB 206 124 238

HSL 283.16, 0.77%, 0.71%

LAB 64.73, 50.45, -44.86

 

CMYK 1 / 48 / 0 / 7

HEX #EC7CEE

RGB 236 124 238

HSL 298.95, 0.77%, 0.71%

LAB 68.33, 58.73, -38.97

 

CMYK 42 / 78 / 0 / 10

HEX #8533E5

RGB 133 51 229

HSL 267.64, 0.77%, 0.55%

LAB 42.78, 66.99, -75.54

 

CMYK 33 / 62 / 0 / 9

HEX #9B58E9

RGB 155 88 233

HSL 267.72, 0.77%, 0.63%

LAB 51.65, 55.22, -63.27

 

CMYK 26 / 48 / 0 / 7

HEX #B17CEE

RGB 177 124 238

HSL 267.89, 0.77%, 0.71%

LAB 61.6, 42.61, -50.02

 

CMYK 18 / 34 / 0 / 5

HEX #C7A1F3

RGB 199 161 243

HSL 267.8, 0.77%, 0.79%

LAB 72.3, 29.59, -35.84

 

CMYK 11 / 20 / 0 / 3

HEX #DDC5F7

RGB 221 197 247

HSL 268.8, 0.76%, 0.87%

LAB 82.92, 17.65, -21.52

 

CMYK 25 / 47 / 0 / 7

HEX #B27EEE

RGB 178 126 238

HSL 267.86, 0.77%, 0.71%

LAB 62.13, 41.78, -49.16

 

CMYK 0 / 48 / 31 / 7

HEX #EE7CA4

RGB 238 124 164

HSL 338.95, 0.77%, 0.71%

LAB 65.96, 48.1, -1.13

 

CMYK 48 / 0 / 45 / 7

HEX #7CEE82

RGB 124 238 130

HSL 123.16, 0.77%, 0.71%

LAB 85.53, -54.03, 42.35

 

CMYK 25 / 47 / 0 / 7

HEX #B27EEE

RGB 178 126 238

HSL 267.86, 0.77%, 0.71%

LAB 62.13, 41.78, -49.16

 

CMYK 0 / 26 / 48 / 7

HEX #EEAF7C

RGB 238 175 124

HSL 26.84, 0.77%, 0.71%

LAB 76.25, 17.08, 35.1

 

CMYK 48 / 0 / 26 / 7

HEX #7CEEAF

RGB 124 238 175

HSL 146.84, 0.77%, 0.71%

LAB 86.27, -46.49, 20.67

 

CMYK 25 / 47 / 0 / 7

HEX #B27EEE

RGB 178 126 238

HSL 267.86, 0.77%, 0.71%

LAB 62.13, 41.78, -49.16

 

CMYK 0 / 48 / 31 / 7

HEX #EE7CA4

RGB 238 124 164

HSL 338.95, 0.77%, 0.71%

LAB 65.96, 48.1, -1.13

 

CMYK 21 / 0 / 48 / 7

HEX #BBEE7C

RGB 187 238 124

HSL 86.84, 0.77%, 0.71%

LAB 88.53, -34.64, 49.63

 

CMYK 48 / 0 / 17 / 7

HEX #7CEEC6

RGB 124 238 198

HSL 158.95, 0.77%, 0.71%

LAB 86.76, -41.78, 9.41

 

CMYK 25 / 47 / 0 / 7

HEX #B27EEE

RGB 178 126 238

HSL 267.86, 0.77%, 0.71%

LAB 62.13, 41.78, -49.16

 

CMYK 0 / 48 / 45 / 7

HEX #EE7C82

RGB 238 124 130

HSL 356.84, 0.77%, 0.71%

LAB 65.12, 44.3, 16.96

 

CMYK 21 / 0 / 48 / 7

HEX #BBEE7C

RGB 187 238 124

HSL 86.84, 0.77%, 0.71%

LAB 88.53, -34.64, 49.63

 

CMYK 48 / 0 / 3 / 7

HEX #7CEEE8

RGB 124 238 232

HSL 176.84, 0.77%, 0.71%

LAB 87.61, -33.89, -7.15

 

Description

Color code: HEX #B27EEE3F | qconv.com Color code: HEX #B27EEE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 126 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 126 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 12 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 12% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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