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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B27AD1 it is the complementary color #4D852E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B27AD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B27AD1 shade: #B77ACC, #C88CDF, #D99EF2, #EAB0FF and #FBC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B27AD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B27AD1 shade: #B27AD1, #A168BE, #9056AB, #7F4498 and #6E3285

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B27AD1 shade: #B27AD1, #CA7AD1, #D17AC1, #D17AAA and #D17A92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B27AD1 shade: #B27AD1, #9B7AD1, #837AD1 and #7A7AD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B27AD1 shade matches the following richer shades: #B27AD1, #B66CE0, #BB5DEE and #BF4FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B27AD1 shade: #B27AD1, #AE88C3, #AA97B5, #A6A5A6 and #A2B498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B27AD1 shade: #837AD1, #9A7AD1, #B17AD1, #C97AD1 and #D17AC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B27AD1 shade: #8E3FB9, #A15BC7, #B27AD1, #C499DC and #D6B7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B27AD1 shade: #B27AD1, #D17A89 and #7AD18E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B27AD1 shade: #B27AD1, #D1B17A and #7AD1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B27AD1 shade: #B27AD1, #D17A89, #9AD17A and #7AD1C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B27AD1 shade: #B27AD1, #D1867A, #9AD17A and #7AC6D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

Complementary color

CMYK 42 / 0 / 65 / 48

HEX #4D852E

RGB 77 133 46

HSL 98.62, 0.49%, 0.35%

LAB 50.16, -34.74, 39.97

 

CMYK 10 / 40 / 0 / 20

HEX #B77ACC

RGB 183 122 204

HSL 284.63, 0.45%, 0.64%

LAB 60.2, 37.9, -33.16

 

CMYK 10 / 37 / 0 / 13

HEX #C88CDF

RGB 200 140 223

HSL 283.37, 0.56%, 0.71%

LAB 66.8, 37.15, -33.39

 

CMYK 10 / 35 / 0 / 5

HEX #D99EF2

RGB 217 158 242

HSL 282.14, 0.76%, 0.78%

LAB 73.3, 36.43, -33.61

 

CMYK 8 / 31 / 0 / 0

HEX #EAB0FF

RGB 234 176 255

HSL 284.05, 1%, 0.85%

LAB 79.48, 34.56, -30.96

 

CMYK 2 / 24 / 0 / 0

HEX #FBC2FF

RGB 251 194 255

HSL 296.07, 1%, 0.88%

LAB 85.16, 30.35, -22.14

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 15 / 45 / 0 / 25

HEX #A168BE

RGB 161 104 190

HSL 279.77, 0.4%, 0.58%

LAB 53.16, 38.27, -36.36

 

CMYK 16 / 50 / 0 / 33

HEX #9056AB

RGB 144 86 171

HSL 280.94, 0.34%, 0.5%

LAB 46.35, 39.1, -36.17

 

CMYK 16 / 55 / 0 / 40

HEX #7F4498

RGB 127 68 152

HSL 282.14, 0.38%, 0.43%

LAB 39.43, 39.91, -35.92

 

CMYK 17 / 62 / 0 / 48

HEX #6E3285

RGB 110 50 133

HSL 283.37, 0.45%, 0.36%

LAB 32.46, 40.6, -35.52

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 3 / 42 / 0 / 18

HEX #CA7AD1

RGB 202 122 209

HSL 295.17, 0.49%, 0.65%

LAB 62.57, 44.63, -32.12

 

CMYK 0 / 42 / 8 / 18

HEX #D17AC1

RGB 209 122 193

HSL 311.03, 0.49%, 0.65%

LAB 62.78, 43.91, -22.71

 

CMYK 0 / 42 / 19 / 18

HEX #D17AAA

RGB 209 122 170

HSL 326.9, 0.49%, 0.65%

LAB 61.98, 40.17, -10.86

 

CMYK 0 / 42 / 30 / 18

HEX #D17A92

RGB 209 122 146

HSL 343.45, 0.49%, 0.65%

LAB 61.26, 36.73, 1.82

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 26 / 42 / 0 / 18

HEX #9B7AD1

RGB 155 122 209

HSL 262.76, 0.49%, 0.65%

LAB 57.55, 30.75, -40.33

 

CMYK 37 / 42 / 0 / 18

HEX #837AD1

RGB 131 122 209

HSL 246.21, 0.49%, 0.65%

LAB 55.43, 24.13, -43.82

 

CMYK 42 / 42 / 0 / 18

HEX #7A7AD1

RGB 122 122 209

HSL 240, 0.49%, 0.65%

LAB 54.72, 21.79, -44.99

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 19 / 52 / 0 / 12

HEX #B66CE0

RGB 182 108 224

HSL 278.28, 0.65%, 0.65%

LAB 58.09, 49.35, -47.74

 

CMYK 21 / 61 / 0 / 7

HEX #BB5DEE

RGB 187 93 238

HSL 278.9, 0.81%, 0.65%

LAB 56.65, 61.05, -57.83

 

CMYK 25 / 69 / 0 / 1

HEX #BF4FFD

RGB 191 79 253

HSL 278.62, 0.98%, 0.65%

LAB 55.85, 71.19, -67.44

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 11 / 30 / 0 / 24

HEX #AE88C3

RGB 174 136 195

HSL 278.64, 0.33%, 0.65%

LAB 62.12, 25.39, -25.18

 

CMYK 6 / 17 / 0 / 29

HEX #AA97B5

RGB 170 151 181

HSL 278, 0.17%, 0.65%

LAB 64.97, 12.68, -13.01

 

CMYK 0 / 1 / 0 / 35

HEX #A6A5A6

RGB 166 165 166

HSL 300, 0.01%, 0.65%

LAB 67.85, 0.55, -0.4

 

CMYK 10 / 0 / 16 / 29

HEX #A2B498

RGB 162 180 152

HSL 98.57, 0.16%, 0.65%

LAB 71.28, -11.47, 12.2

 

CMYK 37 / 42 / 0 / 18

HEX #837AD1

RGB 131 122 209

HSL 246.21, 0.49%, 0.65%

LAB 55.43, 24.13, -43.82

 

CMYK 26 / 42 / 0 / 18

HEX #9A7AD1

RGB 154 122 209

HSL 262.07, 0.49%, 0.65%

LAB 57.46, 30.47, -40.49

 

CMYK 15 / 42 / 0 / 18

HEX #B17AD1

RGB 177 122 209

HSL 277.93, 0.49%, 0.65%

LAB 59.77, 37.16, -36.7

 

CMYK 4 / 42 / 0 / 18

HEX #C97AD1

RGB 201 122 209

HSL 294.48, 0.49%, 0.65%

LAB 62.46, 44.33, -32.31

 

CMYK 0 / 42 / 7 / 18

HEX #D17AC3

RGB 209 122 195

HSL 309.66, 0.49%, 0.65%

LAB 62.86, 44.25, -23.73

 

CMYK 23 / 66 / 0 / 27

HEX #8E3FB9

RGB 142 63 185

HSL 278.85, 0.49%, 0.49%

LAB 42.47, 53.5, -50.58

 

CMYK 19 / 54 / 0 / 22

HEX #A15BC7

RGB 161 91 199

HSL 278.89, 0.49%, 0.57%

LAB 50.9, 47.26, -45.11

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 11 / 30 / 0 / 14

HEX #C499DC

RGB 196 153 220

HSL 278.51, 0.49%, 0.73%

LAB 69.24, 28.16, -27.98

 

CMYK 7 / 21 / 0 / 9

HEX #D6B7E7

RGB 214 183 231

HSL 278.75, 0.5%, 0.81%

LAB 78.42, 19.74, -19.83

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 0 / 42 / 34 / 18

HEX #D17A89

RGB 209 122 137

HSL 349.66, 0.49%, 0.65%

LAB 61.03, 35.58, 6.65

 

CMYK 42 / 0 / 32 / 18

HEX #7AD18E

RGB 122 209 142

HSL 133.79, 0.49%, 0.65%

LAB 77.1, -40.49, 25.24

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 0 / 15 / 42 / 18

HEX #D1B17A

RGB 209 177 122

HSL 37.93, 0.49%, 0.65%

LAB 73.81, 4.12, 32.42

 

CMYK 42 / 0 / 15 / 18

HEX #7AD1B1

RGB 122 209 177

HSL 157.93, 0.49%, 0.65%

LAB 77.82, -33.62, 7.71

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 0 / 42 / 34 / 18

HEX #D17A89

RGB 209 122 137

HSL 349.66, 0.49%, 0.65%

LAB 61.03, 35.58, 6.65

 

CMYK 26 / 0 / 42 / 18

HEX #9AD17A

RGB 154 209 122

HSL 97.93, 0.49%, 0.65%

LAB 78.39, -33.28, 37.52

 

CMYK 42 / 0 / 7 / 18

HEX #7AD1C3

RGB 122 209 195

HSL 170.34, 0.49%, 0.65%

LAB 78.27, -29.56, -1.29

 

CMYK 15 / 42 / 0 / 18

HEX #B27AD1

RGB 178 122 209

HSL 278.62, 0.49%, 0.65%

LAB 59.88, 37.46, -36.52

 

CMYK 0 / 36 / 42 / 18

HEX #D1867A

RGB 209 134 122

HSL 8.28, 0.49%, 0.65%

LAB 63.35, 27.38, 18.45

 

CMYK 26 / 0 / 42 / 18

HEX #9AD17A

RGB 154 209 122

HSL 97.93, 0.49%, 0.65%

LAB 78.39, -33.28, 37.52

 

CMYK 42 / 5 / 0 / 18

HEX #7AC6D1

RGB 122 198 209

HSL 187.59, 0.49%, 0.65%

LAB 75.53, -20.69, -12.9

 

Description

Color code: HEX #B27AD1 | qconv.com Color code: HEX #B27AD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 122 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 122 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 42 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 42% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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