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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B279C9 it is the complementary color #4D8636. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B279C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B279C9 shade: #B779C4, #C88BD7, #D99DEA, #EAAFFD and #FBC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B279C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B279C9 shade: #B279C9, #A167B6, #9055A3, #7F4390 and #6E317D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B279C9 shade: #B278C9, #C878C9, #C978B5, #C9789F and #C97889

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B279C9 shade: #B278C9, #9C78C9, #8678C9 and #7878C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B279C9 shade matches the following richer shades: #B278C9, #B869D8, #BF5AE8 and #C54AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B279C9 shade: #B278C9, #AB87BA, #A597AB, #9EA69B and #98B58C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B279C9 shade: #8678C9, #9B78C9, #B178C9, #C778C9 and #C978B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B279C9 shade: #8D44AB, #A15BBD, #B278C9, #C396D5 and #D4B3E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B279C9 shade: #B279C9, #C97880 and #78C990

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B279C9 shade: #B279C9, #C9B178 and #78C9B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B279C9 shade: #B279C9, #C97880, #90C978 and #78C9C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B279C9 shade: #B279C9, #C98878, #90C978 and #78B9C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 40 / 0 / 21

HEX #B279C9

RGB 178 121 201

HSL 282.75, 0.43%, 0.63%

LAB 59.3, 36.31, -32.9

 

Complementary color

CMYK 43 / 0 / 60 / 47

HEX #4D8636

RGB 77 134 54

HSL 102.75, 0.43%, 0.37%

LAB 50.56, -34.34, 36.63

 

CMYK 7 / 38 / 0 / 23

HEX #B779C4

RGB 183 121 196

HSL 289.6, 0.39%, 0.62%

LAB 59.64, 36.82, -29.5

 

CMYK 7 / 35 / 0 / 16

HEX #C88BD7

RGB 200 139 215

HSL 288.16, 0.49%, 0.69%

LAB 66.25, 36.08, -29.79

 

CMYK 7 / 33 / 0 / 8

HEX #D99DEA

RGB 217 157 234

HSL 286.75, 0.65%, 0.77%

LAB 72.76, 35.37, -30.07

 

CMYK 8 / 31 / 0 / 1

HEX #EAAFFD

RGB 234 175 253

HSL 285.38, 0.95%, 0.84%

LAB 79.18, 34.7, -30.34

 

CMYK 2 / 24 / 0 / 0

HEX #FBC1FF

RGB 251 193 255

HSL 296.13, 1%, 0.88%

LAB 84.93, 30.87, -22.48

 

CMYK 11 / 40 / 0 / 21

HEX #B279C9

RGB 178 121 201

HSL 282.75, 0.43%, 0.63%

LAB 59.3, 36.31, -32.9

 

CMYK 12 / 43 / 0 / 29

HEX #A167B6

RGB 161 103 182

HSL 284.05, 0.35%, 0.56%

LAB 52.57, 37.1, -32.68

 

CMYK 12 / 48 / 0 / 36

HEX #9055A3

RGB 144 85 163

HSL 285.38, 0.31%, 0.49%

LAB 45.73, 37.91, -32.42

 

CMYK 12 / 53 / 0 / 44

HEX #7F4390

RGB 127 67 144

HSL 286.75, 0.36%, 0.41%

LAB 38.79, 38.7, -32.08

 

CMYK 12 / 61 / 0 / 51

HEX #6E317D

RGB 110 49 125

HSL 288.16, 0.44%, 0.34%

LAB 31.79, 39.36, -31.6

 

CMYK 11 / 40 / 0 / 21

HEX #B278C9

RGB 178 120 201

HSL 282.96, 0.43%, 0.63%

LAB 59.08, 36.86, -33.25

 

CMYK 0 / 40 / 0 / 21

HEX #C878C9

RGB 200 120 201

HSL 299.26, 0.43%, 0.63%

LAB 61.59, 43.58, -29.15

 

CMYK 0 / 40 / 10 / 21

HEX #C978B5

RGB 201 120 181

HSL 314.81, 0.43%, 0.63%

LAB 60.95, 40.34, -18.79

 

CMYK 0 / 40 / 21 / 21

HEX #C9789F

RGB 201 120 159

HSL 331.11, 0.43%, 0.63%

LAB 60.21, 36.81, -7.31

 

CMYK 0 / 40 / 32 / 21

HEX #C97889

RGB 201 120 137

HSL 347.41, 0.43%, 0.63%

LAB 59.58, 33.7, 4.43

 

CMYK 11 / 40 / 0 / 21

HEX #B278C9

RGB 178 120 201

HSL 282.96, 0.43%, 0.63%

LAB 59.08, 36.86, -33.25

 

CMYK 22 / 40 / 0 / 21

HEX #9C78C9

RGB 156 120 201

HSL 266.67, 0.43%, 0.63%

LAB 56.8, 30.27, -36.98

 

CMYK 33 / 40 / 0 / 21

HEX #8678C9

RGB 134 120 201

HSL 250.37, 0.43%, 0.63%

LAB 54.78, 23.96, -40.29

 

CMYK 40 / 40 / 0 / 21

HEX #7878C9

RGB 120 120 201

HSL 240, 0.43%, 0.63%

LAB 53.65, 20.18, -42.16

 

CMYK 11 / 40 / 0 / 21

HEX #B278C9

RGB 178 120 201

HSL 282.96, 0.43%, 0.63%

LAB 59.08, 36.86, -33.25

 

CMYK 15 / 51 / 0 / 15

HEX #B869D8

RGB 184 105 216

HSL 282.7, 0.59%, 0.63%

LAB 57.32, 49.75, -44.44

 

CMYK 18 / 61 / 0 / 9

HEX #BF5AE8

RGB 191 90 232

HSL 282.68, 0.76%, 0.63%

LAB 56.3, 62.13, -55

 

CMYK 20 / 70 / 0 / 3

HEX #C54AF7

RGB 197 74 247

HSL 282.66, 0.92%, 0.63%

LAB 55.57, 73.15, -64.52

 

CMYK 11 / 40 / 0 / 21

HEX #B278C9

RGB 178 120 201

HSL 282.96, 0.43%, 0.63%

LAB 59.08, 36.86, -33.25

 

CMYK 8 / 27 / 0 / 27

HEX #AB87BA

RGB 171 135 186

HSL 282.35, 0.27%, 0.63%

LAB 61.25, 23.09, -21.47

 

CMYK 4 / 12 / 0 / 33

HEX #A597AB

RGB 165 151 171

HSL 282, 0.11%, 0.63%

LAB 64.22, 8.93, -8.56

 

CMYK 5 / 0 / 7 / 35

HEX #9EA69B

RGB 158 166 155

HSL 103.64, 0.06%, 0.63%

LAB 67.21, -4.93, 4.71

 

CMYK 16 / 0 / 23 / 29

HEX #98B58C

RGB 152 181 140

HSL 102.44, 0.22%, 0.63%

LAB 70.61, -17.65, 17.69

 

CMYK 33 / 40 / 0 / 21

HEX #8678C9

RGB 134 120 201

HSL 250.37, 0.43%, 0.63%

LAB 54.78, 23.96, -40.29

 

CMYK 23 / 40 / 0 / 21

HEX #9B78C9

RGB 155 120 201

HSL 265.93, 0.43%, 0.63%

LAB 56.7, 29.98, -37.14

 

CMYK 12 / 40 / 0 / 21

HEX #B178C9

RGB 177 120 201

HSL 282.22, 0.43%, 0.63%

LAB 58.97, 36.56, -33.43

 

CMYK 1 / 40 / 0 / 21

HEX #C778C9

RGB 199 120 201

HSL 298.52, 0.43%, 0.63%

LAB 61.47, 43.27, -29.34

 

CMYK 0 / 40 / 9 / 21

HEX #C978B6

RGB 201 120 182

HSL 314.07, 0.43%, 0.63%

LAB 60.98, 40.51, -19.31

 

CMYK 18 / 60 / 0 / 33

HEX #8D44AB

RGB 141 68 171

HSL 282.52, 0.43%, 0.47%

LAB 42.36, 47.8, -42.51

 

CMYK 15 / 52 / 0 / 26

HEX #A15BBD

RGB 161 91 189

HSL 282.86, 0.43%, 0.55%

LAB 50.37, 45.1, -40.17

 

CMYK 11 / 40 / 0 / 21

HEX #B278C9

RGB 178 120 201

HSL 282.96, 0.43%, 0.63%

LAB 59.08, 36.86, -33.25

 

CMYK 8 / 30 / 0 / 16

HEX #C396D5

RGB 195 150 213

HSL 282.86, 0.43%, 0.71%

LAB 68.18, 28.06, -25.76

 

CMYK 6 / 20 / 0 / 12

HEX #D4B3E1

RGB 212 179 225

HSL 283.04, 0.43%, 0.79%

LAB 77.09, 20.08, -18.62

 

CMYK 11 / 40 / 0 / 21

HEX #B279C9

RGB 178 121 201

HSL 282.75, 0.43%, 0.63%

LAB 59.3, 36.31, -32.9

 

CMYK 0 / 40 / 36 / 21

HEX #C97880

RGB 201 120 128

HSL 354.07, 0.43%, 0.63%

LAB 59.35, 32.57, 9.3

 

CMYK 40 / 0 / 28 / 21

HEX #78C990

RGB 120 201 144

HSL 137.78, 0.43%, 0.63%

LAB 74.69, -37.12, 20.89

 

CMYK 11 / 40 / 0 / 21

HEX #B279C9

RGB 178 121 201

HSL 282.75, 0.43%, 0.63%

LAB 59.3, 36.31, -32.9

 

CMYK 0 / 12 / 40 / 21

HEX #C9B178

RGB 201 177 120

HSL 42.22, 0.43%, 0.63%

LAB 73.04, 0.66, 32.33

 

CMYK 40 / 0 / 12 / 21

HEX #78C9B1

RGB 120 201 177

HSL 162.22, 0.43%, 0.63%

LAB 75.41, -30.37, 4.23

 

CMYK 11 / 40 / 0 / 21

HEX #B279C9

RGB 178 121 201

HSL 282.75, 0.43%, 0.63%

LAB 59.3, 36.31, -32.9

 

CMYK 0 / 40 / 36 / 21

HEX #C97880

RGB 201 120 128

HSL 354.07, 0.43%, 0.63%

LAB 59.35, 32.57, 9.3

 

CMYK 28 / 0 / 40 / 21

HEX #90C978

RGB 144 201 120

HSL 102.22, 0.43%, 0.63%

LAB 75.49, -33.32, 34.7

 

CMYK 40 / 0 / 4 / 21

HEX #78C9C1

RGB 120 201 193

HSL 174.07, 0.43%, 0.63%

LAB 75.83, -26.66, -3.8

 

CMYK 11 / 40 / 0 / 21

HEX #B279C9

RGB 178 121 201

HSL 282.75, 0.43%, 0.63%

LAB 59.3, 36.31, -32.9

 

CMYK 0 / 32 / 40 / 21

HEX #C98878

RGB 201 136 120

HSL 11.85, 0.43%, 0.63%

LAB 62.83, 22.93, 18.7

 

CMYK 28 / 0 / 40 / 21

HEX #90C978

RGB 144 201 120

HSL 102.22, 0.43%, 0.63%

LAB 75.49, -33.32, 34.7

 

CMYK 40 / 8 / 0 / 21

HEX #78B9C9

RGB 120 185 201

HSL 191.85, 0.43%, 0.63%

LAB 71.49, -16.58, -14.62

 

Description

Color code: HEX #B279C9 | qconv.com Color code: HEX #B279C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 121 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 121 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 40 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 40% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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