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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B26C57 it is the complementary color #4D93A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B26C57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B26C57 shade: #B76C52, #C87E65, #D99078, #EAA28B and #FBB49E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B26C57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B26C57 shade: #B26C57, #A15A44, #904831, #7F361E and #6E240B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B26C57 shade: #B26C57 and #B25757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B26C57 shade: #B26C57, #B28557, #B29D57, #AEB257 and #96B257

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B26C57 shade matches the following richer shades: #B26C57, #C66244, #D95730 and #ED4C1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B26C57 shade: #B26C57, #9E776B, #8A827F, #768C93 and #6397A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B26C57 shade: #B25774, #B2575C, #B26B57, #B28357 and #B29B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B26C57 shade: #7D493A, #995A47, #B26C57, #BF8574 and #CC9E90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B26C57 shade: #B26C57, #8CB257 and #5768B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B26C57 shade: #B26C57, #57B26B and #6B57B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B26C57 shade: #B26C57, #8CB257, #579EB2 and #7D57B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B26C57 shade: #B26C57, #71B257, #579EB2 and #9857B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

Complementary color

CMYK 54 / 13 / 0 / 34

HEX #4D93A8

RGB 77 147 168

HSL 193.85, 0.37%, 0.48%

LAB 57.34, -15.96, -17.79

 

CMYK 0 / 41 / 55 / 28

HEX #B76C52

RGB 183 108 82

HSL 15.45, 0.41%, 0.52%

LAB 53.39, 27.21, 27.28

 

CMYK 0 / 37 / 50 / 22

HEX #C87E65

RGB 200 126 101

HSL 15.15, 0.47%, 0.59%

LAB 60.02, 25.99, 25.58

 

CMYK 0 / 34 / 45 / 15

HEX #D99078

RGB 217 144 120

HSL 14.85, 0.56%, 0.66%

LAB 66.56, 24.91, 24.08

 

CMYK 0 / 31 / 41 / 8

HEX #EAA28B

RGB 234 162 139

HSL 14.53, 0.69%, 0.73%

LAB 73.02, 23.94, 22.72

 

CMYK 0 / 28 / 37 / 2

HEX #FBB49E

RGB 251 180 158

HSL 14.19, 0.92%, 0.8%

LAB 79.4, 23.08, 21.48

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 0 / 44 / 58 / 37

HEX #A15A44

RGB 161 90 68

HSL 14.19, 0.41%, 0.45%

LAB 46.05, 26.91, 25.36

 

CMYK 0 / 50 / 66 / 44

HEX #904831

RGB 144 72 49

HSL 14.53, 0.49%, 0.38%

LAB 39.22, 28.38, 27.47

 

CMYK 0 / 57 / 76 / 50

HEX #7F361E

RGB 127 54 30

HSL 14.85, 0.62%, 0.31%

LAB 32.36, 29.99, 29.88

 

CMYK 0 / 67 / 90 / 57

HEX #6E240B

RGB 110 36 11

HSL 15.15, 0.82%, 0.24%

LAB 25.57, 31.63, 32.22

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 0 / 51 / 51 / 30

HEX #B25757

RGB 178 87 87

HSL 0, 0.37%, 0.52%

LAB 48.22, 36.95, 17.43

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 0 / 25 / 51 / 30

HEX #B28557

RGB 178 133 87

HSL 30.33, 0.37%, 0.52%

LAB 58.91, 11.66, 31.4

 

CMYK 0 / 12 / 51 / 30

HEX #B29D57

RGB 178 157 87

HSL 46.15, 0.37%, 0.52%

LAB 65.17, -1.56, 39.16

 

CMYK 2 / 0 / 51 / 30

HEX #AEB257

RGB 174 178 87

HSL 62.64, 0.37%, 0.52%

LAB 70.54, -14.32, 45.5

 

CMYK 16 / 0 / 51 / 30

HEX #96B257

RGB 150 178 87

HSL 78.46, 0.37%, 0.52%

LAB 68.76, -24.09, 42.95

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 0 / 51 / 66 / 22

HEX #C66244

RGB 198 98 68

HSL 13.85, 0.53%, 0.52%

LAB 53.12, 37.5, 35.27

 

CMYK 0 / 60 / 78 / 15

HEX #D95730

RGB 217 87 48

HSL 13.85, 0.69%, 0.52%

LAB 53.79, 49, 47.38

 

CMYK 0 / 68 / 88 / 7

HEX #ED4C1C

RGB 237 76 28

HSL 13.78, 0.85%, 0.52%

LAB 55.34, 59.95, 58.8

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 0 / 25 / 32 / 38

HEX #9E776B

RGB 158 119 107

HSL 14.12, 0.21%, 0.52%

LAB 53.52, 13.51, 12.52

 

CMYK 0 / 6 / 8 / 46

HEX #8A827F

RGB 138 130 127

HSL 16.36, 0.04%, 0.52%

LAB 54.97, 2.45, 2.69

 

CMYK 20 / 5 / 0 / 42

HEX #768C93

RGB 118 140 147

HSL 194.48, 0.12%, 0.52%

LAB 56.8, -6.24, -6.36

 

CMYK 41 / 10 / 0 / 35

HEX #6397A7

RGB 99 151 167

HSL 194.12, 0.28%, 0.52%

LAB 59.5, -13.03, -13.84

 

CMYK 0 / 51 / 35 / 30

HEX #B25774

RGB 178 87 116

HSL 340.88, 0.37%, 0.52%

LAB 48.94, 40.12, 1

 

CMYK 0 / 51 / 48 / 30

HEX #B2575C

RGB 178 87 92

HSL 356.7, 0.37%, 0.52%

LAB 48.33, 37.43, 14.58

 

CMYK 0 / 40 / 51 / 30

HEX #B26B57

RGB 178 107 87

HSL 13.19, 0.37%, 0.52%

LAB 52.58, 26.17, 23.25

 

CMYK 0 / 26 / 51 / 30

HEX #B28357

RGB 178 131 87

HSL 29.01, 0.37%, 0.52%

LAB 58.4, 12.77, 30.76

 

CMYK 0 / 13 / 51 / 30

HEX #B29B57

RGB 178 155 87

HSL 44.84, 0.37%, 0.52%

LAB 64.64, -0.47, 38.51

 

CMYK 0 / 42 / 54 / 51

HEX #7D493A

RGB 125 73 58

HSL 13.43, 0.37%, 0.36%

LAB 36.8, 20.45, 18.42

 

CMYK 0 / 41 / 54 / 40

HEX #995A47

RGB 153 90 71

HSL 13.9, 0.37%, 0.44%

LAB 45, 23.84, 22.02

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 0 / 30 / 39 / 25

HEX #BF8574

RGB 191 133 116

HSL 13.6, 0.37%, 0.6%

LAB 60.88, 20.13, 18.11

 

CMYK 0 / 23 / 29 / 20

HEX #CC9E90

RGB 204 158 144

HSL 14, 0.37%, 0.68%

LAB 68.97, 15.07, 13.88

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 21 / 0 / 51 / 30

HEX #8CB257

RGB 140 178 87

HSL 85.05, 0.37%, 0.52%

LAB 68.1, -28, 42

 

CMYK 51 / 42 / 0 / 30

HEX #5768B2

RGB 87 104 178

HSL 228.79, 0.37%, 0.52%

LAB 45.83, 14.76, -41.43

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 51 / 0 / 40 / 30

HEX #57B26B

RGB 87 178 107

HSL 133.19, 0.37%, 0.52%

LAB 65.69, -42.8, 28.18

 

CMYK 40 / 51 / 0 / 30

HEX #6B57B2

RGB 107 87 178

HSL 253.19, 0.37%, 0.52%

LAB 43, 30.19, -45.85

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 21 / 0 / 51 / 30

HEX #8CB257

RGB 140 178 87

HSL 85.05, 0.37%, 0.52%

LAB 68.1, -28, 42

 

CMYK 51 / 11 / 0 / 30

HEX #579EB2

RGB 87 158 178

HSL 193.19, 0.37%, 0.52%

LAB 61.39, -16.7, -17.26

 

CMYK 30 / 51 / 0 / 30

HEX #7D57B2

RGB 125 87 178

HSL 265.05, 0.37%, 0.52%

LAB 44.79, 34.89, -42.89

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 37 / 0 / 51 / 30

HEX #71B257

RGB 113 178 87

HSL 102.86, 0.37%, 0.52%

LAB 66.55, -37.82, 39.76

 

CMYK 51 / 11 / 0 / 30

HEX #579EB2

RGB 87 158 178

HSL 193.19, 0.37%, 0.52%

LAB 61.39, -16.7, -17.26

 

CMYK 15 / 51 / 0 / 30

HEX #9857B2

RGB 152 87 178

HSL 282.86, 0.37%, 0.52%

LAB 47.89, 42.37, -37.78

 

Description

Color code: HEX #B26C57 | qconv.com Color code: HEX #B26C57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 108 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 108 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 51 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 51% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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