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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B263CD it is the complementary color #4D9C32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B263CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B263CD shade: #B763C8, #C875DB, #D987EE, #EA99FF and #FBABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B263CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B263CD shade: #B263CD, #A151BA, #903FA7, #7F2D94 and #6E1B81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B263CD shade: #B365CD, #CD65CB, #CD65AF, #CD6593 and #CD6577

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B263CD shade: #B365CD, #9665CD, #7A65CD and #6565CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B263CD shade matches the following richer shades: #B365CD, #BB54DE, #C344EE and #CB33FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B263CD shade: #B365CD, #AA75BD, #A286AC, #9A969C and #92A78B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B263CD shade: #7A65CD, #9665CD, #B165CD, #CD65CD and #CD65B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B263CD shade: #8C37A9, #A346C3, #B365CD, #C284D7 and #D1A3E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B263CD shade: #B263CD, #CD656C and #65CD88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B263CD shade: #B263CD, #CDB165 and #65CDB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B263CD shade: #B263CD, #CD656C, #81CD65 and #65CDC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B263CD shade: #B263CD, #CD7D65, #81CD65 and #65B5CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 52 / 0 / 20

HEX #B263CD

RGB 178 99 205

HSL 284.72, 0.51%, 0.6%

LAB 54.86, 48.94, -42.13

 

Complementary color

CMYK 51 / 0 / 68 / 39

HEX #4D9C32

RGB 77 156 50

HSL 104.72, 0.51%, 0.4%

LAB 57.64, -44.1, 46.32

 

CMYK 9 / 51 / 0 / 22

HEX #B763C8

RGB 183 99 200

HSL 289.9, 0.48%, 0.59%

LAB 55.24, 49.32, -38.65

 

CMYK 9 / 47 / 0 / 14

HEX #C875DB

RGB 200 117 219

HSL 288.82, 0.59%, 0.66%

LAB 61.75, 48.59, -39.02

 

CMYK 9 / 43 / 0 / 7

HEX #D987EE

RGB 217 135 238

HSL 287.77, 0.75%, 0.73%

LAB 68.21, 47.84, -39.33

 

CMYK 8 / 40 / 0 / 0

HEX #EA99FF

RGB 234 153 255

HSL 287.65, 1%, 0.8%

LAB 74.51, 46.7, -38.64

 

CMYK 2 / 33 / 0 / 0

HEX #FBABFF

RGB 251 171 255

HSL 297.14, 1%, 0.84%

LAB 80.1, 42.41, -29.86

 

CMYK 13 / 52 / 0 / 20

HEX #B263CD

RGB 178 99 205

HSL 284.72, 0.51%, 0.6%

LAB 54.86, 48.94, -42.13

 

CMYK 13 / 56 / 0 / 27

HEX #A151BA

RGB 161 81 186

HSL 285.71, 0.43%, 0.52%

LAB 48.27, 49.63, -41.77

 

CMYK 14 / 62 / 0 / 35

HEX #903FA7

RGB 144 63 167

HSL 286.73, 0.45%, 0.45%

LAB 41.65, 50.16, -41.24

 

CMYK 14 / 70 / 0 / 42

HEX #7F2D94

RGB 127 45 148

HSL 287.77, 0.53%, 0.38%

LAB 35.06, 50.34, -40.46

 

CMYK 15 / 79 / 0 / 49

HEX #6E1B81

RGB 110 27 129

HSL 288.82, 0.65%, 0.31%

LAB 28.6, 49.82, -39.2

 

CMYK 13 / 51 / 0 / 20

HEX #B365CD

RGB 179 101 205

HSL 285, 0.51%, 0.6%

LAB 55.38, 48.18, -41.31

 

CMYK 0 / 51 / 1 / 20

HEX #CD65CB

RGB 205 101 203

HSL 301.15, 0.51%, 0.6%

LAB 58.6, 55.04, -34.88

 

CMYK 0 / 51 / 15 / 20

HEX #CD65AF

RGB 205 101 175

HSL 317.31, 0.51%, 0.6%

LAB 57.45, 50.37, -20.64

 

CMYK 0 / 51 / 28 / 20

HEX #CD6593

RGB 205 101 147

HSL 333.46, 0.51%, 0.6%

LAB 56.48, 46.3, -5.84

 

CMYK 0 / 51 / 42 / 20

HEX #CD6577

RGB 205 101 119

HSL 349.62, 0.51%, 0.6%

LAB 55.7, 42.92, 9.44

 

CMYK 13 / 51 / 0 / 20

HEX #B365CD

RGB 179 101 205

HSL 285, 0.51%, 0.6%

LAB 55.38, 48.18, -41.31

 

CMYK 27 / 51 / 0 / 20

HEX #9665CD

RGB 150 101 205

HSL 268.27, 0.51%, 0.6%

LAB 52.06, 40.31, -46.77

 

CMYK 40 / 51 / 0 / 20

HEX #7A65CD

RGB 122 101 205

HSL 252.12, 0.51%, 0.6%

LAB 49.32, 33.16, -51.31

 

CMYK 51 / 51 / 0 / 20

HEX #6565CD

RGB 101 101 205

HSL 240, 0.51%, 0.6%

LAB 47.6, 28.32, -54.16

 

CMYK 13 / 51 / 0 / 20

HEX #B365CD

RGB 179 101 205

HSL 285, 0.51%, 0.6%

LAB 55.38, 48.18, -41.31

 

CMYK 16 / 62 / 0 / 13

HEX #BB54DE

RGB 187 84 222

HSL 284.78, 0.68%, 0.6%

LAB 54.22, 61.93, -52.73

 

CMYK 18 / 71 / 0 / 7

HEX #C344EE

RGB 195 68 238

HSL 284.82, 0.83%, 0.6%

LAB 53.93, 73.29, -62.14

 

CMYK 20 / 80 / 0 / 0

HEX #CB33FF

RGB 203 51 255

HSL 284.71, 1%, 0.6%

LAB 54.33, 83.25, -70.92

 

CMYK 13 / 51 / 0 / 20

HEX #B365CD

RGB 179 101 205

HSL 285, 0.51%, 0.6%

LAB 55.38, 48.18, -41.31

 

CMYK 10 / 38 / 0 / 26

HEX #AA75BD

RGB 170 117 189

HSL 284.17, 0.35%, 0.6%

LAB 57.02, 33.55, -29.7

 

CMYK 6 / 22 / 0 / 33

HEX #A286AC

RGB 162 134 172

HSL 284.21, 0.19%, 0.6%

LAB 59.63, 17.72, -16.06

 

CMYK 1 / 4 / 0 / 39

HEX #9A969C

RGB 154 150 156

HSL 280, 0.03%, 0.6%

LAB 62.58, 2.62, -2.64

 

CMYK 13 / 0 / 17 / 35

HEX #92A78B

RGB 146 167 139

HSL 105, 0.14%, 0.6%

LAB 66.22, -12.72, 12.05

 

CMYK 40 / 51 / 0 / 20

HEX #7A65CD

RGB 122 101 205

HSL 252.12, 0.51%, 0.6%

LAB 49.32, 33.16, -51.31

 

CMYK 27 / 51 / 0 / 20

HEX #9665CD

RGB 150 101 205

HSL 268.27, 0.51%, 0.6%

LAB 52.06, 40.31, -46.77

 

CMYK 14 / 51 / 0 / 20

HEX #B165CD

RGB 177 101 205

HSL 283.85, 0.51%, 0.6%

LAB 55.14, 47.63, -41.71

 

CMYK 0 / 51 / 0 / 20

HEX #CD65CD

RGB 205 101 205

HSL 300, 0.51%, 0.6%

LAB 58.69, 55.39, -35.88

 

CMYK 0 / 51 / 14 / 20

HEX #CD65B1

RGB 205 101 177

HSL 316.15, 0.51%, 0.6%

LAB 57.52, 50.68, -21.68

 

CMYK 17 / 67 / 0 / 34

HEX #8C37A9

RGB 140 55 169

HSL 284.74, 0.51%, 0.44%

LAB 39.87, 53.29, -45.31

 

CMYK 16 / 64 / 0 / 24

HEX #A346C3

RGB 163 70 195

HSL 284.64, 0.51%, 0.52%

LAB 47.11, 57.22, -48.81

 

CMYK 13 / 51 / 0 / 20

HEX #B365CD

RGB 179 101 205

HSL 285, 0.51%, 0.6%

LAB 55.38, 48.18, -41.31

 

CMYK 10 / 39 / 0 / 16

HEX #C284D7

RGB 194 132 215

HSL 284.82, 0.51%, 0.68%

LAB 64.06, 38.04, -33.24

 

CMYK 7 / 28 / 0 / 12

HEX #D1A3E1

RGB 209 163 225

HSL 284.52, 0.51%, 0.76%

LAB 73.01, 27.82, -24.84

 

CMYK 13 / 52 / 0 / 20

HEX #B263CD

RGB 178 99 205

HSL 284.72, 0.51%, 0.6%

LAB 54.86, 48.94, -42.13

 

CMYK 0 / 51 / 47 / 20

HEX #CD656C

RGB 205 101 108

HSL 355.96, 0.51%, 0.6%

LAB 55.45, 41.79, 15.53

 

CMYK 51 / 0 / 34 / 20

HEX #65CD88

RGB 101 205 136

HSL 140.19, 0.51%, 0.6%

LAB 74.96, -45.51, 25.35

 

CMYK 13 / 52 / 0 / 20

HEX #B263CD

RGB 178 99 205

HSL 284.72, 0.51%, 0.6%

LAB 54.86, 48.94, -42.13

 

CMYK 0 / 14 / 51 / 20

HEX #CDB165

RGB 205 177 101

HSL 43.85, 0.51%, 0.6%

LAB 73.13, 0.39, 42.33

 

CMYK 51 / 0 / 14 / 20

HEX #65CDB1

RGB 101 205 177

HSL 163.85, 0.51%, 0.6%

LAB 75.83, -36.96, 4.72

 

CMYK 13 / 52 / 0 / 20

HEX #B263CD

RGB 178 99 205

HSL 284.72, 0.51%, 0.6%

LAB 54.86, 48.94, -42.13

 

CMYK 0 / 51 / 47 / 20

HEX #CD656C

RGB 205 101 108

HSL 355.96, 0.51%, 0.6%

LAB 55.45, 41.79, 15.53

 

CMYK 37 / 0 / 51 / 20

HEX #81CD65

RGB 129 205 101

HSL 103.85, 0.51%, 0.6%

LAB 75.62, -42.66, 44.14

 

CMYK 51 / 0 / 3 / 20

HEX #65CDC6

RGB 101 205 198

HSL 175.96, 0.51%, 0.6%

LAB 76.38, -31.82, -5.78

 

CMYK 13 / 52 / 0 / 20

HEX #B263CD

RGB 178 99 205

HSL 284.72, 0.51%, 0.6%

LAB 54.86, 48.94, -42.13

 

CMYK 0 / 39 / 51 / 20

HEX #CD7D65

RGB 205 125 101

HSL 13.85, 0.51%, 0.6%

LAB 60.41, 28.53, 26.23

 

CMYK 37 / 0 / 51 / 20

HEX #81CD65

RGB 129 205 101

HSL 103.85, 0.51%, 0.6%

LAB 75.62, -42.66, 44.14

 

CMYK 51 / 12 / 0 / 20

HEX #65B5CD

RGB 101 181 205

HSL 193.85, 0.51%, 0.6%

LAB 69.63, -17.98, -19.71

 

Description

Color code: HEX #B263CD | qconv.com Color code: HEX #B263CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 99 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 99 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 52 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 52% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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