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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B261F6 it is the complementary color #4D9E09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B261F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B261F6 shade: #B761F1, #C873FF, #D985FF, #EA97FF and #FBA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B261F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B261F6 shade: #B261F6, #A14FE3, #903DD0, #7F2BBD and #6E19AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B261F6 shade: #B160F6, #DA60F6, #F660E9, #F660C1 and #F66099

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B261F6 shade: #B160F6, #8960F6, #6160F6 and #6060F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B261F6 shade matches the following richer shades: #B160F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B261F6 shade: #B160F6, #B06EE8, #AF7BDB, #AE89CD and #AD96BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B261F6 shade: #6060F6, #8860F6, #B060F6, #D860F6 and #F660EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B261F6 shade: #8B12F1, #9E39F3, #B160F6, #C487F8 and #D7AEFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B261F6 shade: #B261F6, #F66088 and #60F674

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B261F6 shade: #B261F6, #F6B060 and #60F6B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B261F6 shade: #B261F6, #F66088, #A6F660 and #60F6CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B261F6 shade: #B261F6, #F66560, #A6F660 and #60F1F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 61 / 0 / 4

HEX #B261F6

RGB 178 97 246

HSL 272.62, 0.89%, 0.67%

LAB 56.75, 58.82, -62.18

 

Complementary color

CMYK 51 / 0 / 94 / 38

HEX #4D9E09

RGB 77 158 9

HSL 92.62, 0.89%, 0.33%

LAB 58.09, -47.13, 58.7

 

CMYK 24 / 60 / 0 / 5

HEX #B761F1

RGB 183 97 241

HSL 275.83, 0.84%, 0.66%

LAB 57.04, 58.85, -58.9

 

CMYK 22 / 55 / 0 / 0

HEX #C873FF

RGB 200 115 255

HSL 276.43, 1%, 0.73%

LAB 63.14, 57.03, -56.78

 

CMYK 15 / 48 / 0 / 0

HEX #D985FF

RGB 217 133 255

HSL 281.31, 1%, 0.76%

LAB 68.57, 52.27, -48.07

 

CMYK 8 / 41 / 0 / 0

HEX #EA97FF

RGB 234 151 255

HSL 287.88, 1%, 0.8%

LAB 74.09, 47.74, -39.29

 

CMYK 2 / 34 / 0 / 0

HEX #FBA9FF

RGB 251 169 255

HSL 297.21, 1%, 0.83%

LAB 79.67, 43.45, -30.51

 

CMYK 28 / 61 / 0 / 4

HEX #B261F6

RGB 178 97 246

HSL 272.62, 0.89%, 0.67%

LAB 56.75, 58.82, -62.18

 

CMYK 29 / 65 / 0 / 11

HEX #A14FE3

RGB 161 79 227

HSL 273.24, 0.73%, 0.6%

LAB 50.35, 59.5, -61.94

 

CMYK 31 / 71 / 0 / 18

HEX #903DD0

RGB 144 61 208

HSL 273.88, 0.61%, 0.53%

LAB 43.97, 59.94, -61.51

 

CMYK 33 / 77 / 0 / 26

HEX #7F2BBD

RGB 127 43 189

HSL 274.52, 0.63%, 0.45%

LAB 37.69, 59.92, -60.77

 

CMYK 35 / 85 / 0 / 33

HEX #6E19AA

RGB 110 25 170

HSL 275.17, 0.74%, 0.38%

LAB 31.61, 59.07, -59.5

 

CMYK 28 / 61 / 0 / 4

HEX #B160F6

RGB 177 96 246

HSL 272.4, 0.89%, 0.67%

LAB 56.45, 59.09, -62.67

 

CMYK 11 / 61 / 0 / 4

HEX #DA60F6

RGB 218 96 246

HSL 288.8, 0.89%, 0.67%

LAB 61.59, 68.46, -54.16

 

CMYK 0 / 61 / 5 / 4

HEX #F660E9

RGB 246 96 233

HSL 305.2, 0.89%, 0.67%

LAB 64.84, 72.96, -41.57

 

CMYK 0 / 61 / 22 / 4

HEX #F660C1

RGB 246 96 193

HSL 321.2, 0.89%, 0.67%

LAB 63.18, 67.14, -21.65

 

CMYK 0 / 61 / 38 / 4

HEX #F66099

RGB 246 96 153

HSL 337.2, 0.89%, 0.67%

LAB 61.88, 62.33, -0.68

 

CMYK 28 / 61 / 0 / 4

HEX #B160F6

RGB 177 96 246

HSL 272.4, 0.89%, 0.67%

LAB 56.45, 59.09, -62.67

 

CMYK 44 / 61 / 0 / 4

HEX #8960F6

RGB 137 96 246

HSL 256.4, 0.89%, 0.67%

LAB 52.22, 50.63, -69.71

 

CMYK 61 / 61 / 0 / 4

HEX #6160F6

RGB 97 96 246

HSL 240.4, 0.89%, 0.67%

LAB 48.96, 43.52, -75.16

 

CMYK 61 / 61 / 0 / 4

HEX #6060F6

RGB 96 96 246

HSL 240, 0.89%, 0.67%

LAB 48.89, 43.37, -75.27

 

CMYK 28 / 61 / 0 / 4

HEX #B160F6

RGB 177 96 246

HSL 272.4, 0.89%, 0.67%

LAB 56.45, 59.09, -62.67

 

CMYK 28 / 61 / 0 / 4

HEX #B160F6

RGB 177 96 246

HSL 272.4, 0.89%, 0.67%

LAB 56.45, 59.09, -62.67

 

CMYK 24 / 53 / 0 / 9

HEX #B06EE8

RGB 176 110 232

HSL 272.46, 0.73%, 0.67%

LAB 58.23, 48.52, -52.03

 

CMYK 20 / 44 / 0 / 14

HEX #AF7BDB

RGB 175 123 219

HSL 272.5, 0.57%, 0.67%

LAB 60.24, 38.24, -41.59

 

CMYK 15 / 33 / 0 / 20

HEX #AE89CD

RGB 174 137 205

HSL 272.65, 0.4%, 0.67%

LAB 62.76, 26.99, -29.83

 

CMYK 9 / 21 / 0 / 25

HEX #AD96BF

RGB 173 150 191

HSL 273.66, 0.24%, 0.67%

LAB 65.32, 16.32, -18.06

 

CMYK 61 / 61 / 0 / 4

HEX #6060F6

RGB 96 96 246

HSL 240, 0.89%, 0.67%

LAB 48.89, 43.37, -75.27

 

CMYK 45 / 61 / 0 / 4

HEX #8860F6

RGB 136 96 246

HSL 256, 0.89%, 0.67%

LAB 52.12, 50.43, -69.87

 

CMYK 28 / 61 / 0 / 4

HEX #B060F6

RGB 176 96 246

HSL 272, 0.89%, 0.67%

LAB 56.34, 58.86, -62.86

 

CMYK 12 / 61 / 0 / 4

HEX #D860F6

RGB 216 96 246

HSL 288, 0.89%, 0.67%

LAB 61.32, 68, -54.6

 

CMYK 0 / 61 / 4 / 4

HEX #F660EC

RGB 246 96 236

HSL 304, 0.89%, 0.67%

LAB 64.97, 73.43, -43.02

 

CMYK 42 / 93 / 0 / 5

HEX #8B12F1

RGB 139 18 241

HSL 272.56, 0.89%, 0.51%

LAB 41.65, 79.16, -84.17

 

CMYK 35 / 77 / 0 / 5

HEX #9E39F3

RGB 158 57 243

HSL 272.58, 0.89%, 0.59%

LAB 47.84, 71.74, -75.05

 

CMYK 28 / 61 / 0 / 4

HEX #B160F6

RGB 177 96 246

HSL 272.4, 0.89%, 0.67%

LAB 56.45, 59.09, -62.67

 

CMYK 21 / 46 / 0 / 3

HEX #C487F8

RGB 196 135 248

HSL 272.39, 0.89%, 0.75%

LAB 66.4, 44.03, -47.81

 

CMYK 14 / 30 / 0 / 2

HEX #D7AEFA

RGB 215 174 250

HSL 272.37, 0.88%, 0.83%

LAB 77.05, 28.81, -32.15

 

CMYK 28 / 61 / 0 / 4

HEX #B261F6

RGB 178 97 246

HSL 272.62, 0.89%, 0.67%

LAB 56.75, 58.82, -62.18

 

CMYK 0 / 61 / 45 / 4

HEX #F66088

RGB 246 96 136

HSL 344, 0.89%, 0.67%

LAB 61.43, 60.62, 8.51

 

CMYK 61 / 0 / 53 / 4

HEX #60F674

RGB 96 246 116

HSL 128, 0.89%, 0.67%

LAB 86.83, -65.65, 50.4

 

CMYK 28 / 61 / 0 / 4

HEX #B261F6

RGB 178 97 246

HSL 272.62, 0.89%, 0.67%

LAB 56.75, 58.82, -62.18

 

CMYK 0 / 28 / 61 / 4

HEX #F6B060

RGB 246 176 96

HSL 32, 0.89%, 0.67%

LAB 76.97, 17.52, 50.39

 

CMYK 61 / 0 / 28 / 4

HEX #60F6B0

RGB 96 246 176

HSL 152, 0.89%, 0.67%

LAB 87.74, -55.7, 22.06

 

CMYK 28 / 61 / 0 / 4

HEX #B261F6

RGB 178 97 246

HSL 272.62, 0.89%, 0.67%

LAB 56.75, 58.82, -62.18

 

CMYK 0 / 61 / 45 / 4

HEX #F66088

RGB 246 96 136

HSL 344, 0.89%, 0.67%

LAB 61.43, 60.62, 8.51

 

CMYK 33 / 0 / 61 / 4

HEX #A6F660

RGB 166 246 96

HSL 92, 0.89%, 0.67%

LAB 89.33, -48.25, 62.77

 

CMYK 61 / 0 / 16 / 4

HEX #60F6CE

RGB 96 246 206

HSL 164, 0.89%, 0.67%

LAB 88.38, -49.21, 7.45

 

CMYK 28 / 61 / 0 / 4

HEX #B261F6

RGB 178 97 246

HSL 272.62, 0.89%, 0.67%

LAB 56.75, 58.82, -62.18

 

CMYK 0 / 59 / 61 / 4

HEX #F66560

RGB 246 101 96

HSL 2, 0.89%, 0.67%

LAB 61.43, 55.27, 31.5

 

CMYK 33 / 0 / 61 / 4

HEX #A6F660

RGB 166 246 96

HSL 92, 0.89%, 0.67%

LAB 89.33, -48.25, 62.77

 

CMYK 61 / 2 / 0 / 4

HEX #60F1F6

RGB 96 241 246

HSL 182, 0.89%, 0.67%

LAB 87.99, -36.93, -14

 

Description

Color code: HEX #B261F6 | qconv.com Color code: HEX #B261F6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 97 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 97 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 61 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 61% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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