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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B261E4 it is the complementary color #4D9E1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B261E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B261E4 shade: #B761DF, #C873F2, #D985FF, #EA97FF and #FBA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B261E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B261E4 shade: #B261E4, #A14FD1, #903DBE, #7F2BAB and #6E1998

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B261E4 shade: #B362E4, #D662E4, #E462D0, #E462AD and #E4628A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B261E4 shade: #B362E4, #8F62E4, #6C62E4 and #6262E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B261E4 shade matches the following richer shades: #B362E4 and #B653F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B261E4 shade: #B362E4, #AF71D6, #AC80C7, #A88FB8 and #A59DA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B261E4 shade: #6D62E4, #9062E4, #B262E4, #D562E4 and #E462D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B261E4 shade: #8E23D1, #A13FDE, #B362E4, #C485EA and #D5A9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B261E4 shade: #B261E4, #E4627A and #62E47E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B261E4 shade: #B261E4, #E4B262 and #62E4B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B261E4 shade: #B261E4, #E4627A, #94E462 and #62E4CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B261E4 shade: #B261E4, #E47162, #94E462 and #62D5E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 57 / 0 / 11

HEX #B261E4

RGB 178 97 228

HSL 277.1, 0.71%, 0.64%

LAB 55.7, 54.83, -53.81

 

Complementary color

CMYK 51 / 0 / 83 / 38

HEX #4D9E1B

RGB 77 158 27

HSL 97.1, 0.71%, 0.36%

LAB 58.14, -46.49, 54.99

 

CMYK 18 / 57 / 0 / 13

HEX #B761DF

RGB 183 97 223

HSL 280.95, 0.66%, 0.63%

LAB 56.03, 55, -50.43

 

CMYK 17 / 52 / 0 / 5

HEX #C873F2

RGB 200 115 242

HSL 280.16, 0.83%, 0.7%

LAB 62.47, 54.28, -50.69

 

CMYK 15 / 48 / 0 / 0

HEX #D985FF

RGB 217 133 255

HSL 281.31, 1%, 0.76%

LAB 68.57, 52.27, -48.07

 

CMYK 8 / 41 / 0 / 0

HEX #EA97FF

RGB 234 151 255

HSL 287.88, 1%, 0.8%

LAB 74.09, 47.74, -39.29

 

CMYK 2 / 34 / 0 / 0

HEX #FBA9FF

RGB 251 169 255

HSL 297.21, 1%, 0.83%

LAB 79.67, 43.45, -30.51

 

CMYK 22 / 57 / 0 / 11

HEX #B261E4

RGB 178 97 228

HSL 277.1, 0.71%, 0.64%

LAB 55.7, 54.83, -53.81

 

CMYK 23 / 62 / 0 / 18

HEX #A14FD1

RGB 161 79 209

HSL 277.85, 0.59%, 0.56%

LAB 49.22, 55.5, -53.52

 

CMYK 24 / 68 / 0 / 25

HEX #903DBE

RGB 144 61 190

HSL 278.6, 0.51%, 0.49%

LAB 42.74, 55.95, -53.06

 

CMYK 26 / 75 / 0 / 33

HEX #7F2BAB

RGB 127 43 171

HSL 279.38, 0.6%, 0.42%

LAB 36.33, 55.98, -52.3

 

CMYK 28 / 84 / 0 / 40

HEX #6E1998

RGB 110 25 152

HSL 280.16, 0.72%, 0.35%

LAB 30.1, 55.19, -51.03

 

CMYK 21 / 57 / 0 / 11

HEX #B362E4

RGB 179 98 228

HSL 277.38, 0.71%, 0.64%

LAB 56.01, 54.58, -53.31

 

CMYK 6 / 57 / 0 / 11

HEX #D662E4

RGB 214 98 228

HSL 293.54, 0.71%, 0.64%

LAB 60.46, 63.3, -45.97

 

CMYK 0 / 57 / 9 / 11

HEX #E462D0

RGB 228 98 208

HSL 309.23, 0.71%, 0.64%

LAB 61.47, 63.56, -33.01

 

CMYK 0 / 57 / 24 / 11

HEX #E462AD

RGB 228 98 173

HSL 325.38, 0.71%, 0.64%

LAB 60.11, 58.45, -15.14

 

CMYK 0 / 57 / 39 / 11

HEX #E4628A

RGB 228 98 138

HSL 341.54, 0.71%, 0.64%

LAB 59.03, 54.22, 3.55

 

CMYK 21 / 57 / 0 / 11

HEX #B362E4

RGB 179 98 228

HSL 277.38, 0.71%, 0.64%

LAB 56.01, 54.58, -53.31

 

CMYK 37 / 57 / 0 / 11

HEX #8F62E4

RGB 143 98 228

HSL 260.77, 0.71%, 0.64%

LAB 52.04, 46.03, -59.9

 

CMYK 53 / 57 / 0 / 11

HEX #6C62E4

RGB 108 98 228

HSL 244.62, 0.71%, 0.64%

LAB 48.91, 38.64, -65.09

 

CMYK 57 / 57 / 0 / 11

HEX #6262E4

RGB 98 98 228

HSL 240, 0.71%, 0.64%

LAB 48.18, 36.79, -66.32

 

CMYK 21 / 57 / 0 / 11

HEX #B362E4

RGB 179 98 228

HSL 277.38, 0.71%, 0.64%

LAB 56.01, 54.58, -53.31

 

CMYK 25 / 66 / 0 / 5

HEX #B653F3

RGB 182 83 243

HSL 277.13, 0.87%, 0.64%

LAB 54.66, 65.58, -63.85

 

CMYK 21 / 57 / 0 / 11

HEX #B362E4

RGB 179 98 228

HSL 277.38, 0.71%, 0.64%

LAB 56.01, 54.58, -53.31

 

CMYK 18 / 47 / 0 / 16

HEX #AF71D6

RGB 175 113 214

HSL 276.83, 0.55%, 0.64%

LAB 57.83, 42.61, -42.58

 

CMYK 14 / 36 / 0 / 22

HEX #AC80C7

RGB 172 128 199

HSL 277.18, 0.39%, 0.64%

LAB 60.19, 30.13, -30.45

 

CMYK 9 / 22 / 0 / 28

HEX #A88FB8

RGB 168 143 184

HSL 276.59, 0.22%, 0.64%

LAB 62.87, 17.14, -17.89

 

CMYK 2 / 7 / 0 / 34

HEX #A59DA9

RGB 165 157 169

HSL 280, 0.07%, 0.64%

LAB 65.73, 5.19, -5.2

 

CMYK 52 / 57 / 0 / 11

HEX #6D62E4

RGB 109 98 228

HSL 245.08, 0.71%, 0.64%

LAB 48.99, 38.84, -64.96

 

CMYK 37 / 57 / 0 / 11

HEX #9062E4

RGB 144 98 228

HSL 261.23, 0.71%, 0.64%

LAB 52.14, 46.26, -59.73

 

CMYK 22 / 57 / 0 / 11

HEX #B262E4

RGB 178 98 228

HSL 276.92, 0.71%, 0.64%

LAB 55.89, 54.33, -53.51

 

CMYK 7 / 57 / 0 / 11

HEX #D562E4

RGB 213 98 228

HSL 293.08, 0.71%, 0.64%

LAB 60.32, 63.05, -46.19

 

CMYK 0 / 57 / 8 / 11

HEX #E462D1

RGB 228 98 209

HSL 308.77, 0.71%, 0.64%

LAB 61.51, 63.72, -33.51

 

CMYK 32 / 83 / 0 / 18

HEX #8E23D1

RGB 142 35 209

HSL 276.9, 0.71%, 0.48%

LAB 40.5, 69.23, -67.75

 

CMYK 27 / 72 / 0 / 13

HEX #A13FDE

RGB 161 63 222

HSL 276.98, 0.71%, 0.56%

LAB 47.5, 65.42, -63.71

 

CMYK 21 / 57 / 0 / 11

HEX #B362E4

RGB 179 98 228

HSL 277.38, 0.71%, 0.64%

LAB 56.01, 54.58, -53.31

 

CMYK 16 / 43 / 0 / 8

HEX #C485EA

RGB 196 133 234

HSL 277.43, 0.71%, 0.72%

LAB 65.32, 42.06, -41.81

 

CMYK 11 / 30 / 0 / 6

HEX #D5A9F0

RGB 213 169 240

HSL 277.18, 0.7%, 0.8%

LAB 75.34, 28.84, -29.41

 

CMYK 22 / 57 / 0 / 11

HEX #B261E4

RGB 178 97 228

HSL 277.1, 0.71%, 0.64%

LAB 55.7, 54.83, -53.81

 

CMYK 0 / 57 / 46 / 11

HEX #E4627A

RGB 228 98 122

HSL 348.92, 0.71%, 0.64%

LAB 58.63, 52.6, 12.3

 

CMYK 57 / 0 / 45 / 11

HEX #62E47E

RGB 98 228 126

HSL 132.92, 0.71%, 0.64%

LAB 81.61, -57.17, 39.16

 

CMYK 22 / 57 / 0 / 11

HEX #B261E4

RGB 178 97 228

HSL 277.1, 0.71%, 0.64%

LAB 55.7, 54.83, -53.81

 

CMYK 0 / 22 / 57 / 11

HEX #E4B262

RGB 228 178 98

HSL 36.92, 0.71%, 0.64%

LAB 75.59, 9.18, 47.31

 

CMYK 57 / 0 / 22 / 11

HEX #62E4B2

RGB 98 228 178

HSL 156.92, 0.71%, 0.64%

LAB 82.54, -47.51, 13.76

 

CMYK 22 / 57 / 0 / 11

HEX #B261E4

RGB 178 97 228

HSL 277.1, 0.71%, 0.64%

LAB 55.7, 54.83, -53.81

 

CMYK 0 / 57 / 46 / 11

HEX #E4627A

RGB 228 98 122

HSL 348.92, 0.71%, 0.64%

LAB 58.63, 52.6, 12.3

 

CMYK 35 / 0 / 57 / 11

HEX #94E462

RGB 148 228 98

HSL 96.92, 0.71%, 0.64%

LAB 83.27, -46.55, 54.81

 

CMYK 57 / 0 / 11 / 11

HEX #62E4CC

RGB 98 228 204

HSL 168.92, 0.71%, 0.64%

LAB 83.15, -41.52, 0.94

 

CMYK 22 / 57 / 0 / 11

HEX #B261E4

RGB 178 97 228

HSL 277.1, 0.71%, 0.64%

LAB 55.7, 54.83, -53.81

 

CMYK 0 / 50 / 57 / 11

HEX #E47162

RGB 228 113 98

HSL 6.92, 0.71%, 0.64%

LAB 60.95, 43.36, 29.2

 

CMYK 35 / 0 / 57 / 11

HEX #94E462

RGB 148 228 98

HSL 96.92, 0.71%, 0.64%

LAB 83.27, -46.55, 54.81

 

CMYK 57 / 7 / 0 / 11

HEX #62D5E4

RGB 98 213 228

HSL 186.92, 0.71%, 0.64%

LAB 79.49, -28.26, -17.25

 

Description

Color code: HEX #B261E4 | qconv.com Color code: HEX #B261E4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 97 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 97 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 57 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 57% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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