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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25BC9 it is the complementary color #4DA436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B25BC9 shade: #B75BC4, #C86DD7, #D97FEA, #EA91FD and #FBA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B25BC9 shade: #B25BC9, #A149B6, #9037A3, #7F2590 and #6E137D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B25BC9 shade: #B15BC8, #C85BC2, #C85BA4, #C85B86 and #C85B69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B25BC9 shade: #B15BC8, #945BC8, #765BC8 and #5B5BC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B25BC9 shade matches the following richer shades: #B15BC8, #BC49DA, #C637EC and #D025FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B25BC9 shade: #B15BC8, #A76CB6, #9D7EA5, #929093 and #88A181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B25BC9 shade: #765BC8, #935BC8, #B05BC8, #C85BC3 and #C85BA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B25BC9 shade: #86349C, #A13EBB, #B15BC8, #C079D2 and #CE98DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B25BC9 shade: #B25BC9, #C85B5C and #5BC885

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B25BC9 shade: #B25BC9, #C8B05B and #5BC8B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B25BC9 shade: #B25BC9, #C85B5C, #72C85B and #5BC8C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B25BC9 shade: #B25BC9, #C87A5B, #72C85B and #5BA9C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 55 / 0 / 21

HEX #B25BC9

RGB 178 91 201

HSL 287.45, 0.5%, 0.57%

LAB 53.13, 52.18, -42.59

 

Complementary color

CMYK 53 / 0 / 67 / 36

HEX #4DA436

RGB 77 164 54

HSL 107.45, 0.5%, 0.43%

LAB 60.24, -46.91, 47.43

 

CMYK 7 / 54 / 0 / 23

HEX #B75BC4

RGB 183 91 196

HSL 292.57, 0.47%, 0.56%

LAB 53.53, 52.55, -39.04

 

CMYK 7 / 49 / 0 / 16

HEX #C86DD7

RGB 200 109 215

HSL 291.51, 0.57%, 0.64%

LAB 60, 51.9, -39.52

 

CMYK 7 / 46 / 0 / 8

HEX #D97FEA

RGB 217 127 234

HSL 290.47, 0.72%, 0.71%

LAB 66.42, 51.18, -39.91

 

CMYK 8 / 43 / 0 / 1

HEX #EA91FD

RGB 234 145 253

HSL 289.44, 0.96%, 0.78%

LAB 72.78, 50.45, -40.24

 

CMYK 2 / 36 / 0 / 0

HEX #FBA3FF

RGB 251 163 255

HSL 297.39, 1%, 0.82%

LAB 78.42, 46.56, -32.44

 

CMYK 11 / 55 / 0 / 21

HEX #B25BC9

RGB 178 91 201

HSL 287.45, 0.5%, 0.57%

LAB 53.13, 52.18, -42.59

 

CMYK 12 / 60 / 0 / 29

HEX #A149B6

RGB 161 73 182

HSL 288.44, 0.43%, 0.5%

LAB 46.6, 52.74, -42.07

 

CMYK 12 / 66 / 0 / 36

HEX #9037A3

RGB 144 55 163

HSL 289.44, 0.5%, 0.43%

LAB 40.09, 53.02, -41.34

 

CMYK 12 / 74 / 0 / 44

HEX #7F2590

RGB 127 37 144

HSL 290.47, 0.59%, 0.35%

LAB 33.67, 52.77, -40.23

 

CMYK 12 / 85 / 0 / 51

HEX #6E137D

RGB 110 19 125

HSL 291.51, 0.74%, 0.28%

LAB 27.47, 51.52, -38.5

 

CMYK 12 / 55 / 0 / 22

HEX #B15BC8

RGB 177 91 200

HSL 287.34, 0.5%, 0.57%

LAB 52.95, 51.72, -42.31

 

CMYK 0 / 55 / 3 / 22

HEX #C85BC2

RGB 200 91 194

HSL 303.3, 0.5%, 0.57%

LAB 55.74, 56.83, -34.26

 

CMYK 0 / 55 / 18 / 22

HEX #C85BA4

RGB 200 91 164

HSL 319.82, 0.5%, 0.57%

LAB 54.49, 52, -18.84

 

CMYK 0 / 55 / 33 / 22

HEX #C85B86

RGB 200 91 134

HSL 336.33, 0.5%, 0.57%

LAB 53.47, 47.88, -2.72

 

CMYK 0 / 55 / 48 / 22

HEX #C85B69

RGB 200 91 105

HSL 352.29, 0.5%, 0.57%

LAB 52.71, 44.69, 13.39

 

CMYK 12 / 55 / 0 / 22

HEX #B15BC8

RGB 177 91 200

HSL 287.34, 0.5%, 0.57%

LAB 52.95, 51.72, -42.31

 

CMYK 26 / 55 / 0 / 22

HEX #945BC8

RGB 148 91 200

HSL 271.38, 0.5%, 0.57%

LAB 49.43, 44.11, -48.11

 

CMYK 41 / 55 / 0 / 22

HEX #765BC8

RGB 118 91 200

HSL 254.86, 0.5%, 0.57%

LAB 46.32, 36.69, -53.27

 

CMYK 55 / 55 / 0 / 22

HEX #5B5BC8

RGB 91 91 200

HSL 240, 0.5%, 0.57%

LAB 44.06, 30.81, -57.03

 

CMYK 12 / 55 / 0 / 22

HEX #B15BC8

RGB 177 91 200

HSL 287.34, 0.5%, 0.57%

LAB 52.95, 51.72, -42.31

 

CMYK 14 / 67 / 0 / 15

HEX #BC49DA

RGB 188 73 218

HSL 287.59, 0.66%, 0.57%

LAB 52.42, 66.11, -53.33

 

CMYK 16 / 77 / 0 / 7

HEX #C637EC

RGB 198 55 236

HSL 287.4, 0.83%, 0.57%

LAB 52.72, 77.83, -62.93

 

CMYK 18 / 85 / 0 / 1

HEX #D025FD

RGB 208 37 253

HSL 287.5, 0.98%, 0.57%

LAB 53.84, 86.93, -70.56

 

CMYK 12 / 55 / 0 / 22

HEX #B15BC8

RGB 177 91 200

HSL 287.34, 0.5%, 0.57%

LAB 52.95, 51.72, -42.31

 

CMYK 8 / 41 / 0 / 29

HEX #A76CB6

RGB 167 108 182

HSL 287.84, 0.34%, 0.57%

LAB 54.36, 36.17, -29.83

 

CMYK 5 / 24 / 0 / 35

HEX #9D7EA5

RGB 157 126 165

HSL 287.69, 0.18%, 0.57%

LAB 56.89, 19.15, -16.25

 

CMYK 1 / 2 / 0 / 42

HEX #929093

RGB 146 144 147

HSL 280, 0.01%, 0.57%

LAB 60.04, 1.32, -1.33

 

CMYK 16 / 0 / 20 / 37

HEX #88A181

RGB 136 161 129

HSL 106.88, 0.15%, 0.57%

LAB 63.6, -14.97, 13.81

 

CMYK 41 / 55 / 0 / 22

HEX #765BC8

RGB 118 91 200

HSL 254.86, 0.5%, 0.57%

LAB 46.32, 36.69, -53.27

 

CMYK 27 / 55 / 0 / 22

HEX #935BC8

RGB 147 91 200

HSL 270.83, 0.5%, 0.57%

LAB 49.32, 43.85, -48.29

 

CMYK 12 / 55 / 0 / 22

HEX #B05BC8

RGB 176 91 200

HSL 286.79, 0.5%, 0.57%

LAB 52.82, 51.45, -42.52

 

CMYK 0 / 55 / 3 / 22

HEX #C85BC3

RGB 200 91 195

HSL 302.75, 0.5%, 0.57%

LAB 55.79, 57, -34.76

 

CMYK 0 / 55 / 18 / 22

HEX #C85BA5

RGB 200 91 165

HSL 319.27, 0.5%, 0.57%

LAB 54.53, 52.15, -19.36

 

CMYK 14 / 67 / 0 / 39

HEX #86349C

RGB 134 52 156

HSL 287.31, 0.5%, 0.41%

LAB 37.71, 50.55, -41.02

 

CMYK 14 / 67 / 0 / 27

HEX #A13EBB

RGB 161 62 187

HSL 287.52, 0.5%, 0.49%

LAB 45.1, 58.67, -47.4

 

CMYK 12 / 55 / 0 / 22

HEX #B15BC8

RGB 177 91 200

HSL 287.34, 0.5%, 0.57%

LAB 52.95, 51.72, -42.31

 

CMYK 9 / 42 / 0 / 18

HEX #C079D2

RGB 192 121 210

HSL 287.87, 0.5%, 0.65%

LAB 61.25, 42.37, -34.83

 

CMYK 7 / 31 / 0 / 13

HEX #CE98DD

RGB 206 152 221

HSL 286.96, 0.5%, 0.73%

LAB 70.03, 32.07, -27.24

 

CMYK 11 / 55 / 0 / 21

HEX #B25BC9

RGB 178 91 201

HSL 287.45, 0.5%, 0.57%

LAB 53.13, 52.18, -42.59

 

CMYK 0 / 55 / 54 / 22

HEX #C85B5C

RGB 200 91 92

HSL 359.45, 0.5%, 0.57%

LAB 52.44, 43.52, 20.7

 

CMYK 55 / 0 / 34 / 22

HEX #5BC885

RGB 91 200 133

HSL 143.12, 0.5%, 0.57%

LAB 73.04, -46.41, 24.28

 

CMYK 11 / 55 / 0 / 21

HEX #B25BC9

RGB 178 91 201

HSL 287.45, 0.5%, 0.57%

LAB 53.13, 52.18, -42.59

 

CMYK 0 / 12 / 55 / 22

HEX #C8B05B

RGB 200 176 91

HSL 46.79, 0.5%, 0.57%

LAB 72.29, -2.04, 46.17

 

CMYK 55 / 0 / 12 / 22

HEX #5BC8B0

RGB 91 200 176

HSL 166.79, 0.5%, 0.57%

LAB 73.98, -37.1, 2.54

 

CMYK 11 / 55 / 0 / 21

HEX #B25BC9

RGB 178 91 201

HSL 287.45, 0.5%, 0.57%

LAB 53.13, 52.18, -42.59

 

CMYK 0 / 55 / 54 / 22

HEX #C85B5C

RGB 200 91 92

HSL 359.45, 0.5%, 0.57%

LAB 52.44, 43.52, 20.7

 

CMYK 43 / 0 / 55 / 22

HEX #72C85B

RGB 114 200 91

HSL 107.34, 0.5%, 0.57%

LAB 73.31, -46.5, 45.97

 

CMYK 55 / 0 / 1 / 22

HEX #5BC8C6

RGB 91 200 198

HSL 178.9, 0.5%, 0.57%

LAB 74.58, -31.49, -8.49

 

CMYK 11 / 55 / 0 / 21

HEX #B25BC9

RGB 178 91 201

HSL 287.45, 0.5%, 0.57%

LAB 53.13, 52.18, -42.59

 

CMYK 0 / 39 / 55 / 22

HEX #C87A5B

RGB 200 122 91

HSL 17.06, 0.5%, 0.57%

LAB 58.93, 27.26, 29.76

 

CMYK 43 / 0 / 55 / 22

HEX #72C85B

RGB 114 200 91

HSL 107.34, 0.5%, 0.57%

LAB 73.31, -46.5, 45.97

 

CMYK 55 / 16 / 0 / 22

HEX #5BA9C8

RGB 91 169 200

HSL 197.06, 0.5%, 0.57%

LAB 65.57, -15.27, -23.18

 

Description

Color code: HEX #B25BC9 | qconv.com Color code: HEX #B25BC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 91 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 91 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 55 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 55% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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