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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25966 it is the complementary color #4DA699. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25966. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B25966 shade: #B75961, #C86B74, #D97D87, #EA8F9A and #FBA1AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25966. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B25966 shade: #B25966, #A14753, #903540, #7F232D and #6E111A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B25966 shade: #B25765 and #B25757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B25966 shade: #B25765, #B2577D, #B25795, #B257AE and #9E57B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B25966 shade matches the following richer shades: #B25765, #C64457, #D93048 and #ED1C3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B25966 shade: #B25765, #9E6B73, #8A7F81, #76938F and #63A79D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B25966 shade: #B25795, #B2577D, #B25765, #B26257 and #B27A57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B25966 shade: #7D3A43, #994753, #B25765, #BF747F and #CC9099

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B25966 shade: #B25966, #ADB257 and #5789B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B25966 shade: #B25966, #65B257 and #5765B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B25966 shade: #B25966, #ADB257, #57B2A4 and #5C57B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B25966 shade: #B25966, #92B257, #57B2A4 and #7757B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 43 / 30

HEX #B25966

RGB 178 89 102

HSL 351.24, 0.37%, 0.52%

LAB 48.97, 37.44, 9.46

 

Complementary color

CMYK 54 / 0 / 8 / 35

HEX #4DA699

RGB 77 166 153

HSL 171.24, 0.37%, 0.48%

LAB 62.63, -29.88, -1.38

 

CMYK 0 / 51 / 47 / 28

HEX #B75961

RGB 183 89 97

HSL 354.89, 0.39%, 0.53%

LAB 49.59, 38.76, 13.43

 

CMYK 0 / 47 / 42 / 22

HEX #C86B74

RGB 200 107 116

HSL 354.19, 0.46%, 0.6%

LAB 56.14, 37.7, 11.71

 

CMYK 0 / 42 / 38 / 15

HEX #D97D87

RGB 217 125 135

HSL 353.48, 0.55%, 0.67%

LAB 62.65, 36.69, 10.24

 

CMYK 0 / 39 / 34 / 8

HEX #EA8F9A

RGB 234 143 154

HSL 352.75, 0.68%, 0.74%

LAB 69.09, 35.74, 8.96

 

CMYK 0 / 36 / 31 / 2

HEX #FBA1AD

RGB 251 161 173

HSL 352, 0.92%, 0.81%

LAB 75.46, 34.86, 7.81

 

CMYK 0 / 50 / 43 / 30

HEX #B25966

RGB 178 89 102

HSL 351.24, 0.37%, 0.52%

LAB 48.97, 37.44, 9.46

 

CMYK 0 / 56 / 48 / 37

HEX #A14753

RGB 161 71 83

HSL 352, 0.39%, 0.45%

LAB 42.32, 38.45, 11.35

 

CMYK 0 / 63 / 56 / 44

HEX #903540

RGB 144 53 64

HSL 352.75, 0.46%, 0.39%

LAB 35.69, 39.38, 13.71

 

CMYK 0 / 72 / 65 / 50

HEX #7F232D

RGB 127 35 45

HSL 353.48, 0.57%, 0.32%

LAB 29.17, 39.99, 16.78

 

CMYK 0 / 85 / 76 / 57

HEX #6E111A

RGB 110 17 26

HSL 354.19, 0.73%, 0.25%

LAB 22.97, 39.79, 20.9

 

CMYK 0 / 51 / 43 / 30

HEX #B25765

RGB 178 87 101

HSL 350.77, 0.37%, 0.52%

LAB 48.54, 38.37, 9.46

 

CMYK 0 / 51 / 51 / 30

HEX #B25757

RGB 178 87 87

HSL 0, 0.37%, 0.52%

LAB 48.22, 36.95, 17.43

 

CMYK 0 / 51 / 43 / 30

HEX #B25765

RGB 178 87 101

HSL 350.77, 0.37%, 0.52%

LAB 48.54, 38.37, 9.46

 

CMYK 0 / 51 / 30 / 30

HEX #B2577D

RGB 178 87 125

HSL 334.95, 0.37%, 0.52%

LAB 49.21, 41.29, -4.02

 

CMYK 0 / 51 / 16 / 30

HEX #B25795

RGB 178 87 149

HSL 319.12, 0.37%, 0.52%

LAB 50.04, 44.81, -17.09

 

CMYK 0 / 51 / 2 / 30

HEX #B257AE

RGB 178 87 174

HSL 302.64, 0.37%, 0.52%

LAB 51.08, 49.04, -30.2

 

CMYK 11 / 51 / 0 / 30

HEX #9E57B2

RGB 158 87 178

HSL 286.81, 0.37%, 0.52%

LAB 48.64, 44.07, -36.55

 

CMYK 0 / 51 / 43 / 30

HEX #B25765

RGB 178 87 101

HSL 350.77, 0.37%, 0.52%

LAB 48.54, 38.37, 9.46

 

CMYK 0 / 66 / 56 / 22

HEX #C64457

RGB 198 68 87

HSL 351.23, 0.53%, 0.52%

LAB 48.04, 52.95, 17.73

 

CMYK 0 / 78 / 67 / 15

HEX #D93048

RGB 217 48 72

HSL 351.48, 0.69%, 0.52%

LAB 48.68, 64.81, 28.27

 

CMYK 0 / 88 / 76 / 7

HEX #ED1C3A

RGB 237 28 58

HSL 351.39, 0.85%, 0.52%

LAB 50.85, 73.96, 40.03

 

CMYK 0 / 51 / 43 / 30

HEX #B25765

RGB 178 87 101

HSL 350.77, 0.37%, 0.52%

LAB 48.54, 38.37, 9.46

 

CMYK 0 / 32 / 27 / 38

HEX #9E6B73

RGB 158 107 115

HSL 350.59, 0.21%, 0.52%

LAB 50.71, 21.53, 3.84

 

CMYK 0 / 8 / 7 / 46

HEX #8A7F81

RGB 138 127 129

HSL 349.09, 0.04%, 0.52%

LAB 54.2, 4.55, 0.42

 

CMYK 20 / 0 / 3 / 42

HEX #76938F

RGB 118 147 143

HSL 171.72, 0.12%, 0.52%

LAB 58.7, -11.02, -1.26

 

CMYK 41 / 0 / 6 / 35

HEX #63A79D

RGB 99 167 157

HSL 171.18, 0.28%, 0.52%

LAB 63.94, -23.98, -1.61

 

CMYK 0 / 51 / 16 / 30

HEX #B25795

RGB 178 87 149

HSL 319.12, 0.37%, 0.52%

LAB 50.04, 44.81, -17.09

 

CMYK 0 / 51 / 30 / 30

HEX #B2577D

RGB 178 87 125

HSL 334.95, 0.37%, 0.52%

LAB 49.21, 41.29, -4.02

 

CMYK 0 / 51 / 43 / 30

HEX #B25765

RGB 178 87 101

HSL 350.77, 0.37%, 0.52%

LAB 48.54, 38.37, 9.46

 

CMYK 0 / 45 / 51 / 30

HEX #B26257

RGB 178 98 87

HSL 7.25, 0.37%, 0.52%

LAB 50.56, 31.1, 20.56

 

CMYK 0 / 31 / 51 / 30

HEX #B27A57

RGB 178 122 87

HSL 23.08, 0.37%, 0.52%

LAB 56.16, 17.81, 27.89

 

CMYK 0 / 54 / 46 / 51

HEX #7D3A43

RGB 125 58 67

HSL 351.94, 0.37%, 0.36%

LAB 33.54, 29.99, 8.33

 

CMYK 0 / 54 / 46 / 40

HEX #994753

RGB 153 71 83

HSL 351.22, 0.37%, 0.44%

LAB 41.06, 35.49, 9.4

 

CMYK 0 / 51 / 43 / 30

HEX #B25765

RGB 178 87 101

HSL 350.77, 0.37%, 0.52%

LAB 48.54, 38.37, 9.46

 

CMYK 0 / 39 / 34 / 25

HEX #BF747F

RGB 191 116 127

HSL 351.2, 0.37%, 0.6%

LAB 57.17, 30.84, 6.6

 

CMYK 0 / 29 / 25 / 20

HEX #CC9099

RGB 204 144 153

HSL 351, 0.37%, 0.68%

LAB 65.81, 23.99, 4.36

 

CMYK 0 / 50 / 43 / 30

HEX #B25966

RGB 178 89 102

HSL 351.24, 0.37%, 0.52%

LAB 48.97, 37.44, 9.46

 

CMYK 3 / 0 / 51 / 30

HEX #ADB257

RGB 173 178 87

HSL 63.3, 0.37%, 0.52%

LAB 70.46, -14.74, 45.39

 

CMYK 51 / 23 / 0 / 30

HEX #5789B2

RGB 87 137 178

HSL 207.03, 0.37%, 0.52%

LAB 55.21, -5.08, -26.73

 

CMYK 0 / 50 / 43 / 30

HEX #B25966

RGB 178 89 102

HSL 351.24, 0.37%, 0.52%

LAB 48.97, 37.44, 9.46

 

CMYK 43 / 0 / 51 / 30

HEX #65B257

RGB 101 178 87

HSL 110.77, 0.37%, 0.52%

LAB 65.98, -41.74, 38.93

 

CMYK 51 / 43 / 0 / 30

HEX #5765B2

RGB 87 101 178

HSL 230.77, 0.37%, 0.52%

LAB 45.01, 16.63, -42.73

 

CMYK 0 / 50 / 43 / 30

HEX #B25966

RGB 178 89 102

HSL 351.24, 0.37%, 0.52%

LAB 48.97, 37.44, 9.46

 

CMYK 3 / 0 / 51 / 30

HEX #ADB257

RGB 173 178 87

HSL 63.3, 0.37%, 0.52%

LAB 70.46, -14.74, 45.39

 

CMYK 51 / 0 / 8 / 30

HEX #57B2A4

RGB 87 178 164

HSL 170.77, 0.37%, 0.52%

LAB 66.94, -30.63, -1.17

 

CMYK 48 / 51 / 0 / 30

HEX #5C57B2

RGB 92 87 178

HSL 243.3, 0.37%, 0.52%

LAB 41.7, 26.56, -48

 

CMYK 0 / 50 / 43 / 30

HEX #B25966

RGB 178 89 102

HSL 351.24, 0.37%, 0.52%

LAB 48.97, 37.44, 9.46

 

CMYK 18 / 0 / 51 / 30

HEX #92B257

RGB 146 178 87

HSL 81.1, 0.37%, 0.52%

LAB 68.49, -25.67, 42.56

 

CMYK 51 / 0 / 8 / 30

HEX #57B2A4

RGB 87 178 164

HSL 170.77, 0.37%, 0.52%

LAB 66.94, -30.63, -1.17

 

CMYK 33 / 51 / 0 / 30

HEX #7757B2

RGB 119 87 178

HSL 261.1, 0.37%, 0.52%

LAB 44.16, 33.29, -43.92

 

Description

Color code: HEX #B25966 | qconv.com Color code: HEX #B25966 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 89 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 89 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 43 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 43% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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