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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25754 it is the complementary color #4DA8AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B25754 shade: #B7574F, #C86962, #D97B75, #EA8D88 and #FB9F9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B25754 shade: #B25754, #A14541, #90332E, #7F211B and #6E0F08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B25754 shade: #B25653 and #B25353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B25754 shade: #B25653, #B26F53, #B28953, #B2A253 and #A7B253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B25754 shade matches the following richer shades: #B25653, #C6433E, #DA302A and #EE1D16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B25754 shade: #B25653, #9D6967, #897B7B, #758E8F and #61A1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B25754 shade: #B25384, #B2536A, #B25453, #B26D53 and #B28753

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B25754 shade: #7B3937, #974644, #B25653, #BE726F and #CB8E8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B25754 shade: #B25754, #9DB253 and #5377B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B25754 shade: #B25754, #53B254 and #5453B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B25754 shade: #B25754, #9DB253, #53B0B2 and #6753B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B25754 shade: #B25754, #80B253, #53B0B2 and #8453B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 53 / 30

HEX #B25754

RGB 178 87 84

HSL 1.91, 0.38%, 0.51%

LAB 48.16, 36.68, 19.14

 

Complementary color

CMYK 55 / 2 / 0 / 33

HEX #4DA8AB

RGB 77 168 171

HSL 181.91, 0.38%, 0.49%

LAB 63.77, -26.01, -9.78

 

CMYK 0 / 52 / 57 / 28

HEX #B7574F

RGB 183 87 79

HSL 4.62, 0.42%, 0.51%

LAB 48.82, 38.15, 23.11

 

CMYK 0 / 48 / 51 / 22

HEX #C86962

RGB 200 105 98

HSL 4.12, 0.48%, 0.58%

LAB 55.34, 36.94, 21.09

 

CMYK 0 / 43 / 46 / 15

HEX #D97B75

RGB 217 123 117

HSL 3.6, 0.57%, 0.65%

LAB 61.83, 35.79, 19.36

 

CMYK 0 / 40 / 42 / 8

HEX #EA8D88

RGB 234 141 136

HSL 3.06, 0.7%, 0.73%

LAB 68.26, 34.73, 17.84

 

CMYK 0 / 37 / 38 / 2

HEX #FB9F9B

RGB 251 159 155

HSL 2.5, 0.92%, 0.8%

LAB 74.62, 33.74, 16.48

 

CMYK 0 / 51 / 53 / 30

HEX #B25754

RGB 178 87 84

HSL 1.91, 0.38%, 0.51%

LAB 48.16, 36.68, 19.14

 

CMYK 0 / 57 / 60 / 37

HEX #A14541

RGB 161 69 65

HSL 2.5, 0.42%, 0.44%

LAB 41.56, 37.87, 21.38

 

CMYK 0 / 65 / 68 / 44

HEX #90332E

RGB 144 51 46

HSL 3.06, 0.52%, 0.37%

LAB 34.99, 39, 24.15

 

CMYK 0 / 74 / 79 / 50

HEX #7F211B

RGB 127 33 27

HSL 3.6, 0.65%, 0.3%

LAB 28.59, 39.81, 27.56

 

CMYK 0 / 86 / 93 / 57

HEX #6E0F08

RGB 110 15 8

HSL 4.12, 0.86%, 0.23%

LAB 22.56, 39.76, 30.48

 

CMYK 0 / 52 / 53 / 30

HEX #B25653

RGB 178 86 83

HSL 1.89, 0.38%, 0.51%

LAB 47.94, 37.11, 19.43

 

CMYK 0 / 53 / 53 / 30

HEX #B25353

RGB 178 83 83

HSL 0, 0.38%, 0.51%

LAB 47.33, 38.65, 18.63

 

CMYK 0 / 52 / 53 / 30

HEX #B25653

RGB 178 86 83

HSL 1.89, 0.38%, 0.51%

LAB 47.94, 37.11, 19.43

 

CMYK 0 / 38 / 53 / 30

HEX #B26F53

RGB 178 111 83

HSL 17.68, 0.38%, 0.51%

LAB 53.45, 23.58, 26.66

 

CMYK 0 / 23 / 53 / 30

HEX #B28953

RGB 178 137 83

HSL 34.11, 0.38%, 0.51%

LAB 59.87, 9.06, 34.76

 

CMYK 0 / 9 / 53 / 30

HEX #B2A253

RGB 178 162 83

HSL 49.89, 0.38%, 0.51%

LAB 66.47, -4.6, 42.73

 

CMYK 6 / 0 / 53 / 30

HEX #A7B253

RGB 167 178 83

HSL 66.95, 0.38%, 0.51%

LAB 69.95, -17.58, 46.59

 

CMYK 0 / 52 / 53 / 30

HEX #B25653

RGB 178 86 83

HSL 1.89, 0.38%, 0.51%

LAB 47.94, 37.11, 19.43

 

CMYK 0 / 66 / 69 / 22

HEX #C6433E

RGB 198 67 62

HSL 2.21, 0.54%, 0.51%

LAB 47.45, 51.76, 31.89

 

CMYK 0 / 78 / 81 / 15

HEX #DA302A

RGB 218 48 42

HSL 2.05, 0.7%, 0.51%

LAB 48.49, 63.9, 45.23

 

CMYK 0 / 88 / 91 / 7

HEX #EE1D16

RGB 238 29 22

HSL 1.94, 0.86%, 0.51%

LAB 50.82, 73.22, 57.92

 

CMYK 0 / 52 / 53 / 30

HEX #B25653

RGB 178 86 83

HSL 1.89, 0.38%, 0.51%

LAB 47.94, 37.11, 19.43

 

CMYK 0 / 33 / 34 / 38

HEX #9D6967

RGB 157 105 103

HSL 2.22, 0.22%, 0.51%

LAB 49.8, 20.58, 9.63

 

CMYK 0 / 10 / 10 / 46

HEX #897B7B

RGB 137 123 123

HSL 0, 0.06%, 0.51%

LAB 52.86, 5.36, 1.95

 

CMYK 18 / 1 / 0 / 44

HEX #758E8F

RGB 117 142 143

HSL 182.31, 0.1%, 0.51%

LAB 57.18, -8.6, -3.49

 

CMYK 40 / 1 / 0 / 36

HEX #61A1A3

RGB 97 161 163

HSL 181.82, 0.26%, 0.51%

LAB 62.23, -19.93, -7.5

 

CMYK 0 / 53 / 26 / 30

HEX #B25384

RGB 178 83 132

HSL 329.05, 0.38%, 0.51%

LAB 48.66, 44.28, -9.04

 

CMYK 0 / 53 / 40 / 30

HEX #B2536A

RGB 178 83 106

HSL 345.47, 0.38%, 0.51%

LAB 47.87, 40.97, 5.49

 

CMYK 0 / 53 / 53 / 30

HEX #B25453

RGB 178 84 83

HSL 0.63, 0.38%, 0.51%

LAB 47.53, 38.14, 18.89

 

CMYK 0 / 39 / 53 / 30

HEX #B26D53

RGB 178 109 83

HSL 16.42, 0.38%, 0.51%

LAB 52.98, 24.69, 26.05

 

CMYK 0 / 24 / 53 / 30

HEX #B28753

RGB 178 135 83

HSL 32.84, 0.38%, 0.51%

LAB 59.36, 10.17, 34.12

 

CMYK 0 / 54 / 55 / 52

HEX #7B3937

RGB 123 57 55

HSL 1.76, 0.38%, 0.35%

LAB 32.73, 28.5, 14.86

 

CMYK 0 / 54 / 55 / 41

HEX #974644

RGB 151 70 68

HSL 1.45, 0.38%, 0.43%

LAB 40.21, 33.78, 17.48

 

CMYK 0 / 52 / 53 / 30

HEX #B25653

RGB 178 86 83

HSL 1.89, 0.38%, 0.51%

LAB 47.94, 37.11, 19.43

 

CMYK 0 / 40 / 42 / 25

HEX #BE726F

RGB 190 114 111

HSL 2.28, 0.38%, 0.59%

LAB 56.22, 29.61, 14.53

 

CMYK 0 / 30 / 31 / 20

HEX #CB8E8C

RGB 203 142 140

HSL 1.9, 0.38%, 0.67%

LAB 64.91, 22.9, 10.38

 

CMYK 0 / 51 / 53 / 30

HEX #B25754

RGB 178 87 84

HSL 1.91, 0.38%, 0.51%

LAB 48.16, 36.68, 19.14

 

CMYK 12 / 0 / 53 / 30

HEX #9DB253

RGB 157 178 83

HSL 73.26, 0.38%, 0.51%

LAB 69.21, -21.68, 45.54

 

CMYK 53 / 33 / 0 / 30

HEX #5377B2

RGB 83 119 178

HSL 217.26, 0.38%, 0.51%

LAB 49.79, 4.6, -35.19

 

CMYK 0 / 51 / 53 / 30

HEX #B25754

RGB 178 87 84

HSL 1.91, 0.38%, 0.51%

LAB 48.16, 36.68, 19.14

 

CMYK 53 / 0 / 53 / 30

HEX #53B254

RGB 83 178 84

HSL 120.63, 0.38%, 0.51%

LAB 65.22, -47.38, 39.32

 

CMYK 53 / 53 / 0 / 30

HEX #5453B2

RGB 84 83 178

HSL 240.63, 0.38%, 0.51%

LAB 40.06, 27.28, -50.67

 

CMYK 0 / 51 / 53 / 30

HEX #B25754

RGB 178 87 84

HSL 1.91, 0.38%, 0.51%

LAB 48.16, 36.68, 19.14

 

CMYK 12 / 0 / 53 / 30

HEX #9DB253

RGB 157 178 83

HSL 73.26, 0.38%, 0.51%

LAB 69.21, -21.68, 45.54

 

CMYK 53 / 1 / 0 / 30

HEX #53B0B2

RGB 83 176 178

HSL 181.26, 0.38%, 0.51%

LAB 66.6, -26.83, -9.44

 

CMYK 42 / 53 / 0 / 30

HEX #6753B2

RGB 103 83 178

HSL 252.63, 0.38%, 0.51%

LAB 41.66, 31.62, -48

 

CMYK 0 / 51 / 53 / 30

HEX #B25754

RGB 178 87 84

HSL 1.91, 0.38%, 0.51%

LAB 48.16, 36.68, 19.14

 

CMYK 28 / 0 / 53 / 30

HEX #80B253

RGB 128 178 83

HSL 91.58, 0.38%, 0.51%

LAB 67.32, -32.96, 42.84

 

CMYK 53 / 1 / 0 / 30

HEX #53B0B2

RGB 83 176 178

HSL 181.26, 0.38%, 0.51%

LAB 66.6, -26.83, -9.44

 

CMYK 26 / 53 / 0 / 30

HEX #8453B2

RGB 132 83 178

HSL 270.95, 0.38%, 0.51%

LAB 44.67, 39.05, -43.03

 

Description

Color code: HEX #B25754 | qconv.com Color code: HEX #B25754 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 87 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 87 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 53 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 53% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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