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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25537 it is the complementary color #4DAAC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25537. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B25537 shade: #B75532, #C86745, #D97958, #EA8B6B and #FB9D7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25537. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B25537 shade: #B25537, #A14324, #903111, #7F1F00 and #6E0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B25537 shade: #B35537 and #B33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B25537 shade: #B35537, #B37737, #B39937, #ADB337 and #8BB337

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B25537 shade matches the following richer shades: #B35537, #C64C24 and #D94211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B25537 shade: #B35537, #A05F4A, #8E695D, #7B7370 and #687C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B25537 shade: #B3375C, #B3373B, #B35437, #B37537 and #B39637

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B25537 shade: #743724, #94462D, #B35537, #C86A4C and #D2846B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B25537 shade: #B25537, #7EB337 and #374CB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B25537 shade: #B25537, #37B354 and #5437B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B25537 shade: #B25537, #7EB337, #3796B3 and #6D37B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B25537 shade: #B25537, #58B337, #3796B3 and #9237B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 69 / 30

HEX #B25537

RGB 178 85 55

HSL 14.63, 0.53%, 0.46%

LAB 47.28, 35.6, 34.85

 

Complementary color

CMYK 62 / 15 / 0 / 22

HEX #4DAAC8

RGB 77 170 200

HSL 194.63, 0.53%, 0.54%

LAB 65.36, -18.53, -23.55

 

CMYK 0 / 54 / 73 / 28

HEX #B75532

RGB 183 85 50

HSL 15.79, 0.57%, 0.46%

LAB 48, 37.3, 38.59

 

CMYK 0 / 49 / 66 / 22

HEX #C86745

RGB 200 103 69

HSL 15.57, 0.54%, 0.53%

LAB 54.46, 35.76, 36.38

 

CMYK 0 / 44 / 59 / 15

HEX #D97958

RGB 217 121 88

HSL 15.35, 0.63%, 0.6%

LAB 60.9, 34.33, 34.37

 

CMYK 0 / 41 / 54 / 8

HEX #EA8B6B

RGB 234 139 107

HSL 15.12, 0.75%, 0.67%

LAB 67.29, 33.03, 32.55

 

CMYK 0 / 37 / 50 / 2

HEX #FB9D7E

RGB 251 157 126

HSL 14.88, 0.94%, 0.74%

LAB 73.63, 31.85, 30.91

 

CMYK 0 / 52 / 69 / 30

HEX #B25537

RGB 178 85 55

HSL 14.63, 0.53%, 0.46%

LAB 47.28, 35.6, 34.85

 

CMYK 0 / 58 / 78 / 37

HEX #A14324

RGB 161 67 36

HSL 14.88, 0.63%, 0.39%

LAB 40.77, 37.16, 37.24

 

CMYK 0 / 66 / 88 / 44

HEX #903111

RGB 144 49 17

HSL 15.12, 0.79%, 0.32%

LAB 34.33, 38.7, 39.51

 

CMYK 0 / 76 / 100 / 50

HEX #7F1F00

RGB 127 31 0

HSL 14.65, 1%, 0.25%

LAB 28.09, 39.87, 40.24

 

CMYK 0 / 88 / 100 / 57

HEX #6E0D00

RGB 110 13 0

HSL 7.09, 1%, 0.22%

LAB 22.31, 40.11, 33.48

 

CMYK 0 / 53 / 69 / 30

HEX #B35537

RGB 179 85 55

HSL 14.52, 0.53%, 0.46%

LAB 47.44, 35.99, 35.07

 

CMYK 0 / 69 / 69 / 30

HEX #B33737

RGB 179 55 55

HSL 0, 0.53%, 0.46%

LAB 42.14, 49.95, 28.83

 

CMYK 0 / 53 / 69 / 30

HEX #B35537

RGB 179 85 55

HSL 14.52, 0.53%, 0.46%

LAB 47.44, 35.99, 35.07

 

CMYK 0 / 34 / 69 / 30

HEX #B37737

RGB 179 119 55

HSL 30.97, 0.53%, 0.46%

LAB 55.13, 17.48, 43.67

 

CMYK 0 / 15 / 69 / 30

HEX #B39937

RGB 179 153 55

HSL 47.42, 0.53%, 0.46%

LAB 63.87, -1.31, 52.91

 

CMYK 3 / 0 / 69 / 30

HEX #ADB337

RGB 173 179 55

HSL 62.9, 0.53%, 0.46%

LAB 70.46, -17.57, 59.4

 

CMYK 22 / 0 / 69 / 30

HEX #8BB337

RGB 139 179 55

HSL 79.35, 0.53%, 0.46%

LAB 68.02, -31.65, 56.15

 

CMYK 0 / 53 / 69 / 30

HEX #B35537

RGB 179 85 55

HSL 14.52, 0.53%, 0.46%

LAB 47.44, 35.99, 35.07

 

CMYK 0 / 62 / 82 / 22

HEX #C64C24

RGB 198 76 36

HSL 14.81, 0.69%, 0.46%

LAB 48.64, 46.76, 47.09

 

CMYK 0 / 70 / 92 / 15

HEX #D94211

RGB 217 66 17

HSL 14.7, 0.85%, 0.46%

LAB 50.32, 57.06, 57.34

 

CMYK 0 / 53 / 69 / 30

HEX #B35537

RGB 179 85 55

HSL 14.52, 0.53%, 0.46%

LAB 47.44, 35.99, 35.07

 

CMYK 0 / 41 / 54 / 37

HEX #A05F4A

RGB 160 95 74

HSL 14.65, 0.37%, 0.46%

LAB 47.17, 24.23, 23.27

 

CMYK 0 / 26 / 35 / 44

HEX #8E695D

RGB 142 105 93

HSL 14.69, 0.21%, 0.46%

LAB 47.81, 13.06, 12.53

 

CMYK 0 / 7 / 9 / 52

HEX #7B7370

RGB 123 115 112

HSL 16.36, 0.05%, 0.46%

LAB 49.06, 2.52, 2.76

 

CMYK 21 / 5 / 0 / 49

HEX #687C83

RGB 104 124 131

HSL 195.56, 0.11%, 0.46%

LAB 50.68, -5.64, -6.25

 

CMYK 0 / 69 / 49 / 30

HEX #B3375C

RGB 179 55 92

HSL 342.1, 0.53%, 0.46%

LAB 42.9, 52.61, 7.01

 

CMYK 0 / 69 / 67 / 30

HEX #B3373B

RGB 179 55 59

HSL 358.06, 0.53%, 0.46%

LAB 42.2, 50.17, 26.5

 

CMYK 0 / 53 / 69 / 30

HEX #B35437

RGB 179 84 55

HSL 14.03, 0.53%, 0.46%

LAB 47.24, 36.51, 34.84

 

CMYK 0 / 35 / 69 / 30

HEX #B37537

RGB 179 117 55

HSL 30, 0.53%, 0.46%

LAB 54.64, 18.6, 43.14

 

CMYK 0 / 16 / 69 / 30

HEX #B39637

RGB 179 150 55

HSL 45.97, 0.53%, 0.46%

LAB 63.07, 0.31, 52.09

 

CMYK 0 / 53 / 69 / 55

HEX #743724

RGB 116 55 36

HSL 14.25, 0.53%, 0.3%

LAB 30.81, 25.16, 24.1

 

CMYK 0 / 53 / 70 / 42

HEX #94462D

RGB 148 70 45

HSL 14.56, 0.53%, 0.38%

LAB 39.35, 30.87, 30.1

 

CMYK 0 / 53 / 69 / 30

HEX #B35537

RGB 179 85 55

HSL 14.52, 0.53%, 0.46%

LAB 47.44, 35.99, 35.07

 

CMYK 0 / 47 / 62 / 22

HEX #C86A4C

RGB 200 106 76

HSL 14.52, 0.53%, 0.54%

LAB 55.18, 34.65, 33.4

 

CMYK 0 / 37 / 49 / 18

HEX #D2846B

RGB 210 132 107

HSL 14.56, 0.53%, 0.62%

LAB 62.73, 27.31, 26.04

 

CMYK 0 / 52 / 69 / 30

HEX #B25537

RGB 178 85 55

HSL 14.63, 0.53%, 0.46%

LAB 47.28, 35.6, 34.85

 

CMYK 30 / 0 / 69 / 30

HEX #7EB337

RGB 126 179 55

HSL 85.65, 0.53%, 0.46%

LAB 67.24, -36.68, 55.1

 

CMYK 69 / 58 / 0 / 30

HEX #374CB3

RGB 55 76 179

HSL 229.84, 0.53%, 0.46%

LAB 36.43, 26.87, -57.22

 

CMYK 0 / 52 / 69 / 30

HEX #B25537

RGB 178 85 55

HSL 14.63, 0.53%, 0.46%

LAB 47.28, 35.6, 34.85

 

CMYK 69 / 0 / 53 / 30

HEX #37B354

RGB 55 179 84

HSL 134.03, 0.53%, 0.46%

LAB 64.72, -54.06, 38.53

 

CMYK 53 / 69 / 0 / 30

HEX #5437B3

RGB 84 55 179

HSL 254.03, 0.53%, 0.46%

LAB 33.71, 44.37, -61.56

 

CMYK 0 / 52 / 69 / 30

HEX #B25537

RGB 178 85 55

HSL 14.63, 0.53%, 0.46%

LAB 47.28, 35.6, 34.85

 

CMYK 30 / 0 / 69 / 30

HEX #7EB337

RGB 126 179 55

HSL 85.65, 0.53%, 0.46%

LAB 67.24, -36.68, 55.1

 

CMYK 69 / 16 / 0 / 30

HEX #3796B3

RGB 55 150 179

HSL 194.03, 0.53%, 0.46%

LAB 57.92, -18.2, -23.22

 

CMYK 39 / 69 / 0 / 30

HEX #6D37B3

RGB 109 55 179

HSL 266.13, 0.53%, 0.46%

LAB 36.44, 48.95, -57

 

CMYK 0 / 52 / 69 / 30

HEX #B25537

RGB 178 85 55

HSL 14.63, 0.53%, 0.46%

LAB 47.28, 35.6, 34.85

 

CMYK 51 / 0 / 69 / 30

HEX #58B337

RGB 88 179 55

HSL 104.03, 0.53%, 0.46%

LAB 65.43, -49.51, 52.65

 

CMYK 69 / 16 / 0 / 30

HEX #3796B3

RGB 55 150 179

HSL 194.03, 0.53%, 0.46%

LAB 57.92, -18.2, -23.22

 

CMYK 18 / 69 / 0 / 30

HEX #9237B3

RGB 146 55 179

HSL 284.03, 0.53%, 0.46%

LAB 41.37, 56.68, -48.79

 

Description

Color code: HEX #B25537 | qconv.com Color code: HEX #B25537 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 85 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 85 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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