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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25514 it is the complementary color #4DAAEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25514. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B25514 shade: #B7550F, #C86722, #D97935, #EA8B48 and #FB9D5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25514. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B25514 shade: #B25514, #A14301, #903100, #7F1F00 and #6E0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B25514 shade: #B35514, #B32A14 and #B31414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B25514 shade: #B35514, #B38014, #B3AB14, #90B314 and #65B314

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B25514 shade matches the following richer shades: #B35514 and #C35204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B25514 shade: #B35514, #A35824, #935B34, #835E44 and #736154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B25514 shade: #B31429, #B32914, #B35414, #B37E14 and #B3A814

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B25514 shade: #69320C, #8E4410, #B35514, #D86718 and #E87C31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B25514 shade: #B25514, #54B314 and #1414B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B25514 shade: #B25514, #14B354 and #5414B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B25514 shade: #B25514, #54B314, #1473B3 and #7314B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B25514 shade: #B25514, #24B314, #1473B3 and #A314B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 89 / 30

HEX #B25514

RGB 178 85 20

HSL 24.68, 0.8%, 0.39%

LAB 46.99, 34.24, 50.96

 

Complementary color

CMYK 67 / 28 / 0 / 8

HEX #4DAAEB

RGB 77 170 235

HSL 204.68, 0.8%, 0.61%

LAB 66.77, -7.37, -40.65

 

CMYK 0 / 54 / 92 / 28

HEX #B7550F

RGB 183 85 15

HSL 25, 0.85%, 0.39%

LAB 47.75, 36.17, 53.45

 

CMYK 0 / 49 / 83 / 22

HEX #C86722

RGB 200 103 34

HSL 24.94, 0.71%, 0.46%

LAB 54.13, 34.17, 53.06

 

CMYK 0 / 44 / 76 / 15

HEX #D97935

RGB 217 121 53

HSL 24.88, 0.68%, 0.53%

LAB 60.5, 32.34, 51.77

 

CMYK 0 / 41 / 69 / 8

HEX #EA8B48

RGB 234 139 72

HSL 24.81, 0.79%, 0.6%

LAB 66.84, 30.68, 50.18

 

CMYK 0 / 37 / 64 / 2

HEX #FB9D5B

RGB 251 157 91

HSL 24.75, 0.95%, 0.67%

LAB 73.14, 29.2, 48.54

 

CMYK 0 / 52 / 89 / 30

HEX #B25514

RGB 178 85 20

HSL 24.68, 0.8%, 0.39%

LAB 46.99, 34.24, 50.96

 

CMYK 0 / 58 / 99 / 37

HEX #A14301

RGB 161 67 1

HSL 24.75, 0.99%, 0.32%

LAB 40.56, 36.3, 50.83

 

CMYK 0 / 66 / 100 / 44

HEX #903100

RGB 144 49 0

HSL 20.42, 1%, 0.28%

LAB 34.24, 38.38, 46.11

 

CMYK 0 / 76 / 100 / 50

HEX #7F1F00

RGB 127 31 0

HSL 14.65, 1%, 0.25%

LAB 28.09, 39.87, 40.24

 

CMYK 0 / 88 / 100 / 57

HEX #6E0D00

RGB 110 13 0

HSL 7.09, 1%, 0.22%

LAB 22.31, 40.11, 33.48

 

CMYK 0 / 53 / 89 / 30

HEX #B35514

RGB 179 85 20

HSL 24.53, 0.8%, 0.39%

LAB 47.15, 34.65, 51.15

 

CMYK 0 / 77 / 89 / 30

HEX #B32A14

RGB 179 42 20

HSL 8.3, 0.8%, 0.39%

LAB 40.06, 53.46, 45.61

 

CMYK 0 / 89 / 89 / 30

HEX #B31414

RGB 179 20 20

HSL 0, 0.8%, 0.39%

LAB 38.08, 59.07, 44.07

 

CMYK 0 / 53 / 89 / 30

HEX #B35514

RGB 179 85 20

HSL 24.53, 0.8%, 0.39%

LAB 47.15, 34.65, 51.15

 

CMYK 0 / 28 / 89 / 30

HEX #B38014

RGB 179 128 20

HSL 40.75, 0.8%, 0.39%

LAB 57.15, 11.09, 59.03

 

CMYK 0 / 4 / 89 / 30

HEX #B3AB14

RGB 179 171 20

HSL 56.98, 0.8%, 0.39%

LAB 68.58, -12.15, 68.1

 

CMYK 20 / 0 / 89 / 30

HEX #90B314

RGB 144 179 20

HSL 73.21, 0.8%, 0.39%

LAB 68.18, -31.16, 66.67

 

CMYK 44 / 0 / 89 / 30

HEX #65B314

RGB 101 179 20

HSL 89.43, 0.8%, 0.39%

LAB 65.79, -47.37, 63.71

 

CMYK 0 / 53 / 89 / 30

HEX #B35514

RGB 179 85 20

HSL 24.53, 0.8%, 0.39%

LAB 47.15, 34.65, 51.15

 

CMYK 0 / 58 / 98 / 24

HEX #C35204

RGB 195 82 4

HSL 24.5, 0.96%, 0.39%

LAB 49.06, 42.22, 57.92

 

CMYK 0 / 53 / 89 / 30

HEX #B35514

RGB 179 85 20

HSL 24.53, 0.8%, 0.39%

LAB 47.15, 34.65, 51.15

 

CMYK 0 / 46 / 78 / 36

HEX #A35824

RGB 163 88 36

HSL 24.57, 0.64%, 0.39%

LAB 45.49, 26.87, 42.14

 

CMYK 0 / 38 / 65 / 42

HEX #935B34

RGB 147 91 52

HSL 24.63, 0.48%, 0.39%

LAB 44.14, 19.11, 31.71

 

CMYK 0 / 28 / 48 / 49

HEX #835E44

RGB 131 94 68

HSL 24.76, 0.32%, 0.39%

LAB 43.13, 11.7, 20.83

 

CMYK 0 / 16 / 27 / 55

HEX #736154

RGB 115 97 84

HSL 25.16, 0.16%, 0.39%

LAB 42.51, 5.04, 10.1

 

CMYK 0 / 89 / 77 / 30

HEX #B31429

RGB 179 20 41

HSL 352.08, 0.8%, 0.39%

LAB 38.28, 59.63, 32.77

 

CMYK 0 / 77 / 89 / 30

HEX #B32914

RGB 179 41 20

HSL 7.92, 0.8%, 0.39%

LAB 39.95, 53.79, 45.52

 

CMYK 0 / 53 / 89 / 30

HEX #B35414

RGB 179 84 20

HSL 24.15, 0.8%, 0.39%

LAB 46.94, 35.17, 50.99

 

CMYK 0 / 30 / 89 / 30

HEX #B37E14

RGB 179 126 20

HSL 40, 0.8%, 0.39%

LAB 56.64, 12.21, 58.63

 

CMYK 0 / 6 / 89 / 30

HEX #B3A814

RGB 179 168 20

HSL 55.85, 0.8%, 0.39%

LAB 67.75, -10.59, 67.45

 

CMYK 0 / 52 / 89 / 59

HEX #69320C

RGB 105 50 12

HSL 24.52, 0.79%, 0.23%

LAB 27.6, 21.96, 33.26

 

CMYK 0 / 52 / 89 / 44

HEX #8E4410

RGB 142 68 16

HSL 24.76, 0.8%, 0.31%

LAB 37.7, 28.21, 42.57

 

CMYK 0 / 53 / 89 / 30

HEX #B35514

RGB 179 85 20

HSL 24.53, 0.8%, 0.39%

LAB 47.15, 34.65, 51.15

 

CMYK 0 / 52 / 89 / 15

HEX #D86718

RGB 216 103 24

HSL 24.69, 0.8%, 0.47%

LAB 56.45, 40.31, 59.5

 

CMYK 0 / 47 / 79 / 9

HEX #E87C31

RGB 232 124 49

HSL 24.59, 0.8%, 0.55%

LAB 63.17, 36.66, 56.85

 

CMYK 0 / 52 / 89 / 30

HEX #B25514

RGB 178 85 20

HSL 24.68, 0.8%, 0.39%

LAB 46.99, 34.24, 50.96

 

CMYK 53 / 0 / 89 / 30

HEX #54B314

RGB 84 179 20

HSL 95.85, 0.8%, 0.39%

LAB 65.1, -52.66, 62.85

 

CMYK 89 / 89 / 0 / 30

HEX #1414B3

RGB 20 20 179

HSL 240, 0.8%, 0.39%

LAB 23.35, 55.51, -78.83

 

CMYK 0 / 52 / 89 / 30

HEX #B25514

RGB 178 85 20

HSL 24.68, 0.8%, 0.39%

LAB 46.99, 34.24, 50.96

 

CMYK 89 / 0 / 53 / 30

HEX #14B354

RGB 20 179 84

HSL 144.15, 0.8%, 0.39%

LAB 64.18, -58.44, 37.75

 

CMYK 53 / 89 / 0 / 30

HEX #5414B3

RGB 84 20 179

HSL 264.15, 0.8%, 0.39%

LAB 28.48, 59.39, -70.15

 

CMYK 0 / 52 / 89 / 30

HEX #B25514

RGB 178 85 20

HSL 24.68, 0.8%, 0.39%

LAB 46.99, 34.24, 50.96

 

CMYK 53 / 0 / 89 / 30

HEX #54B314

RGB 84 179 20

HSL 95.85, 0.8%, 0.39%

LAB 65.1, -52.66, 62.85

 

CMYK 89 / 36 / 0 / 30

HEX #1473B3

RGB 20 115 179

HSL 204.15, 0.8%, 0.39%

LAB 46.53, -2.03, -41.06

 

CMYK 36 / 89 / 0 / 30

HEX #7314B3

RGB 115 20 179

HSL 275.85, 0.8%, 0.39%

LAB 32.7, 63, -63.07

 

CMYK 0 / 52 / 89 / 30

HEX #B25514

RGB 178 85 20

HSL 24.68, 0.8%, 0.39%

LAB 46.99, 34.24, 50.96

 

CMYK 80 / 0 / 89 / 30

HEX #24B314

RGB 36 179 20

HSL 113.96, 0.8%, 0.39%

LAB 63.89, -62.78, 61.33

 

CMYK 89 / 36 / 0 / 30

HEX #1473B3

RGB 20 115 179

HSL 204.15, 0.8%, 0.39%

LAB 46.53, -2.03, -41.06

 

CMYK 9 / 89 / 0 / 30

HEX #A314B3

RGB 163 20 179

HSL 293.96, 0.8%, 0.39%

LAB 40.48, 70.34, -50.08

 

Description

Color code: HEX #B25514 | qconv.com Color code: HEX #B25514 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 85 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 85 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 89% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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