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Color name
HEX #B25321

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25321 it is the complementary color #4DACDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25321. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B25321 shade: #B7531C, #C8652F, #D97742, #EA8955 and #FB9B68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25321. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B25321 shade: #B25321, #A1410E, #902F00, #7F1D00 and #6E0B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B25321 shade: #B15220, #B12B20 and #B12020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B25321 shade: #B15220, #B17920, #B1A020, #9AB120 and #74B120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B25321 shade matches the following richer shades: #B15220 and #C24D0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B25321 shade: #B15220, #A05731, #8F5D42, #7E6253 and #6D6764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B25321 shade: #B1203D, #B12A20, #B15120, #B17720 and #B19D20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B25321 shade: #6B3214, #8E421A, #B15220, #D46227 and #DD7A46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B25321 shade: #B25321, #64B120 and #202AB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B25321 shade: #B25321, #20B151 and #5120B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B25321 shade: #B25321, #64B120, #2081B1 and #6D20B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B25321 shade: #B25321, #38B120, #2081B1 and #9920B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 81 / 30

HEX #B25321

RGB 178 83 33

HSL 20.69, 0.69%, 0.41%

LAB 46.66, 35.64, 45.45

 

Complementary color

CMYK 65 / 23 / 0 / 13

HEX #4DACDE

RGB 77 172 222

HSL 200.69, 0.69%, 0.59%

LAB 66.79, -12.69, -33.49

 

CMYK 0 / 55 / 85 / 28

HEX #B7531C

RGB 183 83 28

HSL 21.29, 0.73%, 0.41%

LAB 47.41, 37.48, 48.6

 

CMYK 0 / 50 / 77 / 22

HEX #C8652F

RGB 200 101 47

HSL 21.18, 0.62%, 0.48%

LAB 53.81, 35.67, 47.02

 

CMYK 0 / 45 / 70 / 15

HEX #D97742

RGB 217 119 66

HSL 21.06, 0.67%, 0.55%

LAB 60.19, 34, 45.17

 

CMYK 0 / 41 / 64 / 8

HEX #EA8955

RGB 234 137 85

HSL 20.94, 0.78%, 0.63%

LAB 66.55, 32.48, 43.33

 

CMYK 0 / 38 / 59 / 2

HEX #FB9B68

RGB 251 155 104

HSL 20.82, 0.95%, 0.7%

LAB 72.86, 31.11, 41.59

 

CMYK 0 / 53 / 81 / 30

HEX #B25321

RGB 178 83 33

HSL 20.69, 0.69%, 0.41%

LAB 46.66, 35.64, 45.45

 

CMYK 0 / 60 / 91 / 37

HEX #A1410E

RGB 161 65 14

HSL 20.82, 0.84%, 0.34%

LAB 40.23, 37.5, 46.61

 

CMYK 0 / 67 / 100 / 44

HEX #902F00

RGB 144 47 0

HSL 19.58, 1%, 0.28%

LAB 33.9, 39.29, 45.91

 

CMYK 0 / 77 / 100 / 50

HEX #7F1D00

RGB 127 29 0

HSL 13.7, 1%, 0.25%

LAB 27.82, 40.62, 40.01

 

CMYK 0 / 90 / 100 / 57

HEX #6E0B00

RGB 110 11 0

HSL 6, 1%, 0.22%

LAB 22.14, 40.6, 33.3

 

CMYK 0 / 54 / 82 / 31

HEX #B15220

RGB 177 82 32

HSL 20.69, 0.69%, 0.41%

LAB 46.29, 35.72, 45.51

 

CMYK 0 / 76 / 82 / 31

HEX #B12B20

RGB 177 43 32

HSL 4.55, 0.69%, 0.41%

LAB 39.88, 52.8, 39.43

 

CMYK 0 / 82 / 82 / 31

HEX #B12020

RGB 177 32 32

HSL 0, 0.69%, 0.41%

LAB 38.7, 56.12, 38.28

 

CMYK 0 / 54 / 82 / 31

HEX #B15220

RGB 177 82 32

HSL 20.69, 0.69%, 0.41%

LAB 46.29, 35.72, 45.51

 

CMYK 0 / 32 / 82 / 31

HEX #B17920

RGB 177 121 32

HSL 36.83, 0.69%, 0.41%

LAB 55.2, 14.43, 53.61

 

CMYK 0 / 10 / 82 / 31

HEX #B1A020

RGB 177 160 32

HSL 52.97, 0.69%, 0.41%

LAB 65.43, -6.96, 62.59

 

CMYK 13 / 0 / 82 / 31

HEX #9AB120

RGB 154 177 32

HSL 69.52, 0.69%, 0.41%

LAB 68.33, -25.68, 64.38

 

CMYK 34 / 0 / 82 / 31

HEX #74B120

RGB 116 177 32

HSL 85.24, 0.69%, 0.41%

LAB 65.95, -40.83, 61.36

 

CMYK 0 / 54 / 82 / 31

HEX #B15220

RGB 177 82 32

HSL 20.69, 0.69%, 0.41%

LAB 46.29, 35.72, 45.51

 

CMYK 0 / 60 / 92 / 24

HEX #C24D0F

RGB 194 77 15

HSL 20.78, 0.86%, 0.41%

LAB 48.02, 44.35, 54.46

 

CMYK 0 / 54 / 82 / 31

HEX #B15220

RGB 177 82 32

HSL 20.69, 0.69%, 0.41%

LAB 46.29, 35.72, 45.51

 

CMYK 0 / 46 / 69 / 37

HEX #A05731

RGB 160 87 49

HSL 20.54, 0.53%, 0.41%

LAB 44.96, 26.81, 34.77

 

CMYK 0 / 35 / 54 / 44

HEX #8F5D42

RGB 143 93 66

HSL 21.04, 0.37%, 0.41%

LAB 44.32, 17.36, 23.83

 

CMYK 0 / 22 / 34 / 51

HEX #7E6253

RGB 126 98 83

HSL 20.93, 0.21%, 0.41%

LAB 43.94, 9.01, 12.87

 

CMYK 0 / 6 / 8 / 57

HEX #6D6764

RGB 109 103 100

HSL 20, 0.04%, 0.41%

LAB 44.05, 1.77, 2.53

 

CMYK 0 / 82 / 66 / 31

HEX #B1203D

RGB 177 32 61

HSL 348, 0.69%, 0.41%

LAB 39.1, 57.35, 21.26

 

CMYK 0 / 76 / 82 / 31

HEX #B12A20

RGB 177 42 32

HSL 4.14, 0.69%, 0.41%

LAB 39.76, 53.13, 39.31

 

CMYK 0 / 54 / 82 / 31

HEX #B15120

RGB 177 81 32

HSL 20.28, 0.69%, 0.41%

LAB 46.09, 36.23, 45.32

 

CMYK 0 / 33 / 82 / 31

HEX #B17720

RGB 177 119 32

HSL 36, 0.69%, 0.41%

LAB 54.7, 15.55, 53.17

 

CMYK 0 / 11 / 82 / 31

HEX #B19D20

RGB 177 157 32

HSL 51.72, 0.69%, 0.41%

LAB 64.62, -5.36, 61.88

 

CMYK 0 / 53 / 81 / 58

HEX #6B3214

RGB 107 50 20

HSL 20.69, 0.69%, 0.25%

LAB 28, 23.17, 29.82

 

CMYK 0 / 54 / 82 / 44

HEX #8E421A

RGB 142 66 26

HSL 20.69, 0.69%, 0.33%

LAB 37.34, 29.61, 37.88

 

CMYK 0 / 54 / 82 / 31

HEX #B15220

RGB 177 82 32

HSL 20.69, 0.69%, 0.41%

LAB 46.29, 35.72, 45.51

 

CMYK 0 / 54 / 82 / 17

HEX #D46227

RGB 212 98 39

HSL 20.46, 0.69%, 0.49%

LAB 54.95, 41.61, 52.39

 

CMYK 0 / 45 / 68 / 13

HEX #DD7A46

RGB 221 122 70

HSL 20.66, 0.69%, 0.57%

LAB 61.42, 34.24, 44.67

 

CMYK 0 / 53 / 81 / 30

HEX #B25321

RGB 178 83 33

HSL 20.69, 0.69%, 0.41%

LAB 46.66, 35.64, 45.45

 

CMYK 44 / 0 / 82 / 31

HEX #64B120

RGB 100 177 32

HSL 91.86, 0.69%, 0.41%

LAB 65.17, -46.45, 60.36

 

CMYK 82 / 76 / 0 / 31

HEX #202AB1

RGB 32 42 177

HSL 235.86, 0.69%, 0.41%

LAB 27.12, 45.02, -71.35

 

CMYK 0 / 53 / 81 / 30

HEX #B25321

RGB 178 83 33

HSL 20.69, 0.69%, 0.41%

LAB 46.66, 35.64, 45.45

 

CMYK 82 / 0 / 54 / 31

HEX #20B151

RGB 32 177 81

HSL 140.28, 0.69%, 0.41%

LAB 63.63, -57.14, 38.58

 

CMYK 54 / 82 / 0 / 31

HEX #5120B1

RGB 81 32 177

HSL 260.28, 0.69%, 0.41%

LAB 29.3, 54.48, -67.62

 

CMYK 0 / 53 / 81 / 30

HEX #B25321

RGB 178 83 33

HSL 20.69, 0.69%, 0.41%

LAB 46.66, 35.64, 45.45

 

CMYK 44 / 0 / 82 / 31

HEX #64B120

RGB 100 177 32

HSL 91.86, 0.69%, 0.41%

LAB 65.17, -46.45, 60.36

 

CMYK 82 / 27 / 0 / 31

HEX #2081B1

RGB 32 129 177

HSL 199.86, 0.69%, 0.41%

LAB 50.9, -10.1, -33

 

CMYK 38 / 82 / 0 / 31

HEX #6D20B1

RGB 109 32 177

HSL 271.86, 0.69%, 0.41%

LAB 32.83, 58.28, -61.7

 

CMYK 0 / 53 / 81 / 30

HEX #B25321

RGB 178 83 33

HSL 20.69, 0.69%, 0.41%

LAB 46.66, 35.64, 45.45

 

CMYK 68 / 0 / 82 / 31

HEX #38B120

RGB 56 177 32

HSL 110.07, 0.69%, 0.41%

LAB 63.66, -58.31, 58.43

 

CMYK 82 / 27 / 0 / 31

HEX #2081B1

RGB 32 129 177

HSL 199.86, 0.69%, 0.41%

LAB 50.9, -10.1, -33

 

CMYK 14 / 82 / 0 / 31

HEX #9920B1

RGB 153 32 177

HSL 290.07, 0.69%, 0.41%

LAB 39.55, 65.65, -50.48

 

Description

Color code: HEX #B25321 | qconv.com Color code: HEX #B25321 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 83 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 83 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 81 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 81% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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