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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2508D it is the complementary color #4DAF72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2508D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2508D shade: #B75088, #C8629B, #D974AE, #EA86C1 and #FB98D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2508D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2508D shade: #B2508D, #A13E7A, #902C67, #7F1A54 and #6E0841

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2508D shade: #B3518E, #B35174, #B35159 and #B35151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2508D shade: #B3518E, #B351A8, #A351B3, #8951B3 and #6E51B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2508D shade matches the following richer shades: #B3518E, #C73D93, #DB2998 and #EF159D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2508D shade: #B3518E, #9F6689, #8A7A84, #768E7F and #62A27A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2508D shade: #A351B3, #B351A9, #B3518F, #B35175 and #B3515B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2508D shade: #7B3661, #984378, #B3518E, #BF6EA1 and #CC8BB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2508D shade: #B2508D, #B38951 and #51B3B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2508D shade: #B2508D, #8FB351 and #518FB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2508D shade: #B2508D, #B38951, #51B375 and #517CB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2508D shade: #B2508D, #B3A651, #51B375 and #515EB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 21 / 30

HEX #B2508D

RGB 178 80 141

HSL 322.65, 0.39%, 0.51%

LAB 48.42, 47.06, -14.79

 

Complementary color

CMYK 56 / 0 / 35 / 31

HEX #4DAF72

RGB 77 175 114

HSL 142.65, 0.39%, 0.49%

LAB 64.53, -42.78, 22.83

 

CMYK 0 / 56 / 26 / 28

HEX #B75088

RGB 183 80 136

HSL 327.38, 0.42%, 0.52%

LAB 48.99, 47.93, -10.87

 

CMYK 0 / 51 / 23 / 22

HEX #C8629B

RGB 200 98 155

HSL 326.47, 0.48%, 0.58%

LAB 55.46, 47.27, -12.11

 

CMYK 0 / 47 / 20 / 15

HEX #D974AE

RGB 217 116 174

HSL 325.54, 0.57%, 0.65%

LAB 61.91, 46.52, -13.14

 

CMYK 0 / 43 / 18 / 8

HEX #EA86C1

RGB 234 134 193

HSL 324.6, 0.7%, 0.72%

LAB 68.31, 45.75, -14.03

 

CMYK 0 / 39 / 16 / 2

HEX #FB98D4

RGB 251 152 212

HSL 323.64, 0.93%, 0.79%

LAB 74.65, 44.99, -14.82

 

CMYK 0 / 55 / 21 / 30

HEX #B2508D

RGB 178 80 141

HSL 322.65, 0.39%, 0.51%

LAB 48.42, 47.06, -14.79

 

CMYK 0 / 61 / 24 / 37

HEX #A13E7A

RGB 161 62 122

HSL 323.64, 0.44%, 0.44%

LAB 41.89, 47.55, -13.43

 

CMYK 0 / 69 / 28 / 44

HEX #902C67

RGB 144 44 103

HSL 324.6, 0.53%, 0.37%

LAB 35.42, 47.66, -11.64

 

CMYK 0 / 80 / 34 / 50

HEX #7F1A54

RGB 127 26 84

HSL 325.54, 0.66%, 0.3%

LAB 29.14, 47.04, -9.17

 

CMYK 0 / 93 / 41 / 57

HEX #6E0841

RGB 110 8 65

HSL 326.47, 0.86%, 0.23%

LAB 23.24, 45.06, -5.62

 

CMYK 0 / 55 / 21 / 30

HEX #B3518E

RGB 179 81 142

HSL 322.65, 0.39%, 0.51%

LAB 48.79, 47.04, -14.81

 

CMYK 0 / 55 / 35 / 30

HEX #B35174

RGB 179 81 116

HSL 338.57, 0.39%, 0.51%

LAB 47.92, 43.5, -0.47

 

CMYK 0 / 55 / 50 / 30

HEX #B35159

RGB 179 81 89

HSL 355.1, 0.39%, 0.51%

LAB 47.22, 40.58, 14.89

 

CMYK 0 / 55 / 55 / 30

HEX #B35151

RGB 179 81 81

HSL 0, 0.39%, 0.51%

LAB 47.06, 39.86, 19.48

 

CMYK 0 / 55 / 21 / 30

HEX #B3518E

RGB 179 81 142

HSL 322.65, 0.39%, 0.51%

LAB 48.79, 47.04, -14.81

 

CMYK 0 / 55 / 6 / 30

HEX #B351A8

RGB 179 81 168

HSL 306.73, 0.39%, 0.51%

LAB 49.85, 51.21, -28.58

 

CMYK 9 / 55 / 0 / 30

HEX #A351B3

RGB 163 81 179

HSL 290.2, 0.39%, 0.51%

LAB 48.17, 48.76, -37.83

 

CMYK 23 / 55 / 0 / 30

HEX #8951B3

RGB 137 81 179

HSL 274.29, 0.39%, 0.51%

LAB 44.88, 41.73, -43.24

 

CMYK 39 / 55 / 0 / 30

HEX #6E51B3

RGB 110 81 179

HSL 257.76, 0.39%, 0.51%

LAB 41.93, 34.8, -48.13

 

CMYK 0 / 55 / 21 / 30

HEX #B3518E

RGB 179 81 142

HSL 322.65, 0.39%, 0.51%

LAB 48.79, 47.04, -14.81

 

CMYK 0 / 69 / 26 / 22

HEX #C73D93

RGB 199 61 147

HSL 322.61, 0.55%, 0.51%

LAB 48.99, 62.14, -17.2

 

CMYK 0 / 81 / 31 / 14

HEX #DB2998

RGB 219 41 152

HSL 322.58, 0.71%, 0.51%

LAB 50.59, 73.66, -17.44

 

CMYK 0 / 91 / 34 / 6

HEX #EF159D

RGB 239 21 157

HSL 322.57, 0.87%, 0.51%

LAB 53.3, 81.98, -15.94

 

CMYK 0 / 55 / 21 / 30

HEX #B3518E

RGB 179 81 142

HSL 322.65, 0.39%, 0.51%

LAB 48.79, 47.04, -14.81

 

CMYK 0 / 36 / 14 / 38

HEX #9F6689

RGB 159 102 137

HSL 323.16, 0.23%, 0.51%

LAB 50.31, 28.29, -9.8

 

CMYK 0 / 12 / 4 / 46

HEX #8A7A84

RGB 138 122 132

HSL 322.5, 0.06%, 0.51%

LAB 52.94, 8.01, -3.19

 

CMYK 17 / 0 / 11 / 44

HEX #768E7F

RGB 118 142 127

HSL 142.5, 0.1%, 0.51%

LAB 56.81, -11.69, 5.15

 

CMYK 40 / 0 / 25 / 36

HEX #62A27A

RGB 98 162 122

HSL 142.5, 0.26%, 0.51%

LAB 61.52, -29.62, 14.47

 

CMYK 9 / 55 / 0 / 30

HEX #A351B3

RGB 163 81 179

HSL 290.2, 0.39%, 0.51%

LAB 48.17, 48.76, -37.83

 

CMYK 0 / 55 / 6 / 30

HEX #B351A9

RGB 179 81 169

HSL 306.12, 0.39%, 0.51%

LAB 49.9, 51.38, -29.1

 

CMYK 0 / 55 / 20 / 30

HEX #B3518F

RGB 179 81 143

HSL 322.04, 0.39%, 0.51%

LAB 48.82, 47.19, -15.35

 

CMYK 0 / 55 / 35 / 30

HEX #B35175

RGB 179 81 117

HSL 337.96, 0.39%, 0.51%

LAB 47.95, 43.63, -1.03

 

CMYK 0 / 55 / 49 / 30

HEX #B3515B

RGB 179 81 91

HSL 353.88, 0.39%, 0.51%

LAB 47.27, 40.77, 13.74

 

CMYK 0 / 56 / 21 / 52

HEX #7B3661

RGB 123 54 97

HSL 322.61, 0.39%, 0.35%

LAB 33.38, 35.51, -11.25

 

CMYK 0 / 56 / 21 / 40

HEX #984378

RGB 152 67 120

HSL 322.59, 0.39%, 0.43%

LAB 41.29, 42.03, -13.24

 

CMYK 0 / 55 / 21 / 30

HEX #B3518E

RGB 179 81 142

HSL 322.65, 0.39%, 0.51%

LAB 48.79, 47.04, -14.81

 

CMYK 0 / 42 / 16 / 25

HEX #BF6EA1

RGB 191 110 161

HSL 322.22, 0.39%, 0.59%

LAB 56.88, 39.03, -13.58

 

CMYK 0 / 32 / 12 / 20

HEX #CC8BB3

RGB 204 139 179

HSL 323.08, 0.39%, 0.67%

LAB 65.4, 30.78, -10.9

 

CMYK 0 / 55 / 21 / 30

HEX #B2508D

RGB 178 80 141

HSL 322.65, 0.39%, 0.51%

LAB 48.42, 47.06, -14.79

 

CMYK 0 / 23 / 55 / 30

HEX #B38951

RGB 179 137 81

HSL 34.29, 0.39%, 0.51%

LAB 59.95, 9.31, 35.94

 

CMYK 55 / 0 / 2 / 30

HEX #51B3B0

RGB 81 179 176

HSL 178.16, 0.39%, 0.51%

LAB 67.37, -29.26, -7.19

 

CMYK 0 / 55 / 21 / 30

HEX #B2508D

RGB 178 80 141

HSL 322.65, 0.39%, 0.51%

LAB 48.42, 47.06, -14.79

 

CMYK 20 / 0 / 55 / 30

HEX #8FB351

RGB 143 179 81

HSL 82.04, 0.39%, 0.51%

LAB 68.51, -27.94, 45.44

 

CMYK 55 / 20 / 0 / 30

HEX #518FB3

RGB 81 143 179

HSL 202.04, 0.39%, 0.51%

LAB 56.73, -9.55, -24.98

 

CMYK 0 / 55 / 21 / 30

HEX #B2508D

RGB 178 80 141

HSL 322.65, 0.39%, 0.51%

LAB 48.42, 47.06, -14.79

 

CMYK 0 / 23 / 55 / 30

HEX #B38951

RGB 179 137 81

HSL 34.29, 0.39%, 0.51%

LAB 59.95, 9.31, 35.94

 

CMYK 55 / 0 / 35 / 30

HEX #51B375

RGB 81 179 117

HSL 142.04, 0.39%, 0.51%

LAB 65.96, -42.95, 23.18

 

CMYK 55 / 31 / 0 / 30

HEX #517CB3

RGB 81 124 179

HSL 213.67, 0.39%, 0.51%

LAB 51.17, 1.46, -33.61

 

CMYK 0 / 55 / 21 / 30

HEX #B2508D

RGB 178 80 141

HSL 322.65, 0.39%, 0.51%

LAB 48.42, 47.06, -14.79

 

CMYK 0 / 7 / 55 / 30

HEX #B3A651

RGB 179 166 81

HSL 52.04, 0.39%, 0.51%

LAB 67.61, -6.47, 45.09

 

CMYK 55 / 0 / 35 / 30

HEX #51B375

RGB 81 179 117

HSL 142.04, 0.39%, 0.51%

LAB 65.96, -42.95, 23.18

 

CMYK 55 / 47 / 0 / 30

HEX #515EB3

RGB 81 94 179

HSL 232.04, 0.39%, 0.51%

LAB 42.78, 20.01, -46.9

 

Description

Color code: HEX #B2508D | qconv.com Color code: HEX #B2508D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 80 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 80 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 21 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 21% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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