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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B24FC2 it is the complementary color #4DB03D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B24FC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B24FC2 shade: #B74FBD, #C861D0, #D973E3, #EA85F6 and #FB97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B24FC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B24FC2 shade: #B24FC2, #A13DAF, #902B9C, #7F1989 and #6E0776

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B24FC2 shade: #B350C3, #C350B4, #C35095, #C35076 and #C35057

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B24FC2 shade: #B350C3, #9450C3, #7550C3, #5650C3 and #5050C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B24FC2 shade matches the following richer shades: #B350C3, #C13DD6, #CF2AE9 and #DC17FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B24FC2 shade: #B350C3, #A563B0, #98769D, #8A898A and #7C9C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B24FC2 shade: #7550C3, #9350C3, #B250C3, #C350B6 and #C35097

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B24FC2 shade: #833190, #9E3CAE, #B350C3, #C16FCE and #CE8ED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B24FC2 shade: #B24FC2, #C35650 and #50C384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B24FC2 shade: #B24FC2, #C3B250 and #50C3B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B24FC2 shade: #B24FC2, #C35650, #61C350 and #50BDC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B24FC2 shade: #B24FC2, #C37850, #61C350 and #509BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 59 / 0 / 24

HEX #B24FC2

RGB 178 79 194

HSL 291.65, 0.49%, 0.54%

LAB 50.63, 56.58, -42.51

 

Complementary color

CMYK 56 / 0 / 65 / 31

HEX #4DB03D

RGB 77 176 61

HSL 111.65, 0.49%, 0.46%

LAB 64.13, -50.87, 48.67

 

CMYK 3 / 58 / 0 / 26

HEX #B74FBD

RGB 183 79 189

HSL 296.73, 0.45%, 0.53%

LAB 51.07, 56.93, -38.87

 

CMYK 4 / 53 / 0 / 18

HEX #C861D0

RGB 200 97 208

HSL 295.68, 0.54%, 0.6%

LAB 57.45, 56.48, -39.58

 

CMYK 4 / 49 / 0 / 11

HEX #D973E3

RGB 217 115 227

HSL 294.64, 0.67%, 0.67%

LAB 63.8, 55.88, -40.13

 

CMYK 5 / 46 / 0 / 4

HEX #EA85F6

RGB 234 133 246

HSL 293.63, 0.86%, 0.74%

LAB 70.12, 55.2, -40.58

 

CMYK 2 / 41 / 0 / 0

HEX #FB97FF

RGB 251 151 255

HSL 297.69, 1%, 0.8%

LAB 75.98, 52.67, -36.2

 

CMYK 8 / 59 / 0 / 24

HEX #B24FC2

RGB 178 79 194

HSL 291.65, 0.49%, 0.54%

LAB 50.63, 56.58, -42.51

 

CMYK 8 / 65 / 0 / 31

HEX #A13DAF

RGB 161 61 175

HSL 292.63, 0.48%, 0.46%

LAB 44.25, 56.8, -41.7

 

CMYK 8 / 72 / 0 / 39

HEX #902B9C

RGB 144 43 156

HSL 293.63, 0.57%, 0.39%

LAB 37.95, 56.54, -40.55

 

CMYK 7 / 82 / 0 / 46

HEX #7F1989

RGB 127 25 137

HSL 294.64, 0.69%, 0.32%

LAB 31.84, 55.42, -38.84

 

CMYK 7 / 94 / 0 / 54

HEX #6E0776

RGB 110 7 118

HSL 295.68, 0.89%, 0.25%

LAB 26.08, 52.87, -36.28

 

CMYK 8 / 59 / 0 / 24

HEX #B350C3

RGB 179 80 195

HSL 291.65, 0.49%, 0.54%

LAB 50.99, 56.56, -42.51

 

CMYK 0 / 59 / 8 / 24

HEX #C350B4

RGB 195 80 180

HSL 307.83, 0.49%, 0.54%

LAB 52.55, 58.12, -31.22

 

CMYK 0 / 59 / 24 / 24

HEX #C35095

RGB 195 80 149

HSL 324, 0.49%, 0.54%

LAB 51.28, 53.44, -14.97

 

CMYK 0 / 59 / 39 / 24

HEX #C35076

RGB 195 80 118

HSL 340.17, 0.49%, 0.54%

LAB 50.27, 49.57, 2.05

 

CMYK 0 / 59 / 55 / 24

HEX #C35057

RGB 195 80 87

HSL 356.35, 0.49%, 0.54%

LAB 49.53, 46.61, 19.64

 

CMYK 8 / 59 / 0 / 24

HEX #B350C3

RGB 179 80 195

HSL 291.65, 0.49%, 0.54%

LAB 50.99, 56.56, -42.51

 

CMYK 24 / 59 / 0 / 24

HEX #9450C3

RGB 148 80 195

HSL 275.48, 0.49%, 0.54%

LAB 46.94, 48.78, -49.2

 

CMYK 40 / 59 / 0 / 24

HEX #7550C3

RGB 117 80 195

HSL 259.3, 0.49%, 0.54%

LAB 43.45, 41.43, -55

 

CMYK 56 / 59 / 0 / 24

HEX #5650C3

RGB 86 80 195

HSL 243.13, 0.49%, 0.54%

LAB 40.66, 35, -59.64

 

CMYK 59 / 59 / 0 / 24

HEX #5050C3

RGB 80 80 195

HSL 240, 0.49%, 0.54%

LAB 40.22, 33.91, -60.38

 

CMYK 8 / 59 / 0 / 24

HEX #B350C3

RGB 179 80 195

HSL 291.65, 0.49%, 0.54%

LAB 50.99, 56.56, -42.51

 

CMYK 10 / 71 / 0 / 16

HEX #C13DD6

RGB 193 61 214

HSL 291.76, 0.65%, 0.54%

LAB 51.3, 70.99, -52.8

 

CMYK 11 / 82 / 0 / 9

HEX #CF2AE9

RGB 207 42 233

HSL 291.83, 0.81%, 0.54%

LAB 52.73, 82.34, -61.16

 

CMYK 13 / 91 / 0 / 1

HEX #DC17FC

RGB 220 23 252

HSL 291.62, 0.97%, 0.54%

LAB 54.92, 90.78, -68.16

 

CMYK 8 / 59 / 0 / 24

HEX #B350C3

RGB 179 80 195

HSL 291.65, 0.49%, 0.54%

LAB 50.99, 56.56, -42.51

 

CMYK 6 / 44 / 0 / 31

HEX #A563B0

RGB 165 99 176

HSL 291.43, 0.33%, 0.54%

LAB 51.9, 39.28, -30.21

 

CMYK 3 / 25 / 0 / 38

HEX #98769D

RGB 152 118 157

HSL 292.31, 0.17%, 0.54%

LAB 54.1, 20.39, -15.9

 

CMYK 0 / 1 / 0 / 46

HEX #8A898A

RGB 138 137 138

HSL 300, 0%, 0.54%

LAB 57.2, 0.57, -0.41

 

CMYK 21 / 0 / 24 / 39

HEX #7C9C77

RGB 124 156 119

HSL 111.89, 0.16%, 0.54%

LAB 61.13, -18.49, 15.82

 

CMYK 40 / 59 / 0 / 24

HEX #7550C3

RGB 117 80 195

HSL 259.3, 0.49%, 0.54%

LAB 43.45, 41.43, -55

 

CMYK 25 / 59 / 0 / 24

HEX #9350C3

RGB 147 80 195

HSL 274.96, 0.49%, 0.54%

LAB 46.82, 48.53, -49.41

 

CMYK 9 / 59 / 0 / 24

HEX #B250C3

RGB 178 80 195

HSL 291.13, 0.49%, 0.54%

LAB 50.85, 56.3, -42.74

 

CMYK 0 / 59 / 7 / 24

HEX #C350B6

RGB 195 80 182

HSL 306.78, 0.49%, 0.54%

LAB 52.64, 58.45, -32.24

 

CMYK 0 / 59 / 23 / 24

HEX #C35097

RGB 195 80 151

HSL 322.96, 0.49%, 0.54%

LAB 51.35, 53.72, -16.05

 

CMYK 9 / 66 / 0 / 44

HEX #833190

RGB 131 49 144

HSL 291.79, 0.49%, 0.38%

LAB 36.05, 48.76, -36.39

 

CMYK 9 / 66 / 0 / 32

HEX #9E3CAE

RGB 158 60 174

HSL 291.58, 0.49%, 0.46%

LAB 43.59, 56.32, -42.18

 

CMYK 8 / 59 / 0 / 24

HEX #B350C3

RGB 179 80 195

HSL 291.65, 0.49%, 0.54%

LAB 50.99, 56.56, -42.51

 

CMYK 6 / 46 / 0 / 19

HEX #C16FCE

RGB 193 111 206

HSL 291.79, 0.49%, 0.62%

LAB 59.12, 47.15, -35.88

 

CMYK 5 / 34 / 0 / 15

HEX #CE8ED8

RGB 206 142 216

HSL 291.89, 0.49%, 0.7%

LAB 67.6, 36.52, -28.23

 

CMYK 8 / 59 / 0 / 24

HEX #B24FC2

RGB 178 79 194

HSL 291.65, 0.49%, 0.54%

LAB 50.63, 56.58, -42.51

 

CMYK 0 / 56 / 59 / 24

HEX #C35650

RGB 195 86 80

HSL 3.13, 0.49%, 0.54%

LAB 50.5, 43.2, 25.06

 

CMYK 59 / 0 / 32 / 24

HEX #50C384

RGB 80 195 132

HSL 147.13, 0.49%, 0.54%

LAB 71.15, -47, 22.18

 

CMYK 8 / 59 / 0 / 24

HEX #B24FC2

RGB 178 79 194

HSL 291.65, 0.49%, 0.54%

LAB 50.63, 56.58, -42.51

 

CMYK 0 / 9 / 59 / 24

HEX #C3B250

RGB 195 178 80

HSL 51.13, 0.49%, 0.54%

LAB 72.24, -6.06, 51.23

 

CMYK 59 / 0 / 9 / 24

HEX #50C3B2

RGB 80 195 178

HSL 171.13, 0.49%, 0.54%

LAB 72.2, -36.5, -1.18

 

CMYK 8 / 59 / 0 / 24

HEX #B24FC2

RGB 178 79 194

HSL 291.65, 0.49%, 0.54%

LAB 50.63, 56.58, -42.51

 

CMYK 0 / 56 / 59 / 24

HEX #C35650

RGB 195 86 80

HSL 3.13, 0.49%, 0.54%

LAB 50.5, 43.2, 25.06

 

CMYK 50 / 0 / 59 / 24

HEX #61C350

RGB 97 195 80

HSL 111.13, 0.49%, 0.54%

LAB 70.97, -50.76, 48.15

 

CMYK 59 / 3 / 0 / 24

HEX #50BDC3

RGB 80 189 195

HSL 183.13, 0.49%, 0.54%

LAB 70.9, -29.08, -12.39

 

CMYK 8 / 59 / 0 / 24

HEX #B24FC2

RGB 178 79 194

HSL 291.65, 0.49%, 0.54%

LAB 50.63, 56.58, -42.51

 

CMYK 0 / 38 / 59 / 24

HEX #C37850

RGB 195 120 80

HSL 20.87, 0.49%, 0.54%

LAB 57.67, 25.41, 34.1

 

CMYK 50 / 0 / 59 / 24

HEX #61C350

RGB 97 195 80

HSL 111.13, 0.49%, 0.54%

LAB 70.97, -50.76, 48.15

 

CMYK 59 / 21 / 0 / 24

HEX #509BC3

RGB 80 155 195

HSL 200.87, 0.49%, 0.54%

LAB 60.86, -11.45, -27.66

 

Description

Color code: HEX #B24FC2 | qconv.com Color code: HEX #B24FC2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 79 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 79 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 59 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 59% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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