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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B24F19 it is the complementary color #4DB0E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B24F19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B24F19 shade: #B74F14, #C86127, #D9733A, #EA854D and #FB9760

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B24F19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B24F19 shade: #B24F19, #A13D06, #902B00, #7F1900 and #6E0700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B24F19 shade: #B3501A, #B3261A and #B31A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B24F19 shade: #B3501A, #B3791A, #B3A21A, #9AB31A and #70B31A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B24F19 shade matches the following richer shades: #B3501A and #C34B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B24F19 shade: #B3501A, #A2542A, #91593B, #815E4B and #70635C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B24F19 shade: #B31A36, #B3261A, #B34F1A, #B3781A and #B3A11A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B24F19 shade: #6A2F0F, #8E3F14, #B3501A, #D7601F and #E3773B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B24F19 shade: #B24F19, #5EB31A and #1A21B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B24F19 shade: #B24F19, #1AB34F and #4F1AB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B24F19 shade: #B24F19, #5EB31A, #1A7DB3 and #6E1AB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B24F19 shade: #B24F19, #30B31A, #1A7DB3 and #9C1AB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 86 / 30

HEX #B24F19

RGB 178 79 25

HSL 21.18, 0.75%, 0.4%

LAB 45.81, 37.44, 48.13

 

Complementary color

CMYK 67 / 23 / 0 / 10

HEX #4DB0E6

RGB 77 176 230

HSL 201.18, 0.75%, 0.6%

LAB 68.27, -12.28, -35.57

 

CMYK 0 / 57 / 89 / 28

HEX #B74F14

RGB 183 79 20

HSL 21.72, 0.8%, 0.4%

LAB 46.59, 39.29, 50.99

 

CMYK 0 / 52 / 81 / 22

HEX #C86127

RGB 200 97 39

HSL 21.61, 0.67%, 0.47%

LAB 52.92, 37.43, 49.85

 

CMYK 0 / 47 / 73 / 15

HEX #D9733A

RGB 217 115 58

HSL 21.51, 0.68%, 0.54%

LAB 59.27, 35.68, 48.14

 

CMYK 0 / 43 / 67 / 8

HEX #EA854D

RGB 234 133 77

HSL 21.4, 0.79%, 0.61%

LAB 65.6, 34.08, 46.31

 

CMYK 0 / 40 / 62 / 2

HEX #FB9760

RGB 251 151 96

HSL 21.29, 0.95%, 0.68%

LAB 71.88, 32.63, 44.53

 

CMYK 0 / 56 / 86 / 30

HEX #B24F19

RGB 178 79 25

HSL 21.18, 0.75%, 0.4%

LAB 45.81, 37.44, 48.13

 

CMYK 0 / 62 / 96 / 37

HEX #A13D06

RGB 161 61 6

HSL 21.29, 0.93%, 0.33%

LAB 39.46, 39.31, 48.57

 

CMYK 0 / 70 / 100 / 44

HEX #902B00

RGB 144 43 0

HSL 17.92, 1%, 0.28%

LAB 33.26, 41.03, 45.52

 

CMYK 0 / 80 / 100 / 50

HEX #7F1900

RGB 127 25 0

HSL 11.81, 1%, 0.25%

LAB 27.32, 42.03, 39.58

 

CMYK 0 / 94 / 100 / 57

HEX #6E0700

RGB 110 7 0

HSL 3.82, 1%, 0.22%

LAB 21.82, 41.5, 32.96

 

CMYK 0 / 55 / 85 / 30

HEX #B3501A

RGB 179 80 26

HSL 21.18, 0.75%, 0.4%

LAB 46.17, 37.36, 48.1

 

CMYK 0 / 79 / 85 / 30

HEX #B3261A

RGB 179 38 26

HSL 4.71, 0.75%, 0.4%

LAB 39.66, 54.85, 42.47

 

CMYK 0 / 85 / 85 / 30

HEX #B31A1A

RGB 179 26 26

HSL 0, 0.75%, 0.4%

LAB 38.55, 57.99, 41.5

 

CMYK 0 / 55 / 85 / 30

HEX #B3501A

RGB 179 80 26

HSL 21.18, 0.75%, 0.4%

LAB 46.17, 37.36, 48.1

 

CMYK 0 / 32 / 85 / 30

HEX #B3791A

RGB 179 121 26

HSL 37.25, 0.75%, 0.4%

LAB 55.41, 15.14, 55.92

 

CMYK 0 / 9 / 85 / 30

HEX #B3A21A

RGB 179 162 26

HSL 53.33, 0.75%, 0.4%

LAB 66.14, -7.3, 64.84

 

CMYK 14 / 0 / 85 / 30

HEX #9AB31A

RGB 154 179 26

HSL 69.8, 0.75%, 0.4%

LAB 68.88, -26.84, 66.31

 

CMYK 37 / 0 / 85 / 30

HEX #70B31A

RGB 112 179 26

HSL 86.27, 0.75%, 0.4%

LAB 66.34, -43.37, 63.13

 

CMYK 0 / 55 / 85 / 30

HEX #B3501A

RGB 179 80 26

HSL 21.18, 0.75%, 0.4%

LAB 46.17, 37.36, 48.1

 

CMYK 0 / 62 / 95 / 24

HEX #C34B09

RGB 195 75 9

HSL 21.29, 0.91%, 0.4%

LAB 47.82, 45.57, 55.97

 

CMYK 0 / 55 / 85 / 30

HEX #B3501A

RGB 179 80 26

HSL 21.18, 0.75%, 0.4%

LAB 46.17, 37.36, 48.1

 

CMYK 0 / 48 / 74 / 36

HEX #A2542A

RGB 162 84 42

HSL 21, 0.59%, 0.4%

LAB 44.5, 28.92, 38.08

 

CMYK 0 / 39 / 59 / 43

HEX #91593B

RGB 145 89 59

HSL 20.93, 0.42%, 0.4%

LAB 43.48, 19.93, 26.89

 

CMYK 0 / 27 / 42 / 49

HEX #815E4B

RGB 129 94 75

HSL 21.11, 0.26%, 0.4%

LAB 43.03, 11.64, 16.49

 

CMYK 0 / 12 / 18 / 56

HEX #70635C

RGB 112 99 92

HSL 21, 0.1%, 0.4%

LAB 42.98, 3.91, 5.87

 

CMYK 0 / 85 / 70 / 30

HEX #B31A36

RGB 179 26 54

HSL 349.02, 0.75%, 0.4%

LAB 38.88, 58.98, 25.47

 

CMYK 0 / 79 / 85 / 30

HEX #B3261A

RGB 179 38 26

HSL 4.71, 0.75%, 0.4%

LAB 39.66, 54.85, 42.47

 

CMYK 0 / 56 / 85 / 30

HEX #B34F1A

RGB 179 79 26

HSL 20.78, 0.75%, 0.4%

LAB 45.98, 37.86, 47.93

 

CMYK 0 / 33 / 85 / 30

HEX #B3781A

RGB 179 120 26

HSL 36.86, 0.75%, 0.4%

LAB 55.17, 15.7, 55.72

 

CMYK 0 / 10 / 85 / 30

HEX #B3A11A

RGB 179 161 26

HSL 52.94, 0.75%, 0.4%

LAB 65.86, -6.77, 64.62

 

CMYK 0 / 56 / 86 / 58

HEX #6A2F0F

RGB 106 47 15

HSL 21.1, 0.75%, 0.24%

LAB 27.11, 24.24, 31.47

 

CMYK 0 / 56 / 86 / 44

HEX #8E3F14

RGB 142 63 20

HSL 21.15, 0.75%, 0.32%

LAB 36.66, 31.02, 40.04

 

CMYK 0 / 55 / 85 / 30

HEX #B3501A

RGB 179 80 26

HSL 21.18, 0.75%, 0.4%

LAB 46.17, 37.36, 48.1

 

CMYK 0 / 55 / 86 / 16

HEX #D7601F

RGB 215 96 31

HSL 21.2, 0.75%, 0.48%

LAB 54.98, 43.52, 55.85

 

CMYK 0 / 48 / 74 / 11

HEX #E3773B

RGB 227 119 59

HSL 21.43, 0.75%, 0.56%

LAB 61.52, 37.63, 50.45

 

CMYK 0 / 56 / 86 / 30

HEX #B24F19

RGB 178 79 25

HSL 21.18, 0.75%, 0.4%

LAB 45.81, 37.44, 48.13

 

CMYK 47 / 0 / 85 / 30

HEX #5EB31A

RGB 94 179 26

HSL 93.33, 0.75%, 0.4%

LAB 65.51, -49.44, 62.08

 

CMYK 85 / 82 / 0 / 30

HEX #1A21B3

RGB 26 33 179

HSL 237.25, 0.75%, 0.4%

LAB 25.45, 50.13, -75.33

 

CMYK 0 / 56 / 86 / 30

HEX #B24F19

RGB 178 79 25

HSL 21.18, 0.75%, 0.4%

LAB 45.81, 37.44, 48.13

 

CMYK 85 / 0 / 56 / 30

HEX #1AB34F

RGB 26 179 79

HSL 140.78, 0.75%, 0.4%

LAB 64.18, -58.7, 40.2

 

CMYK 56 / 85 / 0 / 30

HEX #4F1AB3

RGB 79 26 179

HSL 260.78, 0.75%, 0.4%

LAB 28.53, 57.02, -70.1

 

CMYK 0 / 56 / 86 / 30

HEX #B24F19

RGB 178 79 25

HSL 21.18, 0.75%, 0.4%

LAB 45.81, 37.44, 48.13

 

CMYK 47 / 0 / 85 / 30

HEX #5EB31A

RGB 94 179 26

HSL 93.33, 0.75%, 0.4%

LAB 65.51, -49.44, 62.08

 

CMYK 85 / 30 / 0 / 30

HEX #1A7DB3

RGB 26 125 179

HSL 201.18, 0.75%, 0.4%

LAB 49.67, -7.57, -36.1

 

CMYK 39 / 85 / 0 / 30

HEX #6E1AB3

RGB 110 26 179

HSL 272.94, 0.75%, 0.4%

LAB 32.5, 60.77, -63.42

 

CMYK 0 / 56 / 86 / 30

HEX #B24F19

RGB 178 79 25

HSL 21.18, 0.75%, 0.4%

LAB 45.81, 37.44, 48.13

 

CMYK 73 / 0 / 85 / 30

HEX #30B31A

RGB 48 179 26

HSL 111.37, 0.75%, 0.4%

LAB 64.11, -60.74, 60.32

 

CMYK 85 / 30 / 0 / 30

HEX #1A7DB3

RGB 26 125 179

HSL 201.18, 0.75%, 0.4%

LAB 49.67, -7.57, -36.1

 

CMYK 13 / 85 / 0 / 30

HEX #9C1AB3

RGB 156 26 179

HSL 290.98, 0.75%, 0.4%

LAB 39.68, 67.98, -51.42

 

Description

Color code: HEX #B24F19 | qconv.com Color code: HEX #B24F19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 79 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 79 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 86 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 86% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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