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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B24B70 it is the complementary color #4DB48F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B24B70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B24B70 shade: #B74B6B, #C85D7E, #D96F91, #EA81A4 and #FB93B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B24B70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B24B70 shade: #B24B70, #A1395D, #90274A, #7F1537 and #6E0324

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B24B70 shade: #B44B71, #B44B55 and #B44B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B24B70 shade: #B44B71, #B44B8D, #B44BA9, #A24BB4 and #864BB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B24B70 shade matches the following richer shades: #B44B71, #C8376B, #DD2265 and #F20D5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B24B70 shade: #B44B71, #9F6077, #8B747C, #768982 and #619E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B24B70 shade: #B44BA9, #B44B8D, #B44B72, #B44B56 and #B45D4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B24B70 shade: #7A334C, #973F5F, #B44B71, #C06888 and #CC859F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B24B70 shade: #B24B70, #B4A24B and #4B9BB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B24B70 shade: #B24B70, #72B44B and #4B72B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B24B70 shade: #B24B70, #B4A24B, #4BB48D and #4B5DB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B24B70 shade: #B24B70, #A6B44B, #4BB48D and #594BB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 37 / 30

HEX #B24B70

RGB 178 75 112

HSL 338.45, 0.41%, 0.5%

LAB 46.53, 45.61, -0.08

 

Complementary color

CMYK 57 / 0 / 21 / 29

HEX #4DB48F

RGB 77 180 143

HSL 158.45, 0.41%, 0.5%

LAB 66.68, -38.84, 10

 

CMYK 0 / 59 / 42 / 28

HEX #B74B6B

RGB 183 75 107

HSL 342.22, 0.43%, 0.51%

LAB 47.18, 46.72, 4

 

CMYK 0 / 54 / 37 / 22

HEX #C85D7E

RGB 200 93 126

HSL 341.5, 0.49%, 0.57%

LAB 53.62, 45.95, 2.22

 

CMYK 0 / 49 / 33 / 15

HEX #D96F91

RGB 217 111 145

HSL 340.75, 0.58%, 0.64%

LAB 60.04, 45.1, 0.74

 

CMYK 0 / 45 / 30 / 8

HEX #EA81A4

RGB 234 129 164

HSL 340, 0.71%, 0.71%

LAB 66.42, 44.23, -0.52

 

CMYK 0 / 41 / 27 / 2

HEX #FB93B7

RGB 251 147 183

HSL 339.23, 0.93%, 0.78%

LAB 72.76, 43.38, -1.63

 

CMYK 0 / 58 / 37 / 30

HEX #B24B70

RGB 178 75 112

HSL 338.45, 0.41%, 0.5%

LAB 46.53, 45.61, -0.08

 

CMYK 0 / 65 / 42 / 37

HEX #A1395D

RGB 161 57 93

HSL 339.23, 0.48%, 0.43%

LAB 40.07, 46.17, 1.92

 

CMYK 0 / 73 / 49 / 44

HEX #90274A

RGB 144 39 74

HSL 340, 0.57%, 0.36%

LAB 33.72, 46.33, 4.52

 

CMYK 0 / 83 / 57 / 50

HEX #7F1537

RGB 127 21 55

HSL 340.75, 0.72%, 0.29%

LAB 27.64, 45.64, 8.04

 

CMYK 0 / 97 / 67 / 57

HEX #6E0324

RGB 110 3 36

HSL 341.5, 0.95%, 0.22%

LAB 21.97, 43.71, 12.8

 

CMYK 0 / 58 / 37 / 29

HEX #B44B71

RGB 180 75 113

HSL 338.29, 0.41%, 0.5%

LAB 46.88, 46.39, -0.15

 

CMYK 0 / 58 / 53 / 29

HEX #B44B55

RGB 180 75 85

HSL 354.29, 0.41%, 0.5%

LAB 46.17, 43.52, 15.89

 

CMYK 0 / 58 / 58 / 29

HEX #B44B4B

RGB 180 75 75

HSL 0, 0.41%, 0.5%

LAB 45.97, 42.71, 21.67

 

CMYK 0 / 58 / 37 / 29

HEX #B44B71

RGB 180 75 113

HSL 338.29, 0.41%, 0.5%

LAB 46.88, 46.39, -0.15

 

CMYK 0 / 58 / 22 / 29

HEX #B44B8D

RGB 180 75 141

HSL 322.29, 0.41%, 0.5%

LAB 47.83, 50.07, -15.66

 

CMYK 0 / 58 / 6 / 29

HEX #B44BA9

RGB 180 75 169

HSL 306.29, 0.41%, 0.5%

LAB 49.01, 54.46, -30.48

 

CMYK 10 / 58 / 0 / 29

HEX #A24BB4

RGB 162 75 180

HSL 289.71, 0.41%, 0.5%

LAB 46.99, 51.64, -40.29

 

CMYK 26 / 58 / 0 / 29

HEX #864BB4

RGB 134 75 180

HSL 273.71, 0.41%, 0.5%

LAB 43.35, 44.44, -46.29

 

CMYK 0 / 58 / 37 / 29

HEX #B44B71

RGB 180 75 113

HSL 338.29, 0.41%, 0.5%

LAB 46.88, 46.39, -0.15

 

CMYK 0 / 73 / 47 / 22

HEX #C8376B

RGB 200 55 107

HSL 338.48, 0.57%, 0.5%

LAB 47.07, 60.2, 4.21

 

CMYK 0 / 85 / 54 / 13

HEX #DD2265

RGB 221 34 101

HSL 338.5, 0.73%, 0.5%

LAB 48.83, 71.06, 10.94

 

CMYK 0 / 95 / 61 / 5

HEX #F20D5F

RGB 242 13 95

HSL 338.52, 0.9%, 0.5%

LAB 51.83, 78.64, 19.38

 

CMYK 0 / 58 / 37 / 29

HEX #B44B71

RGB 180 75 113

HSL 338.29, 0.41%, 0.5%

LAB 46.88, 46.39, -0.15

 

CMYK 0 / 40 / 25 / 38

HEX #9F6077

RGB 159 96 119

HSL 338.1, 0.25%, 0.5%

LAB 48.35, 28.76, -1.98

 

CMYK 0 / 17 / 11 / 45

HEX #8B747C

RGB 139 116 124

HSL 339.13, 0.09%, 0.5%

LAB 51.19, 10.38, -1.04

 

CMYK 14 / 0 / 5 / 46

HEX #768982

RGB 118 137 130

HSL 157.89, 0.07%, 0.5%

LAB 55.44, -8.32, 1.44

 

CMYK 39 / 0 / 14 / 38

HEX #619E88

RGB 97 158 136

HSL 158.36, 0.24%, 0.5%

LAB 60.58, -24.96, 5.3

 

CMYK 0 / 58 / 6 / 29

HEX #B44BA9

RGB 180 75 169

HSL 306.29, 0.41%, 0.5%

LAB 49.01, 54.46, -30.48

 

CMYK 0 / 58 / 22 / 29

HEX #B44B8D

RGB 180 75 141

HSL 322.29, 0.41%, 0.5%

LAB 47.83, 50.07, -15.66

 

CMYK 0 / 58 / 37 / 29

HEX #B44B72

RGB 180 75 114

HSL 337.71, 0.41%, 0.5%

LAB 46.91, 46.51, -0.72

 

CMYK 0 / 58 / 52 / 29

HEX #B44B56

RGB 180 75 86

HSL 353.71, 0.41%, 0.5%

LAB 46.19, 43.61, 15.32

 

CMYK 0 / 48 / 58 / 29

HEX #B45D4B

RGB 180 93 75

HSL 10.29, 0.41%, 0.5%

LAB 49.54, 33.54, 26.3

 

CMYK 0 / 58 / 38 / 52

HEX #7A334C

RGB 122 51 76

HSL 338.87, 0.41%, 0.34%

LAB 31.87, 33.69, 0.04

 

CMYK 0 / 58 / 37 / 41

HEX #973F5F

RGB 151 63 95

HSL 338.18, 0.41%, 0.42%

LAB 39.51, 40.23, -0.35

 

CMYK 0 / 58 / 37 / 29

HEX #B44B71

RGB 180 75 113

HSL 338.29, 0.41%, 0.5%

LAB 46.88, 46.39, -0.15

 

CMYK 0 / 46 / 29 / 25

HEX #C06888

RGB 192 104 136

HSL 338.18, 0.41%, 0.58%

LAB 54.95, 38.83, -1.86

 

CMYK 0 / 35 / 22 / 20

HEX #CC859F

RGB 204 133 159

HSL 338.03, 0.41%, 0.66%

LAB 63.44, 30.87, -2.5

 

CMYK 0 / 58 / 37 / 30

HEX #B24B70

RGB 178 75 112

HSL 338.45, 0.41%, 0.5%

LAB 46.53, 45.61, -0.08

 

CMYK 0 / 10 / 58 / 29

HEX #B4A24B

RGB 180 162 75

HSL 49.71, 0.41%, 0.5%

LAB 66.56, -4.39, 46.79

 

CMYK 58 / 14 / 0 / 29

HEX #4B9BB4

RGB 75 155 180

HSL 194.29, 0.41%, 0.5%

LAB 60.1, -17.06, -20.4

 

CMYK 0 / 58 / 37 / 30

HEX #B24B70

RGB 178 75 112

HSL 338.45, 0.41%, 0.5%

LAB 46.53, 45.61, -0.08

 

CMYK 37 / 0 / 58 / 29

HEX #72B44B

RGB 114 180 75

HSL 97.71, 0.41%, 0.5%

LAB 67.07, -39.73, 46.15

 

CMYK 58 / 37 / 0 / 29

HEX #4B72B4

RGB 75 114 180

HSL 217.71, 0.41%, 0.5%

LAB 48.04, 6.55, -39.14

 

CMYK 0 / 58 / 37 / 30

HEX #B24B70

RGB 178 75 112

HSL 338.45, 0.41%, 0.5%

LAB 46.53, 45.61, -0.08

 

CMYK 0 / 10 / 58 / 29

HEX #B4A24B

RGB 180 162 75

HSL 49.71, 0.41%, 0.5%

LAB 66.56, -4.39, 46.79

 

CMYK 58 / 0 / 22 / 29

HEX #4BB48D

RGB 75 180 141

HSL 157.71, 0.41%, 0.5%

LAB 66.57, -39.73, 10.94

 

CMYK 58 / 48 / 0 / 29

HEX #4B5DB4

RGB 75 93 180

HSL 229.71, 0.41%, 0.5%

LAB 42.18, 19.73, -48.46

 

CMYK 0 / 58 / 37 / 30

HEX #B24B70

RGB 178 75 112

HSL 338.45, 0.41%, 0.5%

LAB 46.53, 45.61, -0.08

 

CMYK 8 / 0 / 58 / 29

HEX #A6B44B

RGB 166 180 75

HSL 68, 0.41%, 0.5%

LAB 70.36, -19.68, 50.75

 

CMYK 58 / 0 / 22 / 29

HEX #4BB48D

RGB 75 180 141

HSL 157.71, 0.41%, 0.5%

LAB 66.57, -39.73, 10.94

 

CMYK 51 / 58 / 0 / 29

HEX #594BB4

RGB 89 75 180

HSL 248, 0.41%, 0.5%

LAB 38.64, 33.92, -54.12

 

Description

Color code: HEX #B24B70 | qconv.com Color code: HEX #B24B70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 75 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 75 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 37 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 37% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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