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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B24B5EBF it is the complementary color #4DB4A1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B24B5EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B24B5EBF shade: #B74B59BF, #C85D6CBF, #D96F7FBF, #EA8192BF and #FB93A5BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B24B5EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B24B5EBF shade: #B24B5EBF, #A1394BBF, #902738BF, #7F1525BF and #6E0312BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B24B5EBF shade: #B44B5F and #B44B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B24B5EBF shade: #B44B5F, #B44B7B, #B44B97, #B44BB3 and #984BB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B24B5EBF shade matches the following richer shades: #B44B5F, #C83751, #DD2244 and #F20D37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B24B5EBF shade: #B44B5F, #9F606C, #8B7479, #768986 and #619E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B24B5EBF shade: #B44B98, #B44B7C, #B44B60, #B4524B and #B46E4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B24B5EBF shade: #7A3340, #973F4F, #B44B5F, #C06878 and #CC8592

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B24B5EBF shade: #B24B5E, #B4B44B and #4B8AB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B24B5EBF shade: #B24B5E, #60B44B and #4B60B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B24B5EBF shade: #B24B5E, #B4B44B, #4BB49F and #4B4BB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B24B5EBF shade: #B24B5E, #94B44B, #4BB49F and #6B4BB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 35 / 23

HEX #B24B5EBF

RGBA 178 75 94 0.75

HSLA 348.93, 0.41%, 0.5%, 0.75

LABA 46.05, 43.66, 10.2, 0.75

 

Complementary color

CMYK 43 / 0 / 8 / 22

HEX #4DB4A1BF

RGBA 77 180 161 0.75

HSLA 168.93, 0.41%, 0.5%, 0.75

LABA 67.12, -34.48, 0.72, 0.75

 

CMYK 0 / 44 / 39 / 21

HEX #B74B59BF

RGBA 183 75 89 0.75

HSLA 352.22, 0.43%, 0.51%, 0.75

LABA 46.74, 44.94, 14.33, 0.75

 

CMYK 0 / 40 / 35 / 16

HEX #C85D6CBF

RGBA 200 93 108 0.75

HSLA 351.59, 0.49%, 0.57%, 0.75

LABA 53.16, 44, 12.24, 0.75

 

CMYK 0 / 37 / 31 / 11

HEX #D96F7FBF

RGBA 217 111 127 0.75

HSLA 350.94, 0.58%, 0.64%, 0.75

LABA 59.57, 43.01, 10.49, 0.75

 

CMYK 0 / 34 / 28 / 6

HEX #EA8192BF

RGBA 234 129 146 0.75

HSLA 350.29, 0.71%, 0.71%, 0.75

LABA 65.96, 42.04, 8.99, 0.75

 

CMYK 0 / 31 / 26 / 1

HEX #FB93A5BF

RGBA 251 147 165 0.75

HSLA 349.62, 0.93%, 0.78%, 0.75

LABA 72.29, 41.1, 7.68, 0.75

 

CMYK 0 / 43 / 35 / 23

HEX #B24B5EBF

RGBA 178 75 94 0.75

HSLA 348.93, 0.41%, 0.5%, 0.75

LABA 46.05, 43.66, 10.2, 0.75

 

CMYK 0 / 48 / 40 / 28

HEX #A1394BBF

RGBA 161 57 75 0.75

HSLA 349.62, 0.48%, 0.43%, 0.75

LABA 39.6, 44.42, 12.57, 0.75

 

CMYK 0 / 55 / 46 / 33

HEX #902738BF

RGBA 144 39 56 0.75

HSLA 350.29, 0.57%, 0.36%, 0.75

LABA 33.28, 44.82, 15.61, 0.75

 

CMYK 0 / 63 / 53 / 38

HEX #7F1525BF

RGBA 127 21 37 0.75

HSLA 350.94, 0.72%, 0.29%, 0.75

LABA 27.25, 44.44, 19.62, 0.75

 

CMYK 0 / 73 / 63 / 43

HEX #6E0312BF

RGBA 110 3 18 0.75

HSLA 351.59, 0.95%, 0.22%, 0.75

LABA 21.67, 42.87, 24.67, 0.75

 

CMYK 0 / 58 / 47 / 29

HEX #B44B5F

RGB 180 75 95

HSL 348.57, 0.41%, 0.5%

LAB 46.39, 44.45, 10.12

 

CMYK 0 / 58 / 58 / 29

HEX #B44B4B

RGB 180 75 75

HSL 0, 0.41%, 0.5%

LAB 45.97, 42.71, 21.67

 

CMYK 0 / 58 / 47 / 29

HEX #B44B5F

RGB 180 75 95

HSL 348.57, 0.41%, 0.5%

LAB 46.39, 44.45, 10.12

 

CMYK 0 / 58 / 32 / 29

HEX #B44B7B

RGB 180 75 123

HSL 332.57, 0.41%, 0.5%

LAB 47.19, 47.62, -5.76

 

CMYK 0 / 58 / 16 / 29

HEX #B44B97

RGB 180 75 151

HSL 316.57, 0.41%, 0.5%

LAB 48.22, 51.56, -21.03

 

CMYK 0 / 58 / 1 / 29

HEX #B44BB3

RGB 180 75 179

HSL 300.57, 0.41%, 0.5%

LAB 49.48, 56.18, -35.59

 

CMYK 16 / 58 / 0 / 29

HEX #984BB4

RGB 152 75 180

HSL 284, 0.41%, 0.5%

LAB 45.64, 49.04, -42.51

 

CMYK 0 / 58 / 47 / 29

HEX #B44B5F

RGB 180 75 95

HSL 348.57, 0.41%, 0.5%

LAB 46.39, 44.45, 10.12

 

CMYK 0 / 73 / 60 / 22

HEX #C83751

RGB 200 55 81

HSL 349.24, 0.57%, 0.5%

LAB 46.45, 58.15, 19.31

 

CMYK 0 / 85 / 69 / 13

HEX #DD2244

RGB 221 34 68

HSL 349.09, 0.73%, 0.5%

LAB 48.18, 69.15, 30.22

 

CMYK 0 / 95 / 77 / 5

HEX #F20D37

RGB 242 13 55

HSL 349, 0.9%, 0.5%

LAB 51.2, 76.91, 42.41

 

CMYK 0 / 58 / 47 / 29

HEX #B44B5F

RGB 180 75 95

HSL 348.57, 0.41%, 0.5%

LAB 46.39, 44.45, 10.12

 

CMYK 0 / 40 / 32 / 38

HEX #9F606C

RGB 159 96 108

HSL 348.57, 0.25%, 0.5%

LAB 48.03, 27.17, 4.17

 

CMYK 0 / 17 / 13 / 45

HEX #8B7479

RGB 139 116 121

HSL 346.96, 0.09%, 0.5%

LAB 51.11, 9.84, 0.6

 

CMYK 14 / 0 / 2 / 46

HEX #768986

RGB 118 137 134

HSL 170.53, 0.07%, 0.5%

LAB 55.55, -7.47, -0.71

 

CMYK 39 / 0 / 7 / 38

HEX #619E93

RGB 97 158 147

HSL 169.18, 0.24%, 0.5%

LAB 60.87, -22.39, -0.49

 

CMYK 0 / 58 / 16 / 29

HEX #B44B98

RGB 180 75 152

HSL 316, 0.41%, 0.5%

LAB 48.26, 51.71, -21.57

 

CMYK 0 / 58 / 31 / 29

HEX #B44B7C

RGB 180 75 124

HSL 332, 0.41%, 0.5%

LAB 47.22, 47.74, -6.32

 

CMYK 0 / 58 / 47 / 29

HEX #B44B60

RGB 180 75 96

HSL 348, 0.41%, 0.5%

LAB 46.42, 44.55, 9.55

 

CMYK 0 / 54 / 58 / 29

HEX #B4524B

RGB 180 82 75

HSL 4, 0.41%, 0.5%

LAB 47.3, 39.25, 23.4

 

CMYK 0 / 39 / 58 / 29

HEX #B46E4B

RGB 180 110 75

HSL 20, 0.41%, 0.5%

LAB 53.34, 24.29, 31.08

 

CMYK 0 / 58 / 48 / 52

HEX #7A3340

RGB 122 51 64

HSL 349.01, 0.41%, 0.34%

LAB 31.52, 32.27, 7.37

 

CMYK 0 / 58 / 48 / 41

HEX #973F4F

RGB 151 63 79

HSL 349.09, 0.41%, 0.42%

LAB 39.07, 38.43, 9.06

 

CMYK 0 / 58 / 47 / 29

HEX #B44B5F

RGB 180 75 95

HSL 348.57, 0.41%, 0.5%

LAB 46.39, 44.45, 10.12

 

CMYK 0 / 46 / 38 / 25

HEX #C06878

RGB 192 104 120

HSL 349.09, 0.41%, 0.58%

LAB 54.52, 36.79, 6.91

 

CMYK 0 / 35 / 28 / 20

HEX #CC8592

RGB 204 133 146

HSL 349.01, 0.41%, 0.66%

LAB 63.08, 29, 4.38

 

CMYK 0 / 58 / 47 / 30

HEX #B24B5E

RGB 178 75 94

HSL 348.93, 0.41%, 0.5%

LAB 46.05, 43.66, 10.2

 

CMYK 0 / 0 / 58 / 29

HEX #B4B44B

RGB 180 180 75

HSL 60, 0.41%, 0.5%

LAB 71.46, -13.82, 52.28

 

CMYK 58 / 23 / 0 / 29

HEX #4B8AB4

RGB 75 138 180

HSL 204, 0.41%, 0.5%

LAB 55.04, -7.68, -28.18

 

CMYK 0 / 58 / 47 / 30

HEX #B24B5E

RGB 178 75 94

HSL 348.93, 0.41%, 0.5%

LAB 46.05, 43.66, 10.2

 

CMYK 47 / 0 / 58 / 29

HEX #60B44B

RGB 96 180 75

HSL 108, 0.41%, 0.5%

LAB 66.24, -45.58, 44.97

 

CMYK 58 / 47 / 0 / 29

HEX #4B60B4

RGB 75 96 180

HSL 228, 0.41%, 0.5%

LAB 43, 17.82, -47.16

 

CMYK 0 / 58 / 47 / 30

HEX #B24B5E

RGB 178 75 94

HSL 348.93, 0.41%, 0.5%

LAB 46.05, 43.66, 10.2

 

CMYK 0 / 0 / 58 / 29

HEX #B4B44B

RGB 180 180 75

HSL 60, 0.41%, 0.5%

LAB 71.46, -13.82, 52.28

 

CMYK 58 / 0 / 12 / 29

HEX #4BB49F

RGB 75 180 159

HSL 168, 0.41%, 0.5%

LAB 67.01, -35.39, 1.65

 

CMYK 58 / 58 / 0 / 29

HEX #4B4BB4

RGB 75 75 180

HSL 240, 0.41%, 0.5%

LAB 37.52, 31.17, -55.98

 

CMYK 0 / 58 / 47 / 30

HEX #B24B5E

RGB 178 75 94

HSL 348.93, 0.41%, 0.5%

LAB 46.05, 43.66, 10.2

 

CMYK 18 / 0 / 58 / 29

HEX #94B44B

RGB 148 180 75

HSL 78.29, 0.41%, 0.5%

LAB 69.07, -27.01, 48.96

 

CMYK 58 / 0 / 12 / 29

HEX #4BB49F

RGB 75 180 159

HSL 168, 0.41%, 0.5%

LAB 67.01, -35.39, 1.65

 

CMYK 41 / 58 / 0 / 29

HEX #6B4BB4

RGB 107 75 180

HSL 258.29, 0.41%, 0.5%

LAB 40.33, 37.89, -51.3

 

Description

Color code: HEX #B24B5EBF | qconv.com Color code: HEX #B24B5EBF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 75 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 75 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 35 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 35% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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