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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B24AE0 it is the complementary color #4DB51F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B24AE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B24AE0 shade: #B74ADB, #C85CEE, #D96EFF, #EA80FF and #FB92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B24AE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B24AE0 shade: #B24AE0, #A138CD, #9026BA, #7F14A7 and #6E0294

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B24AE0 shade: #B148E0, #DA48E0, #E048BD, #E04894 and #E0486B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B24AE0 shade: #B148E0, #8848E0, #5F48E0 and #4848E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B24AE0 shade matches the following richer shades: #B148E0 and #B837F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B24AE0 shade: #B148E0, #AB59CF, #A46BBD, #9D7CAC and #978D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B24AE0 shade: #5F48E0, #8748E0, #B048E0, #D848E0 and #E048BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B24AE0 shade: #881FB6, #A225DA, #B148E0, #C06BE6 and #CF8EEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B24AE0 shade: #B24AE0, #E0485A and #48E073

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B24AE0 shade: #B24AE0, #E0B048 and #48E0B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B24AE0 shade: #B24AE0, #E0485A, #78E048 and #48E0CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B24AE0 shade: #B24AE0, #E06448, #78E048 and #48C4E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 67 / 0 / 12

HEX #B24AE0

RGB 178 74 224

HSL 281.6, 0.71%, 0.58%

LAB 51.55, 64.7, -58.21

 

Complementary color

CMYK 57 / 0 / 83 / 29

HEX #4DB51F

RGB 77 181 31

HSL 101.6, 0.71%, 0.42%

LAB 65.53, -54.88, 60.63

 

CMYK 16 / 66 / 0 / 14

HEX #B74ADB

RGB 183 74 219

HSL 285.1, 0.67%, 0.57%

LAB 51.93, 64.79, -54.72

 

CMYK 16 / 61 / 0 / 7

HEX #C85CEE

RGB 200 92 238

HSL 284.38, 0.81%, 0.65%

LAB 58.14, 64.51, -55.36

 

CMYK 15 / 57 / 0 / 0

HEX #D96EFF

RGB 217 110 255

HSL 284.28, 1%, 0.72%

LAB 64.26, 63.62, -54.88

 

CMYK 8 / 50 / 0 / 0

HEX #EA80FF

RGB 234 128 255

HSL 290.08, 1%, 0.75%

LAB 69.58, 59.34, -46.35

 

CMYK 2 / 43 / 0 / 0

HEX #FB92FF

RGB 251 146 255

HSL 297.8, 1%, 0.79%

LAB 75.01, 55.17, -37.72

 

CMYK 21 / 67 / 0 / 12

HEX #B24AE0

RGB 178 74 224

HSL 281.6, 0.71%, 0.58%

LAB 51.55, 64.7, -58.21

 

CMYK 21 / 73 / 0 / 20

HEX #A138CD

RGB 161 56 205

HSL 282.28, 0.6%, 0.51%

LAB 45.38, 64.66, -57.4

 

CMYK 23 / 80 / 0 / 27

HEX #9026BA

RGB 144 38 186

HSL 282.97, 0.66%, 0.44%

LAB 39.34, 63.99, -56.2

 

CMYK 24 / 88 / 0 / 35

HEX #7F14A7

RGB 127 20 167

HSL 283.67, 0.79%, 0.37%

LAB 33.57, 62.29, -54.38

 

CMYK 26 / 99 / 0 / 42

HEX #6E0294

RGB 110 2 148

HSL 284.38, 0.97%, 0.29%

LAB 28.1, 59.31, -51.83

 

CMYK 21 / 68 / 0 / 12

HEX #B148E0

RGB 177 72 224

HSL 281.45, 0.71%, 0.58%

LAB 51.11, 65.33, -58.92

 

CMYK 3 / 68 / 0 / 12

HEX #DA48E0

RGB 218 72 224

HSL 297.63, 0.71%, 0.58%

LAB 57, 74.14, -49.17

 

CMYK 0 / 68 / 16 / 12

HEX #E048BD

RGB 224 72 189

HSL 313.82, 0.71%, 0.58%

LAB 56.24, 70.18, -30.34

 

CMYK 0 / 68 / 34 / 12

HEX #E04894

RGB 224 72 148

HSL 330, 0.71%, 0.58%

LAB 54.68, 64.99, -8.8

 

CMYK 0 / 68 / 52 / 12

HEX #E0486B

RGB 224 72 107

HSL 346.18, 0.71%, 0.58%

LAB 53.54, 61.06, 13.95

 

CMYK 21 / 68 / 0 / 12

HEX #B148E0

RGB 177 72 224

HSL 281.45, 0.71%, 0.58%

LAB 51.11, 65.33, -58.92

 

CMYK 39 / 68 / 0 / 12

HEX #8848E0

RGB 136 72 224

HSL 265.26, 0.71%, 0.58%

LAB 45.98, 57.13, -67.47

 

CMYK 58 / 68 / 0 / 12

HEX #5F48E0

RGB 95 72 224

HSL 249.08, 0.71%, 0.58%

LAB 41.92, 50.15, -74.25

 

CMYK 68 / 68 / 0 / 12

HEX #4848E0

RGB 72 72 224

HSL 240, 0.71%, 0.58%

LAB 40.24, 47.08, -77.08

 

CMYK 21 / 68 / 0 / 12

HEX #B148E0

RGB 177 72 224

HSL 281.45, 0.71%, 0.58%

LAB 51.11, 65.33, -58.92

 

CMYK 24 / 77 / 0 / 5

HEX #B837F1

RGB 184 55 241

HSL 281.61, 0.87%, 0.58%

LAB 51.01, 76.3, -68.62

 

CMYK 21 / 68 / 0 / 12

HEX #B148E0

RGB 177 72 224

HSL 281.45, 0.71%, 0.58%

LAB 51.11, 65.33, -58.92

 

CMYK 17 / 57 / 0 / 19

HEX #AB59CF

RGB 171 89 207

HSL 281.69, 0.55%, 0.58%

LAB 52.18, 52.59, -47.57

 

CMYK 13 / 43 / 0 / 26

HEX #A46BBD

RGB 164 107 189

HSL 281.71, 0.38%, 0.58%

LAB 54.11, 37.28, -34.27

 

CMYK 9 / 28 / 0 / 33

HEX #9D7CAC

RGB 157 124 172

HSL 281.25, 0.22%, 0.58%

LAB 56.65, 21.76, -20.64

 

CMYK 3 / 9 / 0 / 39

HEX #978D9B

RGB 151 141 155

HSL 282.86, 0.07%, 0.58%

LAB 59.88, 6.41, -6.07

 

CMYK 58 / 68 / 0 / 12

HEX #5F48E0

RGB 95 72 224

HSL 249.08, 0.71%, 0.58%

LAB 41.92, 50.15, -74.25

 

CMYK 40 / 68 / 0 / 12

HEX #8748E0

RGB 135 72 224

HSL 264.87, 0.71%, 0.58%

LAB 45.86, 56.94, -67.66

 

CMYK 21 / 68 / 0 / 12

HEX #B048E0

RGB 176 72 224

HSL 281.05, 0.71%, 0.58%

LAB 50.97, 65.12, -59.14

 

CMYK 4 / 68 / 0 / 12

HEX #D848E0

RGB 216 72 224

HSL 296.84, 0.71%, 0.58%

LAB 56.7, 73.7, -49.66

 

CMYK 0 / 68 / 15 / 12

HEX #E048BF

RGB 224 72 191

HSL 313.03, 0.71%, 0.58%

LAB 56.33, 70.46, -31.35

 

CMYK 25 / 83 / 0 / 29

HEX #881FB6

RGB 136 31 182

HSL 281.72, 0.71%, 0.42%

LAB 37.1, 63.92, -57.54

 

CMYK 26 / 83 / 0 / 15

HEX #A225DA

RGB 162 37 218

HSL 281.44, 0.71%, 0.5%

LAB 44.33, 73.51, -66.57

 

CMYK 21 / 68 / 0 / 12

HEX #B148E0

RGB 177 72 224

HSL 281.45, 0.71%, 0.58%

LAB 51.11, 65.33, -58.92

 

CMYK 17 / 53 / 0 / 10

HEX #C06BE6

RGB 192 107 230

HSL 281.46, 0.71%, 0.66%

LAB 59.37, 53.75, -48.98

 

CMYK 12 / 40 / 0 / 7

HEX #CF8EEC

RGB 207 142 236

HSL 281.49, 0.71%, 0.74%

LAB 68.51, 40.82, -37.84

 

CMYK 21 / 67 / 0 / 12

HEX #B24AE0

RGB 178 74 224

HSL 281.6, 0.71%, 0.58%

LAB 51.55, 64.7, -58.21

 

CMYK 0 / 68 / 60 / 12

HEX #E0485A

RGB 224 72 90

HSL 352.89, 0.71%, 0.58%

LAB 53.19, 59.82, 23.59

 

CMYK 68 / 0 / 49 / 12

HEX #48E073

RGB 72 224 115

HSL 136.97, 0.71%, 0.58%

LAB 79.57, -62.59, 41.81

 

CMYK 21 / 67 / 0 / 12

HEX #B24AE0

RGB 178 74 224

HSL 281.6, 0.71%, 0.58%

LAB 51.55, 64.7, -58.21

 

CMYK 0 / 21 / 68 / 12

HEX #E0B048

RGB 224 176 72

HSL 41.05, 0.71%, 0.58%

LAB 74.42, 6.85, 58

 

CMYK 68 / 0 / 21 / 12

HEX #48E0B0

RGB 72 224 176

HSL 161.05, 0.71%, 0.58%

LAB 80.64, -50.93, 12.04

 

CMYK 21 / 67 / 0 / 12

HEX #B24AE0

RGB 178 74 224

HSL 281.6, 0.71%, 0.58%

LAB 51.55, 64.7, -58.21

 

CMYK 0 / 68 / 60 / 12

HEX #E0485A

RGB 224 72 90

HSL 352.89, 0.71%, 0.58%

LAB 53.19, 59.82, 23.59

 

CMYK 46 / 0 / 68 / 12

HEX #78E048

RGB 120 224 72

HSL 101.05, 0.71%, 0.58%

LAB 80.61, -56.11, 62.35

 

CMYK 68 / 0 / 8 / 12

HEX #48E0CE

RGB 72 224 206

HSL 172.89, 0.71%, 0.58%

LAB 81.37, -43.55, -2.8

 

CMYK 21 / 67 / 0 / 12

HEX #B24AE0

RGB 178 74 224

HSL 281.6, 0.71%, 0.58%

LAB 51.55, 64.7, -58.21

 

CMYK 0 / 55 / 68 / 12

HEX #E06448

RGB 224 100 72

HSL 11.05, 0.71%, 0.58%

LAB 57.49, 46.55, 39.21

 

CMYK 46 / 0 / 68 / 12

HEX #78E048

RGB 120 224 72

HSL 101.05, 0.71%, 0.58%

LAB 80.61, -56.11, 62.35

 

CMYK 68 / 13 / 0 / 12

HEX #48C4E0

RGB 72 196 224

HSL 191.05, 0.71%, 0.58%

LAB 73.7, -25.32, -23.96

 

Description

Color code: HEX #B24AE0 | qconv.com Color code: HEX #B24AE0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 74 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 74 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 67 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 67% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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