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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2480ACE it is the complementary color #4DB7F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2480ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2480ACE shade: #B74805CE, #C85A18CE, #D96C2BCE, #EA7E3ECE and #FB9051CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2480ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2480ACE shade: #B2480ACE, #A13600CE, #902400CE, #7F1200CE and #6E0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2480ACE shade: #B2480A, #B21B0A and #B20A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2480ACE shade: #B2480A, #B2760A, #B2A30A, #94B20A and #67B20A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2480ACE shade matches the following richer shades: #B2480A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2480ACE shade: #B2480A, #A34C1A, #945029, #855438 and #755847

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2480ACE shade: #B20A26, #B21B0A, #B2480A, #B2750A and #B2A20A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2480ACE shade: #642906, #8B3908, #B2480A, #D9580D and #F26C1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2480ACE shade: #B2480A, #53B20A and #0A10B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2480ACE shade: #B2480A, #0AB248 and #480AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2480ACE shade: #B2480A, #53B20A, #0A75B2 and #6A0AB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2480ACE shade: #B2480A, #21B20A, #0A75B2 and #9C0AB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 76 / 24

HEX #B2480ACE

RGBA 178 72 10 0.81

HSLA 22.14, 0.89%, 0.37%, 0.81

LABA 44.41, 40.61, 52.09, 0.81

 

Complementary color

CMYK 56 / 20 / 0 / 3

HEX #4DB7F5CE

RGBA 77 183 245 0.81

HSLA 202.14, 0.89%, 0.63%, 0.81

LABA 70.9, -11.21, -39.65, 0.81

 

CMYK 0 / 49 / 79 / 23

HEX #B74805CE

RGBA 183 72 5 0.81

HSLA 22.58, 0.95%, 0.37%, 0.81

LABA 45.24, 42.44, 54.35, 0.81

 

CMYK 0 / 45 / 71 / 17

HEX #C85A18CE

RGBA 200 90 24 0.81

HSLA 22.5, 0.79%, 0.44%, 0.81

LABA 51.45, 40.54, 54.56, 0.81

 

CMYK 0 / 41 / 65 / 12

HEX #D96C2BCE

RGBA 217 108 43 0.81

HSLA 22.41, 0.7%, 0.51%, 0.81

LABA 57.7, 38.68, 53.49, 0.81

 

CMYK 0 / 37 / 60 / 7

HEX #EA7E3ECE

RGBA 234 126 62 0.81

HSLA 22.33, 0.8%, 0.58%, 0.81

LABA 63.97, 36.94, 51.89, 0.81

 

CMYK 0 / 35 / 55 / 1

HEX #FB9051CE

RGBA 251 144 81 0.81

HSLA 22.24, 0.96%, 0.65%, 0.81

LABA 70.21, 35.34, 50.14, 0.81

 

CMYK 0 / 48 / 76 / 24

HEX #B2480ACE

RGBA 178 72 10 0.81

HSLA 22.14, 0.89%, 0.37%, 0.81

LABA 44.41, 40.61, 52.09, 0.81

 

CMYK 0 / 54 / 81 / 30

HEX #A13600CE

RGBA 161 54 0 0.81

HSLA 20.12, 1%, 0.32%, 0.81

LABA 38.23, 42.44, 49.9, 0.81

 

CMYK 0 / 61 / 81 / 35

HEX #902400CE

RGBA 144 36 0 0.81

HSLA 15, 1%, 0.28%, 0.81

LABA 32.24, 43.83, 44.88, 0.81

 

CMYK 0 / 70 / 81 / 41

HEX #7F1200CE

RGBA 127 18 0 0.81

HSLA 8.5, 1%, 0.25%, 0.81

LABA 26.58, 44.11, 38.93, 0.81

 

CMYK 0 / 81 / 81 / 46

HEX #6E0000CE

RGBA 110 0 0 0.81

HSLA 0, 1%, 0.22%, 0.81

LABA 21.26, 43.12, 32.36, 0.81

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 0 / 85 / 94 / 30

HEX #B21B0A

RGB 178 27 10

HSL 6.07, 0.89%, 0.37%

LAB 38.32, 57.2, 48.21

 

CMYK 0 / 94 / 94 / 30

HEX #B20A0A

RGB 178 10 10

HSL 0, 0.89%, 0.37%

LAB 37.31, 60.12, 47.6

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 0 / 34 / 94 / 30

HEX #B2760A

RGB 178 118 10

HSL 38.57, 0.89%, 0.37%

LAB 54.49, 16.05, 59.14

 

CMYK 0 / 8 / 94 / 30

HEX #B2A30A

RGB 178 163 10

HSL 54.64, 0.89%, 0.37%

LAB 66.28, -8.58, 67.86

 

CMYK 17 / 0 / 94 / 30

HEX #94B20A

RGB 148 178 10

HSL 70.71, 0.89%, 0.37%

LAB 68.14, -29.23, 68.26

 

CMYK 42 / 0 / 94 / 30

HEX #67B20A

RGB 103 178 10

HSL 86.79, 0.89%, 0.37%

LAB 65.55, -46.54, 65.11

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 0 / 53 / 84 / 36

HEX #A34C1A

RGB 163 76 26

HSL 21.9, 0.72%, 0.37%

LAB 42.81, 32.98, 44.17

 

CMYK 0 / 46 / 72 / 42

HEX #945029

RGB 148 80 41

HSL 21.87, 0.57%, 0.37%

LAB 41.52, 25.12, 34.77

 

CMYK 0 / 37 / 58 / 48

HEX #855438

RGB 133 84 56

HSL 21.82, 0.41%, 0.37%

LAB 40.59, 17.3, 24.7

 

CMYK 0 / 25 / 39 / 54

HEX #755847

RGB 117 88 71

HSL 22.17, 0.24%, 0.37%

LAB 39.94, 9.44, 14.48

HEX #755847

CMYK 0 / 94 / 79 / 30

HEX #B20A26

RGB 178 10 38

HSL 350, 0.89%, 0.37%

LAB 37.52, 60.73, 33.69

 

CMYK 0 / 85 / 94 / 30

HEX #B21B0A

RGB 178 27 10

HSL 6.07, 0.89%, 0.37%

LAB 38.32, 57.2, 48.21

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 0 / 34 / 94 / 30

HEX #B2750A

RGB 178 117 10

HSL 38.21, 0.89%, 0.37%

LAB 54.25, 16.6, 58.96

 

CMYK 0 / 9 / 94 / 30

HEX #B2A20A

RGB 178 162 10

HSL 54.29, 0.89%, 0.37%

LAB 66, -8.05, 67.66

 

CMYK 0 / 59 / 94 / 61

HEX #642906

RGB 100 41 6

HSL 22.34, 0.89%, 0.21%

LAB 24.67, 24.7, 32.75

 

CMYK 0 / 59 / 94 / 45

HEX #8B3908

RGB 139 57 8

HSL 22.44, 0.89%, 0.29%

LAB 34.87, 32.64, 42.99

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 0 / 59 / 94 / 15

HEX #D9580D

RGB 217 88 13

HSL 22.06, 0.89%, 0.45%

LAB 53.77, 47.74, 60.67

 

CMYK 0 / 55 / 88 / 5

HEX #F26C1D

RGB 242 108 29

HSL 22.25, 0.89%, 0.53%

LAB 61.39, 47.88, 63.42

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 53 / 0 / 94 / 30

HEX #53B20A

RGB 83 178 10

HSL 93.93, 0.89%, 0.37%

LAB 64.73, -52.84, 64.09

 

CMYK 94 / 91 / 0 / 30

HEX #0A10B2

RGB 10 16 178

HSL 237.86, 0.89%, 0.37%

LAB 22.48, 56.39, -79.69

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 94 / 0 / 60 / 30

HEX #0AB248

RGB 10 178 72

HSL 142.14, 0.89%, 0.37%

LAB 63.65, -60.42, 42.87

 

CMYK 60 / 94 / 0 / 30

HEX #480AB2

RGB 72 10 178

HSL 262.14, 0.89%, 0.37%

LAB 26.18, 60.48, -73.41

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 53 / 0 / 94 / 30

HEX #53B20A

RGB 83 178 10

HSL 93.93, 0.89%, 0.37%

LAB 64.73, -52.84, 64.09

 

CMYK 94 / 34 / 0 / 30

HEX #0A75B2

RGB 10 117 178

HSL 201.79, 0.89%, 0.37%

LAB 46.98, -4.15, -39.78

 

CMYK 40 / 94 / 0 / 30

HEX #6A0AB2

RGB 106 10 178

HSL 274.29, 0.89%, 0.37%

LAB 30.63, 63.62, -65.92

 

CMYK 0 / 60 / 94 / 30

HEX #B2480A

RGB 178 72 10

HSL 22.14, 0.89%, 0.37%

LAB 44.41, 40.61, 52.09

 

CMYK 81 / 0 / 94 / 30

HEX #21B20A

RGB 33 178 10

HSL 111.79, 0.89%, 0.37%

LAB 63.5, -63.16, 62.58

 

CMYK 94 / 34 / 0 / 30

HEX #0A75B2

RGB 10 117 178

HSL 201.79, 0.89%, 0.37%

LAB 46.98, -4.15, -39.78

 

CMYK 12 / 94 / 0 / 30

HEX #9C0AB2

RGB 156 10 178

HSL 292.14, 0.89%, 0.37%

LAB 38.72, 70.44, -52.38

 

Description

Color code: HEX #B2480ACE | qconv.com Color code: HEX #B2480ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 72 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 72 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 76% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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