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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2469D it is the complementary color #4DB962. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2469D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2469D shade: #B74698, #C858AB, #D96ABE, #EA7CD1 and #FB8EE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2469D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2469D shade: #B2469D, #A1348A, #902277, #7F1064 and #6E0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2469D shade: #B4469F, #B44681, #B44663 and #B44646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2469D shade: #B4469F, #AC46B4, #8E46B4, #7046B4 and #5346B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2469D shade matches the following richer shades: #B4469F, #C832AB, #DC1EB7 and #F109C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2469D shade: #B4469F, #A05A92, #8B6E86, #778379 and #63976D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2469D shade: #8D46B4, #AB46B4, #B446A0, #B44682 and #B44665

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2469D shade: #792F6A, #963A84, #B4469F, #C261AF and #CD7FBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2469D shade: #B2469D, #B47046 and #46B49C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2469D shade: #B2469D, #A0B446 and #46A0B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2469D shade: #B2469D, #B47046, #46B45A and #468AB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2469D shade: #B2469D, #B49146, #46B45A and #4669B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 12 / 30

HEX #B2469D

RGB 178 70 157

HSL 311.67, 0.44%, 0.49%

LAB 47.34, 54.19, -26

 

Complementary color

CMYK 58 / 0 / 47 / 27

HEX #4DB962

RGB 77 185 98

HSL 131.67, 0.44%, 0.51%

LAB 67.4, -49.64, 34.97

 

CMYK 0 / 62 / 17 / 28

HEX #B74698

RGB 183 70 152

HSL 316.46, 0.45%, 0.5%

LAB 47.9, 54.82, -22.09

 

CMYK 0 / 56 / 15 / 22

HEX #C858AB

RGB 200 88 171

HSL 315.54, 0.5%, 0.56%

LAB 54.24, 54.47, -23.31

 

CMYK 0 / 51 / 12 / 15

HEX #D96ABE

RGB 217 106 190

HSL 314.59, 0.59%, 0.63%

LAB 60.58, 53.92, -24.29

 

CMYK 0 / 47 / 11 / 8

HEX #EA7CD1

RGB 234 124 209

HSL 313.64, 0.72%, 0.7%

LAB 66.91, 53.27, -25.1

 

CMYK 0 / 43 / 9 / 2

HEX #FB8EE4

RGB 251 142 228

HSL 312.66, 0.93%, 0.77%

LAB 73.19, 52.56, -25.81

 

CMYK 0 / 61 / 12 / 30

HEX #B2469D

RGB 178 70 157

HSL 311.67, 0.44%, 0.49%

LAB 47.34, 54.19, -26

 

CMYK 0 / 68 / 14 / 37

HEX #A1348A

RGB 161 52 138

HSL 312.66, 0.51%, 0.42%

LAB 41.01, 54.2, -24.6

 

CMYK 0 / 76 / 17 / 44

HEX #902277

RGB 144 34 119

HSL 313.64, 0.62%, 0.35%

LAB 34.81, 53.58, -22.69

 

CMYK 0 / 87 / 21 / 50

HEX #7F1064

RGB 127 16 100

HSL 314.59, 0.78%, 0.28%

LAB 28.91, 51.83, -19.99

 

CMYK 0 / 100 / 26 / 57

HEX #6E0051

RGB 110 0 81

HSL 315.82, 1%, 0.22%

LAB 23.37, 48.66, -16.31

 

CMYK 0 / 61 / 12 / 29

HEX #B4469F

RGB 180 70 159

HSL 311.45, 0.44%, 0.49%

LAB 47.74, 55.06, -26.55

 

CMYK 0 / 61 / 28 / 29

HEX #B44681

RGB 180 70 129

HSL 327.82, 0.44%, 0.49%

LAB 46.54, 50.7, -10.38

 

CMYK 0 / 61 / 45 / 29

HEX #B44663

RGB 180 70 99

HSL 344.18, 0.44%, 0.49%

LAB 45.61, 47.2, 6.57

 

CMYK 0 / 61 / 61 / 29

HEX #B44646

RGB 180 70 70

HSL 0, 0.44%, 0.49%

LAB 44.98, 44.71, 23.4

 

CMYK 0 / 61 / 12 / 29

HEX #B4469F

RGB 180 70 159

HSL 311.45, 0.44%, 0.49%

LAB 47.74, 55.06, -26.55

 

CMYK 4 / 61 / 0 / 29

HEX #AC46B4

RGB 172 70 180

HSL 295.64, 0.44%, 0.49%

LAB 47.55, 56.52, -39.3

 

CMYK 21 / 61 / 0 / 29

HEX #8E46B4

RGB 142 70 180

HSL 279.27, 0.44%, 0.49%

LAB 43.4, 49.02, -46.16

 

CMYK 38 / 61 / 0 / 29

HEX #7046B4

RGB 112 70 180

HSL 262.91, 0.44%, 0.49%

LAB 39.78, 41.88, -52.16

 

CMYK 54 / 61 / 0 / 29

HEX #5346B4

RGB 83 70 180

HSL 247.09, 0.44%, 0.49%

LAB 36.96, 35.77, -56.87

 

CMYK 0 / 61 / 12 / 29

HEX #B4469F

RGB 180 70 159

HSL 311.45, 0.44%, 0.49%

LAB 47.74, 55.06, -26.55

 

CMYK 0 / 75 / 15 / 22

HEX #C832AB

RGB 200 50 171

HSL 311.6, 0.6%, 0.49%

LAB 48.88, 69.28, -31.61

 

CMYK 0 / 86 / 17 / 14

HEX #DC1EB7

RGB 220 30 183

HSL 311.68, 0.76%, 0.49%

LAB 51.34, 79.78, -34.56

 

CMYK 0 / 96 / 19 / 5

HEX #F109C4

RGB 241 9 196

HSL 311.64, 0.93%, 0.49%

LAB 54.95, 87.7, -36.18

 

CMYK 0 / 61 / 12 / 29

HEX #B4469F

RGB 180 70 159

HSL 311.45, 0.44%, 0.49%

LAB 47.74, 55.06, -26.55

 

CMYK 0 / 44 / 9 / 37

HEX #A05A92

RGB 160 90 146

HSL 312, 0.28%, 0.49%

LAB 48.08, 36.89, -18.51

 

CMYK 0 / 21 / 4 / 45

HEX #8B6E86

RGB 139 110 134

HSL 310.34, 0.12%, 0.49%

LAB 49.93, 15.79, -8.82

 

CMYK 9 / 0 / 8 / 49

HEX #778379

RGB 119 131 121

HSL 130, 0.05%, 0.49%

LAB 53.53, -6.45, 3.9

 

CMYK 34 / 0 / 28 / 41

HEX #63976D

RGB 99 151 109

HSL 131.54, 0.21%, 0.49%

LAB 57.93, -26.46, 16.77

 

CMYK 22 / 61 / 0 / 29

HEX #8D46B4

RGB 141 70 180

HSL 278.73, 0.44%, 0.49%

LAB 43.27, 48.77, -46.37

 

CMYK 5 / 61 / 0 / 29

HEX #AB46B4

RGB 171 70 180

HSL 295.09, 0.44%, 0.49%

LAB 47.41, 56.27, -39.54

 

CMYK 0 / 61 / 11 / 29

HEX #B446A0

RGB 180 70 160

HSL 310.91, 0.44%, 0.49%

LAB 47.78, 55.22, -27.07

 

CMYK 0 / 61 / 28 / 29

HEX #B44682

RGB 180 70 130

HSL 327.27, 0.44%, 0.49%

LAB 46.57, 50.83, -10.93

 

CMYK 0 / 61 / 44 / 29

HEX #B44665

RGB 180 70 101

HSL 343.09, 0.44%, 0.49%

LAB 45.67, 47.4, 5.42

 

CMYK 0 / 61 / 12 / 53

HEX #792F6A

RGB 121 47 106

HSL 312.16, 0.44%, 0.33%

LAB 32.12, 39.91, -18.95

 

CMYK 0 / 61 / 12 / 41

HEX #963A84

RGB 150 58 132

HSL 311.74, 0.44%, 0.41%

LAB 39.88, 47.64, -22.82

 

CMYK 0 / 61 / 12 / 29

HEX #B4469F

RGB 180 70 159

HSL 311.45, 0.44%, 0.49%

LAB 47.74, 55.06, -26.55

 

CMYK 0 / 50 / 10 / 24

HEX #C261AF

RGB 194 97 175

HSL 311.75, 0.44%, 0.57%

LAB 55.19, 48.99, -24.24

 

CMYK 0 / 38 / 7 / 20

HEX #CD7FBE

RGB 205 127 190

HSL 311.54, 0.44%, 0.65%

LAB 63.24, 39.47, -20.36

 

CMYK 0 / 61 / 12 / 30

HEX #B2469D

RGB 178 70 157

HSL 311.67, 0.44%, 0.49%

LAB 47.34, 54.19, -26

 

CMYK 0 / 38 / 61 / 29

HEX #B47046

RGB 180 112 70

HSL 22.91, 0.44%, 0.49%

LAB 53.74, 22.8, 34.32

 

CMYK 61 / 0 / 13 / 29

HEX #46B49C

RGB 70 180 156

HSL 166.91, 0.44%, 0.49%

LAB 66.78, -37.11, 2.96

 

CMYK 0 / 61 / 12 / 30

HEX #B2469D

RGB 178 70 157

HSL 311.67, 0.44%, 0.49%

LAB 47.34, 54.19, -26

 

CMYK 11 / 0 / 61 / 29

HEX #A0B446

RGB 160 180 70

HSL 70.91, 0.44%, 0.49%

LAB 69.87, -22.55, 52.31

 

CMYK 61 / 11 / 0 / 29

HEX #46A0B4

RGB 70 160 180

HSL 190.91, 0.44%, 0.49%

LAB 61.43, -20.66, -18.39

 

CMYK 0 / 61 / 12 / 30

HEX #B2469D

RGB 178 70 157

HSL 311.67, 0.44%, 0.49%

LAB 47.34, 54.19, -26

 

CMYK 0 / 38 / 61 / 29

HEX #B47046

RGB 180 112 70

HSL 22.91, 0.44%, 0.49%

LAB 53.74, 22.8, 34.32

 

CMYK 61 / 0 / 50 / 29

HEX #46B45A

RGB 70 180 90

HSL 130.91, 0.44%, 0.49%

LAB 65.5, -50.51, 36.59

 

CMYK 61 / 23 / 0 / 29

HEX #468AB4

RGB 70 138 180

HSL 202.91, 0.44%, 0.49%

LAB 54.84, -8.68, -28.51

 

CMYK 0 / 61 / 12 / 30

HEX #B2469D

RGB 178 70 157

HSL 311.67, 0.44%, 0.49%

LAB 47.34, 54.19, -26

 

CMYK 0 / 19 / 61 / 29

HEX #B49146

RGB 180 145 70

HSL 40.91, 0.44%, 0.49%

LAB 61.99, 4.45, 44.01

 

CMYK 61 / 0 / 50 / 29

HEX #46B45A

RGB 70 180 90

HSL 130.91, 0.44%, 0.49%

LAB 65.5, -50.51, 36.59

 

CMYK 61 / 42 / 0 / 29

HEX #4669B4

RGB 70 105 180

HSL 220.91, 0.44%, 0.49%

LAB 45.22, 11.13, -43.62

 

Description

Color code: HEX #B2469D | qconv.com Color code: HEX #B2469D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 70 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 70 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 12 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 12% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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