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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B240B2 it is the complementary color #4DBF4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B240B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B240B2 shade: #B740AD, #C852C0, #D964D3, #EA76E6 and #FB88F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B240B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B240B2 shade: #B240B2, #A12E9F, #901C8C, #7F0A79 and #6E0066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B240B2 shade: #B040B0, #B04092, #B04073, #B04055 and #B04040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B240B2 shade: #B040B0, #9240B0, #7340B0, #5540B0 and #4040B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B240B2 shade matches the following richer shades: #B040B0, #C42CC4, #D719D7 and #EA05EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B240B2 shade: #B040B0, #9D539D, #896689, #767A76 and #638D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B240B2 shade: #7440B0, #9240B0, #B040B0, #B04092 and #B04074

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B240B2 shade: #742A74, #923592, #B040B0, #C257C2 and #CD75CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B240B2 shade: #B240B2, #B05640 and #40B083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B240B2 shade: #B240B2, #B0B040 and #40B0B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B240B2 shade: #B240B2, #B05640, #40B040 and #409AB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B240B2 shade: #B240B2, #B07840, #40B040 and #4078B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 0 / 30

HEX #B240B2

RGB 178 64 178

HSL 300, 0.47%, 0.47%

LAB 47.43, 60.21, -38.27

 

Complementary color

CMYK 60 / 0 / 60 / 25

HEX #4DBF4D

RGB 77 191 77

HSL 120, 0.47%, 0.53%

LAB 69.02, -54.76, 47.09

 

CMYK 0 / 65 / 5 / 28

HEX #B740AD

RGB 183 64 173

HSL 305.04, 0.48%, 0.48%

LAB 47.95, 60.61, -34.46

 

CMYK 0 / 59 / 4 / 22

HEX #C852C0

RGB 200 82 192

HSL 304.07, 0.52%, 0.55%

LAB 54.15, 60.55, -35.6

 

CMYK 0 / 54 / 3 / 15

HEX #D964D3

RGB 217 100 211

HSL 303.08, 0.61%, 0.62%

LAB 60.4, 60.19, -36.48

 

CMYK 0 / 50 / 2 / 8

HEX #EA76E6

RGB 234 118 230

HSL 302.07, 0.73%, 0.69%

LAB 66.64, 59.66, -37.2

 

CMYK 0 / 46 / 1 / 2

HEX #FB88F9

RGB 251 136 249

HSL 301.04, 0.93%, 0.76%

LAB 72.86, 59.03, -37.79

 

CMYK 0 / 64 / 0 / 30

HEX #B240B2

RGB 178 64 178

HSL 300, 0.47%, 0.47%

LAB 47.43, 60.21, -38.27

 

CMYK 0 / 71 / 1 / 37

HEX #A12E9F

RGB 161 46 159

HSL 301.04, 0.56%, 0.41%

LAB 41.27, 59.83, -36.9

 

CMYK 0 / 81 / 3 / 44

HEX #901C8C

RGB 144 28 140

HSL 302.07, 0.67%, 0.34%

LAB 35.31, 58.61, -34.98

 

CMYK 0 / 92 / 5 / 50

HEX #7F0A79

RGB 127 10 121

HSL 303.08, 0.85%, 0.27%

LAB 29.69, 56.06, -32.24

 

CMYK 0 / 100 / 7 / 57

HEX #6E0066

RGB 110 0 102

HSL 304.36, 1%, 0.22%

LAB 24.56, 51.62, -28.38

 

CMYK 0 / 64 / 0 / 31

HEX #B040B0

RGB 176 64 176

HSL 300, 0.47%, 0.47%

LAB 47.02, 59.38, -37.76

 

CMYK 0 / 64 / 17 / 31

HEX #B04092

RGB 176 64 146

HSL 316.07, 0.47%, 0.47%

LAB 45.6, 54.54, -22.14

 

CMYK 0 / 64 / 35 / 31

HEX #B04073

RGB 176 64 115

HSL 332.68, 0.47%, 0.47%

LAB 44.43, 50.36, -5.06

 

CMYK 0 / 64 / 52 / 31

HEX #B04055

RGB 176 64 85

HSL 348.75, 0.47%, 0.47%

LAB 43.58, 47.24, 12.25

 

CMYK 0 / 64 / 64 / 31

HEX #B04040

RGB 176 64 64

HSL 0, 0.47%, 0.47%

LAB 43.16, 45.63, 24.56

 

CMYK 0 / 64 / 0 / 31

HEX #B040B0

RGB 176 64 176

HSL 300, 0.47%, 0.47%

LAB 47.02, 59.38, -37.76

 

CMYK 17 / 64 / 0 / 31

HEX #9240B0

RGB 146 64 176

HSL 283.93, 0.47%, 0.47%

LAB 42.63, 52.05, -45

 

CMYK 35 / 64 / 0 / 31

HEX #7340B0

RGB 115 64 176

HSL 267.32, 0.47%, 0.47%

LAB 38.63, 44.79, -51.64

 

CMYK 52 / 64 / 0 / 31

HEX #5540B0

RGB 85 64 176

HSL 251.25, 0.47%, 0.47%

LAB 35.46, 38.51, -56.92

 

CMYK 64 / 64 / 0 / 31

HEX #4040B0

RGB 64 64 176

HSL 240, 0.47%, 0.47%

LAB 33.76, 34.86, -59.78

 

CMYK 0 / 64 / 0 / 31

HEX #B040B0

RGB 176 64 176

HSL 300, 0.47%, 0.47%

LAB 47.02, 59.38, -37.76

 

CMYK 0 / 78 / 0 / 23

HEX #C42CC4

RGB 196 44 196

HSL 300, 0.63%, 0.47%

LAB 48.91, 73.85, -46.23

 

CMYK 0 / 88 / 0 / 16

HEX #D719D7

RGB 215 25 215

HSL 300, 0.79%, 0.47%

LAB 51.89, 84.04, -52.22

 

CMYK 0 / 98 / 0 / 8

HEX #EA05EA

RGB 234 5 234

HSL 300, 0.96%, 0.47%

LAB 55.63, 91.74, -56.84

 

CMYK 0 / 64 / 0 / 31

HEX #B040B0

RGB 176 64 176

HSL 300, 0.47%, 0.47%

LAB 47.02, 59.38, -37.76

 

CMYK 0 / 47 / 0 / 38

HEX #9D539D

RGB 157 83 157

HSL 300, 0.31%, 0.47%

LAB 46.7, 41.71, -27.23

 

CMYK 0 / 26 / 0 / 46

HEX #896689

RGB 137 102 137

HSL 300, 0.15%, 0.47%

LAB 47.79, 20.37, -13.85

 

CMYK 3 / 0 / 3 / 52

HEX #767A76

RGB 118 122 118

HSL 120, 0.02%, 0.47%

LAB 50.78, -2.31, 1.66

 

CMYK 30 / 0 / 30 / 45

HEX #638D63

RGB 99 141 99

HSL 120, 0.18%, 0.47%

LAB 54.66, -23.29, 17.91

 

CMYK 34 / 64 / 0 / 31

HEX #7440B0

RGB 116 64 176

HSL 267.86, 0.47%, 0.47%

LAB 38.75, 45.01, -51.44

 

CMYK 17 / 64 / 0 / 31

HEX #9240B0

RGB 146 64 176

HSL 283.93, 0.47%, 0.47%

LAB 42.63, 52.05, -45

 

CMYK 0 / 64 / 0 / 31

HEX #B040B0

RGB 176 64 176

HSL 300, 0.47%, 0.47%

LAB 47.02, 59.38, -37.76

 

CMYK 0 / 64 / 17 / 31

HEX #B04092

RGB 176 64 146

HSL 316.07, 0.47%, 0.47%

LAB 45.6, 54.54, -22.14

 

CMYK 0 / 64 / 34 / 31

HEX #B04074

RGB 176 64 116

HSL 332.14, 0.47%, 0.47%

LAB 44.46, 50.48, -5.63

 

CMYK 0 / 64 / 0 / 55

HEX #742A74

RGB 116 42 116

HSL 300, 0.47%, 0.31%

LAB 30.95, 42.64, -27.2

 

CMYK 0 / 64 / 0 / 43

HEX #923592

RGB 146 53 146

HSL 300, 0.47%, 0.39%

LAB 39.13, 51.19, -32.59

 

CMYK 0 / 64 / 0 / 31

HEX #B040B0

RGB 176 64 176

HSL 300, 0.47%, 0.47%

LAB 47.02, 59.38, -37.76

 

CMYK 0 / 55 / 0 / 24

HEX #C257C2

RGB 194 87 194

HSL 300, 0.47%, 0.55%

LAB 54.22, 57.06, -36.71

 

CMYK 0 / 43 / 0 / 20

HEX #CD75CD

RGB 205 117 205

HSL 300, 0.47%, 0.63%

LAB 61.75, 47.39, -31.12

 

CMYK 0 / 64 / 0 / 30

HEX #B240B2

RGB 178 64 178

HSL 300, 0.47%, 0.47%

LAB 47.43, 60.21, -38.27

 

CMYK 0 / 51 / 64 / 31

HEX #B05640

RGB 176 86 64

HSL 11.79, 0.47%, 0.47%

LAB 47.31, 34.85, 29.72

 

CMYK 64 / 0 / 26 / 31

HEX #40B083

RGB 64 176 131

HSL 155.89, 0.47%, 0.47%

LAB 64.79, -42.46, 13.87

 

CMYK 0 / 64 / 0 / 30

HEX #B240B2

RGB 178 64 178

HSL 300, 0.47%, 0.47%

LAB 47.43, 60.21, -38.27

 

CMYK 0 / 0 / 64 / 31

HEX #B0B040

RGB 176 176 64

HSL 60, 0.47%, 0.47%

LAB 69.93, -14.22, 55.33

 

CMYK 64 / 0 / 0 / 31

HEX #40B0B0

RGB 64 176 176

HSL 180, 0.47%, 0.47%

LAB 65.96, -30.91, -9.34

 

CMYK 0 / 64 / 0 / 30

HEX #B240B2

RGB 178 64 178

HSL 300, 0.47%, 0.47%

LAB 47.43, 60.21, -38.27

 

CMYK 0 / 51 / 64 / 31

HEX #B05640

RGB 176 86 64

HSL 11.79, 0.47%, 0.47%

LAB 47.31, 34.85, 29.72

 

CMYK 64 / 0 / 64 / 31

HEX #40B040

RGB 64 176 64

HSL 120, 0.47%, 0.47%

LAB 63.76, -53.7, 46.85

 

CMYK 64 / 13 / 0 / 31

HEX #409AB0

RGB 64 154 176

HSL 191.79, 0.47%, 0.47%

LAB 59.28, -19.82, -19.41

 

CMYK 0 / 64 / 0 / 30

HEX #B240B2

RGB 178 64 178

HSL 300, 0.47%, 0.47%

LAB 47.43, 60.21, -38.27

 

CMYK 0 / 32 / 64 / 31

HEX #B07840

RGB 176 120 64

HSL 30, 0.47%, 0.47%

LAB 55.11, 16.18, 39.01

 

CMYK 64 / 0 / 64 / 31

HEX #40B040

RGB 64 176 64

HSL 120, 0.47%, 0.47%

LAB 63.76, -53.7, 46.85

 

CMYK 64 / 32 / 0 / 31

HEX #4078B0

RGB 64 120 176

HSL 210, 0.47%, 0.47%

LAB 49.08, -0.65, -35.22

 

Description

Color code: HEX #B240B2 | qconv.com Color code: HEX #B240B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 64 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 64 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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