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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B235DD it is the complementary color #4DCA22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B235DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B235DD shade: #B735D8, #C847EB, #D959FE, #EA6BFF and #FB7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B235DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B235DD shade: #B235DD, #A123CA, #9011B7, #7F00A4 and #6E0091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B235DD shade: #B236DD, #DD36DB, #DD36AE, #DD3681 and #DD3654

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B235DD shade: #B236DD, #8536DD, #5936DD and #3636DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B235DD shade matches the following richer shades: #B236DD and #BC23F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B235DD shade: #B236DD, #A949CA, #A05CB7, #976FA4 and #8D8291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B235DD shade: #5836DD, #8436DD, #B136DD, #DD36DD and #DD36B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B235DD shade: #821CA5, #9E22C8, #B236DD, #C05AE3 and #CD7DE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B235DD shade: #B235DD, #DD3642 and #36DD6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B235DD shade: #B235DD, #DDB136 and #36DDB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B235DD shade: #B235DD, #DD3642, #63DD36 and #36DDD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B235DD shade: #B235DD, #DD5D36, #63DD36 and #36B6DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 76 / 0 / 13

HEX #B235DD

RGB 178 53 221

HSL 284.64, 0.71%, 0.54%

LAB 48.55, 72.06, -61.33

 

Complementary color

CMYK 62 / 0 / 83 / 21

HEX #4DCA22

RGB 77 202 34

HSL 104.64, 0.71%, 0.46%

LAB 72.18, -62.03, 65.89

 

CMYK 15 / 75 / 0 / 15

HEX #B735D8

RGB 183 53 216

HSL 287.85, 0.68%, 0.53%

LAB 48.97, 72.06, -57.76

 

CMYK 15 / 70 / 0 / 8

HEX #C847EB

RGB 200 71 235

HSL 287.2, 0.8%, 0.6%

LAB 54.85, 72.62, -58.94

 

CMYK 15 / 65 / 0 / 0

HEX #D959FE

RGB 217 89 254

HSL 286.55, 0.99%, 0.67%

LAB 60.83, 72.68, -59.8

 

CMYK 8 / 58 / 0 / 0

HEX #EA6BFF

RGB 234 107 255

HSL 291.49, 1%, 0.71%

LAB 65.93, 69.11, -52.11

 

CMYK 2 / 51 / 0 / 0

HEX #FB7DFF

RGB 251 125 255

HSL 298.15, 1%, 0.75%

LAB 71.14, 65.28, -43.74

 

CMYK 19 / 76 / 0 / 13

HEX #B235DD

RGB 178 53 221

HSL 284.64, 0.71%, 0.54%

LAB 48.55, 72.06, -61.33

 

CMYK 20 / 83 / 0 / 21

HEX #A123CA

RGB 161 35 202

HSL 285.27, 0.7%, 0.46%

LAB 42.83, 70.84, -59.79

 

CMYK 21 / 91 / 0 / 28

HEX #9011B7

RGB 144 17 183

HSL 285.9, 0.83%, 0.39%

LAB 37.39, 68.5, -57.6

 

CMYK 23 / 100 / 0 / 36

HEX #7F00A4

RGB 127 0 164

HSL 286.46, 1%, 0.32%

LAB 32.24, 64.96, -54.73

 

CMYK 24 / 100 / 0 / 43

HEX #6E0091

RGB 110 0 145

HSL 285.52, 1%, 0.28%

LAB 27.73, 59.08, -50.58

 

CMYK 19 / 76 / 0 / 13

HEX #B236DD

RGB 178 54 221

HSL 284.55, 0.71%, 0.54%

LAB 48.67, 71.73, -61.14

 

CMYK 0 / 76 / 1 / 13

HEX #DD36DB

RGB 221 54 219

HSL 300.72, 0.71%, 0.54%

LAB 55.2, 79.67, -49.17

 

CMYK 0 / 76 / 21 / 13

HEX #DD36AE

RGB 221 54 174

HSL 316.89, 0.71%, 0.54%

LAB 53.02, 73.33, -26.66

 

CMYK 0 / 76 / 42 / 13

HEX #DD3681

RGB 221 54 129

HSL 333.05, 0.71%, 0.54%

LAB 51.38, 68.31, -2.43

 

CMYK 0 / 76 / 62 / 13

HEX #DD3654

RGB 221 54 84

HSL 349.22, 0.71%, 0.54%

LAB 50.28, 64.82, 23.25

 

CMYK 19 / 76 / 0 / 13

HEX #B236DD

RGB 178 54 221

HSL 284.55, 0.71%, 0.54%

LAB 48.67, 71.73, -61.14

 

CMYK 40 / 76 / 0 / 13

HEX #8536DD

RGB 133 54 221

HSL 268.38, 0.71%, 0.54%

LAB 42.53, 63.94, -71.39

 

CMYK 60 / 76 / 0 / 13

HEX #5936DD

RGB 89 54 221

HSL 252.57, 0.71%, 0.54%

LAB 37.81, 57.77, -79.31

 

CMYK 76 / 76 / 0 / 13

HEX #3636DD

RGB 54 54 221

HSL 240, 0.71%, 0.54%

LAB 35.29, 54.38, -83.56

 

CMYK 19 / 76 / 0 / 13

HEX #B236DD

RGB 178 54 221

HSL 284.55, 0.71%, 0.54%

LAB 48.67, 71.73, -61.14

 

CMYK 22 / 85 / 0 / 6

HEX #BC23F0

RGB 188 35 240

HSL 284.78, 0.87%, 0.54%

LAB 49.72, 82.03, -70.12

 

CMYK 19 / 76 / 0 / 13

HEX #B236DD

RGB 178 54 221

HSL 284.55, 0.71%, 0.54%

LAB 48.67, 71.73, -61.14

 

CMYK 16 / 64 / 0 / 21

HEX #A949CA

RGB 169 73 202

HSL 284.65, 0.55%, 0.54%

LAB 48.84, 58.69, -50.05

 

CMYK 13 / 50 / 0 / 28

HEX #A05CB7

RGB 160 92 183

HSL 284.84, 0.39%, 0.54%

LAB 50.15, 43.02, -37.05

 

CMYK 8 / 32 / 0 / 36

HEX #976FA4

RGB 151 111 164

HSL 285.28, 0.23%, 0.54%

LAB 52.54, 25.56, -22.36

 

CMYK 3 / 10 / 0 / 43

HEX #8D8291

RGB 141 130 145

HSL 284, 0.06%, 0.54%

LAB 55.76, 7.07, -6.55

 

CMYK 60 / 76 / 0 / 13

HEX #5836DD

RGB 88 54 221

HSL 252.22, 0.71%, 0.54%

LAB 37.72, 57.65, -79.46

 

CMYK 40 / 76 / 0 / 13

HEX #8436DD

RGB 132 54 221

HSL 268.02, 0.71%, 0.54%

LAB 42.41, 63.78, -71.59

 

CMYK 20 / 76 / 0 / 13

HEX #B136DD

RGB 177 54 221

HSL 284.19, 0.71%, 0.54%

LAB 48.52, 71.55, -61.39

 

CMYK 0 / 76 / 0 / 13

HEX #DD36DD

RGB 221 54 221

HSL 300, 0.71%, 0.54%

LAB 55.31, 79.97, -50.13

 

CMYK 0 / 76 / 20 / 13

HEX #DD36B1

RGB 221 54 177

HSL 315.81, 0.71%, 0.54%

LAB 53.15, 73.71, -28.22

 

CMYK 21 / 83 / 0 / 35

HEX #821CA5

RGB 130 28 165

HSL 284.67, 0.71%, 0.38%

LAB 34.59, 60.39, -51.5

 

CMYK 21 / 83 / 0 / 22

HEX #9E22C8

RGB 158 34 200

HSL 284.82, 0.71%, 0.46%

LAB 42.13, 70.22, -59.78

 

CMYK 19 / 76 / 0 / 13

HEX #B236DD

RGB 178 54 221

HSL 284.55, 0.71%, 0.54%

LAB 48.67, 71.73, -61.14

 

CMYK 15 / 60 / 0 / 11

HEX #C05AE3

RGB 192 90 227

HSL 284.67, 0.71%, 0.62%

LAB 56.15, 61.37, -52.42

 

CMYK 12 / 46 / 0 / 9

HEX #CD7DE9

RGB 205 125 233

HSL 284.44, 0.71%, 0.7%

LAB 64.59, 48.64, -42.33

 

CMYK 19 / 76 / 0 / 13

HEX #B235DD

RGB 178 53 221

HSL 284.64, 0.71%, 0.54%

LAB 48.55, 72.06, -61.33

 

CMYK 0 / 76 / 70 / 13

HEX #DD3642

RGB 221 54 66

HSL 355.69, 0.71%, 0.54%

LAB 49.98, 63.87, 33.59

 

CMYK 76 / 0 / 50 / 13

HEX #36DD6E

RGB 54 221 110

HSL 140.12, 0.71%, 0.54%

LAB 78.24, -65.05, 42.5

 

CMYK 19 / 76 / 0 / 13

HEX #B235DD

RGB 178 53 221

HSL 284.64, 0.71%, 0.54%

LAB 48.55, 72.06, -61.33

 

CMYK 0 / 20 / 76 / 13

HEX #DDB136

RGB 221 177 54

HSL 44.19, 0.71%, 0.54%

LAB 74.24, 4.17, 64.93

 

CMYK 76 / 0 / 20 / 13

HEX #36DDB1

RGB 54 221 177

HSL 164.19, 0.71%, 0.54%

LAB 79.43, -51.87, 9.74

 

CMYK 19 / 76 / 0 / 13

HEX #B235DD

RGB 178 53 221

HSL 284.64, 0.71%, 0.54%

LAB 48.55, 72.06, -61.33

 

CMYK 0 / 76 / 70 / 13

HEX #DD3642

RGB 221 54 66

HSL 355.69, 0.71%, 0.54%

LAB 49.98, 63.87, 33.59

 

CMYK 55 / 0 / 76 / 13

HEX #63DD36

RGB 99 221 54

HSL 103.83, 0.71%, 0.54%

LAB 78.83, -62.12, 66.64

 

CMYK 76 / 0 / 5 / 13

HEX #36DDD2

RGB 54 221 210

HSL 176.05, 0.71%, 0.54%

LAB 80.26, -43.35, -6.6

 

CMYK 19 / 76 / 0 / 13

HEX #B235DD

RGB 178 53 221

HSL 284.64, 0.71%, 0.54%

LAB 48.55, 72.06, -61.33

 

CMYK 0 / 58 / 76 / 13

HEX #DD5D36

RGB 221 93 54

HSL 14.01, 0.71%, 0.54%

LAB 55.55, 47.91, 46.39

 

CMYK 55 / 0 / 76 / 13

HEX #63DD36

RGB 99 221 54

HSL 103.83, 0.71%, 0.54%

LAB 78.83, -62.12, 66.64

 

CMYK 76 / 18 / 0 / 13

HEX #36B6DD

RGB 54 182 221

HSL 194.01, 0.71%, 0.54%

LAB 69.08, -21.46, -29.44

 

Description

Color code: HEX #B235DD | qconv.com Color code: HEX #B235DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 53 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 53 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 76 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 76% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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