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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B22DB5 it is the complementary color #4DD24A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B22DB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B22DB5 shade: #B72DB0, #C83FC3, #D951D6, #EA63E9 and #FB75FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B22DB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B22DB5 shade: #B22DB5, #A11BA2, #90098F, #7F007C and #6E0069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B22DB5 shade: #B12DB4, #B42D92, #B42D6E, #B42D4A and #B42D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B22DB5 shade: #B12DB4, #8C2DB4, #682DB4, #442DB4 and #2D2DB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B22DB5 shade matches the following richer shades: #B12DB4, #C21BC6 and #D309D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B22DB5 shade: #B12DB4, #9F3FA1, #8E518F, #7C637D and #6B756B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B22DB5 shade: #672DB4, #8B2DB4, #AF2DB4, #B42D94 and #B42D70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B22DB5 shade: #701C72, #902593, #B12DB4, #CB3CCE and #D45DD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B22DB5 shade: #B22DB5, #B4432D and #2DB479

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B22DB5 shade: #B22DB5, #B4AF2D and #2DB4AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B22DB5 shade: #B22DB5, #B4432D, #31B42D and #2D9DB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B22DB5 shade: #B22DB5, #B46C2D, #31B42D and #2D75B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 75 / 0 / 29

HEX #B22DB5

RGB 178 45 181

HSL 298.68, 0.6%, 0.44%

LAB 45.19, 67.51, -43.58

 

Complementary color

CMYK 63 / 0 / 65 / 18

HEX #4DD24A

RGB 77 210 74

HSL 118.68, 0.6%, 0.56%

LAB 74.93, -61.87, 55.03

 

CMYK 0 / 75 / 4 / 28

HEX #B72DB0

RGB 183 45 176

HSL 303.04, 0.61%, 0.45%

LAB 45.74, 67.76, -39.7

 

CMYK 0 / 69 / 3 / 22

HEX #C83FC3

RGB 200 63 195

HSL 302.19, 0.55%, 0.52%

LAB 51.58, 68.6, -41.38

 

CMYK 0 / 63 / 1 / 15

HEX #D951D6

RGB 217 81 214

HSL 301.32, 0.64%, 0.58%

LAB 57.55, 68.86, -42.65

 

CMYK 0 / 58 / 0 / 8

HEX #EA63E9

RGB 234 99 233

HSL 300.44, 0.76%, 0.65%

LAB 63.59, 68.75, -43.64

 

CMYK 0 / 54 / 0 / 1

HEX #FB75FC

RGB 251 117 252

HSL 299.56, 0.96%, 0.72%

LAB 69.65, 68.4, -44.44

 

CMYK 2 / 75 / 0 / 29

HEX #B22DB5

RGB 178 45 181

HSL 298.68, 0.6%, 0.44%

LAB 45.19, 67.51, -43.58

 

CMYK 1 / 83 / 0 / 36

HEX #A11BA2

RGB 161 27 162

HSL 299.56, 0.71%, 0.37%

LAB 39.53, 65.83, -41.47

 

CMYK 0 / 94 / 1 / 44

HEX #90098F

RGB 144 9 143

HSL 300.44, 0.88%, 0.3%

LAB 34.21, 62.84, -38.59

 

CMYK 0 / 100 / 2 / 50

HEX #7F007C

RGB 127 0 124

HSL 301.42, 1%, 0.25%

LAB 29.33, 58.14, -34.71

 

CMYK 0 / 100 / 5 / 57

HEX #6E0069

RGB 110 0 105

HSL 302.73, 1%, 0.22%

LAB 24.75, 52.09, -30.03

 

CMYK 2 / 75 / 0 / 29

HEX #B12DB4

RGB 177 45 180

HSL 298.67, 0.6%, 0.44%

LAB 44.97, 67.13, -43.35

 

CMYK 0 / 75 / 19 / 29

HEX #B42D92

RGB 180 45 146

HSL 315.11, 0.6%, 0.44%

LAB 43.73, 62.66, -24.97

 

CMYK 0 / 75 / 39 / 29

HEX #B42D6E

RGB 180 45 110

HSL 331.11, 0.6%, 0.44%

LAB 42.32, 58.28, -5.03

 

CMYK 0 / 75 / 59 / 29

HEX #B42D4A

RGB 180 45 74

HSL 347.11, 0.6%, 0.44%

LAB 41.33, 55.13, 16.14

 

CMYK 0 / 75 / 75 / 29

HEX #B42D2D

RGB 180 45 45

HSL 0, 0.6%, 0.44%

LAB 40.85, 53.52, 33.3

 

CMYK 2 / 75 / 0 / 29

HEX #B12DB4

RGB 177 45 180

HSL 298.67, 0.6%, 0.44%

LAB 44.97, 67.13, -43.35

 

CMYK 22 / 75 / 0 / 29

HEX #8C2DB4

RGB 140 45 180

HSL 282.22, 0.6%, 0.44%

LAB 39.15, 59.63, -53

 

CMYK 42 / 75 / 0 / 29

HEX #682DB4

RGB 104 45 180

HSL 266.22, 0.6%, 0.44%

LAB 34.22, 53.04, -61.23

 

CMYK 62 / 75 / 0 / 29

HEX #442DB4

RGB 68 45 180

HSL 250.22, 0.6%, 0.44%

LAB 30.4, 47.72, -67.64

 

CMYK 75 / 75 / 0 / 29

HEX #2D2DB4

RGB 45 45 180

HSL 240, 0.6%, 0.44%

LAB 28.72, 45.3, -70.47

 

CMYK 2 / 75 / 0 / 29

HEX #B12DB4

RGB 177 45 180

HSL 298.67, 0.6%, 0.44%

LAB 44.97, 67.13, -43.35

 

CMYK 2 / 86 / 0 / 22

HEX #C21BC6

RGB 194 27 198

HSL 298.6, 0.76%, 0.44%

LAB 47.41, 77.53, -49.81

 

CMYK 2 / 96 / 0 / 15

HEX #D309D8

RGB 211 9 216

HSL 298.55, 0.92%, 0.44%

LAB 50.69, 85.22, -54.76

 

CMYK 2 / 75 / 0 / 29

HEX #B12DB4

RGB 177 45 180

HSL 298.67, 0.6%, 0.44%

LAB 44.97, 67.13, -43.35

 

CMYK 1 / 61 / 0 / 37

HEX #9F3FA1

RGB 159 63 161

HSL 298.78, 0.44%, 0.44%

LAB 43.51, 52.85, -34.59

 

CMYK 1 / 43 / 0 / 44

HEX #8E518F

RGB 142 81 143

HSL 299.03, 0.28%, 0.44%

LAB 43.68, 35.39, -23.69

 

CMYK 1 / 21 / 0 / 51

HEX #7C637D

RGB 124 99 125

HSL 297.69, 0.12%, 0.44%

LAB 45.21, 14.97, -10.7

 

CMYK 9 / 0 / 9 / 54

HEX #6B756B

RGB 107 117 107

HSL 120, 0.04%, 0.44%

LAB 48.15, -5.82, 4.23

 

CMYK 43 / 75 / 0 / 29

HEX #672DB4

RGB 103 45 180

HSL 265.78, 0.6%, 0.44%

LAB 34.1, 52.87, -61.44

 

CMYK 23 / 75 / 0 / 29

HEX #8B2DB4

RGB 139 45 180

HSL 281.78, 0.6%, 0.44%

LAB 39, 59.44, -53.25

 

CMYK 3 / 75 / 0 / 29

HEX #AF2DB4

RGB 175 45 180

HSL 297.78, 0.6%, 0.44%

LAB 44.64, 66.72, -43.89

 

CMYK 0 / 75 / 18 / 29

HEX #B42D94

RGB 180 45 148

HSL 314.22, 0.6%, 0.44%

LAB 43.83, 62.94, -26.03

 

CMYK 0 / 75 / 38 / 29

HEX #B42D70

RGB 180 45 112

HSL 330.22, 0.6%, 0.44%

LAB 42.38, 58.5, -6.17

 

CMYK 2 / 75 / 0 / 55

HEX #701C72

RGB 112 28 114

HSL 298.6, 0.61%, 0.28%

LAB 28.09, 47.06, -30.5

 

CMYK 2 / 75 / 0 / 42

HEX #902593

RGB 144 37 147

HSL 298.36, 0.6%, 0.36%

LAB 36.67, 57.06, -37.12

 

CMYK 2 / 75 / 0 / 29

HEX #B12DB4

RGB 177 45 180

HSL 298.67, 0.6%, 0.44%

LAB 44.97, 67.13, -43.35

 

CMYK 1 / 71 / 0 / 19

HEX #CB3CCE

RGB 203 60 206

HSL 298.77, 0.6%, 0.52%

LAB 52.27, 72.08, -46.59

 

CMYK 1 / 57 / 0 / 16

HEX #D45DD6

RGB 212 93 214

HSL 299.01, 0.6%, 0.6%

LAB 58.68, 62.55, -40.93

 

CMYK 2 / 75 / 0 / 29

HEX #B22DB5

RGB 178 45 181

HSL 298.68, 0.6%, 0.44%

LAB 45.19, 67.51, -43.58

 

CMYK 0 / 63 / 75 / 29

HEX #B4432D

RGB 180 67 45

HSL 9.78, 0.6%, 0.44%

LAB 44.1, 44.67, 36.89

 

CMYK 75 / 0 / 33 / 29

HEX #2DB479

RGB 45 180 121

HSL 153.78, 0.6%, 0.44%

LAB 65.42, -49.38, 20.13

 

CMYK 2 / 75 / 0 / 29

HEX #B22DB5

RGB 178 45 181

HSL 298.68, 0.6%, 0.44%

LAB 45.19, 67.51, -43.58

 

CMYK 0 / 3 / 75 / 29

HEX #B4AF2D

RGB 180 175 45

HSL 57.78, 0.6%, 0.44%

LAB 69.86, -12.99, 62.61

 

CMYK 75 / 0 / 3 / 29

HEX #2DB4AF

RGB 45 180 175

HSL 177.78, 0.6%, 0.44%

LAB 66.75, -35.7, -7.67

 

CMYK 2 / 75 / 0 / 29

HEX #B22DB5

RGB 178 45 181

HSL 298.68, 0.6%, 0.44%

LAB 45.19, 67.51, -43.58

 

CMYK 0 / 63 / 75 / 29

HEX #B4432D

RGB 180 67 45

HSL 9.78, 0.6%, 0.44%

LAB 44.1, 44.67, 36.89

 

CMYK 73 / 0 / 75 / 29

HEX #31B42D

RGB 49 180 45

HSL 118.22, 0.6%, 0.44%

LAB 64.55, -59.75, 55.14

 

CMYK 75 / 13 / 0 / 29

HEX #2D9DB4

RGB 45 157 180

HSL 190.22, 0.6%, 0.44%

LAB 59.86, -22.91, -20.84

 

CMYK 2 / 75 / 0 / 29

HEX #B22DB5

RGB 178 45 181

HSL 298.68, 0.6%, 0.44%

LAB 45.19, 67.51, -43.58

 

CMYK 0 / 40 / 75 / 29

HEX #B46C2D

RGB 180 108 45

HSL 28, 0.6%, 0.44%

LAB 52.53, 23.51, 45.76

 

CMYK 73 / 0 / 75 / 29

HEX #31B42D

RGB 49 180 45

HSL 118.22, 0.6%, 0.44%

LAB 64.55, -59.75, 55.14

 

CMYK 75 / 35 / 0 / 29

HEX #2D75B4

RGB 45 117 180

HSL 208, 0.6%, 0.44%

LAB 47.72, -0.43, -39.72

 

Description

Color code: HEX #B22DB5 | qconv.com Color code: HEX #B22DB5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 45 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 45 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 75 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 75% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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