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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B22C5E it is the complementary color #4DD3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B22C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B22C5E shade: #B72C59, #C83E6C, #D9507F, #EA6292 and #FB74A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B22C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B22C5E shade: #B22C5E, #A11A4B, #900838, #7F0025 and #6E0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B22C5E shade: #B32C5F, #B32C3A and #B32C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B22C5E shade: #B32C5F, #B32C83, #B32CA7, #9A2CB3 and #762CB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B22C5E shade matches the following richer shades: #B32C5F, #C51A5A and #D70855

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B22C5E shade: #B32C5F, #A13F63, #8F5168, #7D636C and #6A7571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B22C5E shade: #B32CA8, #B32C84, #B32C60, #B32C3C and #B3412C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B22C5E shade: #711C3C, #92244D, #B32C5F, #CE3B72 and #D65C8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B22C5E shade: #B22C5E, #B39A2C and #2C96B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B22C5E shade: #B22C5E, #60B32C and #2C60B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B22C5E shade: #B22C5E, #B39A2C, #2CB37F and #2C45B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B22C5E shade: #B22C5E, #A3B32C, #2CB37F and #3C2CB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 47 / 30

HEX #B22C5E

RGB 178 44 94

HSL 337.61, 0.6%, 0.44%

LAB 41.33, 56.48, 3.5

 

Complementary color

CMYK 64 / 0 / 24 / 17

HEX #4DD3A1

RGB 77 211 161

HSL 157.61, 0.6%, 0.56%

LAB 76.52, -48.13, 14.18

 

CMYK 0 / 76 / 51 / 28

HEX #B72C59

RGB 183 44 89

HSL 340.58, 0.61%, 0.45%

LAB 42.14, 57.47, 7.92

 

CMYK 0 / 69 / 46 / 22

HEX #C83E6C

RGB 200 62 108

HSL 340, 0.56%, 0.51%

LAB 48.02, 57.74, 4.96

 

CMYK 0 / 63 / 41 / 15

HEX #D9507F

RGB 217 80 127

HSL 339.42, 0.64%, 0.58%

LAB 54.05, 57.52, 2.59

 

CMYK 0 / 58 / 38 / 8

HEX #EA6292

RGB 234 98 146

HSL 338.82, 0.76%, 0.65%

LAB 60.16, 57, 0.65

 

CMYK 0 / 54 / 34 / 2

HEX #FB74A5

RGB 251 116 165

HSL 338.22, 0.94%, 0.72%

LAB 66.3, 56.33, -0.99

 

CMYK 0 / 75 / 47 / 30

HEX #B22C5E

RGB 178 44 94

HSL 337.61, 0.6%, 0.44%

LAB 41.33, 56.48, 3.5

 

CMYK 0 / 84 / 53 / 37

HEX #A11A4B

RGB 161 26 75

HSL 338.22, 0.72%, 0.37%

LAB 35.64, 55.41, 7.06

 

CMYK 0 / 94 / 61 / 44

HEX #900838

RGB 144 8 56

HSL 338.82, 0.89%, 0.3%

LAB 30.37, 53.04, 11.71

 

CMYK 0 / 100 / 71 / 50

HEX #7F0025

RGB 127 0 37

HSL 342.52, 1%, 0.25%

LAB 25.7, 48.88, 17.69

 

CMYK 0 / 100 / 84 / 57

HEX #6E0012

RGB 110 0 18

HSL 350.18, 1%, 0.22%

LAB 21.43, 43.56, 24.41

 

CMYK 0 / 75 / 47 / 30

HEX #B32C5F

RGB 179 44 95

HSL 337.33, 0.61%, 0.44%

LAB 41.55, 56.86, 3.21

 

CMYK 0 / 75 / 68 / 30

HEX #B32C3A

RGB 179 44 58

HSL 353.78, 0.61%, 0.44%

LAB 40.72, 54.17, 25.27

 

CMYK 0 / 75 / 75 / 30

HEX #B32C2C

RGB 179 44 44

HSL 0, 0.61%, 0.44%

LAB 40.52, 53.51, 33.47

 

CMYK 0 / 75 / 47 / 30

HEX #B32C5F

RGB 179 44 95

HSL 337.33, 0.61%, 0.44%

LAB 41.55, 56.86, 3.21

 

CMYK 0 / 75 / 27 / 30

HEX #B32C83

RGB 179 44 131

HSL 321.33, 0.61%, 0.44%

LAB 42.8, 60.77, -17.29

 

CMYK 0 / 75 / 7 / 30

HEX #B32CA7

RGB 179 44 167

HSL 305.33, 0.61%, 0.44%

LAB 44.48, 65.8, -36.41

 

CMYK 14 / 75 / 0 / 30

HEX #9A2CB3

RGB 154 44 179

HSL 288.89, 0.61%, 0.44%

LAB 41.1, 62.56, -49.16

 

CMYK 34 / 75 / 0 / 30

HEX #762CB3

RGB 118 44 179

HSL 272.89, 0.61%, 0.44%

LAB 35.81, 55.67, -57.98

 

CMYK 0 / 75 / 47 / 30

HEX #B32C5F

RGB 179 44 95

HSL 337.33, 0.61%, 0.44%

LAB 41.55, 56.86, 3.21

 

CMYK 0 / 87 / 54 / 23

HEX #C51A5A

RGB 197 26 90

HSL 337.54, 0.77%, 0.44%

LAB 43.28, 65.86, 9.29

 

CMYK 0 / 96 / 60 / 16

HEX #D70855

RGB 215 8 85

HSL 337.68, 0.93%, 0.44%

LAB 46.01, 72.2, 16.76

 

CMYK 0 / 75 / 47 / 30

HEX #B32C5F

RGB 179 44 95

HSL 337.33, 0.61%, 0.44%

LAB 41.55, 56.86, 3.21

 

CMYK 0 / 61 / 39 / 37

HEX #A13F63

RGB 161 63 99

HSL 337.96, 0.44%, 0.44%

LAB 41.27, 44.1, -0.1

 

CMYK 0 / 43 / 27 / 44

HEX #8F5168

RGB 143 81 104

HSL 337.74, 0.28%, 0.44%

LAB 42.34, 28.95, -1.93

 

CMYK 0 / 21 / 14 / 51

HEX #7D636C

RGB 125 99 108

HSL 339.23, 0.12%, 0.44%

LAB 44.75, 12.04, -1.09

 

CMYK 9 / 0 / 3 / 54

HEX #6A7571

RGB 106 117 113

HSL 158.18, 0.05%, 0.44%

LAB 48.23, -4.96, 0.79

 

CMYK 0 / 75 / 6 / 30

HEX #B32CA8

RGB 179 44 168

HSL 304.89, 0.61%, 0.44%

LAB 44.54, 65.95, -36.92

 

CMYK 0 / 75 / 26 / 30

HEX #B32C84

RGB 179 44 132

HSL 320.89, 0.61%, 0.44%

LAB 42.84, 60.89, -17.84

 

CMYK 0 / 75 / 46 / 30

HEX #B32C60

RGB 179 44 96

HSL 336.89, 0.61%, 0.44%

LAB 41.58, 56.95, 2.62

 

CMYK 0 / 75 / 66 / 30

HEX #B32C3C

RGB 179 44 60

HSL 352.89, 0.61%, 0.44%

LAB 40.75, 54.28, 24.08

 

CMYK 0 / 64 / 75 / 30

HEX #B3412C

RGB 179 65 44

HSL 9.33, 0.61%, 0.44%

LAB 43.57, 45.17, 36.82

 

CMYK 0 / 75 / 47 / 56

HEX #711C3C

RGB 113 28 60

HSL 337.41, 0.6%, 0.28%

LAB 25.77, 39.47, 1.59

 

CMYK 0 / 75 / 47 / 43

HEX #92244D

RGB 146 36 77

HSL 337.64, 0.6%, 0.36%

LAB 33.79, 48.33, 2.72

 

CMYK 0 / 75 / 47 / 30

HEX #B32C5F

RGB 179 44 95

HSL 337.33, 0.61%, 0.44%

LAB 41.55, 56.86, 3.21

 

CMYK 0 / 71 / 45 / 19

HEX #CE3B72

RGB 206 59 114

HSL 337.55, 0.6%, 0.52%

LAB 48.84, 61.16, 2.63

 

CMYK 0 / 57 / 36 / 16

HEX #D65C8A

RGB 214 92 138

HSL 337.38, 0.6%, 0.6%

LAB 55.87, 52.46, -1.31

 

CMYK 0 / 75 / 47 / 30

HEX #B22C5E

RGB 178 44 94

HSL 337.61, 0.6%, 0.44%

LAB 41.33, 56.48, 3.5

 

CMYK 0 / 14 / 75 / 30

HEX #B39A2C

RGB 179 154 44

HSL 48.89, 0.61%, 0.44%

LAB 64.06, -2.4, 57.48

 

CMYK 75 / 16 / 0 / 30

HEX #2C96B3

RGB 44 150 179

HSL 192.89, 0.61%, 0.44%

LAB 57.66, -19.69, -23.65

 

CMYK 0 / 75 / 47 / 30

HEX #B22C5E

RGB 178 44 94

HSL 337.61, 0.6%, 0.44%

LAB 41.33, 56.48, 3.5

 

CMYK 46 / 0 / 75 / 30

HEX #60B32C

RGB 96 179 44

HSL 96.89, 0.61%, 0.44%

LAB 65.68, -47.89, 57.08

 

CMYK 75 / 46 / 0 / 30

HEX #2C60B3

RGB 44 96 179

HSL 216.89, 0.61%, 0.44%

LAB 41.46, 12.28, -49.11

 

CMYK 0 / 75 / 47 / 30

HEX #B22C5E

RGB 178 44 94

HSL 337.61, 0.6%, 0.44%

LAB 41.33, 56.48, 3.5

 

CMYK 0 / 14 / 75 / 30

HEX #B39A2C

RGB 179 154 44

HSL 48.89, 0.61%, 0.44%

LAB 64.06, -2.4, 57.48

 

CMYK 75 / 0 / 29 / 30

HEX #2CB37F

RGB 44 179 127

HSL 156.89, 0.61%, 0.44%

LAB 65.21, -47.81, 16.58

 

CMYK 75 / 61 / 0 / 30

HEX #2C45B3

RGB 44 69 179

HSL 228.89, 0.61%, 0.44%

LAB 34.08, 30.02, -61.08

 

CMYK 0 / 75 / 47 / 30

HEX #B22C5E

RGB 178 44 94

HSL 337.61, 0.6%, 0.44%

LAB 41.33, 56.48, 3.5

 

CMYK 9 / 0 / 75 / 30

HEX #A3B32C

RGB 163 179 44

HSL 67.11, 0.61%, 0.44%

LAB 69.62, -22.37, 62.23

 

CMYK 75 / 0 / 29 / 30

HEX #2CB37F

RGB 44 179 127

HSL 156.89, 0.61%, 0.44%

LAB 65.21, -47.81, 16.58

 

CMYK 66 / 75 / 0 / 30

HEX #3C2CB3

RGB 60 44 179

HSL 247.11, 0.61%, 0.44%

LAB 29.45, 47, -68.63

 

Description

Color code: HEX #B22C5E | qconv.com Color code: HEX #B22C5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 44 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 44 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 47 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 47% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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