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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2289F it is the complementary color #4DD760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2289F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2289F shade: #B7289A, #C83AAD, #D94CC0, #EA5ED3 and #FB70E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2289F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2289F shade: #B2289F, #A1168C, #900479, #7F0066 and #6E0053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2289F shade: #B329A0, #B3297A, #B32955, #B32930 and #B32929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2289F shade: #B329A0, #A029B3, #7B29B3, #5629B3 and #3129B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2289F shade matches the following richer shades: #B329A0, #C417AD and #D605B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2289F shade: #B329A0, #A13A93, #8F4C86, #7E5E79 and #6C706C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2289F shade: #7B29B3, #A029B3, #B329A0, #B3297B and #B32957

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2289F shade: #6F1964, #912182, #B329A0, #D134BB and #D855C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2289F shade: #B2289F, #B35729 and #29B38E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2289F shade: #B2289F, #A0B329 and #29A0B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2289F shade: #B2289F, #B35729, #29B33B and #2985B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2289F shade: #B2289F, #B38029, #29B33B and #295BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 11 / 30

HEX #B2289F

RGB 178 40 159

HSL 308.26, 0.63%, 0.43%

LAB 43.49, 65.55, -33.21

 

Complementary color

CMYK 64 / 0 / 55 / 16

HEX #4DD760

RGB 77 215 96

HSL 128.26, 0.63%, 0.57%

LAB 76.69, -61.11, 47.35

 

CMYK 0 / 78 / 16 / 28

HEX #B7289A

RGB 183 40 154

HSL 312.17, 0.64%, 0.44%

LAB 44.12, 65.96, -29.16

 

CMYK 0 / 71 / 14 / 22

HEX #C83AAD

RGB 200 58 173

HSL 311.41, 0.56%, 0.51%

LAB 49.89, 66.99, -31.23

 

CMYK 0 / 65 / 12 / 15

HEX #D94CC0

RGB 217 76 192

HSL 310.64, 0.65%, 0.57%

LAB 55.81, 67.37, -32.82

 

CMYK 0 / 60 / 10 / 8

HEX #EA5ED3

RGB 234 94 211

HSL 309.86, 0.77%, 0.64%

LAB 61.83, 67.34, -34.08

 

CMYK 0 / 55 / 8 / 2

HEX #FB70E6

RGB 251 112 230

HSL 309.06, 0.95%, 0.71%

LAB 67.88, 67.03, -35.1

 

CMYK 0 / 78 / 11 / 30

HEX #B2289F

RGB 178 40 159

HSL 308.26, 0.63%, 0.43%

LAB 43.49, 65.55, -33.21

 

CMYK 0 / 86 / 13 / 37

HEX #A1168C

RGB 161 22 140

HSL 309.06, 0.76%, 0.36%

LAB 37.92, 63.57, -30.65

 

CMYK 0 / 97 / 16 / 44

HEX #900479

RGB 144 4 121

HSL 309.86, 0.95%, 0.29%

LAB 32.69, 60.29, -27.27

 

CMYK 0 / 100 / 20 / 50

HEX #7F0066

RGB 127 0 102

HSL 311.81, 1%, 0.25%

LAB 28.04, 54.95, -22.65

 

CMYK 0 / 100 / 25 / 57

HEX #6E0053

RGB 110 0 83

HSL 314.73, 1%, 0.22%

LAB 23.47, 48.92, -17.5

 

CMYK 0 / 77 / 11 / 30

HEX #B329A0

RGB 179 41 160

HSL 308.26, 0.63%, 0.43%

LAB 43.81, 65.64, -33.29

 

CMYK 0 / 77 / 32 / 30

HEX #B3297A

RGB 179 41 122

HSL 324.78, 0.63%, 0.43%

LAB 42.12, 60.61, -12.79

 

CMYK 0 / 77 / 53 / 30

HEX #B32955

RGB 179 41 85

HSL 340.87, 0.63%, 0.43%

LAB 40.94, 56.96, 8.63

 

CMYK 0 / 77 / 73 / 30

HEX #B32930

RGB 179 41 48

HSL 356.96, 0.63%, 0.43%

LAB 40.22, 54.66, 30.76

 

CMYK 0 / 77 / 77 / 30

HEX #B32929

RGB 179 41 41

HSL 0, 0.63%, 0.43%

LAB 40.13, 54.38, 34.79

 

CMYK 0 / 77 / 11 / 30

HEX #B329A0

RGB 179 41 160

HSL 308.26, 0.63%, 0.43%

LAB 43.81, 65.64, -33.29

 

CMYK 11 / 77 / 0 / 30

HEX #A029B3

RGB 160 41 179

HSL 291.74, 0.63%, 0.43%

LAB 41.71, 64.74, -48.13

 

CMYK 31 / 77 / 0 / 30

HEX #7B29B3

RGB 123 41 179

HSL 275.65, 0.63%, 0.43%

LAB 36.08, 57.76, -57.5

 

CMYK 52 / 77 / 0 / 30

HEX #5629B3

RGB 86 41 179

HSL 259.57, 0.63%, 0.43%

LAB 31.39, 51.8, -65.36

 

CMYK 73 / 77 / 0 / 30

HEX #3129B3

RGB 49 41 179

HSL 243.48, 0.63%, 0.43%

LAB 28.1, 47.5, -70.9

 

CMYK 0 / 77 / 11 / 30

HEX #B329A0

RGB 179 41 160

HSL 308.26, 0.63%, 0.43%

LAB 43.81, 65.64, -33.29

 

CMYK 0 / 88 / 12 / 23

HEX #C417AD

RGB 196 23 173

HSL 307.98, 0.79%, 0.43%

LAB 46.13, 74.93, -37.17

 

CMYK 0 / 98 / 14 / 16

HEX #D605B9

RGB 214 5 185

HSL 308.33, 0.95%, 0.43%

LAB 49.38, 81.75, -38.88

 

CMYK 0 / 77 / 11 / 30

HEX #B329A0

RGB 179 41 160

HSL 308.26, 0.63%, 0.43%

LAB 43.81, 65.64, -33.29

 

CMYK 0 / 64 / 9 / 37

HEX #A13A93

RGB 161 58 147

HSL 308.16, 0.47%, 0.43%

LAB 42.32, 53.15, -28.01

 

CMYK 0 / 47 / 6 / 44

HEX #8F4C86

RGB 143 76 134

HSL 308.06, 0.31%, 0.43%

LAB 42.35, 36.75, -20.29

 

CMYK 0 / 25 / 4 / 51

HEX #7E5E79

RGB 126 94 121

HSL 309.38, 0.15%, 0.43%

LAB 43.98, 17.89, -10.11

 

CMYK 4 / 0 / 4 / 56

HEX #6C706C

RGB 108 112 108

HSL 120, 0.02%, 0.43%

LAB 46.79, -2.34, 1.68

 

CMYK 31 / 77 / 0 / 30

HEX #7B29B3

RGB 123 41 179

HSL 275.65, 0.63%, 0.43%

LAB 36.08, 57.76, -57.5

 

CMYK 11 / 77 / 0 / 30

HEX #A029B3

RGB 160 41 179

HSL 291.74, 0.63%, 0.43%

LAB 41.71, 64.74, -48.13

 

CMYK 0 / 77 / 11 / 30

HEX #B329A0

RGB 179 41 160

HSL 308.26, 0.63%, 0.43%

LAB 43.81, 65.64, -33.29

 

CMYK 0 / 77 / 31 / 30

HEX #B3297B

RGB 179 41 123

HSL 324.35, 0.63%, 0.43%

LAB 42.15, 60.73, -13.35

 

CMYK 0 / 77 / 51 / 30

HEX #B32957

RGB 179 41 87

HSL 340, 0.63%, 0.43%

LAB 40.99, 57.13, 7.44

 

CMYK 0 / 77 / 10 / 56

HEX #6F1964

RGB 111 25 100

HSL 307.67, 0.63%, 0.27%

LAB 26.72, 45.46, -23.64

 

CMYK 0 / 77 / 10 / 43

HEX #912182

RGB 145 33 130

HSL 308.04, 0.63%, 0.35%

LAB 35.44, 55.79, -28.58

 

CMYK 0 / 77 / 11 / 30

HEX #B329A0

RGB 179 41 160

HSL 308.26, 0.63%, 0.43%

LAB 43.81, 65.64, -33.29

 

CMYK 0 / 75 / 11 / 18

HEX #D134BB

RGB 209 52 187

HSL 308.41, 0.63%, 0.51%

LAB 51.38, 72.97, -36.96

 

CMYK 0 / 61 / 8 / 15

HEX #D855C6

RGB 216 85 198

HSL 308.24, 0.63%, 0.59%

LAB 57.24, 64.41, -34.04

 

CMYK 0 / 78 / 11 / 30

HEX #B2289F

RGB 178 40 159

HSL 308.26, 0.63%, 0.43%

LAB 43.49, 65.55, -33.21

 

CMYK 0 / 51 / 77 / 30

HEX #B35729

RGB 179 87 41

HSL 20, 0.63%, 0.43%

LAB 47.7, 34.27, 42.72

 

CMYK 77 / 0 / 21 / 30

HEX #29B38E

RGB 41 179 142

HSL 163.91, 0.63%, 0.43%

LAB 65.49, -44.63, 8.74

 

CMYK 0 / 78 / 11 / 30

HEX #B2289F

RGB 178 40 159

HSL 308.26, 0.63%, 0.43%

LAB 43.49, 65.55, -33.21

 

CMYK 11 / 0 / 77 / 30

HEX #A0B329

RGB 160 179 41

HSL 68.26, 0.63%, 0.43%

LAB 69.38, -23.78, 62.89

 

CMYK 77 / 11 / 0 / 30

HEX #29A0B3

RGB 41 160 179

HSL 188.26, 0.63%, 0.43%

LAB 60.66, -25.22, -19.06

 

CMYK 0 / 78 / 11 / 30

HEX #B2289F

RGB 178 40 159

HSL 308.26, 0.63%, 0.43%

LAB 43.49, 65.55, -33.21

 

CMYK 0 / 51 / 77 / 30

HEX #B35729

RGB 179 87 41

HSL 20, 0.63%, 0.43%

LAB 47.7, 34.27, 42.72

 

CMYK 77 / 0 / 67 / 30

HEX #29B33B

RGB 41 179 59

HSL 127.83, 0.63%, 0.43%

LAB 64.18, -59.42, 49.31

 

CMYK 77 / 26 / 0 / 30

HEX #2985B3

RGB 41 133 179

HSL 200, 0.63%, 0.43%

LAB 52.4, -10.71, -31.8

 

CMYK 0 / 78 / 11 / 30

HEX #B2289F

RGB 178 40 159

HSL 308.26, 0.63%, 0.43%

LAB 43.49, 65.55, -33.21

 

CMYK 0 / 28 / 77 / 30

HEX #B38029

RGB 179 128 41

HSL 37.83, 0.63%, 0.43%

LAB 57.25, 11.76, 52.14

 

CMYK 77 / 0 / 67 / 30

HEX #29B33B

RGB 41 179 59

HSL 127.83, 0.63%, 0.43%

LAB 64.18, -59.42, 49.31

 

CMYK 77 / 49 / 0 / 30

HEX #295BB3

RGB 41 91 179

HSL 218.26, 0.63%, 0.43%

LAB 39.93, 15.16, -51.59

 

Description

Color code: HEX #B2289F | qconv.com Color code: HEX #B2289F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 40 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 40 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 11 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 11% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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