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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B227BF it is the complementary color #4DD840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B227BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B227BF shade: #B727BA, #C839CD, #D94BE0, #EA5DF3 and #FB6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B227BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B227BF shade: #B227BF, #A115AC, #900399, #7F0086 and #6E0073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B227BF shade: #B227BE, #BE27A3, #BE277A, #BE2751 and #BE2728

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B227BF shade: #B227BE, #8927BE, #6027BE, #3727BE and #2727BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B227BF shade matches the following richer shades: #B227BE, #C114D1 and #D002E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B227BF shade: #B227BE, #A23AAC, #934C99, #835F87 and #747174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B227BF shade: #5F27BE, #8727BE, #AF27BE, #BE27A5 and #BE277D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B227BF shade: #72197A, #92209C, #B227BE, #C938D6 and #D25BDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B227BF shade: #B227BF, #BE3627 and #27BE73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B227BF shade: #B227BF, #BEAF27 and #27BEAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B227BF shade: #B227BF, #BE3627, #36BE27 and #27AFBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B227BF shade: #B227BF, #BE6427, #36BE27 and #2782BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 80 / 0 / 25

HEX #B227BF

RGB 178 39 191

HSL 294.87, 0.66%, 0.45%

LAB 45.19, 70.87, -49.44

 

Complementary color

CMYK 64 / 0 / 70 / 15

HEX #4DD840

RGB 77 216 64

HSL 114.87, 0.66%, 0.55%

LAB 76.72, -64.81, 60.86

 

CMYK 2 / 79 / 0 / 27

HEX #B727BA

RGB 183 39 186

HSL 298.78, 0.65%, 0.44%

LAB 45.72, 71.02, -45.62

 

CMYK 2 / 72 / 0 / 20

HEX #C839CD

RGB 200 57 205

HSL 297.97, 0.6%, 0.51%

LAB 51.4, 72.27, -47.43

 

CMYK 3 / 67 / 0 / 12

HEX #D94BE0

RGB 217 75 224

HSL 297.18, 0.71%, 0.59%

LAB 57.24, 72.82, -48.8

 

CMYK 4 / 62 / 0 / 5

HEX #EA5DF3

RGB 234 93 243

HSL 296.4, 0.86%, 0.66%

LAB 63.17, 72.92, -49.85

 

CMYK 2 / 56 / 0 / 0

HEX #FB6FFF

RGB 251 111 255

HSL 298.33, 1%, 0.72%

LAB 68.82, 71.53, -47.38

 

CMYK 7 / 80 / 0 / 25

HEX #B227BF

RGB 178 39 191

HSL 294.87, 0.66%, 0.45%

LAB 45.19, 70.87, -49.44

 

CMYK 6 / 88 / 0 / 33

HEX #A115AC

RGB 161 21 172

HSL 295.63, 0.78%, 0.38%

LAB 39.73, 68.67, -47.13

 

CMYK 6 / 98 / 0 / 40

HEX #900399

RGB 144 3 153

HSL 296.4, 0.96%, 0.31%

LAB 34.59, 65.22, -44.11

 

CMYK 5 / 100 / 0 / 47

HEX #7F0086

RGB 127 0 134

HSL 296.87, 1%, 0.26%

LAB 29.99, 59.73, -39.93

 

CMYK 4 / 100 / 0 / 55

HEX #6E0073

RGB 110 0 115

HSL 297.39, 1%, 0.23%

LAB 25.42, 53.71, -35.42

 

CMYK 6 / 79 / 0 / 25

HEX #B227BE

RGB 178 39 190

HSL 295.23, 0.66%, 0.45%

LAB 45.13, 70.71, -48.95

 

CMYK 0 / 79 / 14 / 25

HEX #BE27A3

RGB 190 39 163

HSL 310.73, 0.66%, 0.45%

LAB 45.69, 69.03, -31.99

 

CMYK 0 / 79 / 36 / 25

HEX #BE277A

RGB 190 39 122

HSL 327.02, 0.66%, 0.45%

LAB 43.95, 63.97, -9.82

 

CMYK 0 / 79 / 57 / 25

HEX #BE2751

RGB 190 39 81

HSL 343.31, 0.66%, 0.45%

LAB 42.75, 60.34, 13.99

 

CMYK 0 / 79 / 79 / 25

HEX #BE2728

RGB 190 39 40

HSL 359.6, 0.66%, 0.45%

LAB 42.08, 58.24, 38.08

 

CMYK 6 / 79 / 0 / 25

HEX #B227BE

RGB 178 39 190

HSL 295.23, 0.66%, 0.45%

LAB 45.13, 70.71, -48.95

 

CMYK 28 / 79 / 0 / 25

HEX #8927BE

RGB 137 39 190

HSL 278.94, 0.66%, 0.45%

LAB 38.7, 63.26, -59.64

 

CMYK 49 / 79 / 0 / 25

HEX #6027BE

RGB 96 39 190

HSL 262.65, 0.66%, 0.45%

LAB 33.25, 56.95, -68.77

 

CMYK 71 / 79 / 0 / 25

HEX #3727BE

RGB 55 39 190

HSL 246.36, 0.66%, 0.45%

LAB 29.36, 52.44, -75.32

 

CMYK 79 / 79 / 0 / 25

HEX #2727BE

RGB 39 39 190

HSL 240, 0.66%, 0.45%

LAB 28.38, 51.3, -76.98

 

CMYK 6 / 79 / 0 / 25

HEX #B227BE

RGB 178 39 190

HSL 295.23, 0.66%, 0.45%

LAB 45.13, 70.71, -48.95

 

CMYK 8 / 90 / 0 / 18

HEX #C114D1

RGB 193 20 209

HSL 294.92, 0.83%, 0.45%

LAB 47.55, 80.15, -55.95

 

CMYK 9 / 99 / 0 / 11

HEX #D002E4

RGB 208 2 228

HSL 294.69, 0.98%, 0.45%

LAB 50.75, 87.09, -61.52

 

CMYK 6 / 79 / 0 / 25

HEX #B227BE

RGB 178 39 190

HSL 295.23, 0.66%, 0.45%

LAB 45.13, 70.71, -48.95

 

CMYK 6 / 66 / 0 / 33

HEX #A23AAC

RGB 162 58 172

HSL 294.74, 0.5%, 0.45%

LAB 43.78, 57.74, -40.66

 

CMYK 4 / 50 / 0 / 40

HEX #934C99

RGB 147 76 153

HSL 295.32, 0.34%, 0.45%

LAB 43.76, 41.62, -29.53

 

CMYK 3 / 30 / 0 / 47

HEX #835F87

RGB 131 95 135

HSL 294, 0.17%, 0.45%

LAB 45.3, 21.97, -16.5

 

CMYK 0 / 3 / 0 / 55

HEX #747174

RGB 116 113 116

HSL 300, 0.01%, 0.45%

LAB 47.99, 1.76, -1.25

 

CMYK 50 / 79 / 0 / 25

HEX #5F27BE

RGB 95 39 190

HSL 262.25, 0.66%, 0.45%

LAB 33.14, 56.82, -68.96

 

CMYK 29 / 79 / 0 / 25

HEX #8727BE

RGB 135 39 190

HSL 278.15, 0.66%, 0.45%

LAB 38.41, 62.93, -60.13

 

CMYK 8 / 79 / 0 / 25

HEX #AF27BE

RGB 175 39 190

HSL 294.04, 0.66%, 0.45%

LAB 44.64, 70.14, -49.77

 

CMYK 0 / 79 / 13 / 25

HEX #BE27A5

RGB 190 39 165

HSL 309.93, 0.66%, 0.45%

LAB 45.79, 69.31, -33.03

 

CMYK 0 / 79 / 34 / 25

HEX #BE277D

RGB 190 39 125

HSL 325.83, 0.66%, 0.45%

LAB 44.06, 64.29, -11.5

 

CMYK 7 / 80 / 0 / 52

HEX #72197A

RGB 114 25 122

HSL 295.05, 0.66%, 0.29%

LAB 28.58, 50, -34.77

 

CMYK 6 / 79 / 0 / 39

HEX #92209C

RGB 146 32 156

HSL 295.16, 0.66%, 0.37%

LAB 37.01, 60.59, -42.02

 

CMYK 6 / 79 / 0 / 25

HEX #B227BE

RGB 178 39 190

HSL 295.23, 0.66%, 0.45%

LAB 45.13, 70.71, -48.95

 

CMYK 6 / 74 / 0 / 16

HEX #C938D6

RGB 201 56 214

HSL 295.06, 0.66%, 0.53%

LAB 51.95, 74.28, -51.69

 

CMYK 5 / 59 / 0 / 13

HEX #D25BDD

RGB 210 91 221

HSL 294.92, 0.66%, 0.61%

LAB 58.42, 64.17, -45.3

 

CMYK 7 / 80 / 0 / 25

HEX #B227BF

RGB 178 39 191

HSL 294.87, 0.66%, 0.45%

LAB 45.19, 70.87, -49.44

 

CMYK 0 / 72 / 79 / 25

HEX #BE3627

RGB 190 54 39

HSL 5.96, 0.66%, 0.45%

LAB 43.85, 53.26, 40.44

 

CMYK 79 / 0 / 39 / 25

HEX #27BE73

RGB 39 190 115

HSL 150.2, 0.66%, 0.45%

LAB 68.38, -55.14, 27.3

 

CMYK 7 / 80 / 0 / 25

HEX #B227BF

RGB 178 39 191

HSL 294.87, 0.66%, 0.45%

LAB 45.19, 70.87, -49.44

 

CMYK 0 / 8 / 79 / 25

HEX #BEAF27

RGB 190 175 39

HSL 54.04, 0.66%, 0.45%

LAB 70.7, -8.85, 65.6

 

CMYK 79 / 0 / 8 / 25

HEX #27BEAF

RGB 39 190 175

HSL 174.04, 0.66%, 0.45%

LAB 69.72, -40.85, -3.27

 

CMYK 7 / 80 / 0 / 25

HEX #B227BF

RGB 178 39 191

HSL 294.87, 0.66%, 0.45%

LAB 45.19, 70.87, -49.44

 

CMYK 0 / 72 / 79 / 25

HEX #BE3627

RGB 190 54 39

HSL 5.96, 0.66%, 0.45%

LAB 43.85, 53.26, 40.44

 

CMYK 72 / 0 / 79 / 25

HEX #36BE27

RGB 54 190 39

HSL 114.04, 0.66%, 0.45%

LAB 67.84, -62.51, 60.31

 

CMYK 79 / 8 / 0 / 25

HEX #27AFBE

RGB 39 175 190

HSL 185.96, 0.66%, 0.45%

LAB 65.6, -29.41, -17.71

 

CMYK 7 / 80 / 0 / 25

HEX #B227BF

RGB 178 39 191

HSL 294.87, 0.66%, 0.45%

LAB 45.19, 70.87, -49.44

 

CMYK 0 / 47 / 79 / 25

HEX #BE6427

RGB 190 100 39

HSL 24.24, 0.66%, 0.45%

LAB 52.07, 31.82, 48.52

 

CMYK 72 / 0 / 79 / 25

HEX #36BE27

RGB 54 190 39

HSL 114.04, 0.66%, 0.45%

LAB 67.84, -62.51, 60.31

 

CMYK 79 / 32 / 0 / 25

HEX #2782BE

RGB 39 130 190

HSL 203.84, 0.66%, 0.45%

LAB 51.97, -5.22, -38.79

 

Description

Color code: HEX #B227BF | qconv.com Color code: HEX #B227BF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 39 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 39 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 80 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 80% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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