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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2275C it is the complementary color #4DD8A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2275C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2275C shade: #B72757, #C8396A, #D94B7D, #EA5D90 and #FB6FA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2275C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2275C shade: #B2275C, #A11549, #900336, #7F0023 and #6E0010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2275C shade: #B4275D, #B42737 and #B42727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2275C shade: #B4275D, #B42783, #B427A9, #9927B4 and #7327B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2275C shade matches the following richer shades: #B4275D, #C61659 and #D70455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2275C shade: #B4275D, #A23961, #904B65, #7F5D6A and #6D6E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2275C shade: #B427A8, #B42783, #B4275D, #B42738 and #B43D27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2275C shade: #70193A, #92204B, #B4275D, #D2326F and #DA5487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2275C shade: #B2275C, #B49A27 and #2795B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2275C shade: #B2275C, #5DB427 and #275DB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2275C shade: #B2275C, #B49A27, #27B47E and #2741B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2275C shade: #B2275C, #A3B427, #27B47E and #3827B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 48 / 30

HEX #B2275C

RGB 178 39 92

HSL 337.12, 0.64%, 0.43%

LAB 40.72, 57.88, 3.87

 

Complementary color

CMYK 64 / 0 / 25 / 15

HEX #4DD8A3

RGB 77 216 163

HSL 157.12, 0.64%, 0.57%

LAB 78.07, -49.76, 15.3

 

CMYK 0 / 79 / 52 / 28

HEX #B72757

RGB 183 39 87

HSL 340, 0.65%, 0.44%

LAB 41.54, 58.85, 8.33

 

CMYK 0 / 72 / 47 / 22

HEX #C8396A

RGB 200 57 106

HSL 339.44, 0.57%, 0.5%

LAB 47.3, 59.41, 5.15

 

CMYK 0 / 65 / 42 / 15

HEX #D94B7D

RGB 217 75 125

HSL 338.87, 0.65%, 0.57%

LAB 53.24, 59.37, 2.6

 

CMYK 0 / 60 / 38 / 8

HEX #EA5D90

RGB 234 93 144

HSL 338.3, 0.77%, 0.64%

LAB 59.28, 58.98, 0.53

 

CMYK 0 / 56 / 35 / 2

HEX #FB6FA3

RGB 251 111 163

HSL 337.71, 0.95%, 0.71%

LAB 65.38, 58.39, -1.21

 

CMYK 0 / 78 / 48 / 30

HEX #B2275C

RGB 178 39 92

HSL 337.12, 0.64%, 0.43%

LAB 40.72, 57.88, 3.87

 

CMYK 0 / 87 / 55 / 37

HEX #A11549

RGB 161 21 73

HSL 337.71, 0.77%, 0.36%

LAB 35.19, 56.39, 7.72

 

CMYK 0 / 98 / 63 / 44

HEX #900336

RGB 144 3 54

HSL 338.3, 0.96%, 0.29%

LAB 30.06, 53.68, 12.62

 

CMYK 0 / 100 / 72 / 50

HEX #7F0023

RGB 127 0 35

HSL 343.46, 1%, 0.25%

LAB 25.66, 48.78, 19

 

CMYK 0 / 100 / 85 / 57

HEX #6E0010

RGB 110 0 16

HSL 351.27, 1%, 0.22%

LAB 21.4, 43.5, 25.55

 

CMYK 0 / 78 / 48 / 29

HEX #B4275D

RGB 180 39 93

HSL 337.02, 0.64%, 0.43%

LAB 41.13, 58.52, 3.88

 

CMYK 0 / 78 / 69 / 29

HEX #B42737

RGB 180 39 55

HSL 353.19, 0.64%, 0.43%

LAB 40.3, 55.91, 26.64

 

CMYK 0 / 78 / 78 / 29

HEX #B42727

RGB 180 39 39

HSL 0, 0.64%, 0.43%

LAB 40.08, 55.23, 35.95

 

CMYK 0 / 78 / 48 / 29

HEX #B4275D

RGB 180 39 93

HSL 337.02, 0.64%, 0.43%

LAB 41.13, 58.52, 3.88

 

CMYK 0 / 78 / 27 / 29

HEX #B42783

RGB 180 39 131

HSL 320.85, 0.64%, 0.43%

LAB 42.45, 62.52, -17.81

 

CMYK 0 / 78 / 6 / 29

HEX #B427A9

RGB 180 39 169

HSL 304.68, 0.64%, 0.43%

LAB 44.26, 67.76, -37.94

 

CMYK 15 / 78 / 0 / 29

HEX #9927B4

RGB 153 39 180

HSL 288.51, 0.64%, 0.43%

LAB 40.44, 64.18, -50.82

 

CMYK 36 / 78 / 0 / 29

HEX #7327B4

RGB 115 39 180

HSL 272.34, 0.64%, 0.43%

LAB 34.78, 57.37, -60.25

 

CMYK 0 / 78 / 48 / 29

HEX #B4275D

RGB 180 39 93

HSL 337.02, 0.64%, 0.43%

LAB 41.13, 58.52, 3.88

 

CMYK 0 / 89 / 55 / 22

HEX #C61659

RGB 198 22 89

HSL 337.16, 0.8%, 0.43%

LAB 43.21, 66.74, 9.85

 

CMYK 0 / 98 / 60 / 16

HEX #D70455

RGB 215 4 85

HSL 336.97, 0.96%, 0.43%

LAB 45.89, 72.54, 16.6

 

CMYK 0 / 78 / 48 / 29

HEX #B4275D

RGB 180 39 93

HSL 337.02, 0.64%, 0.43%

LAB 41.13, 58.52, 3.88

 

CMYK 0 / 65 / 40 / 36

HEX #A23961

RGB 162 57 97

HSL 337.14, 0.48%, 0.43%

LAB 40.36, 46.94, -0.15

 

CMYK 0 / 48 / 30 / 44

HEX #904B65

RGB 144 75 101

HSL 337.39, 0.32%, 0.43%

LAB 41.06, 32.23, -1.96

 

CMYK 0 / 27 / 17 / 50

HEX #7F5D6A

RGB 127 93 106

HSL 337.06, 0.15%, 0.43%

LAB 43.33, 16.06, -1.94

 

CMYK 1 / 0 / 0 / 57

HEX #6D6E6E

RGB 109 110 110

HSL 180, 0%, 0.43%

LAB 46.35, -0.38, -0.14

 

CMYK 0 / 78 / 7 / 29

HEX #B427A8

RGB 180 39 168

HSL 305.11, 0.64%, 0.43%

LAB 44.21, 67.61, -37.43

 

CMYK 0 / 78 / 27 / 29

HEX #B42783

RGB 180 39 131

HSL 320.85, 0.64%, 0.43%

LAB 42.45, 62.52, -17.81

 

CMYK 0 / 78 / 48 / 29

HEX #B4275D

RGB 180 39 93

HSL 337.02, 0.64%, 0.43%

LAB 41.13, 58.52, 3.88

 

CMYK 0 / 78 / 69 / 29

HEX #B42738

RGB 180 39 56

HSL 352.77, 0.64%, 0.43%

LAB 40.31, 55.96, 26.04

 

CMYK 0 / 66 / 78 / 29

HEX #B43D27

RGB 180 61 39

HSL 9.36, 0.64%, 0.43%

LAB 43.04, 47.09, 39.03

 

CMYK 0 / 78 / 48 / 56

HEX #70193A

RGB 112 25 58

HSL 337.24, 0.64%, 0.27%

LAB 25.09, 40.1, 1.96

 

CMYK 0 / 78 / 49 / 43

HEX #92204B

RGB 146 32 75

HSL 337.37, 0.64%, 0.35%

LAB 33.25, 49.51, 3.24

 

CMYK 0 / 78 / 48 / 29

HEX #B4275D

RGB 180 39 93

HSL 337.02, 0.64%, 0.43%

LAB 41.13, 58.52, 3.88

 

CMYK 0 / 76 / 47 / 18

HEX #D2326F

RGB 210 50 111

HSL 337.13, 0.64%, 0.51%

LAB 48.42, 64.95, 3.95

 

CMYK 0 / 61 / 38 / 15

HEX #DA5487

RGB 218 84 135

HSL 337.16, 0.64%, 0.59%

LAB 55.07, 56.96, -0.65

 

CMYK 0 / 78 / 48 / 30

HEX #B2275C

RGB 178 39 92

HSL 337.12, 0.64%, 0.43%

LAB 40.72, 57.88, 3.87

 

CMYK 0 / 14 / 78 / 29

HEX #B49A27

RGB 180 154 39

HSL 48.94, 0.64%, 0.43%

LAB 64.13, -2.16, 59.35

 

CMYK 78 / 17 / 0 / 29

HEX #2795B4

RGB 39 149 180

HSL 193.19, 0.64%, 0.43%

LAB 57.29, -19.4, -24.79

 

CMYK 0 / 78 / 48 / 30

HEX #B2275C

RGB 178 39 92

HSL 337.12, 0.64%, 0.43%

LAB 40.72, 57.88, 3.87

 

CMYK 48 / 0 / 78 / 29

HEX #5DB427

RGB 93 180 39

HSL 97.02, 0.64%, 0.43%

LAB 65.84, -49.52, 58.83

 

CMYK 78 / 48 / 0 / 29

HEX #275DB4

RGB 39 93 180

HSL 217.02, 0.64%, 0.43%

LAB 40.5, 14.01, -51.26

 

CMYK 0 / 78 / 48 / 30

HEX #B2275C

RGB 178 39 92

HSL 337.12, 0.64%, 0.43%

LAB 40.72, 57.88, 3.87

 

CMYK 0 / 14 / 78 / 29

HEX #B49A27

RGB 180 154 39

HSL 48.94, 0.64%, 0.43%

LAB 64.13, -2.16, 59.35

 

CMYK 78 / 0 / 30 / 29

HEX #27B47E

RGB 39 180 126

HSL 157.02, 0.64%, 0.43%

LAB 65.42, -49.04, 17.41

 

CMYK 78 / 64 / 0 / 29

HEX #2741B4

RGB 39 65 180

HSL 228.94, 0.64%, 0.43%

LAB 32.93, 32.48, -63.55

 

CMYK 0 / 78 / 48 / 30

HEX #B2275C

RGB 178 39 92

HSL 337.12, 0.64%, 0.43%

LAB 40.72, 57.88, 3.87

 

CMYK 9 / 0 / 78 / 29

HEX #A3B427

RGB 163 180 39

HSL 67.23, 0.64%, 0.43%

LAB 69.88, -23.08, 64.03

 

CMYK 78 / 0 / 30 / 29

HEX #27B47E

RGB 39 180 126

HSL 157.02, 0.64%, 0.43%

LAB 65.42, -49.04, 17.41

 

CMYK 69 / 78 / 0 / 29

HEX #3827B4

RGB 56 39 180

HSL 247.23, 0.64%, 0.43%

LAB 28.35, 49.49, -71.07

 

Description

Color code: HEX #B2275C | qconv.com Color code: HEX #B2275C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 39 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 39 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 48 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 48% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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