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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B22697 it is the complementary color #4DD968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B22697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B22697 shade: #B72692, #C838A5, #D94AB8, #EA5CCB and #FB6EDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B22697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B22697 shade: #B22697, #A11484, #900271, #7F005E and #6E004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B22697 shade: #B12596, #B12570, #B1254B and #B12525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B22697 shade: #B12596, #A625B1, #8025B1, #5B25B1 and #3525B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B22697 shade matches the following richer shades: #B12596, #C214A1 and #D303AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B22697 shade: #B12596, #9F378B, #8E4881, #7D5976 and #6B6B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B22697 shade: #8025B1, #A525B1, #B12597, #B12572 and #B1254D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B22697 shade: #6D175C, #8F1E79, #B12596, #D22DB3 and #DA4FBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B22697 shade: #B22697, #B15B25 and #25B193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B22697 shade: #B22697, #97B125 and #2597B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B22697 shade: #B22697, #B15B25, #25B13F and #257BB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B22697 shade: #B22697, #B18525, #25B13F and #2552B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 15 / 30

HEX #B22697

RGB 178 38 151

HSL 311.57, 0.65%, 0.42%

LAB 42.89, 64.97, -29.33

 

Complementary color

CMYK 65 / 0 / 52 / 15

HEX #4DD968

RGB 77 217 104

HSL 131.57, 0.65%, 0.58%

LAB 77.4, -60.76, 44.44

 

CMYK 0 / 79 / 20 / 28

HEX #B72692

RGB 183 38 146

HSL 315.31, 0.66%, 0.43%

LAB 43.55, 65.42, -25.21

 

CMYK 0 / 72 / 18 / 22

HEX #C838A5

RGB 200 56 165

HSL 314.58, 0.57%, 0.5%

LAB 49.28, 66.54, -27.45

 

CMYK 0 / 66 / 15 / 15

HEX #D94AB8

RGB 217 74 184

HSL 313.85, 0.65%, 0.57%

LAB 55.19, 66.97, -29.18

 

CMYK 0 / 61 / 13 / 8

HEX #EA5CCB

RGB 234 92 203

HSL 313.1, 0.77%, 0.64%

LAB 61.18, 66.96, -30.55

 

CMYK 0 / 56 / 12 / 2

HEX #FB6EDE

RGB 251 110 222

HSL 312.34, 0.95%, 0.71%

LAB 67.23, 66.68, -31.67

 

CMYK 0 / 79 / 15 / 30

HEX #B22697

RGB 178 38 151

HSL 311.57, 0.65%, 0.42%

LAB 42.89, 64.97, -29.33

 

CMYK 0 / 88 / 18 / 37

HEX #A11484

RGB 161 20 132

HSL 312.34, 0.78%, 0.35%

LAB 37.38, 62.86, -26.57

 

CMYK 0 / 99 / 22 / 44

HEX #900271

RGB 144 2 113

HSL 313.1, 0.97%, 0.29%

LAB 32.18, 59.52, -23

 

CMYK 0 / 100 / 26 / 50

HEX #7F005E

RGB 127 0 94

HSL 315.59, 1%, 0.25%

LAB 27.63, 53.92, -18.06

 

CMYK 0 / 100 / 32 / 57

HEX #6E004B

RGB 110 0 75

HSL 319.09, 1%, 0.22%

LAB 23.08, 47.92, -12.7

 

CMYK 0 / 79 / 15 / 31

HEX #B12596

RGB 177 37 150

HSL 311.57, 0.65%, 0.42%

LAB 42.57, 64.87, -29.24

 

CMYK 0 / 79 / 37 / 31

HEX #B12570

RGB 177 37 112

HSL 327.86, 0.65%, 0.42%

LAB 40.96, 60.16, -8.35

 

CMYK 0 / 79 / 58 / 31

HEX #B1254B

RGB 177 37 75

HSL 343.71, 0.65%, 0.42%

LAB 39.88, 56.85, 13.43

 

CMYK 0 / 79 / 79 / 31

HEX #B12525

RGB 177 37 37

HSL 0, 0.65%, 0.42%

LAB 39.25, 54.87, 36.03

 

CMYK 0 / 79 / 15 / 31

HEX #B12596

RGB 177 37 150

HSL 311.57, 0.65%, 0.42%

LAB 42.57, 64.87, -29.24

 

CMYK 6 / 79 / 0 / 31

HEX #A625B1

RGB 166 37 177

HSL 295.29, 0.65%, 0.42%

LAB 42.16, 66.75, -46.17

 

CMYK 28 / 79 / 0 / 31

HEX #8025B1

RGB 128 37 177

HSL 279, 0.65%, 0.42%

LAB 36.15, 59.66, -56.16

 

CMYK 49 / 79 / 0 / 31

HEX #5B25B1

RGB 91 37 177

HSL 263.14, 0.65%, 0.42%

LAB 31.16, 53.74, -64.51

 

CMYK 70 / 79 / 0 / 31

HEX #3525B1

RGB 53 37 177

HSL 246.86, 0.65%, 0.42%

LAB 27.45, 49.28, -70.77

 

CMYK 0 / 79 / 15 / 31

HEX #B12596

RGB 177 37 150

HSL 311.57, 0.65%, 0.42%

LAB 42.57, 64.87, -29.24

 

CMYK 0 / 90 / 17 / 24

HEX #C214A1

RGB 194 20 161

HSL 311.38, 0.81%, 0.42%

LAB 45, 73.4, -31.83

 

CMYK 0 / 99 / 19 / 17

HEX #D303AB

RGB 211 3 171

HSL 311.54, 0.97%, 0.42%

LAB 48.08, 79.61, -32.74

 

CMYK 0 / 79 / 15 / 31

HEX #B12596

RGB 177 37 150

HSL 311.57, 0.65%, 0.42%

LAB 42.57, 64.87, -29.24

 

CMYK 0 / 65 / 13 / 38

HEX #9F378B

RGB 159 55 139

HSL 311.54, 0.49%, 0.42%

LAB 41.16, 52.6, -24.99

 

CMYK 0 / 49 / 9 / 44

HEX #8E4881

RGB 142 72 129

HSL 311.14, 0.33%, 0.42%

LAB 41.17, 37.68, -19.08

 

CMYK 0 / 29 / 6 / 51

HEX #7D5976

RGB 125 89 118

HSL 311.67, 0.17%, 0.42%

LAB 42.48, 19.92, -10.55

 

CMYK 0 / 0 / 0 / 58

HEX #6B6B6B

RGB 107 107 107

HSL 0, 0%, 0.42%

LAB 45.22, 0, -0.01

 

CMYK 28 / 79 / 0 / 31

HEX #8025B1

RGB 128 37 177

HSL 279, 0.65%, 0.42%

LAB 36.15, 59.66, -56.16

 

CMYK 7 / 79 / 0 / 31

HEX #A525B1

RGB 165 37 177

HSL 294.86, 0.65%, 0.42%

LAB 42, 66.55, -46.44

 

CMYK 0 / 79 / 15 / 31

HEX #B12597

RGB 177 37 151

HSL 311.14, 0.65%, 0.42%

LAB 42.62, 65.02, -29.77

 

CMYK 0 / 79 / 36 / 31

HEX #B12572

RGB 177 37 114

HSL 327, 0.65%, 0.42%

LAB 41.03, 60.37, -9.49

 

CMYK 0 / 79 / 56 / 31

HEX #B1254D

RGB 177 37 77

HSL 342.86, 0.65%, 0.42%

LAB 39.93, 56.99, 12.23

 

CMYK 0 / 79 / 16 / 57

HEX #6D175C

RGB 109 23 92

HSL 311.86, 0.65%, 0.26%

LAB 25.67, 44.36, -20.07

 

CMYK 0 / 79 / 15 / 44

HEX #8F1E79

RGB 143 30 121

HSL 311.68, 0.65%, 0.34%

LAB 34.29, 54.88, -24.78

 

CMYK 0 / 79 / 15 / 31

HEX #B12596

RGB 177 37 150

HSL 311.57, 0.65%, 0.42%

LAB 42.57, 64.87, -29.24

 

CMYK 0 / 79 / 15 / 18

HEX #D22DB3

RGB 210 45 179

HSL 311.27, 0.65%, 0.5%

LAB 50.49, 74, -33.67

 

CMYK 0 / 64 / 12 / 15

HEX #DA4FBF

RGB 218 79 191

HSL 311.65, 0.65%, 0.58%

LAB 56.35, 66.3, -31.4

 

CMYK 0 / 79 / 15 / 30

HEX #B22697

RGB 178 38 151

HSL 311.57, 0.65%, 0.42%

LAB 42.89, 64.97, -29.33

 

CMYK 0 / 49 / 79 / 31

HEX #B15B25

RGB 177 91 37

HSL 23.14, 0.65%, 0.42%

LAB 48.21, 31.17, 45.05

 

CMYK 79 / 0 / 17 / 31

HEX #25B193

RGB 37 177 147

HSL 167.14, 0.65%, 0.42%

LAB 64.92, -42.95, 5.16

 

CMYK 0 / 79 / 15 / 30

HEX #B22697

RGB 178 38 151

HSL 311.57, 0.65%, 0.42%

LAB 42.89, 64.97, -29.33

 

CMYK 15 / 0 / 79 / 31

HEX #97B125

RGB 151 177 37

HSL 71.14, 0.65%, 0.42%

LAB 68.14, -26.75, 62.73

 

CMYK 79 / 15 / 0 / 31

HEX #2597B1

RGB 37 151 177

HSL 191.14, 0.65%, 0.42%

LAB 57.75, -21.67, -22.38

 

CMYK 0 / 79 / 15 / 30

HEX #B22697

RGB 178 38 151

HSL 311.57, 0.65%, 0.42%

LAB 42.89, 64.97, -29.33

 

CMYK 0 / 49 / 79 / 31

HEX #B15B25

RGB 177 91 37

HSL 23.14, 0.65%, 0.42%

LAB 48.21, 31.17, 45.05

 

CMYK 79 / 0 / 64 / 31

HEX #25B13F

RGB 37 177 63

HSL 131.14, 0.65%, 0.42%

LAB 63.5, -58.88, 46.84

 

CMYK 79 / 31 / 0 / 31

HEX #257BB1

RGB 37 123 177

HSL 203.14, 0.65%, 0.42%

LAB 49.17, -6.09, -35.71

 

CMYK 0 / 79 / 15 / 30

HEX #B22697

RGB 178 38 151

HSL 311.57, 0.65%, 0.42%

LAB 42.89, 64.97, -29.33

 

CMYK 0 / 25 / 79 / 31

HEX #B18525

RGB 177 133 37

HSL 41.14, 0.65%, 0.42%

LAB 58.28, 7.92, 54.57

 

CMYK 79 / 0 / 64 / 31

HEX #25B13F

RGB 37 177 63

HSL 131.14, 0.65%, 0.42%

LAB 63.5, -58.88, 46.84

 

CMYK 79 / 54 / 0 / 31

HEX #2552B1

RGB 37 82 177

HSL 220.71, 0.65%, 0.42%

LAB 37.12, 19.88, -54.96

 

Description

Color code: HEX #B22697 | qconv.com Color code: HEX #B22697 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 38 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 38 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 15 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 15% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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