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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2219D it is the complementary color #4DDE62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2219D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2219D shade: #B72198, #C833AB, #D945BE, #EA57D1 and #FB69E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2219D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2219D shade: #B2219D, #A10F8A, #900077, #7F0064 and #6E0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2219D shade: #B1209C, #B12075, #B1204E, #B12027 and #B12020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2219D shade: #B1209C, #9F20B1, #7820B1, #5120B1 and #2A20B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2219D shade matches the following richer shades: #B1209C and #C20FA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2219D shade: #B1209C, #A03190, #8F4284, #7E5378 and #6D646C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2219D shade: #7720B1, #9D20B1, #B1209D, #B12077 and #B12051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2219D shade: #6B145E, #8E1A7D, #B1209C, #D427BB and #DD46C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2219D shade: #B2219D, #B15120 and #20B18A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2219D shade: #B2219D, #9DB120 and #209DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2219D shade: #B2219D, #B15120, #20B134 and #2081B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2219D shade: #B2219D, #B17C20, #20B134 and #2055B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 12 / 30

HEX #B2219D

RGB 178 33 157

HSL 308.69, 0.69%, 0.41%

LAB 42.74, 67.11, -33.18

 

Complementary color

CMYK 65 / 0 / 56 / 13

HEX #4DDE62

RGB 77 222 98

HSL 128.69, 0.69%, 0.59%

LAB 78.87, -63.32, 49.01

 

CMYK 0 / 82 / 17 / 28

HEX #B72198

RGB 183 33 152

HSL 312.4, 0.69%, 0.42%

LAB 43.39, 67.49, -29.09

 

CMYK 0 / 75 / 15 / 22

HEX #C833AB

RGB 200 51 171

HSL 311.68, 0.59%, 0.49%

LAB 48.99, 68.98, -31.44

 

CMYK 0 / 68 / 12 / 15

HEX #D945BE

RGB 217 69 190

HSL 310.95, 0.66%, 0.56%

LAB 54.79, 69.69, -33.26

 

CMYK 0 / 63 / 11 / 8

HEX #EA57D1

RGB 234 87 209

HSL 310.2, 0.78%, 0.63%

LAB 60.7, 69.88, -34.7

 

CMYK 0 / 58 / 9 / 2

HEX #FB69E4

RGB 251 105 228

HSL 309.45, 0.95%, 0.7%

LAB 66.68, 69.74, -35.85

 

CMYK 0 / 81 / 12 / 30

HEX #B2219D

RGB 178 33 157

HSL 308.69, 0.69%, 0.41%

LAB 42.74, 67.11, -33.18

 

CMYK 0 / 91 / 14 / 37

HEX #A10F8A

RGB 161 15 138

HSL 309.45, 0.83%, 0.35%

LAB 37.4, 64.52, -30.24

 

CMYK 0 / 100 / 17 / 44

HEX #900077

RGB 144 0 119

HSL 310.42, 1%, 0.28%

LAB 32.39, 60.59, -26.47

 

CMYK 0 / 100 / 21 / 50

HEX #7F0064

RGB 127 0 100

HSL 312.76, 1%, 0.25%

LAB 27.93, 54.69, -21.52

 

CMYK 0 / 100 / 26 / 57

HEX #6E0051

RGB 110 0 81

HSL 315.82, 1%, 0.22%

LAB 23.37, 48.66, -16.31

 

CMYK 0 / 82 / 12 / 31

HEX #B1209C

RGB 177 32 156

HSL 308.69, 0.69%, 0.41%

LAB 42.43, 67, -33.08

 

CMYK 0 / 82 / 34 / 31

HEX #B12075

RGB 177 32 117

HSL 324.83, 0.69%, 0.41%

LAB 40.68, 62.04, -11.9

 

CMYK 0 / 82 / 56 / 31

HEX #B1204E

RGB 177 32 78

HSL 340.97, 0.69%, 0.41%

LAB 39.46, 58.45, 10.95

 

CMYK 0 / 82 / 78 / 31

HEX #B12027

RGB 177 32 39

HSL 357.1, 0.69%, 0.41%

LAB 38.77, 56.34, 34.37

 

CMYK 0 / 82 / 82 / 31

HEX #B12020

RGB 177 32 32

HSL 0, 0.69%, 0.41%

LAB 38.7, 56.12, 38.28

 

CMYK 0 / 82 / 12 / 31

HEX #B1209C

RGB 177 32 156

HSL 308.69, 0.69%, 0.41%

LAB 42.43, 67, -33.08

 

CMYK 10 / 82 / 0 / 31

HEX #9F20B1

RGB 159 32 177

HSL 292.55, 0.69%, 0.41%

LAB 40.54, 66.75, -48.83

 

CMYK 32 / 82 / 0 / 31

HEX #7820B1

RGB 120 32 177

HSL 276.41, 0.69%, 0.41%

LAB 34.4, 59.98, -59.07

 

CMYK 54 / 82 / 0 / 31

HEX #5120B1

RGB 81 32 177

HSL 260.28, 0.69%, 0.41%

LAB 29.3, 54.48, -67.62

 

CMYK 76 / 82 / 0 / 31

HEX #2A20B1

RGB 42 32 177

HSL 244.14, 0.69%, 0.41%

LAB 25.86, 50.85, -73.42

 

CMYK 0 / 82 / 12 / 31

HEX #B1209C

RGB 177 32 156

HSL 308.69, 0.69%, 0.41%

LAB 42.43, 67, -33.08

 

CMYK 0 / 92 / 13 / 24

HEX #C20FA8

RGB 194 15 168

HSL 308.72, 0.86%, 0.41%

LAB 45.13, 74.97, -35.8

 

CMYK 0 / 82 / 12 / 31

HEX #B1209C

RGB 177 32 156

HSL 308.69, 0.69%, 0.41%

LAB 42.43, 67, -33.08

 

CMYK 0 / 69 / 10 / 37

HEX #A03190

RGB 160 49 144

HSL 308.65, 0.53%, 0.41%

LAB 40.71, 56.05, -28.73

 

CMYK 0 / 54 / 8 / 44

HEX #8F4284

RGB 143 66 132

HSL 308.57, 0.37%, 0.41%

LAB 40.25, 41.67, -22.32

 

CMYK 0 / 34 / 5 / 51

HEX #7E5378

RGB 126 83 120

HSL 308.37, 0.21%, 0.41%

LAB 41.18, 24.25, -13.73

 

CMYK 0 / 8 / 1 / 57

HEX #6D646C

RGB 109 100 108

HSL 306.67, 0.04%, 0.41%

LAB 43.43, 5.16, -3.22

 

CMYK 33 / 82 / 0 / 31

HEX #7720B1

RGB 119 32 177

HSL 276, 0.69%, 0.41%

LAB 34.25, 59.82, -59.32

 

CMYK 11 / 82 / 0 / 31

HEX #9D20B1

RGB 157 32 177

HSL 291.72, 0.69%, 0.41%

LAB 40.21, 66.38, -49.39

 

CMYK 0 / 82 / 11 / 31

HEX #B1209D

RGB 177 32 157

HSL 308.28, 0.69%, 0.41%

LAB 42.48, 67.14, -33.6

 

CMYK 0 / 82 / 33 / 31

HEX #B12077

RGB 177 32 119

HSL 324, 0.69%, 0.41%

LAB 40.75, 62.26, -13.03

 

CMYK 0 / 82 / 54 / 31

HEX #B12051

RGB 177 32 81

HSL 339.72, 0.69%, 0.41%

LAB 39.54, 58.67, 9.15

 

CMYK 0 / 81 / 12 / 58

HEX #6B145E

RGB 107 20 94

HSL 308.97, 0.69%, 0.25%

LAB 25.06, 45.16, -22.38

 

CMYK 0 / 82 / 12 / 44

HEX #8E1A7D

RGB 142 26 125

HSL 308.79, 0.69%, 0.33%

LAB 33.92, 56.38, -27.88

 

CMYK 0 / 82 / 12 / 31

HEX #B1209C

RGB 177 32 156

HSL 308.69, 0.69%, 0.41%

LAB 42.43, 67, -33.08

 

CMYK 0 / 82 / 12 / 17

HEX #D427BB

RGB 212 39 187

HSL 308.67, 0.69%, 0.49%

LAB 50.73, 76.95, -37.95

 

CMYK 0 / 68 / 10 / 13

HEX #DD46C7

RGB 221 70 199

HSL 308.74, 0.69%, 0.57%

LAB 55.96, 71.61, -36.56

 

CMYK 0 / 81 / 12 / 30

HEX #B2219D

RGB 178 33 157

HSL 308.69, 0.69%, 0.41%

LAB 42.74, 67.11, -33.18

 

CMYK 0 / 54 / 82 / 31

HEX #B15120

RGB 177 81 32

HSL 20.28, 0.69%, 0.41%

LAB 46.09, 36.23, 45.32

 

CMYK 82 / 0 / 22 / 31

HEX #20B18A

RGB 32 177 138

HSL 163.86, 0.69%, 0.41%

LAB 64.63, -45.74, 9.72

 

CMYK 0 / 81 / 12 / 30

HEX #B2219D

RGB 178 33 157

HSL 308.69, 0.69%, 0.41%

LAB 42.74, 67.11, -33.18

 

CMYK 11 / 0 / 82 / 31

HEX #9DB120

RGB 157 177 32

HSL 68.28, 0.69%, 0.41%

LAB 68.55, -24.41, 64.65

 

CMYK 82 / 11 / 0 / 31

HEX #209DB1

RGB 32 157 177

HSL 188.28, 0.69%, 0.41%

LAB 59.52, -25.24, -19.68

 

CMYK 0 / 81 / 12 / 30

HEX #B2219D

RGB 178 33 157

HSL 308.69, 0.69%, 0.41%

LAB 42.74, 67.11, -33.18

 

CMYK 0 / 54 / 82 / 31

HEX #B15120

RGB 177 81 32

HSL 20.28, 0.69%, 0.41%

LAB 46.09, 36.23, 45.32

 

CMYK 82 / 0 / 71 / 31

HEX #20B134

RGB 32 177 52

HSL 128.28, 0.69%, 0.41%

LAB 63.34, -60.62, 51.21

 

CMYK 82 / 27 / 0 / 31

HEX #2081B1

RGB 32 129 177

HSL 199.86, 0.69%, 0.41%

LAB 50.9, -10.1, -33

 

CMYK 0 / 81 / 12 / 30

HEX #B2219D

RGB 178 33 157

HSL 308.69, 0.69%, 0.41%

LAB 42.74, 67.11, -33.18

 

CMYK 0 / 30 / 82 / 31

HEX #B17C20

RGB 177 124 32

HSL 38.07, 0.69%, 0.41%

LAB 55.95, 12.75, 54.28

 

CMYK 82 / 0 / 71 / 31

HEX #20B134

RGB 32 177 52

HSL 128.28, 0.69%, 0.41%

LAB 63.34, -60.62, 51.21

 

CMYK 82 / 52 / 0 / 31

HEX #2055B1

RGB 32 85 177

HSL 218.07, 0.69%, 0.41%

LAB 37.8, 17.38, -53.86

 

Description

Color code: HEX #B2219D | qconv.com Color code: HEX #B2219D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 33 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 33 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 12 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 12% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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