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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2206F it is the complementary color #4DDF90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2206F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2206F shade: #B7206A, #C8327D, #D94490, #EA56A3 and #FB68B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2206F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2206F shade: #B2206F, #A10E5C, #900049, #7F0036 and #6E0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2206F shade: #B21F6F, #B21F47, #B21F20 and #B21F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2206F shade: #B21F6F, #B21F96, #A61FB2, #7E1FB2 and #571FB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2206F shade matches the following richer shades: #B21F6F and #C30E70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2206F shade: #B21F6F, #A1306D, #90416C, #7F526A and #6E6369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2206F shade: #A61FB2, #B21F97, #B21F70, #B21F49 and #B21F22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2206F shade: #6C1343, #8F1959, #B21F6F, #D52684 and #DE4598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2206F shade: #B2206F, #B27F1F and #1FAAB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2206F shade: #B2206F, #70B21F and #1F70B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2206F shade: #B2206F, #B27F1F, #1FB261 and #1F53B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2206F shade: #B2206F, #B2AA1F, #1FB261 and #1F27B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 38 / 30

HEX #B2206F

RGB 178 32 111

HSL 327.53, 0.7%, 0.41%

LAB 40.65, 61.64, -8.18

 

Complementary color

CMYK 65 / 0 / 35 / 13

HEX #4DDF90

RGB 77 223 144

HSL 147.53, 0.7%, 0.59%

LAB 79.82, -56.42, 27.62

 

CMYK 0 / 83 / 42 / 28

HEX #B7206A

RGB 183 32 106

HSL 330.6, 0.7%, 0.42%

LAB 41.44, 62.39, -3.77

 

CMYK 0 / 75 / 38 / 22

HEX #C8327D

RGB 200 50 125

HSL 330, 0.6%, 0.49%

LAB 47.03, 63.62, -6.86

 

CMYK 0 / 69 / 34 / 15

HEX #D94490

RGB 217 68 144

HSL 329.4, 0.66%, 0.56%

LAB 52.84, 64.09, -9.3

 

CMYK 0 / 63 / 30 / 8

HEX #EA56A3

RGB 234 86 163

HSL 328.78, 0.78%, 0.63%

LAB 58.78, 64.07, -11.27

 

CMYK 0 / 59 / 27 / 2

HEX #FB68B6

RGB 251 104 182

HSL 328.16, 0.95%, 0.7%

LAB 64.79, 63.76, -12.89

 

CMYK 0 / 82 / 38 / 30

HEX #B2206F

RGB 178 32 111

HSL 327.53, 0.7%, 0.41%

LAB 40.65, 61.64, -8.18

 

CMYK 0 / 91 / 43 / 37

HEX #A10E5C

RGB 161 14 92

HSL 328.16, 0.84%, 0.34%

LAB 35.33, 59.28, -4.4

 

CMYK 0 / 100 / 49 / 44

HEX #900049

RGB 144 0 73

HSL 329.58, 1%, 0.28%

LAB 30.42, 55.54, 0.42

 

CMYK 0 / 100 / 57 / 50

HEX #7F0036

RGB 127 0 54

HSL 334.49, 1%, 0.25%

LAB 26.09, 49.94, 6.56

 

CMYK 0 / 100 / 68 / 57

HEX #6E0023

RGB 110 0 35

HSL 340.91, 1%, 0.22%

LAB 21.71, 44.34, 13.16

 

CMYK 0 / 83 / 38 / 30

HEX #B21F6F

RGB 178 31 111

HSL 327.35, 0.7%, 0.41%

LAB 40.56, 61.89, -8.31

 

CMYK 0 / 83 / 60 / 30

HEX #B21F47

RGB 178 31 71

HSL 343.67, 0.7%, 0.41%

LAB 39.41, 58.49, 15.37

 

CMYK 0 / 83 / 82 / 30

HEX #B21F20

RGB 178 31 32

HSL 359.59, 0.7%, 0.41%

LAB 38.81, 56.67, 38.46

 

CMYK 0 / 83 / 83 / 30

HEX #B21F1F

RGB 178 31 31

HSL 0, 0.7%, 0.41%

LAB 38.8, 56.64, 39

 

CMYK 0 / 83 / 38 / 30

HEX #B21F6F

RGB 178 31 111

HSL 327.35, 0.7%, 0.41%

LAB 40.56, 61.89, -8.31

 

CMYK 0 / 83 / 16 / 30

HEX #B21F96

RGB 178 31 150

HSL 311.43, 0.7%, 0.41%

LAB 42.23, 66.6, -29.77

 

CMYK 7 / 83 / 0 / 30

HEX #A61FB2

RGB 166 31 178

HSL 295.1, 0.7%, 0.41%

LAB 41.69, 68.46, -47.51

 

CMYK 29 / 83 / 0 / 30

HEX #7E1FB2

RGB 126 31 178

HSL 278.78, 0.7%, 0.41%

LAB 35.26, 61.47, -58.22

 

CMYK 51 / 83 / 0 / 30

HEX #571FB2

RGB 87 31 178

HSL 262.86, 0.7%, 0.41%

LAB 29.96, 55.86, -67.11

 

CMYK 0 / 83 / 38 / 30

HEX #B21F6F

RGB 178 31 111

HSL 327.35, 0.7%, 0.41%

LAB 40.56, 61.89, -8.31

 

CMYK 0 / 93 / 43 / 24

HEX #C30E70

RGB 195 14 112

HSL 327.51, 0.87%, 0.41%

LAB 42.89, 69, -5.1

 

CMYK 0 / 83 / 38 / 30

HEX #B21F6F

RGB 178 31 111

HSL 327.35, 0.7%, 0.41%

LAB 40.56, 61.89, -8.31

 

CMYK 0 / 70 / 32 / 37

HEX #A1306D

RGB 161 48 109

HSL 327.61, 0.54%, 0.41%

LAB 39.23, 51.77, -9.37

 

CMYK 0 / 55 / 25 / 44

HEX #90416C

RGB 144 65 108

HSL 327.34, 0.38%, 0.41%

LAB 39.23, 38.59, -9.03

 

CMYK 0 / 35 / 17 / 50

HEX #7F526A

RGB 127 82 106

HSL 328, 0.22%, 0.41%

LAB 40.55, 22.61, -6.05

 

CMYK 0 / 10 / 5 / 57

HEX #6E6369

RGB 110 99 105

HSL 327.27, 0.05%, 0.41%

LAB 43.15, 5.54, -1.8

 

CMYK 7 / 83 / 0 / 30

HEX #A61FB2

RGB 166 31 178

HSL 295.1, 0.7%, 0.41%

LAB 41.69, 68.46, -47.51

 

CMYK 0 / 83 / 15 / 30

HEX #B21F97

RGB 178 31 151

HSL 311.02, 0.7%, 0.41%

LAB 42.28, 66.74, -30.3

 

CMYK 0 / 83 / 37 / 30

HEX #B21F70

RGB 178 31 112

HSL 326.94, 0.7%, 0.41%

LAB 40.6, 61.99, -8.88

 

CMYK 0 / 83 / 59 / 30

HEX #B21F49

RGB 178 31 73

HSL 342.86, 0.7%, 0.41%

LAB 39.46, 58.62, 14.16

 

CMYK 0 / 83 / 81 / 30

HEX #B21F22

RGB 178 31 34

HSL 358.78, 0.7%, 0.41%

LAB 38.83, 56.73, 37.37

 

CMYK 0 / 82 / 38 / 58

HEX #6C1343

RGB 108 19 67

HSL 327.64, 0.7%, 0.25%

LAB 23.87, 41.96, -6.09

 

CMYK 0 / 83 / 38 / 44

HEX #8F1959

RGB 143 25 89

HSL 327.46, 0.7%, 0.33%

LAB 32.38, 52.19, -7.24

 

CMYK 0 / 83 / 38 / 30

HEX #B21F6F

RGB 178 31 111

HSL 327.35, 0.7%, 0.41%

LAB 40.56, 61.89, -8.31

 

CMYK 0 / 82 / 38 / 16

HEX #D52684

RGB 213 38 132

HSL 327.77, 0.7%, 0.49%

LAB 48.51, 70.86, -8.66

 

CMYK 0 / 69 / 32 / 13

HEX #DE4598

RGB 222 69 152

HSL 327.45, 0.7%, 0.57%

LAB 54.08, 66, -12.09

 

CMYK 0 / 82 / 38 / 30

HEX #B2206F

RGB 178 32 111

HSL 327.53, 0.7%, 0.41%

LAB 40.65, 61.64, -8.18

 

CMYK 0 / 29 / 83 / 30

HEX #B27F1F

RGB 178 127 31

HSL 39.18, 0.7%, 0.41%

LAB 56.82, 11.5, 55.44

 

CMYK 83 / 4 / 0 / 30

HEX #1FAAB2

RGB 31 170 178

HSL 183.27, 0.7%, 0.41%

LAB 63.55, -31.43, -14.13

 

CMYK 0 / 82 / 38 / 30

HEX #B2206F

RGB 178 32 111

HSL 327.53, 0.7%, 0.41%

LAB 40.65, 61.64, -8.18

 

CMYK 37 / 0 / 83 / 30

HEX #70B21F

RGB 112 178 31

HSL 86.94, 0.7%, 0.41%

LAB 66.05, -42.75, 61.64

 

CMYK 83 / 37 / 0 / 30

HEX #1F70B2

RGB 31 112 178

HSL 206.94, 0.7%, 0.41%

LAB 45.76, 0.3, -41.68

 

CMYK 0 / 82 / 38 / 30

HEX #B2206F

RGB 178 32 111

HSL 327.53, 0.7%, 0.41%

LAB 40.65, 61.64, -8.18

 

CMYK 0 / 29 / 83 / 30

HEX #B27F1F

RGB 178 127 31

HSL 39.18, 0.7%, 0.41%

LAB 56.82, 11.5, 55.44

 

CMYK 83 / 0 / 46 / 30

HEX #1FB261

RGB 31 178 97

HSL 146.94, 0.7%, 0.41%

LAB 64.16, -54.99, 31.15

 

CMYK 83 / 53 / 0 / 30

HEX #1F53B2

RGB 31 83 178

HSL 218.78, 0.7%, 0.41%

LAB 37.28, 19.01, -55.29

 

CMYK 0 / 82 / 38 / 30

HEX #B2206F

RGB 178 32 111

HSL 327.53, 0.7%, 0.41%

LAB 40.65, 61.64, -8.18

 

CMYK 0 / 4 / 83 / 30

HEX #B2AA1F

RGB 178 170 31

HSL 56.73, 0.7%, 0.41%

LAB 68.25, -11.79, 65.32

 

CMYK 83 / 0 / 46 / 30

HEX #1FB261

RGB 31 178 97

HSL 146.94, 0.7%, 0.41%

LAB 64.16, -54.99, 31.15

 

CMYK 83 / 78 / 0 / 30

HEX #1F27B2

RGB 31 39 178

HSL 236.73, 0.7%, 0.41%

LAB 26.61, 46.95, -72.79

 

Description

Color code: HEX #B2206F | qconv.com Color code: HEX #B2206F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 32 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 32 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 38 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 38% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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