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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B218C6 it is the complementary color #4DE739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B218C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B218C6 shade: #B718C1, #C82AD4, #D93CE7, #EA4EFA and #FB60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B218C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B218C6 shade: #B218C6, #A106B3, #9000A0, #7F008D and #6E007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B218C6 shade: #B419C8, #C819AD, #C8197D, #C8194E and #C8191F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B218C6 shade: #B419C8, #8419C8, #5519C8, #2619C8 and #1919C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B218C6 shade matches the following richer shades: #B419C8 and #C207DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B218C6 shade: #B419C8, #A62BB6, #983DA3, #8A4F91 and #7C617F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B218C6 shade: #5619C8, #8519C8, #B319C8, #C819AD and #C8197F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B218C6 shade: #72107E, #9314A3, #B419C8, #CE26E4 and #D64AE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B218C6 shade: #B218C6, #C82719 and #19C86D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B218C6 shade: #B218C6, #C8B319 and #19C8B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B218C6 shade: #B218C6, #C82719, #2DC819 and #19B9C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B218C6 shade: #B218C6, #C85C19, #2DC819 and #1985C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 88 / 0 / 22

HEX #B218C6

RGB 178 24 198

HSL 293.1, 0.78%, 0.44%

LAB 44.51, 75.31, -54.61

 

Complementary color

CMYK 67 / 0 / 75 / 9

HEX #4DE739

RGB 77 231 57

HSL 113.1, 0.78%, 0.56%

LAB 81.31, -70.23, 67.9

 

CMYK 5 / 88 / 0 / 24

HEX #B718C1

RGB 183 24 193

HSL 296.45, 0.78%, 0.43%

LAB 45.04, 75.35, -50.8

 

CMYK 6 / 80 / 0 / 17

HEX #C82AD4

RGB 200 42 212

HSL 295.76, 0.67%, 0.5%

LAB 50.32, 77.67, -53.16

 

CMYK 6 / 74 / 0 / 9

HEX #D93CE7

RGB 217 60 231

HSL 295.09, 0.78%, 0.57%

LAB 55.84, 79.05, -54.96

 

CMYK 6 / 69 / 0 / 2

HEX #EA4EFA

RGB 234 78 250

HSL 294.42, 0.95%, 0.64%

LAB 61.52, 79.76, -56.35

 

CMYK 2 / 62 / 0 / 0

HEX #FB60FF

RGB 251 96 255

HSL 298.49, 1%, 0.69%

LAB 66.59, 77.67, -50.9

 

CMYK 10 / 88 / 0 / 22

HEX #B218C6

RGB 178 24 198

HSL 293.1, 0.78%, 0.44%

LAB 44.51, 75.31, -54.61

 

CMYK 10 / 97 / 0 / 30

HEX #A106B3

RGB 161 6 179

HSL 293.76, 0.94%, 0.36%

LAB 39.52, 71.83, -51.65

 

CMYK 10 / 100 / 0 / 37

HEX #9000A0

RGB 144 0 160

HSL 294, 1%, 0.31%

LAB 34.94, 66.76, -47.8

 

CMYK 10 / 100 / 0 / 45

HEX #7F008D

RGB 127 0 141

HSL 294.04, 1%, 0.28%

LAB 30.48, 60.9, -43.5

 

CMYK 10 / 100 / 0 / 52

HEX #6E007A

RGB 110 0 122

HSL 294.1, 1%, 0.24%

LAB 25.92, 54.9, -39.09

 

CMYK 10 / 88 / 0 / 22

HEX #B419C8

RGB 180 25 200

HSL 293.14, 0.78%, 0.44%

LAB 45.04, 75.8, -54.9

 

CMYK 0 / 88 / 14 / 22

HEX #C819AD

RGB 200 25 173

HSL 309.26, 0.78%, 0.44%

LAB 46.96, 75.39, -35.81

 

CMYK 0 / 88 / 38 / 22

HEX #C8197D

RGB 200 25 125

HSL 325.71, 0.78%, 0.44%

LAB 44.88, 69.76, -10.08

 

CMYK 0 / 88 / 61 / 22

HEX #C8194E

RGB 200 25 78

HSL 341.83, 0.78%, 0.44%

LAB 43.54, 66.01, 17.28

 

CMYK 0 / 88 / 85 / 22

HEX #C8191F

RGB 200 25 31

HSL 357.94, 0.78%, 0.44%

LAB 42.87, 64.07, 44.41

 

CMYK 10 / 88 / 0 / 22

HEX #B419C8

RGB 180 25 200

HSL 293.14, 0.78%, 0.44%

LAB 45.04, 75.8, -54.9

 

CMYK 34 / 88 / 0 / 22

HEX #8419C8

RGB 132 25 200

HSL 276.69, 0.78%, 0.44%

LAB 37.43, 68.53, -67.61

 

CMYK 58 / 88 / 0 / 22

HEX #5519C8

RGB 85 25 200

HSL 260.57, 0.78%, 0.44%

LAB 31.34, 63.23, -77.84

 

CMYK 81 / 88 / 0 / 22

HEX #2619C8

RGB 38 25 200

HSL 244.46, 0.78%, 0.44%

LAB 27.51, 60.27, -84.31

 

CMYK 88 / 88 / 0 / 22

HEX #1919C8

RGB 25 25 200

HSL 240, 0.78%, 0.44%

LAB 26.94, 59.86, -85.28

 

CMYK 10 / 88 / 0 / 22

HEX #B419C8

RGB 180 25 200

HSL 293.14, 0.78%, 0.44%

LAB 45.04, 75.8, -54.9

 

CMYK 11 / 97 / 0 / 15

HEX #C207DA

RGB 194 7 218

HSL 293.18, 0.94%, 0.44%

LAB 47.86, 83.06, -60.61

 

CMYK 10 / 88 / 0 / 22

HEX #B419C8

RGB 180 25 200

HSL 293.14, 0.78%, 0.44%

LAB 45.04, 75.8, -54.9

 

CMYK 9 / 76 / 0 / 29

HEX #A62BB6

RGB 166 43 182

HSL 293.09, 0.62%, 0.44%

LAB 43.08, 65.84, -47.65

 

CMYK 7 / 63 / 0 / 36

HEX #983DA3

RGB 152 61 163

HSL 293.53, 0.46%, 0.44%

LAB 42.24, 52.32, -37.85

 

CMYK 5 / 46 / 0 / 43

HEX #8A4F91

RGB 138 79 145

HSL 293.64, 0.29%, 0.44%

LAB 42.82, 35.63, -26.27

 

CMYK 2 / 24 / 0 / 50

HEX #7C617F

RGB 124 97 127

HSL 294, 0.13%, 0.44%

LAB 44.75, 16.59, -12.59

 

CMYK 57 / 88 / 0 / 22

HEX #5619C8

RGB 86 25 200

HSL 260.91, 0.78%, 0.44%

LAB 31.45, 63.32, -77.66

 

CMYK 34 / 88 / 0 / 22

HEX #8519C8

RGB 133 25 200

HSL 277.03, 0.78%, 0.44%

LAB 37.58, 68.66, -67.36

 

CMYK 11 / 88 / 0 / 22

HEX #B319C8

RGB 179 25 200

HSL 292.8, 0.78%, 0.44%

LAB 44.87, 75.64, -55.18

 

CMYK 0 / 88 / 14 / 22

HEX #C819AD

RGB 200 25 173

HSL 309.26, 0.78%, 0.44%

LAB 46.96, 75.39, -35.81

 

CMYK 0 / 88 / 37 / 22

HEX #C8197F

RGB 200 25 127

HSL 325.03, 0.78%, 0.44%

LAB 44.95, 69.96, -11.2

 

CMYK 10 / 87 / 0 / 51

HEX #72107E

RGB 114 16 126

HSL 293.45, 0.77%, 0.28%

LAB 27.99, 53.23, -38.25

 

CMYK 10 / 88 / 0 / 36

HEX #9314A3

RGB 147 20 163

HSL 293.29, 0.78%, 0.36%

LAB 36.65, 64.89, -46.83

 

CMYK 10 / 88 / 0 / 22

HEX #B419C8

RGB 180 25 200

HSL 293.14, 0.78%, 0.44%

LAB 45.04, 75.8, -54.9

 

CMYK 10 / 83 / 0 / 11

HEX #CE26E4

RGB 206 38 228

HSL 293.05, 0.78%, 0.52%

LAB 51.96, 82.23, -59.58

 

CMYK 8 / 68 / 0 / 9

HEX #D64AE9

RGB 214 74 233

HSL 292.83, 0.78%, 0.6%

LAB 57.15, 74.07, -54.02

 

CMYK 10 / 88 / 0 / 22

HEX #B218C6

RGB 178 24 198

HSL 293.1, 0.78%, 0.44%

LAB 44.51, 75.31, -54.61

 

CMYK 0 / 81 / 88 / 22

HEX #C82719

RGB 200 39 25

HSL 4.8, 0.78%, 0.44%

LAB 43.95, 60.77, 48.22

 

CMYK 88 / 0 / 46 / 22

HEX #19C86D

RGB 25 200 109

HSL 148.8, 0.78%, 0.44%

LAB 71.3, -61.06, 34.16

 

CMYK 10 / 88 / 0 / 22

HEX #B218C6

RGB 178 24 198

HSL 293.1, 0.78%, 0.44%

LAB 44.51, 75.31, -54.61

 

CMYK 0 / 11 / 88 / 22

HEX #C8B319

RGB 200 179 25

HSL 52.8, 0.78%, 0.44%

LAB 72.62, -6.93, 71.13

 

CMYK 88 / 0 / 11 / 22

HEX #19C8B3

RGB 25 200 179

HSL 172.8, 0.78%, 0.44%

LAB 72.74, -45.15, -1.04

 

CMYK 10 / 88 / 0 / 22

HEX #B218C6

RGB 178 24 198

HSL 293.1, 0.78%, 0.44%

LAB 44.51, 75.31, -54.61

 

CMYK 0 / 81 / 88 / 22

HEX #C82719

RGB 200 39 25

HSL 4.8, 0.78%, 0.44%

LAB 43.95, 60.77, 48.22

 

CMYK 78 / 0 / 88 / 22

HEX #2DC819

RGB 45 200 25

HSL 113.14, 0.78%, 0.44%

LAB 70.83, -67.67, 66.43

 

CMYK 88 / 8 / 0 / 22

HEX #19B9C8

RGB 25 185 200

HSL 185.14, 0.78%, 0.44%

LAB 68.81, -32.16, -18.39

 

CMYK 10 / 88 / 0 / 22

HEX #B218C6

RGB 178 24 198

HSL 293.1, 0.78%, 0.44%

LAB 44.51, 75.31, -54.61

 

CMYK 0 / 54 / 88 / 22

HEX #C85C19

RGB 200 92 25

HSL 22.97, 0.78%, 0.44%

LAB 51.84, 39.57, 54.52

 

CMYK 78 / 0 / 88 / 22

HEX #2DC819

RGB 45 200 25

HSL 113.14, 0.78%, 0.44%

LAB 70.83, -67.67, 66.43

 

CMYK 88 / 34 / 0 / 22

HEX #1985C8

RGB 25 133 200

HSL 202.97, 0.78%, 0.44%

LAB 53.12, -4.46, -42.69

 

Description

Color code: HEX #B218C6 | qconv.com Color code: HEX #B218C6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 24 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 24 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 88 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 88% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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